How to integrate history and culture into square landscape design

How to integrate historical culture into the modern landscape

The basic path for integrating cultural elements into urban construction It is impossible and unnecessary to cover all aspects of integrating cultural elements into urban construction. The key is to proceed from reality and proceed Reasonable shortcut.

It is recommended to make major breakthroughs in the following four aspects. Correctly grasp the cultural image of the city.

A reasonable urban cultural image determines the personality and spirituality of the city. It is also the primary issue that must be solved when cultural elements are integrated into urban construction. Shangyu has a long history, splendid culture, and many distinctive features.

From the perspective of historical origin, the Cao'e River passes through the city and nurtures Shangyu; from the geographical location, Hangzhou Bay opens its arms and protects Shangyu; from the perspective of topography, the rivers crisscross and nourish Shangyu. It can be said that water is the source of endless life for Shangyu, and the water town culture is an important brand culture of Shangyu.

It is recommended that the core positioning of riverside ecological urban development should be firmly grasped in urban planning and construction, and efforts should be made to build an urban water system with the Cao'e River as the axis and urban rivers interconnecting each other, and strengthen the management of urban waterways. Renovation and bank protection of rivers, water body management, greening and lighting have created an urban cultural image and core charm of a well-developed water system, shaded by green trees, sparkling waves, and a close relationship between people and water. Actively enhance the urban cultural landscape.

The construction of urban cultural landscape is an inevitable requirement for enhancing the spiritual function of the city. It is recommended to build a beautiful cultural landscape in the city from three aspects.

First, build the Cao'ejiang cultural tourism brand. On the basis of the existing Cao'e River Water Conservancy Scenic Area, we will promote the connection of all roads on both sides of the bank, implement three-dimensional access to waterways, tourist trails, and land roads, plant the same tree species, add ten scenic spots on the Shunjiang River, materialize the legend of Cao'e, and support sports projects to make it a natural , humanities and fashion complement each other, and it is a cultural tourism brand that integrates sightseeing, leisure and entertainment.

The second is to build a cultural theme park. Relying on the Cao'e Temple Scenic Area to build the Filial Piety Culture Theme Park, relying on Longshan to build the Yushun Culture Theme Park, fully display the historical events and celebrity spirits, and effectively apply modern technology and fashion elements to make it a cultural entertainment, holiday leisure, and A destination for social events.

The third is to build iconic buildings. Efforts will be made to build the "Yushun Grand Theater" with comprehensive functions such as culture, exhibitions, and sports, making it a landmark building in the city.

Reasonably set up urban cultural sculptures. Urban sculpture is a public art in modern cities, bringing people beautiful expressions from any perspective and at any time.

It is recommended that urban sculptures be used as an effective carrier for integrating cultural elements into urban construction. The first is to focus on urban sculpture planning.

Consider urban sculpture planning as an important part of urban cultural planning and a sub-plan of urban planning. Plan and build cultural sculptures at important nodes in the city to avoid blind development and easy changes. The second is to focus on the development of characteristic sculptures.

A batch of sculpture works with Shangyu’s traditional cultural characteristics and modern civilization characteristics will be collected nationwide to effectively enhance the personality of urban sculptures and truly play their “finishing point” role. The third is to pay attention to the matching of urban sculptures.

In accordance with the principle of "adapting measures to local conditions, time conditions, and events", rationally set up city promotional sculptures, themed commemorative sculptures, square landmark sculptures, environmentally inspiring sculptures, park green space sculptures, Architectural decorative sculptures truly allow urban sculptures to inherit the historical context and promote the urban spirit. Effectively improve the urban architectural style.

As an important part of human culture, architecture is a carrier that reflects people’s aesthetic concepts, social artistic trends, architectural technology progress, and the essence of local history and culture. It is recommended to actively create beautiful urban architectural features.

First, highlight the artistry of architectural design. The design of urban buildings, especially large public service buildings, bridges, and park facilities, must highlight the artistic appearance containing cultural elements while ensuring the intrinsic functions, so that these buildings have ornamental value and cultural relic value.

The second is to highlight the rationality of the building layout.

It is necessary to pay attention to both the layout of the building itself and the use of space outside the building to make the isolation between functional areas more beautiful and the connection between each community more beautiful. The third is to highlight the distinctiveness of building naming. Integrate historical culture and modern civilization into the naming of public service agencies, roads, bridges and other buildings, and appropriately introduce the cultural background of building naming in conjunction with urban advertisements, so that people can always feel the cultural influence. How to combine history, culture and landscape

Cultural value and rescue of the significance of historical towns a village (a) historical village, in the form of a small town, you need hundreds of years, and a unique history The environment and rural culture require a long period of history to take shape.

