Appreciation of Schubert's works

This is a dramatic and artistic narrative of the richest man. Singers should be good at expressing four different roles with different timbre changes and emotional processing. This song was written in 18 15, and it is one of Schubert's most famous songs. The whole song takes the German poet Goethe's narrative poem of the same name as the word, with different melodies and tones, different vocals, and piano imitation of the continuous galloping horseshoe and whistling wind, showing four different characters and specific environments in the narrative poem. It tells the story of a father holding his sick son in the smoky forest of Ritsema on a dark and windy night. In the dark, the unconscious child issued a nervous and frightened call, and the evil and cunning devil phantom was luring and bullying the child to go with him. Although this song develops freely, it maintains the unity of structure and the perfection of form.

The first paragraph: The narrator sings by oral recitation.

The second paragraph: father-son dialogue. The voice in the bass area of the music, in a calm and balanced tone, depicts the concern and comfort of my father, and my father asked lovingly.

The third paragraph: The devil's music melody is lyrical, singing, sweet, false and cunning. Then, the father and son chatted again, and the devil pushed forward step by step. My son was afraid, and he called his father again and again, and he became more and more afraid. Until the fifth paragraph, the devil used both hard and soft, threatening.

The last paragraph: The narrator described the sad ending in an anxious and painful tone: the father hurried home and his son had already died in his arms. The piano has two powerful chords, which shows the grief of an exhausted father. Schubert's Ode to Notre Dame was written in 1825, which is based on the Song of Ellen in the narrative poem Beauty on the Lake by the English poet Walter Scott. This song expresses the innocent feelings of Ellen, the owner of the narrative poem, begging the Virgin to forgive her father's crime. The song is in the form of segmented songs, with soft and euphemistic tunes, pure and simple musical expressions, delicate and full, which shows the author's yearning for truth, goodness and beauty. Because of the artistic charm of this song, later generations adapted it into instrumental music, with violin solo and string performance as the theme and harp accompaniment, which was widely circulated.

As a prelude to the beginning of the song, Broken String, a sextet, caused emotional ups and downs.

The song is melodious, touching, euphemistic and sincere. The temporary tone sandhi, decorative tone and triplet in the song are skillfully and properly used, which makes the song novel and unique.

When the song goes to the eighth bar, there is an emotional climax, and then it gradually calms down and whispers the name of the Virgin Mary.

Finally, the whole song ended in a quiet atmosphere. Schubert serenaded this song a few months before 1828 died. It turned out to be the fourth song of the author's vocal suite "Song of the Swan", which was inscribed by Haslinger, a Viennese music publisher, to imply that this group of songs is the author's last work. "Serenade" is a well-known song based on the poem of the poet Lyle Staber. This "Serenade" is widely loved by people because of its beautiful melody, which has been adapted into instrumental music.

The structure of the song is two forms, and the big and small sounds develop alternately. The first melody in D minor is light and euphemistic, and the tone is soft and clear, imitating the accompaniment of guitar, showing a young man pouring out his love to his beloved girl.

The first lyric is a description of the surrounding quiet environment. Followed by eight bars of lyrical quiet interlude.

In the middle part of the second paragraph, turn to D major and use tone sandhi. The change of tonality excites feelings and forms the climax of the whole song.

The melody and rhythm at the end add new factors. With the aggravation of D major, the final sentence of the comprehensive tendency of big and small sounds gradually weakened, indicating that the singing of love gradually faded in the beautiful and quiet night. From the day it was written, it has been sung by mothers and singers all over the world to this day. For example, when Schubert wrote this touching song, there was such a story:

Schubert lived in poverty at that time. One night, without eating, he wandered around the street hungry, hoping to meet an acquaintance and borrow some money to satisfy his hunger. But I haven't met anyone I know for a long time. Then he went to the front of a luxury hotel. He went in and sat down at a table. Suddenly, he found an old newspaper on the dining table. Schubert picked it up and flipped through it. He saw a poem on it: "Sleep, sleep, my dear baby, your mother shook you gently with her hand …" This simple and moving poem touched the composer's heart, and the image of a loving mother appeared in front of him. Yes, on that quiet night, the mother patted the child gently and hummed a lullaby. The silver moonlight shone on the mother and son through the window. What a wonderful life ... Schubert couldn't hold back any longer. He took out a piece of paper from his pocket and a pencil, humming a song and writing quickly.

When Schubert finished writing it, he gave it to the owner of the restaurant. Although he didn't know music, he thought it was so nice and beautiful that he gave Schubert a pot of roast beef with potatoes.

Schubert wrote this sweet song for his mother and children with a beautiful heart in poverty. This "lullaby" soon spread all over the world, but its author Schubert died in poverty. ...

Lullaby is not only an important musical form in music, but also an indispensable artistic means in human life. Everyone was born and raised listening to her mother humming a lullaby in her arms. Through the lullaby, the mother deeply buried the philosophy of life, the hope of the future and the love of the mother in the young hearts of the children. These philosophies and hopes are like seeds. As children grow up, they blossom and bear fruit in their hearts, which exerts a subtle influence on their thoughts.

Mothers, don't ignore a short lullaby, it will affect the children's life-the future flowers of the motherland. The work was written in 1822, when Schubert was 25 years old, but it was not until 43 years later that the score was discovered and premiered in 1865. In this symphony, only the first and second movements have complete music scores, the third movement has only nine bars adapted for orchestral music, the other parts still exist in the form of piano scores, and the fourth movement has no draft. However, the first and second movements can perfectly cooperate in form and emotional treatment, and have completely expressed the whole content so far. Adding any scherzo movement or final movement has a feeling of gilding the lily. Therefore, although the form of this song is not completed, it is actually intact, so it is novel in structure, which is probably unexpected by the author. This song is not only the most outstanding work in Schubert's symphony, but also an unparalleled masterpiece of romantic music. It expresses the contradictions and conflicts in the author's inner world, and sadness fills the whole music. Transparent, pure, beautiful and rich melody, without decorative harmony and timbre, this composition method is very fresh, which is also an important reason why this song has become one of the most popular symphonies in the world. The song ended before it was finished, which added a lot of rumors and legends to it, and some even made it into a story and a movie. In this way, this song is a household name.

