After Jin Yong finished reading it, I was very lost. ...

After reading Mr. Jin Yong's book, I am also very lost! ?

What are the loopholes in the common sense of food in Jin Yong's novels?

1、? Corn?

The second time in the legendary swordsman: "The peasant woman came out of the house with four cooked corn cobs in her hand." ?

Chapter 6 of The Condor Heroes: "He (Yang Guo) has been wandering in the Jianghu since he was a child, and it's really good to find something to eat. Looking around, he saw a big piece of corn growing on the western hillside, so he picked five sticks. The corn is not ripe yet, but it can be eaten. " ?

Sword stained with royal blood (1): "The old woman took out some tortillas to entertain the guests and burned a pot of hot water for them to drink. Zhang ate a tortilla?

It is common sense that corn is not native to China. Corn originated in America and was not introduced to Europe until 1494 when Columbus returned from America. It is estimated that it was first introduced to China in the middle of16th century (the earliest record now is the government of Pingliang, Gansu Province in the thirty-ninth year of Jiajing (1560), which was then called "Fanmai"). ?

If Lin Pingzhi can really eat "cooked corn on the cob" in the mountainous areas of Fujian, it is estimated that it will be in 1577 at the earliest (Fujian began to plant corn this year). However, the legendary swordsman's background is uncertain, and this book is full of this specious historical background. In Sword with Royal Blood, it is still possible for Zhang to eat tortillas in Guangdong, but this is also based on an unreliable assumption: the old lady is a local rural pacesetter, and she introduced such a novel foreign variety that Zhang actually knew it was tortillas. ?

However, if Yang Guo wants to find a cornfield on the hillside of Shaanxi, it will take at least three or four hundred years-but with a stroke of a pen, Jin Yong airlifted five corn cobs to Yang Guo! Of course, he is not only so kind to Yang Guo, as we will see below, he is also so generous to Yang Guo's grandfather.

2、? Peanut, broad bean and pumpkin?

Legend of the condor hero (1): "(Qu 3) Slowly scald two pots of yellow rice wine, give a dish of broad beans, a dish of salted peanuts, a dish of dried tofu and three slices of salted eggs." ? "Yang Tiexin see a pot of wine has been finished, it is a pot, three people will lambaste Qin Gui. The lame man brought another dish of broad beans and peanuts. ""Sometimes, the two will go to a small hotel to drink a few pots, and Qu San, the lame man, will also cook wine and bring drinks such as broad beans and peanuts. " ?

"Dragon Eight Branches" 20 times: "(Xiao Feng) saw a lot of dry food such as cooked meat, fried rice, dates, peanuts, dried fish, and even better, there was a big jar of wine." ?

The legendary swordsman (1): The old man said, "Yes, yes! Men want to drink, first use some beef, broad beans and peanuts. " ?

The legendary swordsman returned for the second time: "Dr. Tea made a pot of tea and served a plate of pumpkin seeds and a plate of broad beans." ?

The legendary swordsman replied for the 25th time: "(Ling Huchong) picked up the wine bowl and gulped it down again. There was nothing to drink in the shop, so he grabbed a few salted peanuts and threw them into his mouth. " ?

Broad beans, peanuts and pumpkin seeds are written as common drinks here, but these three crops, like corn, are all native to China and were introduced from abroad very late. ? Vicia faba was introduced to China from Persia in the Yuan Dynasty (refer to the authoritative work in this field: Laufer's China Iranian Pea and Vicia faba), and it was not planted on a large scale until the Ming Dynasty. ?

Peanuts and pumpkins are American plants, which began to spread in the old world after Columbus discovered the new world. Peanut was introduced to China much later than broad bean, and it was introduced to China in about1530s, but the speed of its introduction from the coast to the inland was very slow. Until the end of Qianlong period, peanuts were still a rare feast food (see chapter 8 "Land Use and Food Production" of Population Decline in the Early Ming Dynasty by He Bingdi about the spread of American crops in China). )。 ?

In the legendary swordsman, peanuts in the inland city of Wuhan are also described as a very common drink, even known to the residents of Wudang Mountain in the inland (in the 26th time, disciples of Wutangmen pretended to be an old farmer and laughed at Ling Huchong as "melon seeds peanuts"). This situation will never be earlier than 1700. ?

