Taining Hanmo must be cleaned up

In 1946, Yu Shaosong's "Poems of Han Ke Tang" was published by Zhejiang Cultural Printing Company. The collection of poems published by Yu Shaosong in 1938 titled "Reading the Collected Poems of Jianjia Lou by My Late Friend Huang Huiwen", which is sad. "I feel that I have asked two questions, but I haven't said all I want to say":

Who advocated the distinction between Huayi and Huayi back then? Empty talent and reputation are enough to be sad.

I miss you so much that I have seen you in advance, but I am too late to learn from you.

In ordinary life, he has profound knowledge and thoughts, but he stops poetry when he is poor and sad.

It has been a legend for three hundred years and will be remembered by future generations for a long time.

Rujun only writes poems, leaving an empty volume to leave his name after his death.

I realize that forgetting words becomes a perfect skill, and when I grow old, I talk deeply and become friends.

I am quite ashamed to be a scholar, and Fan Juqing has passed away in his empty period.

I have left my posthumous works and shed tears, and the grass in the world has been reborn.

Huang Huiwen, known as Huang Jie, passed away in 1935. Yu and Huang did not sing harmonious poems. This work was inspired by Yu Shao's tragic reading of Huang's poems in the Song Dynasty, and there are many annotations in the poems. Yu Shaosong recalled the past and burst into tears. He blamed himself in the caption: "The king's death was still in Hangzhou, and he could not go there because of roadblocks. The king's son-in-law Li Shaoqing said nothing after the incident. When the king was changing his clothes, he often called out 'Please Yu Yueyuan to come to say goodbye'. Hearing this It's sad. Your ambition and deeds are not as good as those of Zhang Shao, and you are really betraying your dead friend." Huang still entrusted him to Yu Shaosong when he was dying, and Yu Shaosong called Huang his dead friend. , which shows that the two have a close friendship.

Huang Jie was born in Shunde, Guangdong in 1873. His original name was Huiwen, also known as Yukun, also known as Chunxi, Jianjia Louzhu, Huiweng, and Ganzhutan Stone Washer. In the late Qing Dynasty, he founded the Chinese Studies Preservation Society in Shanghai with Zhang Taiyan, Deng Shi, Ma Xulun, Liu Shipei and others, published the "Fengyulou Series" and "Journal of the Ancient Society" and founded the "Journal of Chinese Classics" to analyze academic traditions, promote public righteousness and promote civil rights. After the Revolution of 1911, he served as the supervisor of Guangdong University. In 1917, Huang Jie became a professor at the School of Liberal Arts of Peking University, specializing in teaching Chinese poetry. In 1928, he was appointed by Li Ji to serve as director of the Guangdong Provincial Department of Education and director of the Guangdong Provincial General History Museum. In the autumn of 1929, he resumed his post as professor at Peking University and tutor of Tsinghua Research Institute. His works include "Jianjia Lou Poems", "Poem Purpose Compilation", "Bian Ya", "Han and Wei Yuefu Feng Jian", "Wei Emperor Wen and Wei Wu Emperor's Poems", "Cao Zijian's Poems", "Gu Tinglin's Poems" and "Zhou and Qin Qing" "Zixue" etc. It can be seen from the brief introduction to his life that although Yu and Huang had different academic studies, Yu was dedicated to history, especially local chronicles, and was also good at calligraphy and painting, and was good at the theory of calligraphy and painting; while Huang was committed to preserving the essence of the country and was good at music and rhythm. There are many places where people live together, and whether it is Beijing or Guangdong, their life trajectories often intersect.

According to Yu Zian's book "Tingting Hanke", Yu and Huang met in the early Republic of China, but the exact time was not mentioned. In the autumn of the second year of Xuantong (1910), Yu Shaosong returned from Hosei University in Tokyo, Japan, and was appointed director of the Ministry of Foreign Affairs on the recommendation of his cousin Liang Jie'an. On June 4, 1911, the founding meeting of the "Xianyouhui" was held at the Huguang Guild Hall in Beijing. Yu Shaosong was one of the 70 founders. "Declaration" recorded on June 10, 1911, that members also elected branch sponsors from 18 provinces and eight banners, including Tang Erhe, Ma Xulun and Chen Fuchen in Zhejiang, and Lunming, Yao Zifang and Huang Jie in Guangdong. It should be said that Yu Shaosong and Huang Jie were both members of the "Xianyou Association", which provided a platform for their friendship, but there was not much written communication between them at this stage.

