What's the difference between Mr. Liang Zhitian's works?

Liang Zhitian: Father of China's Simplicity/Manden (s) g \% f0b2x &; f

On July 6th, 2007, at 5pm, "50 20 10" Liang Zhitian Design Exhibition and Reception was successfully held in Shanghai Zhuyuan. This exhibition of Liang's works design brings together the design ideas developed in the past 20 years, and also condenses countless wonderful modern simple pictures in his design career. # P，s+s； u" {

The exhibition space is dominated by dark gray, and the horizontal and vertical light boxes are filled with works. Groups of white oak furniture perfectly interpret the simple world of Liang. The exhibition space brings a brand-new exhibition structure, and also tells the success of beam design. A series of furniture products, such as Yizhi, Fiona Fang, Linglong and Tiandi, with the brand of Liang, stand proudly. Projecting a huge book-like collection of Liang's works, turning page by page ... The design style of the whole exhibition hall is full of Liang's solemnity, calmness, low-key and quietness, so that all the audience who enter the exhibition hall can accept the spiritual baptism from simple culture.

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With the burning of beam's "perception of fate", modern minimalist design has been pushed to the limit. On the occasion of the 50th birthday, 20th career and 10th anniversary of Shanghai/KLOC-0, the design exhibition of Liang's works was grandly launched. This is not only a review and summary of his career, but also the best portrayal of his planning, hard work and diligence in his 50-year-old life. This birthday present means a lot to him.

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Liang Zhitian was determined to be an architect since he was a child. He carefully observed the trend of design culture in Hong Kong. In Chinese mainland's first model house project, he introduced modern minimalist style, which was very popular. Liang's simple style "shocked" the whole interior design field in China, and made people feel the charm of Hong Kong designers. He eventually became the idol of many China people and interior designers. Many designers were attracted by Liang Zhitian's activities, especially the students who scrimped and saved to buy his works in the study room ... He was chased by young designers 10 years.

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People only know that Liang Zhitian is building a simple kingdom, but they don't know his other confession: to make a logo with his own name in the next 10 year. In Liang Zhitian's mind, the names of "Designer Co., Ltd." or "Construction Co., Ltd." will no longer exist. As a unified symbol of various design products and services, it will guarantee quality and style, and the Liang Empire he built will cover all fields related to design.

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People who have seen the works are deeply moved by Liang's unique spatial elements-no point, no direction, no wireless direction. This is related to his straightforward personality. ! b； n " ` & ampC5 M

Liang Zhitian almost exhausted the straight lines related to "horizontal, horizontal and vertical". Even if you encounter a circular building, it will be a straight line when you approach according to the curve of the building. Straight line constitutes the most classical language feature in beam space. The horizontal and vertical demands conveyed by the beam space are also endowed with concise connotations through soft decorations such as indoor furniture, cloth art, calligraphy and painting, and even lamps. What he sees most in space design is to come straight to the point. This kind of space composition is integrated with his personality, forming the best minimalist design state, which coincides with the development rhythm of this era.

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What is worth mentioning is Liang's composition. It is not difficult for people to see the sense of order on the surface from the works, and what goes deep into it is the gentle and elegant artistic conception. Liang Zhitian is the top and most rational design master in spatial order planning. This overly rational and rigorous thinking tendency is suspected of "cleanliness".

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He built a simple platform with a "horizontal and vertical" skeleton, and supported and published neoclassicism or new Chinese style with a perceptual "soft-packed" style. No matter his modern simplicity, modern neoclassicism or modern new Chinese style, Liang's unique DNA is engraved. Liang Zhitian seems to have found the key to the simple Pandora's Box. He has been swimming tirelessly in the simple ocean for 20 years.

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; a； @，H% k3 _。 The era of perceiving fate made Liang Zhitian stop hesitating. Through his works in the past two years, I feel his passion for space. From the hotel and model room projects designed by him, we can see that whether it is the "Magnolia" hanging at the top of the restaurant or the "rose petals" floating on the desktop, the red plane pattern at the entrance of "Maxim's Restaurant", including the fashion details in the soft decoration of the model room, has broken through the situation of directness. This breakthrough is not difficult to see Gemini's enthusiasm for simple space for decades. This is a realm beyond age and time and space. (F# u7 Y' ` 1 L0 B 1 r

3 @' D- X7 S0 U$ x" @。 Y "freehand brushwork" is the core concept of minimalist design. He injected emotion into every detail of the design, which is the most touching part of his works. His design is constantly innovating, which is attributed to his observation and understanding of the world.