In The Legend of the Condor Heroes, in A.D. 1 199, a poor village in Lin 'an broke down, and Qu San was able to import grain (broad beans and peanuts) from Persia and America. Guo and Yang were shocked. At that time, they didn't even read the novel "Eating Goods", so they didn't care. It stands to reason that they should at least grab Qu San and drink: "Wu!" What's the retail price? "However, considering that Qu San, the lame man, is from the Peach Blossom Island with high feet and first-class martial arts knowledge, it is not surprising that he has been to America before Columbus. ?

There may even be people who have been to America before Qu San: Xiao Yuanshan, the hero of Qidan in the Northern Song Dynasty, also brought some peanuts to his son Feng Xiao as a drink. Xiao Feng is a real carnivore in Eight Branches of Long Qie. He always cuts a few catties of beef and mutton when ordering food. It is obviously meaningful for Xiao Yuanshan to leave such precious and rare foreign food as peanuts. I, China, arrived in America earlier than Columbus. Here's one more piece of evidence. ?

3、? Watermelon?

Legend of the Condor Heroes 23: "(Huang Rong) went to the village and bought a car full of watermelons." ?

The fifth time of the legendary swordsman: "(Yilin) walked more than two miles and saw several acres of Gua Tian, which was full of watermelons." ?

The word "watermelon" is not Chinese, but originated from Jurchen language (refer to Chinese loanwords Dictionary). This plant originally did not belong to China, but was produced in West Asia. It was introduced to the western regions in the Five Dynasties and the Northern Song Dynasty, and then to the Southern Song Dynasty from the State of Jin. However, the extensive cultivation of watermelons probably had to wait until the Qing Dynasty returned to Xinjiang, that is, in the Chen Jialuo era (refer to [America] Laufer's Watermelon?

At that time, in Huang Rong, watermelon was an imported seasonal fruit, which had not been introduced for many years. She actually bought a batch of goods at one go. Although girls love fruits and are generous, they can buy them in Niujia Village. When Huang Rong put the watermelon on his head for 24 times, Sha and others were scared away when they saw "a green ball, a green ball". Presumably, although the Ghost Gate Dragon King is knowledgeable, he doesn't know that this is the legendary watermelon. ?

In the fifth episode of the legendary swordsman, the scene of a midsummer night is described. Hengshan County also has ordinary countryside and "several acres of Gua Tian", which is similar to the scene during the Qianlong period of the Qing Dynasty. ?

4、? Ginseng?

"Dragon Eight Branches" episode 26: "After months of haste, winter goes and spring comes, Ah Zi lives on ginseng every day." ?

In the Eight Dragons story, A Zi's three life-saving magic weapons in Changbai Mountain are ginseng, bear gall and tiger bone. Xiao Feng was also reminded that ginseng has curative effect, so he went to Changbai Mountain-it can be seen that ginseng can save his life, and the idea that ginseng is the best place of origin in Changbai Mountain has been deeply rooted in people's hearts, even people like Xiao Feng who don't read much know it. Liang Ziweng in The Legend of the Condor Heroes was originally a foreigner. Now that I have a career like cameo, I can see that I paid attention to this thing at that time. ?

But in history, ginseng has not had such a status for a long time. Sui dynasty was once regarded as a demon grass, while Tang dynasty only regarded it as a fashionable drink like tea, while Song people only regarded it as a gift like dried fruit, and did not think it had any medicinal effects. The idea that ginseng can cure all diseases and Changbai Mountain ginseng is the top grade only rose in the late Ming Dynasty (see Yi Hua's article "Worship of Ginseng"). ?

"Liancheng Tactics" also mentioned that Ding Dian transported the ginseng outside the customs to Hankou to do business. In the chivalrous journey, the three-year-old ladies of the four major sects in Kanto have a good horse and many participants. These ginseng trade has reached the scene of industrialization, which is roughly a matter of the Qing Dynasty. ?

5、? Pepper?

"Dragon's Eight Branches" 1 1: "From then on, all the way to the east, after more than 20 days, Duan Yu listened to the accent of passers-by and gradually felt elegant and soft, and there was no pepper in the dish." ?

Lian Cheng Ji (1): "That girl (Qi Fang) is seventeen or eighteen years old ... her face is as red as a string of red peppers hanging under the eaves." ?

