There are poems in the depths of the white clouds.

The phrase "There are people in the depths of the white clouds" comes from Du Mu's Mountain Walk in the Tang Dynasty. Walking on the Mountain is a poem written by Du Mu, a poet in the Tang Dynasty. This poem depicts the scenery seen when traveling in the mountains in autumn and shows a touching autumn color map of the mountains. Mountain roads, people, white clouds and red leaves form a harmonious and unified picture, which shows the prosperity and lofty thoughts of Gao Huai in the author's works. The author controls the scene with emotion, quickly and accurately captures the image that can reflect the natural beauty, and integrates his own emotions into it, so that the emotional beauty and the natural beauty are integrated and the scene is blended. The whole poem is novel in conception and exquisite in layout. It absorbs gorgeous autumn colors in the bleak autumn wind, competing with spring, pleasing to the eye and making people more energetic.

First, the original text.

In the distance, there are cold mountains, oblique stone paths and people in the depths of white clouds.

Stop and sit in the maple forest late, and the frost leaves are red in February flowers.

Second, translation.

The stone path is crooked and oblique from the top of the mountain, and there are several families where the white clouds grow. I stopped the carriage only because I like the night view of Fenglin. Frosted maple leaves are better than bright February flowers.

Third, comment and appreciate.

(1) comments.

1. Mountain Travel: Walking in the mountains. 2. Hanshan: refers to the mountain in late autumn. 3. Path: Path. 4. Bai Yunsheng: The rising, winding and floating dynamics of white clouds also show that this mountain is very high. 5. Oblique: This word is pronounced Xi×, which means extension. 6. Sit: Because.

(2) appreciate.

Through the poet's emotional tendency, the poem depicts a warm and gorgeous autumn picture of a mountain forest with maple forest as the main scene. Far up the Qiushan Stone Trail, first of all, give readers a farsighted view. At the top of the mountain road is a place full of white clouds. The road is made by people, so white clouds are not illusory, and Hanshan is full of vitality. It is natural to say that there are people in Bai Yunsheng. However, this is only to prepare for the last two sentences. Then the poet clearly told the readers that it was so late that I stopped in front of the mountain just because the mountain was in full swing and more beautiful than the maple leaves of spring flowers. Compared with the white clouds in the distance and people who are not necessarily visible, LAM Raymond is full of pure beauty and vitality. This poem depicts the colors of autumn and shows a colorful autumn color map of mountains and forests. The poem describes mountain roads, people, white clouds and red leaves, forming a harmonious and unified picture. These scenes are not side by side in the same position, but are organically linked, with master and slave, some in the center of the picture and some in the background. To put it simply, the first three sentences are the object, the fourth sentence is the subject, and the first three sentences are the fourth sentence to describe the background, create an atmosphere, and play a role in paving the way and setting off the atmosphere.

"Far away from the cold mountain, the stone path is inclined", writing about mountains and writing about mountain roads. A winding path winds to the top of the mountain. The word "far" describes the length of the mountain road, and the word "oblique" echoes the word "up" to write a high and gentle mountain. In this way, from the perspective of the title, it describes the characteristics of "walking", while from the perspective of composition, by outlining the characteristics of Panshan Highway, people's eyes are naturally attracted to people's homes in Bai Yunsheng, which is deep and gentle.

Someone in Bai Yunsheng is about clouds and people. The poet's eyes have been looking up along this mountain road. Where the white clouds float, there are several stone houses with walls made of stone. The "people" here take care of the "stone path" in the previous sentence, which is the channel for those families to go up and down. In this way, the two landscapes are organically linked. White clouds seem to be born from the mountains and float around, which can not only show the height of the mountains, but also show the pale white and bright colors of the clouds against the green background of the mountains. The poet used the technique of crossing the clouds and breaking the mountains, so that these white clouds covered the reader's sight, but left room for imagination: above the white clouds, there are mountains outside the clouds, and there must be different scenery. The poet is only describing these scenery objectively. Although the word "cold" is used, the following words such as "late" and "frost" are just sorted out, which does not show the poet's emotional tendency. After all, it only prepares for the following description-an overview of LAM Raymond's environment. "Stop and sit late in the maple forest" is different, and this tendency is very obvious and strong. Mountain roads, white clouds and others did not impress the poet, but the evening scenery of Fenglin surprised him. In order to stop and enjoy the scenery of this mountain forest, I don't care to continue driving. The scenery written in the first two sentences is already beautiful, but the poet loves the maple forest. Through the background, I have made a good preparation for describing the maple forest, so it comes naturally and leads to the fourth sentence, pointing out the reasons for loving the maple forest.

"Frost leaves are redder than flowers in February", adding the third sentence, a beautiful view of maple forest in late autumn is displayed in detail. The poet was pleasantly surprised to find that under the sunset glow, the maple leaves were about to drip and the forest was dyed. It's full of colorful clouds, such as bright rosy clouds, which are more fiery and gorgeous than the spring flowers in February in Jiangnan. What is commendable is that the poet saw the vitality of autumn as spring through this piece of red, which made Lin Qiu present a warm and vibrant scene. The fourth sentence is the center of the whole poem, written by the poet with strong colors and coherent brushwork. Not only did the sparse scenery in the first two lines set off the gorgeous autumn scenery, but even the seemingly lyrical narrative of "stopping to sit in the maple grove late" actually played a role in setting off: the poet who stopped to wait and see, Tao Ran drunk, became a part of the scenery, and only with this scene, the autumn scenery became more charming. After a rewriting, it came to an abrupt end, and it seemed melodious and memorable. This is an autumn hymn.

Poets don't feel sad and sigh when autumn comes, like ordinary literati in ancient times. He eulogized the beauty of autumn colors in nature, embodied the spirit of being bold and uplifting, and showed the poet's talent and insight with a heroic spirit.

Four. Author's brief introduction.

Du Mu

Du Mu (803- 852) was born in Fanchuan, Mu Zhi, Han nationality, Jingzhao Wannian (now Xi, Shaanxi). Du Mu was an outstanding poet and essayist in Tang Dynasty, the grandson of Du You, the prime minister, and the son of Du You. Tang Wenzong Daiwa was a 26-year-old scholar in the second year and was awarded the post of Hong Wen Pavilion. Later, he went to Jiangxi to inspect the ambassador's tent, and then turned to Huainan to inspect the ambassador's tent. He was the editor of the National History Museum, the food department, Bibi department and Si Xun, and the secretariat of Huangzhou, Chizhou and Zhou Mu. Because he lived in South Fan Chuan Villa in Chang 'an in his later years, he was later called "Du Fanchuan" and wrote "Collected Works of Fan Chuan". Du Mu's poems are famous for their seven-character quatrains, and the main content is to chant history and express emotion. His poems are handsome and natural, and cut into secular things. He achieved great success in the late Tang Dynasty.