Different types of traditional buildings and trails, villages, ponds, hills, temples, streams, small bridges, and spacious grain drying fields side by side in Changsha from different periods constitute the natural landscape of Changsha. Unique charm. Coupled with the concepts behind the Changsha community that contain tangible cultural values ??and inherent, the blood of our ancestors has been condensed and spiritually cultivated, these substances form unique local characteristics.

This growing lack of non-renewable historical and cultural resources has made Changsha an important cultural element for sustainable development today. The rural context of Changsha, or spatial merging with economic, social and cultural factors, or the area of ????the same village, gives static and dynamic effects, thus forming a fusion of natural and historical environments that closely combines natural and cultural history, the value of which cannot be measured and used to express exactly language and quantity.

As the days and months pass, the value of this cultural significance will become greater and greater. Context is the continuation of history.

The numerous historical and cultural relics scattered in the vast countryside and towns are our profound historical and cultural treasures and the source of a civilized society. In small rural towns, these treasures should be fully utilized, passed down and carried forward.

The international community pays attention to the protection of villages and towns. Any history of a town is a part of the historical background of human history and all social and spiritual wealth of mankind. In the construction of small towns, we are only responsible for protecting and perpetuating these backgrounds, without our own rights being damaged and interrupted.

Various components of the background: traditional and unique buildings, patterned blocks, villages, figures that bear witness to historical events and places and other objects, even trees, rocks and various customs with distinctive features, etc. All are based on the historical background of the operator. Even if your ruins of broken city walls are incomplete, you can still make them miraculously shine with alluring brilliance through reasonable means. Countless experiences and lessons have proved that many precious cultural traditions have been interrupted or are dying out because people do not know how to cherish them.

When small rural towns are built, as far as possible these should once exist to excavate the history and continue it in various ways to make up for previous mistakes or deficiencies. They not only retain precious historical and cultural value, but also have important practical social and economic value.

First, it provides the basis for valuable experience in traditional culture and modern urban planning and construction; second, it provides the best physical specimens and historical textbooks for people to educate people on national traditions and patriotism, especially young people. Purpose; Third, the development of modern tourism provides important historical and cultural resources. B) Protection of historical and cultural villages and towns, in order to protect the historical features of historical and cultural towns that are key to the protection of historical landscapes.

Since the early 1960s, the historical features of conservation theory have been deeply written into the content of preservation and protection of international political history. The 1962 UNESCO “Recommendations for the Preservation of the Character and Character of Landscapes and Sites” states: “Conservation and wherever possible restoration of features whether natural or artificial, of cultural or artistic value, or constituting a detriment to nature, "Any part of rural and urban landscapes and natural surroundings typical of sites" and the "Protection of Historic Towns and *** Urban Areas" issued by the International Council on Monuments and Sites (ICOMOS) in 1987, "pointed out the content and large number of historic district-type protection : Appearance of the building (3) With the scale, size, style, and description of the poor materials, colors and decoration of the building, "(a) There are many shapes and interpretations of the city streets; .

Relationships (b) buildings and green open spaces, internal and external; (d) relationships between the town and surrounding urban environment, including natural and artificial; various roles of towns and cities ( 5) has long been obtained, "and points out: "Any threat to the above-mentioned characteristics threatens to destroy the authenticity of historic towns and urban areas. "The historical figure that is the object of protection is a characteristic landscape group, which does not necessarily have particularly important cultural or cultural relics, but as a whole, the body and image of this landscape have become a place, a region or a symbol of culture; historical features The goal of planning based on conservation literature and historical research still embodies the kind of scene to gain local cultural identity, in the past personal material is not necessarily authentic, but to take the landscape to "repair the old."

Create an atmosphere for services through "," "establish a new or old", "relocation", etc. Many people have an oversimplified understanding of "diversity" due to stylistic means of protection and uncertainty. style", many.

For "diversity" and environmental protection "unique", and in one issue rather than in "antiques" only to be preserved, resulting in "diversity" and "uniqueness" "The essential losses of the protection of historical features are: 1. Maintain the continuity of culture. Maintain the continuity of culture. Cultural geography is rooted in the cultural heritage observed in the surrounding villages, grasping the situation and the first of the villages. A vision. Did not receive any preaching from ancient craftsmen about "maintaining context" and "coordinating styles", but their works are rich in the concept of "harmony between man and nature", which is influenced by the same culture The power and results are natural.