Among the existing materials, the first mention of Huang Jie in Yu Shaosong's "Chunhuitang Diary" was on February 17, 1917: "The natural monk's notes shown by Qian Zixian are actually from Jiufeng monk , It is said that Huang Huiwen saw it and looked closely at the seal. It turned out to be the old man of Xiantang. Xiantang is Jiufeng. No previous inscriptions and postscripts could be seen. It is enough to test. "March 4: "This is the day when Rixian presented "Lingnan Poems." "Chao", Zhi Xiotang was the nickname of the natural monk, and Hui Wen said it wrong. "April 15: "At half past nine, Tang Dingzhi, Hu Huxian, and Huang Huiwen came, and Dingzhi painted a small painting of "March in the South of the Yangtze River" as a gift to Hui Wen. Then on April 22, Yu said: "Tang Dingshi, Hu Huxian, Huang Huiwen, Lin Zaiping, and Yin Yaoqing came to talk about the Chen Yin bribery case, and they were shocked." Huang Jie was also a member of the Xuannan Painting Society, but during this time Yu said. There are not many things related to Huang Jie in the diary, and for the next two years, there is no mention of Huang Jie in the diary, which shows that Huang Jie is not keen on participating in the activities of Xuannan Painting Society.

It was not until April 15, 1919 that he recorded again: "Today I had a very quick conversation with Wang Liangchou and Huang Huiwen." It can be seen that Yu and Huang's friendship was not in calligraphy and painting, but Yu and Huang "talked very quickly" must have There is another topic.

You can understand the friendship between Yu and Huang by reading Yu Shaosong's diary in 1922. Yu said on February 27: "I was having a chat with Shi Youru, Huang Huiwen, and Che Zhanqing in the library. My cousin Wenzhong often said that Huiwen's poems were rare in the world, so he wanted to delete the collected poems by Wen Zhongshi, so he deleted them. The unengraved manuscripts will be copied and kept by Sixiao in the future."

Diary on March 11: "Go to the Revised Law Library at about 2 o'clock and submit the edited collection to Huang Huiwen for reading. Ask him to discuss with Zeng Gangfu to get it, because Hui Wen Shi Xue Su is a loyal cousin and praises him, and Gangfu is his favorite disciple, so he belongs to each other."

April 11th again. Note: "Huang Huiwen sent me the proofreading of Zhuo Ji'an's poems, and signed dozens of them with insight." On May 25th, he wrote again: "I actually compiled the manuscript of Liang Ji'an's poems, and Huiwen and Gangfu exchanged opinions on each other." If you have any opinions, I will record them one by one and copy the catalog into three volumes at night."

On July 29, he also recorded: "I came to Liang's house early to pay homage to my cousin, thinking that he was a jealous man, and left a poem. The manuscript and Huang Huiwen's collection of Liang's poems were published in Ji, and it was reported that the poems had been compiled.

At this stage, Yu Shaosong was editing "Mr. Jie'an's poems", and Huang Jie's poems had already been compiled. Liang Jie'an, who emphasized Tang pronunciation, thought that "no one has done anything like this in the past three hundred years". Huang Jie, Liang Jie'an, Zeng Zhe'an, and Luo Dun'an are known as the "four schools in eastern Guangdong", and they have different attitudes towards life, especially among them. From Liang to Huang, one was a relic who guarded the past, and the other was a pioneer of the revolution. In terms of standpoints and views, it can be said that Liang's esteem for Huang's poems was not hindered. Dian Wenzhong's cousin also shows his appreciation of Huang Jie's poetry. Chen Sanyuan once commented on Huang Jie's poems: Wang Pijiang Guoyuan's "Notes on the Poetry Circle since Guangxuan" records Chen Guiyou's entry into the capital in 1933. After Huiwen published the entire manuscript, he was so impressed that he said to others: "I had known that Huiwen could write poems, but I didn't know that his poetic skills were so profound! ”

The following year, Mr. Sanyuan wrote an inscription for Huang Jie’s “Jianjia Tower Poems”: The style is dull and strange, the trend is new and wonderful, the meaning is cast, the world is separated from the group, and it is self-contained. Yi. Zhuang Sheng's divine figure, "Skin is like snow, and he is as graceful as a virgin." Du Ling also said, "A wash of all the mortals is empty." The poem is similar to the one read by the Eighty-Two Old Man in the early spring of Jiaxu.