In the above two places, it is obvious that Jin Yong thinks that all foods in Yunnan, Guizhou, Sichuan and Hunan love to eat chilies, but chilies, like corn, peanuts, pumpkins and tobacco, are all American agricultural products, which were introduced to China in the late Ming Dynasty. The traditional spice in China is not pepper, but mainly pepper. Moreover, pepper was only used as an ornamental plant at first, and then it was used as a dish. According to historical records, the earliest time to eat Chili in Guizhou and Hunan was during the reign of Qing Qianlong, usually after Daoguang. (See Lan Yong's Spicy Culture and Pepper Revolution in China, Southern Weekend, 2002- 1-24)?

Therefore, it's not that there is no pepper in Duan Yu's food, but that he may never have eaten pepper unless Kumamoto took him to the United States and came back. However, since Duan Yu later drank Biluochun tea in Suzhou Yanziwu, it only appeared 600 years later, there may not be two things going back in time. ?

6、? Apple?

Back to 16 of "Eternal Dragon Slayer": "(Zhang Wuji) picked some unknown fruits from a dwarf tree and held them in his hand. He smelled a sweet smell and took a bite, which made it more delicious. Peaches are not so crisp, apples are not so sweet, and pears are not so greasy. " ?

Jin Yong didn't say that this kind of fruit is an apple here. In fact, Zhang Wuji can't even compare with apples. Because apples were introduced to China at the end of Yuan Dynasty, they could only be enjoyed at the court. At that time, it was impossible for a ragged teenager to eat them. The name "Apple" did not appear until the Ming Dynasty. ?

Liang Yusheng wrote in the first 1 reply of The Legend of the Glacier Girl that Chen Tianyu "split the fruit to save the beauty" and split a golden apple, but that was already in the Qianlong period, and there is no risk of historical problems. ?

There are even more lost, let's talk about it another day! ?

Add: The sword Jianghu mentioned by my dear friend is a fake of Gu Long. Romantic style of famous sword and rain of fragrant sword are Mr. Gu Long's early works. Mr. Gu Long 1960 began to write martial arts novels. I suggest you look at his works after 1967, most of which are several times more exciting than the early ones! ?

I am even more depressed after the death of Mr. Gu Long and Mr. Liang Yusheng?

Answer your topic today: To tell the truth, Brother Feng's work is really good, but it seems a bit reluctant to compare with Mr. Jin Yong at present! I hope to see more and better of his works in the future! In my opinion, the only martial arts novels that can compete with Jin Yong at present are those of the late Mr. Gu Long and Mr. Liang Yusheng! At present, they are not the only martial arts masters or masters! What is the difference between them?

1. Work content:?

The martial arts novels of Jin Yong and Liang Yusheng pay more attention to the historical environment and their attachment to history. Since then, they have developed and told a series of fictional stories. But judging from the historical materials, there are obvious differences between them; Liang Yusheng is a fictional character and event, which is placed in the historical background to strengthen the historical atmosphere. Jin Yong, on the other hand, directly took historical figures and events and perfumed them into martial arts novels. Jin Yong wrote the historical figures and events in his works seriously and often confused them with the truth. They all re-recognized and re-evaluated history. As far as the historical thickness contained in his works is concerned, Jin Yong is higher than Liang Yusheng, and his writing style is much better. Gu Long's novels simply put aside the historical background and are not bound by any restrictions, but rely on emotional brushstrokes to directly explore real life. Gu long's novels do not pay attention to the reflection and review of history, but to? The feelings of real life and the feelings and concepts of modern people make the artistic conception of Gu Long's martial arts novels broad and profound. ?

2. Mainstream tendency of characters:?

The characters in Liang Yusheng's martial arts novels have strong moral color, clear distinction between right and wrong, and rich social connotations, but their personalities are single, conceptual and formulaic? Defects. The characters in Jin Yong's martial arts novels are complex and have an anti-traditional spirit. The characters in the novel can be divided into good and evil, and they can step on the moral rope without falling. They have the complex contradictory character of "half a beast makes half a day", and the complex contradiction of characters' ideological character is based on life itself? In this way, the exploration of human nature has profound and extensive social significance. The most important thing in Gu Long's novels is the experience of human nature. He often uses delicate brushstrokes to describe the subtle and complicated emotions of characters, and often uses sharp contradictions such as life and death, happiness and pain to express the inner world and noble and independent personality of characters, thus revealing the meaning and true meaning of life. In Gu Long's novels, what is written is more abnormal personality, and what is pursued is the portrayal of eccentric characters. Most of the protagonists in his works are strange, mysterious, withdrawn, stubborn, self-respecting, temperamental and affectionate. This situation may be related to ancient times? Dragon's life experience, mood and experience. ?