Comprehensive protection and construction of historical and cultural towns and villages, the combination of "original", "repair", "reconstruction" and "new" and "old with new", To achieve the harmonious unity of traditional Chinese brick buildings and other landscape styles. 2. To maintain the continuity characteristics of a protected site, the style of protection methods should be retained as a local symbol.

This can be the most distinctive feature of the image of parts of the landscape, such as the long gate of Tao Gong Temple in Li Town, the theater, the main hall, etc., often called landmarks. Landmarks usually occupy space or are associated with the scene. The important position of the contrast between the background and the important thing is that people will refer to it to confirm that the environmental protection preservation mark is already a consciousness: gate towers, such as Feng Shui, trees in the village, towns and cities, these types of things are selected for the seafood in the rural landscape.

Sites can also be characterized by overall shape, space and form, which are used to identify specific signs of particular importance if Tongguan Town Residential Building Materials Factory Town has three unique ceramic floor tiles and tiles. Shape.

The characteristics of this website can also be used as a reference for Jinggang Street, Weishan Miyin Temple, Manshi Liren School and others.

1. Environmental art design should be national and contemporary. Today, when design development is so diversified, various trends of thought and styles emerge frequently. In order to prevent designers from being blindly lost in them, the status of cultural connotation becomes even more important.

Environmental art design should have a national character. China's design education started late due to some factors, and it is still groping on the road of education model. It has become a common phenomenon to copy Western design or inherit Western design concepts. The national character of the Chinese nation with its profound cultural heritage is difficult to reflect.

On the other hand, the times are developing rapidly, and culture has become convergent in the context of the earth becoming a "global village", especially in China. Therefore, commentators often say that the commercial centers in China's big cities such as Beijing, Shanghai, and Guangzhou are similar, have no characteristics, and are difficult to distinguish.

The concept of regional design is more narrow than that of nationality. , represents the historical evolution and folk custom characteristics of this region, and is highly identifiable.

For example, why are Su Zuo and Guang Zuo, two of the most representative pieces of Ming-style furniture, from the same dynasty so easy to identify? It is precisely because of their completely different regional characteristics: because Guangzhou Furniture is located in an open port on the coast, many decorative features of Western Rococo furniture have appeared under the influence of foreign culture; while Suzhou is located inland, and raw wood is consumed along the way to Suzhou. At that time, there was a slight shortage, and the skilled craftsmen cherished wood as much as gold, which resulted in the ingenuity of Su's furniture.

Environmental art design should also be contemporary. The pursuit of innovation is a focus of environmental art design, but innovation does not mean that we have to completely negate the things of the old era.

In fact, environmental art design was born in order to seek a new way of life and to abandon the old things in the process of constant replacement of old and new things. While inheriting the tradition, there is an innovative interpretation of the tradition, which is like injecting soul into a body of flesh and blood.

Only by using new materials and higher techniques for new interpretations and taking root in the times can such design works be alive, compete with time, and not be forgotten by history. (1) Unique "paper-cut" - Why should traditional culture be reflected in design? Environmental art design should reflect traditional culture. Design works with national characteristics and national culture can better arouse the emotional resonance of viewers.

As a traditional folk art, paper-cutting is a cultural deposit of five thousand years of Chinese history. Many designers use paper-cutting art as inspiration, extract its unique language and symbols, and use it in design to give their works a unique charm.

At the 2010 Shanghai World Expo, the design of the Polish Pavilion was impressive and caused a sensation. The shape of the exhibition hall is abstract and irregular, and the surface is covered with hollow patterns, just like folk paper-cutting, giving visitors an interesting visual experience: the changing colors of light pass through the paper-cutting patterns to create an effect of light and dark in the museum.

Paper-cutting is also a traditional folk skill in Poland. In the past, Poles used paper-cutting works to decorate their homes and regarded it as a decorative art. So young Polish designers used bold ideas and ingenious creativity to apply paper-cut elements to the appearance of buildings. In this way, small paper-cuts connect the cultures of the two countries and the hearts of the two peoples.

