What is Dali's representative work of surrealism theory?

The one in front is called "Forever Memory", which is a masterpiece of mid-term painting.

Irrational conquest

El Salvador? Dali

Dali made surrealism a tool of great significance, that is, a paranoid critical method. In this way, he immediately demonstrated his ability to apply surrealism theory in painting, poetry and drama. Typical surrealist image structure, fashion, sculpture, art history, if necessary, can be applied to any kind of comment method.

Andre? What is Bretton's surrealism?

The waters where we swim.

We all know the specialized disciplines that have made brilliant achievements, the splendor of this "universe" and the times we live in. On the one hand, it involves the crisis of "logical intuition" and its infamous reputation; On the other hand, it involves respect for irrational factors and a new positive and concrete hierarchy of production value. We must remember that pure logical intuition, pure intuition, I emphasize, is a physiological illegitimate child conceived in the womb of a maid who has to do everything. Maxwell and Faraday were at work, and the son was obviously squeezed by unmistakable persuasion and gravity. There is no doubt that the father of the child is Newton. Because of this downward pull and gravity, pure intuition has become a pure brothel after being kicked out of the birthplace of all special disciplines. We can see that in the brothel of literary and art circles, she is still offering her last charm and sexual desire.

Under the current cultural background, we modern people have become systematic because of the mechanism and structure of self-punishment, the praise of bureaucracy psychologically, the confusion and simple imagination of ideology, and the desolation of parents' feelings. We are consuming the energy of our fathers, devouring their decadent feast of aging and victory, and this is ultimately to get in touch with the owner who sacrificed the totem in some way. The host flies by them. As we all know, Catholicism has used this host as spiritual and symbolic food for centuries to quell the madness of moral hunger and irrational hunger.

Contemporary irrationalism actually shows the strongest hunger and thirst at the cultural table, which only provides the accuracy of art, literature and leftovers and the high analysis of that special science. Because the scope and specialty of these things are not commensurate, they are not able to provide a comprehensive product with nutritional value at present, so unless the pure theory of cannibalism of the same kind, it is impossible to absorb it in all occasions.

This is the huge and nutritious cultural responsibility of surrealism. With the great changes caused by a famine, every new slimy and despicable glutton and a large number of terrible jaws are wolfing down many bloody and excellent political biological steaks. The responsibility of surrealism has become more objective, more engulfed and exclusive.

El Salvador? Dali mastered the excellent tools of paranoid criticism and no longer wanted to abandon his indomitable cultural pillar. It is in this situation that he has long advocated that we should properly handle surrealism, because we surrealists are all high-quality, decadent, irritating, unrestrained and contradictory wastes. These wastes are extremely clever, and they are no different from their bellicose, crazy and cruel country itself. In this country with special morality and chaotic ideology, we enjoy reputation and life. As for us surrealists, if you pay a little attention, you will find that we are not artists at all, we are not real scientists, we are caviar. Believe me, caviar is a luxury and the wisdom of taste. Especially in this era, people yearn for irrationality. Although this is an unparalleled, unbearable and imperialist desire, it is angered by the saliva waiting for the meal. Irrational Hunger In order to further realize the brilliant conquest of its surroundings, it must first swallow exquisite and intoxicating caviar. Without caviar, the indigestible and suffocating ideological food will immediately threaten to make the energetic enthusiasm, philosophy and historical appetite powerless.

Caviar is not only the life experience of fish, but also the life experience of surrealists. Because like whales, we are carnivorous fish. I have hinted that these fish swim between two kinds of water: one is artistic cold water and the other is scientific warm water. It is precisely because of the temperature of water, because we swim against the current, our life experience and our productivity will reach the depth of turbidity. Irrationality, morality and high transparency can only exist in the infiltration of Nero-style atmosphere, which is the result of the continuous integration of life and muddy bottom, from the heart wearing a crown, from the bottom of satisfaction and Jewish circumcision, from wrinkled steel, local ambition, farmers' patience, urgent collectivism, masks supported by white letters on billiard tables, Russian white letters in mills, and various factors such as temperature and skin diseases. In short, the role of a false concept is unanimously regarded as the elusive taste of caviar, and this false concept also hides specific irrational timidity and taste germs. However, it is precisely because of the objective and unpredictable deification and sudden generation that the concrete irrationality constitutes the accuracy and accuracy of the painter's new impression of caviar, and the concrete irrationality will also constitute a terrible and extremely complicated invention effect in my personal experience and painting from the aspects of xenophobia and rich philosophy.