3. the plot of the novel:?

Gu Long's martial arts novels are obviously different from those of Liang Yusheng and Jin Yong. All three masters are good at weaving stories, and their novels are very tortuous, cleverly structured, full of suspense, foreshadowing thousands of miles and interlocking. The plot of Liang Yusheng's martial arts novels is clumsy and clumsy. The opening is very attractive, and then the plot gradually becomes dull, which seems a bit lacking in talent. Jin Yong's martial arts novels, on the other hand, often start with dullness. With the development of the plot, the characters emerge one after another. The plot is intertwined, the trunk is towering, the branches and leaves are lush, the grand and meticulous conception, the strange and unpredictable layout, the miracle, the cyclical ups and downs, the soul-stirring, the soul-stirring Jin Yong's talent is like fire, and the plot of the novel is like a furnace? Put a pot of water on the fire, and the fire will burn more and more brightly, and the water will roll more and more. The plot of Gu Long's martial arts novels is different. The strongest notes are beating from beginning to end. The plot is peculiar, ingenious, accidental, inevitable, unpredictable and appropriate. The plan is set, the truth is set, and the fallacy is true. Is it true?/You don't say. True or false is unpredictable. The development of the plot of the novel is unpredictable, thrilling and breathless, and the detail in the book is heartbreaking. The plot structure of Mr. Gu Long's martial arts novels in the middle and late period is really a must. ?

4. Description of the novel martial arts:?

Liang, Jin and Gu also have their own styles. The "martial arts" in Liang Yusheng's martial arts novels are very vivid in illusion, with a single stroke, clear and delicate realism and fierce exaggeration. Liang Yusheng's "martial arts" also have moral tendencies, including decent martial arts and evil martial arts; Decent martial arts are soft, symbolizing kindness and kindness, which is not only conducive to attacking the enemy's defense, but also conducive to cultivating the mind and nourishing the nature, while evil martial arts are very overbearing, vicious and cruel, meaning evil, such as shura Yin evil spirit, thunder palm, poisonous palm and so on. The development of decent martial arts is gradual and slow, but it has a solid foundation, while the martial arts of evil factions have made rapid progress, but they are easy to get possessed and endanger their lives. All these make Liang Yusheng's "martial arts" both wonderful and monotonous. Compared with Liang Yusheng, Jin Yong's Martial Arts is more fascinating. Jin Yong combined the description of martial arts novels with the spirit of China literature, art and traditional culture. Chyi Chin, calligraphy and painting, nine palaces and eight diagrams, medical treatment and drug use can all be turned into peerless magical powers, and China's traditional spirit of Confucianism, Buddhism and Taoism is regarded as the highest realm of "martial arts". Jin Yong also focused on describing the difficult course and tenacious character of the characters, vividly and aptly describing the philosophical artistic conception that every cloud of the protagonist has a ray of light, doomed to death and bound to live by accident, which makes Jin Yong's "martial arts" shocking. Another feature of Jin Yong's "Martial Arts" is that it is humorous and interesting, and it is hilarious to insert jokes in fierce fights. Gu Long's "martial arts" style is different. He won by a strange trick. His "martial arts"? Pay more attention to spirit than moves, such as Ye Kai's "flying knife" stunt in "The Sound of Knives in Border Town". "No one in heaven and earth ever knows where his flying knife is, and no one knows how the knife came out. No one can imagine the speed and strength of the knife before it is drawn ... the knife must be where it should be! ..... heaven and earth, you'll never find anyone to replace it. If you can't understand his great spirit, you will never make that earth-shattering knife! Flying knife! I haven't got the flying knife yet, but the soul of the knife is already there! That's not killing, but it's more daunting than killing. " The "flying knife" written here is not a simple martial art, but a noble personality and great spirit, that is, the spirit of "benevolence and fraternity" of Li Xunhuan, the master of leaf opening, which shows that "justice will surely overcome evil"! Gu Long's "Kung Fu" also emphasizes "attacking the heart is the best". The temperament, mood, temper, clothing, environment, and even muscle tremor and tension of all characters will have an impact on the play of martial arts, and the master will make no mistakes in the decisive battle. "Their emotions, manners and standing posture are perfect." In this situation, "martial arts" no longer need routines, and between one move, life and death are judged. Gu Long? This "martial arts" also shows a realm, the realm of Yi Chan. It aims to see nature from the heart. The observation of opponents depends on the state of selflessness, and the unity of things and me. Because only forgetting yourself can eliminate the limitation of understanding and quickly and accurately observe the weakness of your opponent's martial arts. This selfless state is that after long-term training, the soldiers have become "unconscious people", and there is no "I" as an observer in their hearts, only weapons in their hands and enemies on the other side; In this state, the body and sword are integrated, and the boxer can maximize the power of martial arts and destroy his opponent with one blow. It is precisely because of these "strange tricks" that Gu Long's "martial arts" has a unique style: no tricks and no styles, short and pithy, focusing on the spirit, and hitting it with one blow. ?