The first movement, Allegro Mean in B minor, in 3/4 beats, is a relatively simple sonata form. At the beginning of the song, the bass string played a suggestive melody (1 paragraph), which was described by the famous conductor Wengana as if it were a sound from the underground world. This melody plays an important role in both the first and second movements.

The second movement, Andante for a little faster, in E major, in 3/8 beats. The whole movement is flowing, and the layout and development are soothing and natural. The theme of this movement is very famous, and it is an elegant theme with beautiful melody (segment 2), which is presented by the first violin and brings the audience into a quiet and imaginative artistic conception. Schubert began to compose the ninth symphony on 1825, and completed it on 1828 in March. He had hoped that the song could be sung by Gesellschaft der Musikfreunde in Vienna, but the association thought the work was too long and difficult. Later in the same year, after Schubert's death, the manuscript was left to Schubert's brother Ferdinand, and it was not until 1839 that the work premiered in the orchestra of the sleepless concert hall in Leipzig under Schumann's arrangement.

Although Schubert's Ninth Symphony was published a little late, it is one of the most important music works in the19th century, which has a great influence not only on Schumann himself, but also on Brahms, and boldly points out a bright road for brukner and Mahler with its broad design concept-as Schumann said, "as long as heaven". In the unfinished Eighth Symphony, many styles and forms that were first used reappear in this piece of music. However, the key creative ideas of the two symphonies are not the same; In the ninth movement, Schubert resisted the impulse to lengthen the melody and changed it to a simple, powerful and highly plastic theme as the keynote in each movement.

The unique orchestral color of the four movements of the whole song is amazing. Like the Unfinished Symphony, Schubert spread the warm and brilliant colors of woodwind and brass instruments on the strings, making the music stick to the romantic range. In addition, his solo ability of these instruments is equally important-the double French horn gently plays the noble drum music at the beginning; The oboe is also accompanied by lyric strings, like the distant trumpet, which plays the first theme of the board movement.

The most striking feature of this piece of music is its energetic rhythm. Two special basic rhythms-dotted with quarter notes, followed by eighth notes and triplets-are gradually strengthened in the process of the piece. These two rhythms, together with a continuous four-tone decorative sound first played by the French horn, become the elements of the final movement. It is precisely because of the power of rhythmic materials that the huge and long final movement can be pushed forward like shells.

The poetry and imagination in Schubert's later works reached the peak in this piece, and at least one andante movement is worth mentioning: when the reproduction department came, Schubert played a hymn-like pattern with trombone, woodwind and string (all the weakest voices), and the two French horns played the high note G gently and repeatedly. In the interval of French horn notes, the strings release quiet and slowly changing harmony-first cello and bass, then viola and violin, and gradually strengthen, and finally the strings play A minor with French horn. This clip fully demonstrated the composer's talent-later it echoed in the music of Schumann and Brahms more than once. Schubert's quintet in A major is different from the usual piano quintet. It is not the standard form of piano plus string quartet, but the combination of piano and four stringed instruments, such as violin, viola, cello and double bass, that is, the second violin is less than the standard form, and the double bass is replaced. Moreover, this piece has five movements, which is also different. Because the fourth movement uses the melody of Schubert's own song "Trout" as the theme and variation, this song is commonly known as "Trout Quintet".

Undoubtedly, this is definitely Schubert's most beautiful masterpiece of chamber music, and even a crown in the category of piano chamber music. The whole tone is romantic, cheerful, frank and free, and always full of singing. Needless to say, you should be familiar with the melody of the song Trout, and maybe you can sing it. Even the third movement, which is a little excited, is very loud and needs time to say a few gentle and soothing words. A major is usually hearty, and Schubert's music is particularly smooth. Young Schubert must have been deeply intoxicated by the turns of singing between the piano and stringed instruments, and between the big and small violins.

Schubert and his good friend vogel, a baritone singer, were warmly received by Bowen Ghana when they were traveling in northern Austria. Therefore, entrusted by Bowen Ghana, they premiered at Bowen's Ghana Building. Its five movements are: Allegro vivacious, classical sonata form in major. At the beginning, the triplet is played on the piano, which plays the role of connecting the whole song. First, the presentation and development of the first theme, and then through the formation of E major, the piano pops up the second theme, and the violin repeatedly enters the small end of the presentation. With the new rhythm of quarter notes and eighth notes, the development department played the first theme in C major, pursuing fantasy. The first theme of the reproduction part is reproduced by the piano in D major and ends with a short epilogue. Andante in F major consists of three lyric melodies. The first melody is F major, the second melody is F minor, and the third melody is D major. Then the first melody is reproduced in A flat major, the second melody in A minor and the third melody in F major, which is the tradition of Bach and Mozart. Scherzo, Extreme Emergency, Major, Complex Trilogy. Answer with strings and piano, and then form fugue. Andantino in d major, theme and 6 variations. The theme is the song "Trout". First of all, the theme is played by the first violin, with strings as a foil. The first variant assigns melody to the piano, with string arpeggios as foil. In the second variation, the viola plays the main part, the violin starts, the melody moves to the double bass, and the piano plays complex quick sentences. The fourth variation turns to triplet rhythm, the fifth variation also turns, and the sixth variation and ending use the piano waveform in the accompaniment of the original song. Allegro, major, incomplete sonata form, which reveals Hungarian color.