The seven laws in the volume are particularly doubtful. They imitate the ancients and do not record the traces. They must be similar to each other. They are close to the back mountains, but they are not as good as they are.

< p> Huang Jie most admired Chen Houshan, and even had a small seal engraved on it, saying "Houshan then". However, the old man Sanyuan said that he was "more than better than others".

"Wang Pijiang's Collected Works" praised it. Huang's poem: "I went north to teach in Beiyong, and had contacts with old Beijing poets such as Chen Baochen, Zeng Xijing, Luo Dunzong, etc. His poetry became increasingly popular, famous and prosperous, and everyone in the northern and southern poetry circles was aware of it. His poems are thick in the throat, plump in the thin places, lonely in the arms of the ileum, vague thoughts in the places where emotions blend into the scenery, and touching the heart and spleen by making people wander back and forth. Pick. "Huang Jie was itching at the table for a long time, and his reputation grew. Zhu Ziqing, a famous writer and scholar, was also his disciple, and often asked him for academic advice.

Liu Yanwen, a native of the country, wrote in "Tea House· "Chen Shiyi and Huang Huiwen" records that when he was in the Zhejiang Tongzhi Museum, he once went to see Master Chen You. Master Chen said that the director of your library had a friend named Huang Huiwen, and he wrote very good poems. I have repeatedly emphasized that Mr. Huiwen's poems are not ordinary, but rare.

Huang Jie was good at poetry and was highly respected by Yu Shaosong. Later, he became the engraver of "Mr. Jie'an's Posthumous Poems". , and became a confidant.

Before 1937, Yu Shaosong did not write poetry, but among the one hundred and dozens of poems from 1921 to 1933 included in the second volume of Huang Jie's "Jianjia Lou Poems", he gave Yu Shaosong a poem. There are as many as seven Shao Song poems or poems related to Yu. In 1927, when Yu Shao Song lived in Tianjin, Huang Jie wrote a poem "Sent to Yu Yueyuan Jingu in the Rain on June 22":

The window of Summer Rain Pavilion is full of sunset, and I am deeply thinking about the beginning of my life.

Looking at each other on Jingu Road, one day in the middle of the southeast river and the sea.

People are happy to return home. Go, the chaos is like summer and autumn.

How can the birds in the garden stop in the wind? Yinan returned to live in seclusion to serve his mother. Huang admired Yu's filial piety very much.

On June 2, 1927, Wang Guowei committed suicide by drowning himself in a lake. On June 3, Yu Shaosong wrote in his diary: "Unfortunate news has come. Talk about Wang Jing'an's suicide. I was so moved by the dark news that I shed tears. The difficulty of Jing'an Gai's death to clear the house is different from the purpose of Huiwen.

Therefore, there are people who are sad because they have heard about the decline of famous religions and do not care about sinologists. "The so-called confidants are those who cherish each other. On the eve of Yu Shao's return to the south in the Song Dynasty, he made a fan-shaped landscape painting as a gift to Huang Jie, and wrote: "This kind of desolateness and simplicity is not something I have heard about but I can't appreciate it. "Those who know Huang are Yu!

After Yu Nan returned to Hangzhou and settled in Hangzhou, Huang Jie presented two poems in 1929 and 1931, both with the title "Sending to the Yue Garden":

Lao Sheng actually writes books and does not ask about daily life in the West Lake.

The birds and green stripes are all lonely, and there is no grudge in the winter.

Another saying:

The flowers in the north are bullied by the wind and snow, which makes people lament the sunny branches.

The plum blossoms in the pots are not in the cold weather, and they are afraid of losing the poetry of the West Lake poet.

In the spring of 1928, I returned. When meeting old friends in Beijing and Tianjin, Huang Zai wrote a poem titled "Liang Zhuoru's inscription on Yu Yue Garden's landscape album, when the Yue Garden came from the north of Quyan". The poem goes:

Don't just write about mountains when you meet someone. The boat just returned from Fuchun.

It was a pity that Liang Hong's poems were not read during the tour.

