The legend of runway is not old: Carmen's profile

Carmen, a short story by French realist writer Merimee, is Merimee's masterpiece, which tells the story of an unrestrained gypsy girl's adventure in smuggling. Carmen seduced innocent soldier Don Yue Se, made him fall in love, abandoned his old love in the countryside-gentle and kind Mikaela, and was expelled from the army to join the ranks of smugglers. At the same time, Carmen fell in love with the matador Luca. Therefore, the contradiction between Yue Se and Carmen is becoming more and more fierce. Finally, the stubborn Carmen flatly rejected Yue Se's love, and finally died by Yue Se's sword ... Author's brief introduction Merimee (1803- 1870), a French realist writer, was born in an intellectual family in Paris with a rich family. He has been good at painting since he was a child and has a strong interest in foreign languages. After graduating from college, I met writers from Stendhal and chateaubriand, and under their influence, I began to embark on the road of literary creation. 1829 published the novel Anecdotes of Charles IX Times. 1834, Merimee was appointed as the chief inspector of historical relics. He traveled in Spain, Britain, Italy, Greece and Turkey, and wrote a lot of travel notes, accumulating materials for novel creation. In his novels, he combines magnificent exotic scenery, fascinating storyline and personality with unconventional characters, forming a vivid picture, which is rare in French realistic literature, so he has established a lofty position in the history of French literature with only a dozen short stories. The main representative works are: Matteo falcone, Tamango, Federico, Columba, Carmen, etc. The French director edited this ballet in the 1980s, challenging the conservative style of the Paris Opera House which lasted for 30 years. One of the talented young people is Luo Petty. His creative career of nearly forty years has been fruitful, and he is famous for his drama and dance. His dance dramas Carmen (1949), Notre Dame de Paris (1965) and Paradise Lost (1967) became the classics of French ballet in the 20th century. Ballet in the 20th century pushed the actors to the front line. Before that, the hero was a foil for the heroine and played the role of "living pole". However, if the ballerina is marked by tiptoe technique, then the actress is obviously dominated by rotation and jumping. In this way, the director is forced to vigorously develop aerial technical movements that reflect the actor's masculinity and strength. In this regard, the Russian ballet school has played a great role. It is no wonder that the "Four Heavenly Kings" among contemporary actors, Nikinsky, Nuriev, Vasiliev and barish Kov, were all trained by the Russian School. As one of the "Four Heavenly Kings", barish's artistic achievements have attracted worldwide attention. He is an admirable superstar in the dance world. Carmen is one of his best roles. Outstanding ballet choreographer and perfect ballet master performed Carmen vividly. In particular, the love duet between the heroines Jean Mayer and barish Cove is a classic. As a classic ballet, it has been transformed by many ballet masters, such as Cuba, the hometown of rumba, and Argentina, the hometown of tango, all of which have added the characteristics of the core historical sites to make it more vital! Edit this opera and summarize the opera Carmen. Bicai, a French composer, was completed in the autumn of 1874. This is Bicai's last opera, and it is also the one with the highest performance rate in the world today. Carmen is a four-act opera, which mainly depicts a beautiful and stubborn gypsy girl-Carmen, a female worker in a tobacco factory. Carmen made Don Hauser, the monitor of the army, fall in love and abandoned his lover, gentle and kind Mikaela, in the country. Later, Don Hauser was arrested and imprisoned for letting Carmen, who was fighting with a female worker, go free. After he got out of prison, he joined Carmen's smuggling gang. Carmen later fell in love with the matador Escamilio. When Carmen cheered for Escamilio's victory in the bullfight, she died by the sword of Don Hauser. The opera works of that era, with women workers, farmers, soldiers and the masses as the protagonists, are really rare and commendable. Perhaps because of the author's deliberate innovation, the play was not accepted by the audience when it was first premiered, but with the passage of time, the artistic value of this work was gradually recognized by people and has been immortal since then. This opera is good at chorus, and there are more than ten choruses of various genres and styles in it. The overture of this opera is Rondo style in major. The whole overture is based on the sharp contrast image, and the main content of this opera is expressed by gorgeous, compact and fascinating music. The overture concentrates some of the most important melodies in the opera, and fully expresses the contents of the opera through the contrast between light and shade. The theme is selected from the music of the matador at the last scene of the opera. The overture of this play is often played alone in concerts. In the first act, when the changing soldiers arrive, a group of children imitate the pace of the soldiers in front to open the way. The children sang the March of flute and drum "We are with Soldiers" with a brisk 2/4 beat in D minor. In this scene, gypsy woman Carmen is portrayed as passionate and charming. Carmen's famous aria "Love is like a free bird" is a deep-rooted melody, which fully shows Carmen's bold, unrestrained and mysterious image. After Carmen was arrested, Captain Suniha personally interrogated her, but she casually hummed a tune, vividly showing Carmen's bohemian character. In this scene, Carmen sang another famous aria when she seduced Don Hauser. It is a charming tune with the rhythm of Spanish dance music. The melody is warm and a little wild, which further depicts Carmen's frankness and fierceness. The interlude between the first act and the second act is also famous, which is selected from the aria of Don Hauser in the second act "The Dragon Cavalry of Alcala". Bassoon plays a free and easy and energetic theme with allegro of moderation. There is also gypsy-style music in the second act, which shows two gypsy women dancing in the hotel. The jumping rhythm and weak voice set off the noisy atmosphere in the hotel. The interlude between the second act and the third act is a soft and beautiful melody, and the flute and the harp complement each other and are full of tenderness. The famous "Song of the Matador" in the third act is a song sung by Escamilio to thank the people who welcomed and worshipped him. This triumphant March with powerful rhythm and majestic voice has successfully shaped the tall image of this ever-victorious brave matador. At the end of the fourth act, as Pyotr Il'yich Tchaikovsky said, "When I saw this last act, I couldn't stop crying. On the one hand, the audience saw the matador scream, on the other hand, it was the terrible tragic ending of the final death of the two protagonists. The unfortunate fate of these two people led them to the inevitable outcome after suffering. "There is also a popular Spanish-style dance music Aragon, which is often played alone in concerts. Author's brief introduction georges bizet (1838- 1875), a French composer, was born in Paris, and is the author of Carmen, the most popular opera in the world. At the age of nine, he entered the Paris Conservatory of Music to study composition. Then I went to Rome for further study for three years. The first opera Pearl Pickers was written on 1863. 1870, he joined garde nationale shortly after his wedding, and then spent his whole life writing in Burkina Faso on the Seine. In his drama soundtrack "Alai City Girl" (written by Dodd; Nine opera works, including Two Orchestral Suites and Carmen, are strongly realistic, and ordinary people at the bottom of society have become the protagonists of the works. He combined the distinctive national color, the expressive development of symphonies describing life conflicts and the traditional expressive techniques of French opera in his music, and created the highest achievement of French opera in the19th century.