To be sure, I hate any form of simplicity.

My defensive position

It seems particularly obvious that it is said that my enemies, my friends and the public don't understand the meaning of the images I show and express in my paintings. If I, the "maker" of paintings, can't even understand my own paintings, how can I expect others to understand them? Just because I don't understand the meaning of paintings doesn't mean they are meaningless. On the contrary, the meaning of these paintings is so profound, complex, coherent and unconscious that I have escaped from the simple logical intuitive analysis method.

In order to make my painting reach the level of my own language and explain my painting clearly, I must provide a special analysis method for my painting, which is more desirable to be as scientific and rigorous as possible. Once painting exists as a phenomenon, various explanations will eventually follow.

My only ambition in painting is to materialize concrete irrational images with the most accurate and imperialist tools of violence. Objectively, the fantasy world and the concrete irrational world may be as obvious, three-dimensional, convincing, identifiable and infectious as the real world of phenomena. However, what matters is what one wants to express: the specific theme of irrationality. The expression of painting revolves around this theme. When the most despicable careerist and irresistible illusion of imitating art, the ingenious trick of shortening lines, the most analytical expression and the most unreliable academic atmosphere are combined with concrete irrational accuracy, it will become a noble level in thought. At the same time, the concrete irrational images approximate the reality of the phenomenon, and the corresponding expressions approximate the great realistic painters-velazquez and Vermeer, the author of Taft-to paint realistically according to irrational thinking and unknown fantasy. The instantaneous photography of colorful, handmade, exquisite, extravagant, super-plastic, super-graphic, unfathomable, deceptive, extremely common, fragile and concrete irrational images is an image that logical intuition system or rational mechanism can't explain and shrink temporarily.

Therefore, the concrete irrational image is the real unknown image. Surrealism provides a special way to approach concrete irrational images in the initial stage. These exclusive, passive and sensory functions based on surrealists are gradually being eliminated, thus opening a way for a new generation of surrealists to explore irrational systems. Because of the function of symbols, the application of instinctive ideographic symbols, the stimulation of optical illusion and hypnosis, etc. Pure psychomechanical and experimental dreams and surreal themes always appear in an evolving program every second.

Moreover, the obtained images have two quite inappropriate aspects: first, although these images continue to provide endless residues and a lot of real mysteries to the public, they are no longer unknown image layers, because they have fallen into the field of psychoanalysis and can easily be summarized into today's logical terms. Secondly, the practical and illusory features of these images can no longer satisfy our desires or the "confirmation principle" first put forward by Brayton in his book A Little Reality. Since then, the frantic image of surrealism has been hopelessly transformed into the clear possibility of surrealism and the objective physical existence of surrealism in reality. Only those who haven't realized this are still struggling in the completely misunderstood "escape of poetry" and still believe in our grotesque mysticism and strangeness. Personally, I think that with the progress of the experiment, although this era will continue to constitute a large number of unique surreal paintings for a long time, the era of inaccessible limbs, unfeasible cruel infiltration, continuous expansion and fragmentation of internal organs and catastrophic eradication has passed. The new, concrete and irrational frantic image, the real and material "possibility" transcends the field of psychoanalysis of "material" hallucinations and phenomena.