The two of them not only met through poetry, but also engaged in the cultivation of ambition. In 1928, Huang Jie was hired as the director of the Guangdong Provincial Tongzhi Museum and sent a letter to Yu Shaosong, inviting Yu to be the editor-in-chief. He recorded in detail the preparations for compilation of the Tongzhi Museum at that time and the friendship between them. < /p>

"...However, the Zhiguan is far away from politics, so there is no hindrance at all. My safety may not be affected. Bu Juyi is in Dongshan, but he must get the curator's car to facilitate the long journey. This level can be discussed with Duan Fu. There are no new poems since peacetime. It rained yesterday and it has become autumn. When is the date of departure? I beg you to inform me in advance. The hands are restored and the daily life is praised. Brother's Day, August 24th

The museum's monthly funding is more than 4,700 yuan, which is currently distributed at a 20% discount and half of it, so there is really no progress at all. Therefore, we must get all the funds back before we can start. And again. ”

On January 16, 1929, the Guangdong Provincial Department of Education entrusted Huang Jie to ask Yu to serve as the chief editor of the Guangdong Provincial Tongzhi Library. The next day, Yu Shaosong replied to Huang Jie:

< p>... Gu Diecheng never gave up on his brother, and finally he did not dare to betray his kindness and cut himself off from his friends. After the Lantern Festival in the next spring, he should go to Guangdong to learn from his teachings. Yes.

However, due to the turmoil of the current situation and the dangerous journey, especially in Guangdong, Huang Jie also left Guangdong to live in Macao. The funds of the Tongzhi Museum were particularly insufficient, so Huang Jie wrote to ask me to postpone my trip. The Tongzhi Museum was closed, and Huang Jiexuan went north and resumed his post as professor at Peking University.

In 1926, the first edition of Yu Shaosong's "Painting Method Essentials" was published by Shanghai Zhonghua Book Company, with Huang Jiexuan's inscription on the title page. Printed "Huang Jie".

In 1932, Yu Shaosong's "Explanation of Calligraphy and Painting Records" was published by the National Peking Library. The book was authored by Huang Jie, with a preface by Lin Zhijun and a postscript by Liang Tingcan.

Yu and Huang often communicated through letters. The last time they met was in the autumn of 1934. Yu Shaosong visited his hometown again and went north to visit old friends. Huang Jie and Lin Zaiping also went there. Welcome and see-off at the station. For more than twenty days, Yu and Huang would meet together almost every day: "Hui Wen drank at Xinfeng Tower and met Yichu and Zhongshu. After drinking, they went to Hui Wen's house to talk. , returned to his apartment at 11 o'clock at night, and Hui Wen showed him many old paintings for appreciation. "9th: "After I returned to my apartment, I learned that Dai Junliang had come. I heard that Dai Junliang had come. I heard that Yi'an had come, and we talked about leaving at eleven o'clock. "13th: "Let's talk about the dark news. "15th: "Visited Yi'an and Huiwen, and spent the longest time talking at Huiwen's house. "17th: "Went to Huiwen to talk with his parents until noon. Huiwen came out with a collection of Yang Lianfu's handwritten poems, which were extremely fine. The title included the first six characters of "Blessed Man in Country, Wind and Moon", divided into books, which is quite appropriate. "We must talk for a long time every day.

On October 19, Huang Jie wrote a poem for Yu's "Returning to the Yanlou and Entertaining the Family", "I visited the dark news, and I rarely wrote poems when I heard the dark news. It is said that he stopped chanting, and today he wrote a poem called "Entertainment Picture Scroll" for Yu: "Nursing one's ambition and painting is also a filial piety, but it is not because of literary talent that I can sing." His talents, names, and calligraphy are all collected, and his language is particularly profound when he grows old. "What kind and interesting words."

On October 26, Huang Jie presented another chapter of Yu's poem: "I visited Huiwen when I got up in the morning, and ate fish porridge at his house. Huiwen When I heard that I was about to return, I felt quite melancholy, so I gave him a chapter of a poem, which said: "The chrysanthemum flowers were cold last night, and I felt sorry for the flowers when I left. The chrysanthemums in the West Lake bloomed first in autumn, and the beautiful scenery in the north and south was endless." In the troubled times, it is rare to see the past. The long corridor is now soaring. In the past eight years, the place has been moved. The country is covered with frost, flowers and dew. Today, it is leaning against the railing. . There is no need to say thank you for a poem. If you have wine, it is not necessary to save the hunger and fullness. Farewell poems leave the wine and the flowers are bright. It is a pity that the purple crab is not three.