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He is good at artistic contrast. In color, he likes the contrast between dark gray and magenta, black and white, purple yellow, white and light yellow, white and camel, white and leather, white and metal, brown and yellow-green, and even uses gray series as the keynote, which has a space with * * *. In the form of interface, he likes to use mirror glass with golden ratio with different materials. In terms of furniture configuration, he advocates that the conceptual design of the whole furniture should be considered together in the overall spatial planning. The series of furniture he designed for the furniture company acted as the "Hua Dan" of the simple space, especially the interface and interface angle, wall-hung furniture, wall-hung bookcases, display cabinets, wardrobes, support frames and so on. These furniture seem to grow on the wall, and they are integrated with the whole series of furniture designed by him, which is a unique skill of Liang.

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There is a low-key luxury and a very fashionable modern atmosphere in his works, and the simple elements of his organization seem to have reached a limit. The change of beam in design direction is calm, limited by maturity and creativity. Nevertheless, we still feel the steady passion, direct modernity, low-key luxury and simple fashion from his simple space ... ……/ T- a. ~! _; a8 z 1 p

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! P) I $ l! G% l-_ 3 z "e q With his simple language skills and explosive power, he can use his 50-year-old senior experience to create a youthful space advocated by teenagers in the flower season, just like Mei Lanfang's cross-dressing of Hua Dan's singing, which can be described as extraordinary skill.

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Liang's earliest design was in Hong Kong in 1980s, and his design background was not as good as that of Hong Kong. In terms of design skills, he is inferior to Liang Jinhua; On the design "talent", he is inferior to Lin Wei. The original design style of Hong Kong was simplicity, which was chosen by several famous designers. In fact, simplicity is far from Liang Zhitian's patent, and compared with several famous designers, Liang Zhitian is little known for exploring simple design language. Strangely, 20 years later, Liang Zhitian has won great honor. (E( C！ \: z: m# {) m

Although I started walking slowly on the simple road, I walked steadily all the way. He said, thanks to his parents and two uncles, they taught him patience, rigor, and planning everything. Finally, through 20 years' efforts, the precipitation, achievement and brilliance of Liang's simple design finally surpassed the peers. This is a legend in the design field in Hong Kong. He is proficient in the languages of the three countries, and has received pure western culture education systematically, planned and step by step, which makes his works full of modern western fashion. In the past two years, he has plunged into China culture. The application of China red, ancient paper-cutting and folk craft elements in Donglaishun Hotel is his most fashionable understanding of China elements. Of course, he did not systematically accept the baptism of China's cultural tradition, and his neoclassicism and new China language were not bound by tradition. China elements full of simplified symbols are even more profound than those of local designers in China. As an architect, he directly entered the field of interior design, which made his interior design have the external tough temperament of building volume. This modern fashion with Hong Kong-style western culture has created the connotation of Liang design.

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In the past two years, he has mastered the direction and rhythm of space movement, especially in his recent works. His freedom to choose space becomes perfect. His concise expression of space has found the most exquisite, exquisite and fashionable elements. For example, the orderly arrangement and contrast of exquisite patterns on different materials, the control of the specific number and shape of homes, the relationship between light and shadow of a decoration focused by lamps, and even the degree to which the space protagonist of lamps must be customized, the artistic contrast of different feeling materials on the wall, the hanging mode of calligraphy and painting, and the art of blank space on the wall, etc. Let's appreciate the maturity and profound skill of Liang Zhitian 50. Compared with his architectural design, I always think that his interior is more natural and capable than his architectural design.

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The aesthetic feeling of space constructs the simple skeleton of the beam, the soft configuration of space constructs the harmonious beauty of the simple modern fashion flesh-and-blood relationship of the beam, and the mature aesthetic view of space is the core concept of the continuation of the beam simplicity 10 year. $ y & ampd' D# P，e； [) w

Observing the simple design, it is not difficult to find that Liang has been working tirelessly in the simple "heaven and earth" set for himself. Of course, to err is human. He is not perfect. In fact, Liang Zhitian understands that if we follow the simple direction and rhythm, regardless of the heavy social responsibilities and obligations brought by his popularity, simply designing simple and sustainable development is overloaded. He knows that the expansion of the company, daily business and social activities will consume him a lot of time and energy. In response to media questions about this contradiction, he said, "Simplicity is only regarded as the most classic delicacy, and I just like this dish." From his words, we can easily feel his special persistence in simple design. We can advise him to try new dishes instead of simple ones. However, we can't interfere with him trying other dishes and changing his taste. ...