These images represent systematic, evolutionary and prolific features. Ai Lvya and Braden's efforts in imitation, Braden's recent poems in kind, Magritte's recent paintings, Picasso's latest sculpture "Fa", El Salvador? Dali's theoretical activities, painting activities, etc ... all confirm that in the present reality, concrete materialization, moral and institutional conditions are needed to objectively evaluate the crazy unknown world in our rational experience on the realistic level. 1920, El Salvador? Dali turned his attention to the internal mechanism of paranoia and faced up to the possibility of experimental methods based on the unique system function of paranoia. As a result, this method has become a crazy critical synthesis, which is called "crazy critical activity". Paranoia includes crazy critical activities with systematic structure and explanatory relevance, and automatic methods of explanatory critical relevance of irrational knowledge based on paranoia. The existence of lively and systematic factors peculiar to paranoia ensures the evolution and prolific characteristics of crazy criticism activities. The existence of active and systematic factors is not based on automatic direct thinking or any concept of intellectual harmony, because we know that in paranoia, the structure of active and systematic is the same as that of birth phenomenon-any birth phenomenon with paranoid characteristics, even sudden birth phenomenon, has "completely" included the system structure, and then objectified itself by criticizing the methods involved. Critical activity, as the liquid revealer of system images, has a unique intermediary role in association, connection and sensitivity. This intermediary role is important and has existed since the moment of birth and death. At the same time, in the substantive reality, paranoid critical activities have returned to the objective light. Paranoid critical activity is an organized productive force with objective opportunities. Paranoid critical activities do not consider surreal images and phenomena in isolation, but consider systematic and meaningful relationships as a whole. Contrary to passive, impartial, thoughtful and aesthetic irrational attitudes, these positive, systematic, organized and identifiable attitudes of the same phenomenon are considered to be associative, biased and meaningful in the real field of our direct real life experience. Importantly, narcissistic surrealism tries to explain organization with sensory system. In fact, the daily activities of surrealists are like this: nocturnal emission, distorted memory, dreaming at night, dreaming during the day, transforming the optical illusion at night into hypnotic images, or transforming the optical illusion into objective images-crazy dreams about nutrition, demands in the womb, synthetic hysteria, intentional urinary incontinence, involuntary insomnia stagnation, opportunities for exposure to outsiders, abortion actions, absurd remarks. All these things I said and thousands of instant or persistent worries revealed the ineffectiveness of the smallest irrational intention, or on the contrary, the smallest suspicious image. They also rely on the mechanical theory of the precise tool of crazy critical activities, the indestructible explanation system about the life and death of political issues, and the paralyzed will, which is related to the problem of mammalian characteristics and the role of superstition to some extent.

Paranoia's critical activities exclude the infinity and unknown possibility of the connection between subjective and objective phenomena and make it objective. This phenomenon, as an irrational worry, shows the exclusive advantage of infatuation. The critical activities of paranoia thus reveal the new objective "meaning" of irrationality, which undoubtedly pushes the absurd world to the real world.

Paranoia is a famous image with dual shapes-this shape can be increased in theory and practice, and everything depends on the author's paranoia ability. The updated foundation of associative mechanics and fascinating ideas is like El Salvador? Like Dali's recent paintings, in the process of elaborate production, six images are allowed to appear at the same time, and none of these six images can be deformed at all-an athlete's body. A lion's head, a general's head, a horse, a shepherdess's chest and a skull, the same painting, different audiences have different images. There is no doubt that the understanding of this painting is completely practical. There is an example of crazy criticism: El Salvador? Dali's next book, the sad legend of Miller's late bell. In this book, the method of crazy critical activity is applied to the illusion that constitutes the charming characteristics of Miller's paintings. Therefore, according to the method of crazy critical activities, art history must be rewritten. In this way, wait for it? Finch's Mona Lisa, Miller's Late Bell, and Walter's Charleston Painting Shop, these different paintings actually depict the same theme, that is, exactly the same thing.