In the past twenty years, Yan City has been a gangster, and every day the lake bass has been thinking about irrigation and cooking. The beauty of the white fish in the bear's paw is incomparable. How can it be given as a gift? ’ The beauty of this poem cannot be understood by the sages of the time. After hearing this, I presented two porcelain printing boxes from the Yuan and Ming Dynasties as gifts, so that I can remember them forever during my travels. "

On October 29, Yu Ze wrote an inscription for the album "Li Xiya Ci'en Temple Manuscript" collected by Huang, "Hui heard that there is a book "Li Xiya Ci'en Temple Manuscript", which was given by Ye Yuhu, and Zhang Daqian informed Hui I heard that this is a fake but not enough, and I heard that it is obscure to show what is left, so it is an absolutely fine product. The title says: "The brush used in this book is popular and the ink is light but very brilliant. You can get a glimpse of its wonderful twists and turns." Not a fake. ’ The day before yesterday, I came across a volume of "Dongsi Lulue" written by Xi Ya in the chapter place. One of the manuscripts was the same as this. Within three days, I saw the traces of Xi Ya's two dramas, which is a blessing to my eyes. The grass on the west end is extremely thick, and Yitingzhou is where it comes from. People today only know Tingzhou but not the west end. "

At noon the next day, Yu and Huiwen and others came to Jinyuxuan for a banquet in Central Park: "To say farewell to Yu, more than thirty people arrived and drank with Yu one by one. Yu arrived at the old capital I didn't dare to break the rules, so I drank as much as I could today. Fortunately, I wasn't drunk. You all treated each other with great kindness, which I will never forget for the rest of my life. After drinking, I took a photo together with Hui Wen, Li Sheng, Ping Fu and Shen Sheng, and talked about the calendar in Shuixie for about two hours. "The group photo of the five people before coming to Jinyuxuan was also the last photo taken by Yu Huangjian.

At 8:00 on October 31, Hui Wen bid farewell to Yu Shaosong at the station. After Yu arrived in Tianjin, he "got After hearing about the book, he gave me a poem that said: "The national plan and personal plans have not yet been fully explained, but I poured my remaining tears into the Li Zun." In the Ming Dynasty, when I bid farewell to the returning scholar, I looked like I was in Bingyuan in front of the lamp when I was drunk. ’ Zhan Du was horrified, how dare I hope to return to Gao Shi? However, I heard that I was so fond of him that I was so grateful that I burst into tears. "I don't want this farewell to be an eternal farewell, because Huang Jie has stopped writing poems recently, and perhaps this poem is also his last poem.

On January 24, 1935, Yu Shaosong learned of Huang Jie's death. Grief-stricken, he wrote in his diary: "I received Li Shaoqing's telegram and learned that I had heard so much about Zhejiang. I was so sad that tears came to my eyes. This was my first confidant in my life, and the love and respect related to him was definitely beyond the reach of others. It was completely beyond the reach of others." For his sincerity, there is no pretense, I may not find a second person in my life. It is so sad and sad, and I will never be restless. For a while, I didn't go to pay homage, because I had to return to Shaoqing to express my condolences, and I still couldn't fall asleep at 12 o'clock. Hu Xianfu called me from Tianjin to tell me that I was so sad for a moment that I couldn't control myself. I was so deeply saddened by the bad news that I had never been more closely related to friends and relatives in my life than this. ”

The next day, Yu Shao and Song Dynasty started writing letters to Chen Shuren, Zheng Futing, Luo Fu’an, Lin Zaiping, Hu Huxian, Li Shaoqing, and Lu Yi’an to talk about Hui Wen’s death. Hui Wen always forgives him. , The moral integrity is self-sustaining, and the poems written are unique and unparalleled. It is appropriate to commend them to show that they have come to learn from them. Today, I plan to paint, but I am still sad, and my interest is dull. I can't help but sigh when I hear about our long-standing friendship! The ancients said: You can have no hatred if you have a close friend. Now my close friend is safe! How sad!

Yu Shao's Song Dynasty wrote a couplet saying: " It is a mistake to praise the beauty of the poems all over the world. It is better to be immortal than to be public. I feel the sense of justice in my life. I am at home. I will vent my anger to whom. "Yu Shaosong Zhihui heard that Pingmu had no savings and was in a very depressed state after his death. For this reason, Yu wrote to Ye Gongchuo and other old friends, asking him to arrange his funeral.

