I don't understand the ending of the movie Parasites. Plot analysis of Korean parasite movies

The Korean film "Parasite" was once again hotly debated, and many people said that the ending was incomprehensible and needed to be analyzed. For example, why did the man kill the gold driver in the end, and why did he hide in the basement and finally come out? I have to say that the director of parasites described the humanity of this film incisively and vividly, and pointed out the theme of parasites. Next, let's take a look at the plot analysis of Korean parasite movies.

The ending of the movie "Parasite" didn't understand why the driver Jin finally chose to enter the basement, because he suddenly understood why the old housekeeper's husband was hiding in the basement. That is, fighting against fate and trying to change the class is only an illusion, and it is also very hard. It is better to choose to be a parasite of the rich class, steal some nutrients and live without attracting the attention of the owner. Choosing the basement is actually giving up your identity as a social person.

But the son still has illusions, because the driver Jin did come into contact with the upper class and deeply felt the existence of that wall. And his son came into contact with the president's neglected daughter and naive wife.

Korean Parasite Movie Plot Analysis Min-hyuk brought stones from the beginning, and her mother whispered, "Why don't you bring something to eat?" It is doomed that this film will be described in the tone of the gap between the rich and the poor.

At the beginning, if we sprayed pesticides at home for "free killing", it was doomed that all four members of the Jin family would become parasites.

Stone sent by Minhe (meaning wealth)

People provide counseling opportunities (the beginning of parasitism)

When the parasite gradually got used to the current parasitic life, a heavy rain washed away the gold-plated coat of the parasite and returned to a poor life.

Is Keating sitting on the toilet smoking thinking: "Why is the world so unfair? Why is Mrs. Park ignorant, the Park family is getting richer and richer, and the Kim family is smart and smart, but she still can't turn over? "

The floating stone in the water means that wealth is only the surface of poverty, and the essence of life has not changed. A flashy life will be seen through sooner or later.

Yu Ji was lying on the floor of the gymnasium. "That's a stone stuck to me." ,

The word "sticky" shows helplessness in disgust. The love in front of me is an opportunity for my family to turn over, but I can't get rid of the taste of living in the basement for many years and going deep into the flesh and blood. Class differences and the gap between the rich and the poor are deeply hidden in the smell.

Facing the choice of love, Yu Ji chose to take the stone to the basement. The original intention is to let the "stone" and the couple who know the truth of parasitism stay underground forever and let them face a new life.

After all, the reality failed to make him wish, and he was finally knocked down by poverty.

The simple and rude struggle in the later period is the normal state of class movies, which shows that the bottom class can only end the identity crush with violence.

In the end, I didn't end up in jail, but arranged two characters with different struggles and two different endings.

Keisuke: I hope to resist reality by covering up the truth and identity. As a result, I was hit by a hollow stone and became a state of life as hell.

Yu Ji's father: He chose to directly use violence against his fate. As a result, he can only live underground, drag out an ignoble existence and die alone.

I expressed my wishes by writing letters, but at the end of the play, the phrase "Let's call it a day" brought everyone back to reality.

Perhaps, director Feng Junhao wants to reflect the difference of social class through the series connection of three characters, and at the same time, combined with the metaphor of the ending of Yu Ji and his son, "The poor are always poorer than you, so be content with the status quo and don't struggle unnecessarily. Maybe now is God's best arrangement. "

In the last scene of the parasite film evaluation, the man smelled the tramp when he took the car keys. There are many descriptions of smells in the film. The younger son said that the driver, the art teacher and the housekeeper all smelled the same, and the male host said that the driver had a special smell, which he often smelled in the subway. The hostess sat in the car and opened the window because she couldn't stand the smell of the driver. This smell represents the division of classes. This was once a class level that the protagonist's family could not cover with "acting". This is their last fig leaf. Finally, the driver killed the man on impulse.