The suffering and pain of abstract art creation

Among the happy pioneers who claim to be abstract art, abstract creation and intangible art, it is the freshest thing to openly lack philosophical culture and ordinary culture. This comes from the view that our time is rational and ridiculous and "modern and ridiculous". Kantians stick to their obscene golden formula in their brilliant new optimistic publications, and never stop providing us with this abstract aesthetic soup in their new optimistic publications. In fact, this soup is worse than the extremely dirty boiled noodle soup of Neo-Thomas, and even a cat twitching with hunger won't touch it with its claws. If, as they claim, form and color have their own aesthetic value, which exceeds the value of their "works of art" and the significance of anecdotes, how can they solve and explain the classical paranoid images expressed at the same time? But this technique can easily produce a very realistic artistic conception of imitation. In their view, the lack of artistry, no change, is a three-dimensional image. This is the case, for example, with the super-anecdote miniature statue of a lively and reclining black child carved in the style of Messori. This boy, if he looks at it vertically, is a phantom with super money and even a full Pompeii nose, because of the height of abstract artistic creation! According to the objectivity and geometric accuracy of the aesthetic system, and the concrete, material, biological and fanatical accuracy of the system, Picasso's initial attempt simply confirmed the characteristics of material additional conditions: deification and inevitable rabbit characteristics. Please allow me to tell you in the form of poetry, because I will be inspired by doing so:

Picasso cubism

ingredient

Biology and dynasty

Phenomenon,

be

First of all, the great imaginary cannibalism.

Beyond modern mathematics

bodily

Try ambition.

Natural psychology

Will be reopened.

Lively body and philosophical ambiguity

The gap between them,

Therefore,

Picasso's life

Will form

Still incomprehensible.

The basis of the argument.

because

Picasso's

Anarchism,

Systematic materialism will also become

Kant's

Gestalt psychology of "doubt"

We will also

From nature, from practice,

Be aware of/aware of

All the pains of the object of conscience

Is locally comfortable,

Accompanied by itself

Infinite and complex

Feeling.

because

Picasso's

Supermaterialism thought

Verification; Prove; confirm

Racial cannibalism,

Eat at home

The position of "rational species"

wine

logged

future

Phenomenologist's mathematics

Housefly.

As a kind of superpsychology

"serious image"

Media,

exist

The essence of imagination—

Between temporary idealism,

exist

Super finite arithmetic

Curse math,

exist

The "structural" whole that "puzzles the bottom"

Between biological behaviors,

for

Touch the bottom of trouble,

Controversy bottom

the same as before

Look completely from the outside

To understand

Gestalt psychological theory.

because

This serious image

And structural theory.

Without analysis,

Even show

human behaviour

Materials and tools,

According to the structure and image

Show objectively.

at present

As far as I know,

not have

Serious absurdity,

be like

The physics of psychopathology,

be like

Paranoid physics,

This could be

Simply think of it as

arrive

"Paranoid criticism" activity

Psychopathology

philosophic

Experimental basis.

one day

If I have time,

I'm interested,

I'm going to talk about it

Imagine dialectically.

Heraclitus' tears

As Heraclitus explained when he cried because of his innate self-shyness, there is a kind of natural materialization that is very similar in thought and eternal, but only describes a certain period.

The Greeks realized from their psychological images of God that the vague and turbulent passion of human beings would be transformed into a clear, decomposed and secular analytical force. Today, physics is a new type of geometry in thought. For the Greeks, space is like Euclid's understanding, that is, Descartes later clarified that space is only an extremely tangible, unique and meaningful natural object. This object squeezes all of us like a real blackhead acne.

As mentioned above, the Greeks materialized Euclid's psychology and nostalgic, sacred, powerful and clear feelings in their sculptures. El Salvador? 1935, when Dali faced the extremely painful problem of Einstein's relationship between time and space, he was not satisfied with anthropomorphic and lewd arithmetic and body; Instead, he is making cheese. Trust me, Salvador? Dali's famous "The Soft Clock" is nothing more than a mild paranoia, criticizing France's luxury and loneliness in time and space.

Finally, before I imagine that the real famine can bring honor to my readers, I must ask you to understand, because we have begun to taste the feast of this theory, and some people may hope that this meal is barbaric and cannibalistic, accompanied by the incalculable caviar factor of civilization and the incalculable France that melts rapidly. Don't let yourself be deceived. These two extremely subtle and inestimable similarities hide an exquisite, famous, bloody and irrational hot steak, which will devour all of us.

(Yang translated into Jingu School)