On January 27, Yu Shaosong resumed his work. A couplet of elegies tells the story: "The national plan and personal plans have not yet been fully explained. How can I be alone? I can't bear to recall Linqi's frequent poems. I need to clean up my talents and calligraphy. You are now safe. It is even more painful to talk about being with each other." " He also wrote: "Two months ago, I traveled to the old capital and had a close relationship with Duke Hui. Hui Gong gave two poems to him before leaving, and he also gave them another poem after parting. It is said that "the national plan and personal plans have not yet been fully explained, and I poured my remaining tears into the leaving bottle." He also said: "The calligraphy and calligraphy of talents need to be cleaned up. When I grow old, I will only speak from you." deep". Exhibiting and reciting the inscriptions deepens the sadness. The meaning of the previous couplet is not complete, because the use of other sentences to form this couplet is not enough to express my sorrow. "At this moment, we can know the pain of Yu Shaosong's loss of friends.

The memorial service after Huang Jie's death was held very grandly, almost close to the standard of a state funeral. The crowd of people who went to express their condolences seemed to have gathered before Mr. Lu Xun was buried. There has never been such a magnificent scene in the Republic of China.

Huang Jie returned to Daoshan for more than a month. From March 1 to April 9, 1935, Yu Shaosong made a trip to Guangdong. The next time Yu Shaosong went south to appease Huang Jie's children, his son-in-law Li Shaoqing also went with him. In the early morning of March 6, Yu Shaosong arrived in Guangzhou by boat and stopped at Haokou in the west. Cangping and Huang Jie's three daughters and one daughter were also there. Welcoming him at Ju Lai Wharf, "Hui heard that Zi Tianxing is a very sincere person. His eldest daughter, Shaosheng, is no longer married. His second daughter, Shao Qi, is the wife of Shao Qing. The younger daughter, Shao Jia, is yet to be named. She has stayed in Xinya Hotel temporarily. I will send a message by phone." Mother, please avoid being kind.

"Yu Shaoqing, the queen of the Song Dynasty, lived in Huang Zijing's Xiaohuafangzhai for more than forty days.

During his stay in Guangdong, on March 12: "Li Shaoqing came to talk for a long time, because he had heard that the mountainous area had been settled, and the library also agreed to collect it. There are methods for storing books and other things, especially writing books to tell Zhongshu and Yichu. The gravekeeper Chen Xian came to see him, and then Shao Zhiwen came. "March 25: "Li Shaoqing came to discuss the funeral expenses for Hui Gong. Hui Gong's wife belonged to Handa Zhongshu, Yichu, and Pingfu, and agreed to it.

With the help of friends, Huang Jie’s cemetery has been selected, and the books left by Huang Jie have been handed over to the Guangzhou Library for collection. Other Huangjie funeral arrangements were also arranged, and Yu Shaosong finally felt at ease and wrote to friends Chen Zhongshu, Ma Xulun, and Ye Gongchuo to inform them of the status of Huangjie's funeral arrangements. Bit by bit, Yu Huang makes good friends, and how sincere they are.

The epitaph of Huang Jie was written by Zhang Binglin of Yuhang, with an elegiac couplet: Chifu self-declared the talisman, Yan Zi came to invade the throne; although Huang Chu settled the chaos, Guan Sheng still wielded the hoe all day long. On December 4, 1935, Yu Shaosong inscribed Huang Shudan's epitaph. He wrote in his diary: "I wrote the epitaph for Hui Wen Shu, but I couldn't help but sigh. The ambition was written by Zhang Taiyan. The writing is excellent. It's a pity that he has so many ambitions and events in his life." Also. "The epitaph was compiled by Zhang Ertian of Qiantang.

From November 17th to 20th, 1941, Yu’s mother was eightieth birthday. Although Yu Shaosong did not dare to tell relatives and friends, the people around her had already known that she would write a poem and painting album or create a painting. wish. On my birthday, I presented it to my mother, who was very impressed and moved with joy. However, Yu Shaosong wrote this in his diary: "When I recall Cishou's sixty or seventy years old, there were so many poems and paintings from all over the world, the worst at sixty years old, and there were more than 1,200 families there. Lin Qinnan, Wu Changshuo, He Shisun, Chen Taoshi, Liang Rengong, and Huang Huiwen all were here, and the romance in the sea was still not over, so they got the most good ones. "Recalling the past of our old friends, Yu Shaosong can't forget them.

Just as Huang Jie wrote for Yu's "Returning to the Inkstone Tower to Entertain the Relatives": "Talents and famous names are all collected in calligraphy and calligraphy. When I grow old, I will become a master of the emperor." Yu and Huang met each other because of the constitution, and because of their poems We are destined to be friends with each other through love. We are gentlemen who are magnanimous and sincere. We are worthy of being each other's first confidant in life.