It has a special status in film history. How do you evaluate "The Grand Budapest Hotel"?

"The Grand Budapest Hotel" is considered a classic among classics.

First: construct a classic from the content of the story. The story begins with an unknown writer. In order to concentrate on his creation, he came to a hotel called Budapest. Here, the writer met Mustafa, the owner of the hotel, who invited the writer *** to dinner. During this period, he told the writer about the past and present life of this weather-beaten hotel. The former owner of the hotel was named Gustavo (Ralph Fiennes), and the young Mustafa (Tony Revolori) was just a follower of him at the time. Little doorman. Gustavo was a man of integrity, shrewdness and ability. Under his management and organization, the Grand Budapest Hotel became the premier resort at the time. Gustavo and the elderly Mrs. D (played by Tilda Swinton) fell in love with each other. After Mrs. D passed away, she left a priceless painting to Gustavo in her will, which angered Gustavo. This begins the doom of her son Dimitri (played by Adrien Brody), the Grand Budapest Hotel and Gustavo. This kind of narrative technique is very attractive.

Second: The film basically uses cold colors, but on some special occasions, it emphasizes the difference between outdoor and indoor. It feels cold and cold outside, but it's often warm inside. It's always snowy outside but there's always a warm and peaceful feeling inside. The collision of warm and cold tones in some places did not bring any discomfort to the audience. On the contrary, it gave the audience a visual impact, allowing the audience to integrate into the film more intuitively. Third: Judging from the use of lenses, it does not use too many high-end lenses. Instead, a lot of parallel moving shots are used, all of which reflect the director's high degree of stylization. The composition is neat and tidy, the lens is pushed and pulled directly, the position is deliberately neat, and the depth is ignored and the emphasis is on panning. However, the use of these shots does not make the audience feel uncomfortable but can further attract people's attention and promote the further development of the plot. In general, the color composition, editing, soundtrack, rhythm and layout are all great, which is also Wes Anderson's strong point. He is lively, naughty and lazy gentleman, a romantic and sad European elegy; when pink poetry meets violence Humor, nostalgia and homage are all here. The ending is sad and sad