5. Language and skills:?

The language of Liang Yusheng's novels is full of literary talent, and there is a strong bookish atmosphere between the lines. Stories are often embellished with poems and ballads to create a beautiful artistic conception and atmosphere and set off the inner world of the characters. His novel techniques are mainly based on traditional inheritance, and he often exaggerates stories in the form of Zhang Hui's novels. His narrative has an obvious tone of storyteller, showing national style and national style. Jin Yong's talent is like the sea, his writing is handsome, humorous and varied. His novels are both poetic and euphemistic. Like western novels, they directly discuss the true meaning of life and destiny. On the basis of inheriting the tradition, he boldly absorbed the creative skills of western novels and combined Chinese and western techniques to make the novel structure exquisite, complicated, precise and complete. The language sentence pattern of Gu Long's novels is short, the syntax is changeable, concise, neat and free and easy. The article is casual and full of vitality, and the narrative power avoids straightforward narration, and the writing is more jumping and shocking. The plot is thrilling and strange without violating feelings, full of creativity and deliberate innovation. If Liang Yusheng abides by elegance without losing the demeanor of the martial arts masters, then Jin Yong is an outstanding figure in the "martial arts". He is a combination of Chinese and Western, elegant, simple and generous, humorous, witty, diverse and unified, and has created a new look in the martial arts! As for Gu Long, he is an uninhibited, unconventional, arrogant, innovative and profound martial arts geek. ?

The past is the past, count the romantic figures and look at the present! ?

Hope Brother Feng and other rising stars by going up one flight of stairs! Let's wait and see! Let's not lose! ?

-Finally, pay tribute to Mr. Jin Yong, who sealed the pen, and to Mr. Gu Long and Mr. Liang Yusheng who passed away! ?

Hehe, I helped the lovely Dao Yongnan upload Mr. Jin Yong's comments on Mr. Gu Long's handwritten drawings.

Today, let's analyze the comparison between Jin Yong and Gu Long:

Generally speaking, most people who analyze this problem are Gu Long's supporters, because in most people's view, Gu Long is worse than Jin Yong, and Gu Long's supporters feel unconvinced, so we should analyze and discuss it. ?

To discuss this issue, we must first understand four things, even if they are not directly related to the comparison of Ku Jin. The reason why ancient gold is said instead of universal ancient gold is for the sake of fairness, because the pinyin order and stroke order are "ancient" before "gold". ?

The first thing was the heyday of Gu Long. In the early 1970s, Jin Yong sealed his pen, and Gu Long became a martial arts writer of Ming Pao after Jin Yong as a "successor". At this time, he admired Jin Yong in his heart and did not think that he had reached the level of Jin Yong in martial arts works. ?

That was 1972. The Duke Of Mount Deer, Jin Yong's last work, wrote a letter to Gu Long at the end of Ming Pao, hoping that he could write a martial arts novel for Ming Pao, so as not to appear blank. According to Chen Mo Yu Donglou, Gu Long's friend and martial arts novel critic, Gu Long was also present when he wrote back. At that time, the brand of Gulong was in full swing and there were many letters, so I couldn't read it carefully. He casually asked Yu Donglou to open the letter to see which "guy" wrote it to him from Hongkong. The result is an invitation letter from Jin Yong. After reading it, Gu Long couldn't believe it. He didn't take a bath. "He lay naked in the chair and didn't say a word for a long time." ?