Really good environmental art design works should be emotional. If this emotion can be combined with the aesthetic emotions of the local nation, then this emotion will be sublimated into a national emotion. This kind of Emotions convey a culture at the same time, and its design significance is even more profound. (2) When coffee meets "Laozhuang" - blending traditional culture and modern design with contemporary and national characteristics is another sense of "new" and "old".

New and old are literally opposites, but when applied to environmental art design, they can indeed become complementary. If according to Taoist thinking - everything has yin and yang, then the new and old interspersed in the design integrate the national characteristics with the characteristics of the times, which is a kind of yin and yang harmony.

Starbucks located on Shantang Street in Suzhou perfectly integrates this "new" and "old", creating a wonderful spark between Western culture and traditional culture. The original intention of Starbucks was to promote a new "coffee life" and make coffee shops a third space between home and office.

Therefore, Starbucks store design is always at the forefront of trends. Starbucks is a famous global chain of coffee shops, and Shantang Street is an ancient street with a history of more than 1,100 years. The street is full of ancient garden-style buildings. The two can be perfectly blended in the interior design. I have to admire the designer's creativity. Control ability.

The decoration style of the cafe is antique Simplified Chinese style: the first thing you see when you climb to the second floor is the traditional ancient building beam structure on the roof; on one side of the dining area is the Eight Immortals table with modern minimalist style dining chairs On the other side, there is a spacious leather sofa that complements it; the dining table is separated by a Chinese hollow carved screen; the wall is decorated with calligraphy paintings and blue and white porcelain ornaments. The large area of ??wood color is matched with the gray walls and black tiles. The only bright color comes from the shelves filled with fashion magazines staggered in the corners.

Its store decoration style is completely integrated with the mountain and pond scenery, unifying function and art, and creating a unique artistic conception. The materials, colors, or structures used in store decoration all vaguely reveal the Taoist thought of "the unity of nature and man."

So when coffee meets "Laozhuang", not only is it not abrupt, but it gives people a sense of harmony between yin and yang. (Figure 1) 2. Exploring Hainan-style resort hotel design with local regional culture (1) Analysis of the current situation of Hainan resort hotel industry. In 2010, a document "Several Opinions of the State Council on Promoting the Construction and Development of Hainan International Tourism Island" was issued. It is both an opportunity and a challenge to Hainan’s economic development.

The tourism industry is the pillar industry of Hainan Province’s economy, and the hotel industry plays a pivotal role in it. As the number of tourists visiting Hainan increases year by year, how to develop Hainan's resort hotel industry has become an urgent issue in the process of building Hainan as an international tourist island.

According to surveys, Hainan is the region with the most resort hotels and the highest concentration of five-star hotels in the country. However, top brand hotels such as Hilton, Sheraton, and Marriott are all designed by outstanding foreign designers, which do not reflect Hainan's local regional culture, making tourists forget where they are while enjoying luxurious services.

The purpose of tourists coming to Hainan is to relax and pursue its leisure island atmosphere. How to inherit traditional culture in environmental art design

1. Environmental art design should be national and contemporary. Today, with such diversified design development, various trends of thought and styles emerge frequently. In order not to use Designers are blindly immersed in it, and the status of cultural connotation becomes even more important.

Environmental art design should be of national character. my country's design education started late due to some factors, and it is still groping on the road of education model. It has become a common phenomenon to copy Western design or inherit Western design concepts, but it is difficult to reflect the national character of the Chinese nation with profound cultural heritage.

On the other hand, the times are developing rapidly, and under the background that the earth has become a "global village", culture has converged, especially in China. Therefore, commentators often say that the commercial centers in China’s big cities such as Beijing, Shanghai, and Guangzhou are similar, have no characteristics, and are difficult to distinguish.

Compared with nationality, the concept of regional design is narrower. It represents the historical evolution and folk characteristics of the region and is highly identifiable. For example, why are Su Zuo and Guang Zuo, two of the most representative pieces of Ming-style furniture, from the same dynasty so easy to identify? It is precisely because of their completely different regional characteristics: because Guangzhou Furniture is located in an open port on the coast, many decorative features of Western Rococo furniture have appeared under the influence of foreign culture; while Suzhou is located inland, and raw wood is consumed along the way to Suzhou. At that time, there was a slight shortage, and the skilled craftsmen cherished wood as much as gold, which resulted in the ingenuity of Su's furniture.

Environmental art design should also be contemporary. The pursuit of innovation is a focus of environmental art design, but innovation does not mean that we have to completely negate the things of the old era.

In fact, environmental art design was born in order to seek a new way of life and to abandon the old things in the process of constant replacement of old and new things. While inheriting the tradition, there is an innovative interpretation of the tradition, which is like injecting soul into a body of flesh and blood.

Only by using new materials and higher techniques for new interpretations and taking root in the times can such design works be alive, compete with time, and not be forgotten by history. (1) Unique "paper-cut" - Why should traditional culture be reflected in design? Environmental art design should reflect traditional culture. Design works with national characteristics and national culture can better arouse the emotional resonance of viewers.

As a traditional folk art, paper-cutting is a cultural deposit of five thousand years of Chinese history. Many designers use paper-cutting art as inspiration, extract its unique language and symbols, and use it in design to give their works a unique charm.

At the 2010 Shanghai World Expo, the design of the Polish Pavilion was impressive and caused a sensation.

The shape of the exhibition hall is abstract and irregular, and the surface is covered with hollow patterns, just like folk paper-cutting, giving visitors an interesting visual experience: the changing colors of light pass through the paper-cut patterns to create an effect of light and dark in the museum.

Paper-cutting is also a traditional folk skill in Poland. In the past, Poles used paper-cutting works to decorate their homes and regarded it as a decorative art. So young Polish designers used bold ideas and ingenious creativity to apply paper-cut elements to the appearance of buildings. In this way, small paper-cuts connect the cultures of the two countries and the hearts of the two peoples.

Really good environmental art design works should be emotional. If this emotion can be combined with the aesthetic emotions of the local nation, then this emotion will be sublimated into a national emotion. This kind of Emotions convey a culture at the same time, and its design significance is even more profound. (2) When coffee meets "Laozhuang" - blending traditional culture and modern design with contemporary and national characteristics is another sense of "new" and "old".

New and old are literally opposites, but when applied to environmental art design, they can indeed become complementary. If according to Taoist thinking - everything has yin and yang, then the new and old interspersed in the design integrate the national characteristics with the characteristics of the times, which is a kind of yin and yang harmony.

Starbucks located on Shantang Street in Suzhou perfectly integrates this "new" and "old", creating a wonderful spark between Western culture and traditional culture. The original intention of Starbucks was to promote a new "coffee life" and make coffee shops a third space between home and office.

Therefore, Starbucks store design is always at the forefront of trends. Starbucks is a famous global chain of coffee shops, and Shantang Street is an ancient street with a history of more than 1,100 years. The street is full of ancient garden-style buildings. The two can be perfectly blended in the interior design. I have to admire the designer's creativity. Control ability.

The decoration style of the cafe is antique Simplified Chinese style: the first thing you see when you climb to the second floor is the traditional ancient building beam structure on the roof; on one side of the dining area is the Eight Immortals table with modern minimalist style dining chairs On the other side, there is a spacious leather sofa that complements it; the dining table is separated by a Chinese hollow carved screen; the wall is decorated with calligraphy paintings and blue and white porcelain ornaments. The large area of ??wood color is matched with the gray walls and black tiles. The only bright color comes from the shelves filled with fashion magazines staggered in the corners.

Its store decoration style is completely integrated with the mountain and pond scenery, unifying function and art, and creating a unique artistic conception. The materials, colors, or structures used in store decoration all vaguely reveal the Taoist idea of ??"harmony between man and nature."

So when coffee meets "Lao Zhuang", not only is there no abruptness, but it gives people a sense of harmony between yin and yang. (Figure 1) 2. Exploring Hainan-style resort hotel design with local regional culture (1) Analysis of the current situation of Hainan resort hotel industry. In 2010, a document "Several Opinions of the State Council on Promoting the Construction and Development of Hainan International Tourism Island" was issued. It is both an opportunity and a challenge to Hainan’s economic development.

The tourism industry is the pillar industry of Hainan Province’s economy, and the hotel industry plays a pivotal role in it. As the number of tourists visiting Hainan increases year by year, how to develop Hainan's resort hotel industry has become an urgent issue in the process of building Hainan as an international tourist island.

According to surveys, Hainan is the region with the most resort hotels and the highest concentration of five-star hotels in the country. However, top brand hotels such as Hilton, Sheraton, and Marriott are all designed by outstanding foreign designers, which do not reflect Hainan's local regional culture, making tourists forget where they are while enjoying luxurious services.

The purpose of tourists coming to Hainan is to relax and pursue the atmosphere and slow tone of the leisure island.