This narrative is very interesting. This is written by Yu Donglou and should be credible. After that, Gu Long began to write Lu Xiaofeng series for Ming Pao, which was very successful and wonderful, especially the first three. Even Gu Long's staunch supporters admit that Gu Long had entered the most brilliant period of creation before writing Lu Xiaofeng series. This actually means that according to Gu Long's own point of view, Jin Yong is a senior, and there is still some gap between himself and his predecessors. At the same time, Jin Yong also expressed great recognition for Gu Long. ?

The above statement should be considered in combination with another fact. Gu Long is a professional writer of martial arts novels. He writes martial arts for a living, and martial arts creation is only a sideline for Jin Yong. ?

The second thing is that Jin Yong's works have been carefully revised and pondered, while Gu Long's works are mostly completed in a short time and have never been revised. The overall exquisiteness of Jin Yong's works and the integrity of the characters make reading his works constitute a complete experience. On the whole, the creative level of Gu Long's works fluctuates greatly. Even if it is a work, different parts often have great differences, and there is a lot of room for revision in words, plots, characters and so on. This also affects some of Gu Long's wonderful works and some of his works, forming a kind of incomplete beauty, which can not but affect readers' interest in reading. ?

For Gu Long's works, if there is a big revision without damaging the essence of the works, it will make the works get more attention in the literary world. After all, Gu Long used modern creative techniques more than Jin Yong. However, such a revision can only be a hypothesis. Gu Long is unique in many aspects, including creation, and no one can modify his works for him. ?

The third thing is that in the 1970s, Gu Long's fame was not entirely influenced by his works, but was greatly promoted by martial arts movies, just as Jin Yong's fame is now greatly promoted by martial arts series. This is actually determined by their own differences. ?

In Gu Long's works, the characters have a strong sense of modernity, outstanding personality, compact plot, distinct rhythm and suspense, short length and series, and are easy to be adapted into movies. Gu Long himself has been a director, and one of his masterpieces, Xiao Eleven Lang, is even a novel with a script first and then an adaptation. Some of his other works also draw lessons from the expression techniques of western films. Jin Yong's works, on the other hand, emphasize the cultural background, have a strong sense of character inheritance and a long plot span, so it is difficult to show the characteristics in film works, but it is more suitable to reproduce in series. ?

The fourth thing is that Ku Jin's works are very different in temperament. It should be said that their works are all traditional, which are fundamentally different from Huang Yi's works, but they are quite different from each other. ?

Jin Yong's creation is rooted in the cultural tradition of China for thousands of years. Even the rebellion from Yang Guo to Ling Huchong to Wei Xiaobao is an internal struggle of traditional ideas. In temperament, Jin Yong's works have the temperament of peony, the national flower of China, which accords with the traditional aesthetic taste of China people. Reading Jin Yong's works hardly requires China people to revise the concept of spontaneity, so it is suitable for all ages and has the widest readership. ?

Gu Long borrowed from western and modern literature on the basis of tradition, but his works did not show the concept of western culture in essence, which is well proved by the almost absolute concept that men are superior to women. So, he is actually two-sided. Gu Long wrote the glorious side of human nature and exposed the ugly side of human nature. He wrote about the greatness of human nature and the sadness of human nature. In short, the tension and rhythm of his works are often formed through a rebellious conflict. Therefore, the beauty in Gu Long's works is incomplete and short-lived, which is somewhat similar to Japanese cherry blossoms in temperament. Gu Long's own creation was also influenced by Japanese writers, such as Yoshikawa Eiji and Renzabur? Shibata. Accordingly, the readers of Gu Long's works are distributed in a relatively narrow level, and they can often see that rebellious temperament. ?

If we make clear the above four things, readers will find that it is almost impossible to make a fair comparison of Ku Jin. A fair conclusion is that, from the perspective of ordinary martial arts readers, Jin Yong has advantages in most aspects, but from the perspective of the founding group itself, Gu Long may be of greater significance to the creation of later generations. ?

If you compare the characters in Gu Long's works, then Jin Yong is like Shen Lang, and Gu Long is Li Xunhuan; If you borrow the characters written by Jin Yong, Jin Yong is Guo Jing and Gu Long is Yang Guo. Jin Yong's chivalrous temperament is more admirable and memorable, and Gu Long's tragic atmosphere is even more shocking.