What rhymes do you bet on Tang poetry?

The rhyming status of modern poetry produced in the Tang Dynasty is fixed. There are two, four, six and eight rhymes, and two or four quatrains. Whether it's rhyming or quatrains, the first sentence may or may not rhyme. Among the works selected in this unit, the first sentence of metrical poems rhymes, such as Mount Zhongnan by Wang Wei, Ascending the Mountain by Du Fu, Ma Wei by Li Shangyin and Huangzhou by Lu You. The first sentence of quatrains enters rhyme, such as Bo Qinhuai by Du Mu. The first sentence of metrical poems does not rhyme, such as Li Bai's Letter to Meng Haoran and Du Fu's Welcome. The first sentence of the quatrains doesn't rhyme, such as Du Fu's Eight Arrays, Su Shi's Chu Qing after Drinking on the Lake and so on. The ancient style and Yuefu after the Tang Dynasty are no different from the poems of the Han, Wei and Six Dynasties in rhyme examples. It's just that the seven-character poem takes the poem as the norm and the rhyme of each sentence as the change; The name Bailiang Body mentioned above is used to distinguish it from the constant body at that time. The rhyme of Tang poetry is very different from that of the previous generation. It is not only very different from the rhyme in ancient times, but also very different from the rhyme in Wei and Jin Dynasties. After the Song Dynasty, everyone who wrote poems followed the rhyme of the Tang people, so it is necessary to briefly introduce the rhyme of the Tang people. Sui and Lu Fayan wrote "Qieyun", which is well known. This book is divided into 206 rhymes. The rhyme division of 206 is too fine, and it does not fully conform to the pronunciation at that time, so it is not convenient to rhyme, so the Tang Dynasty stipulated that similar rhymes can be used together. In the Southern Song Dynasty, the contract rhyme of Pingshui Liu Yuan simple group became 107 rhyme, and later generations simplified it to 106 rhyme, which is called Pingshui rhyme and is generally called "poetic rhyme". Although the poets in the Tang Dynasty did not use rhyme according to the horizontal rhyme, since they followed the rules of "sharing" and "special use", they can use the horizontal rhyme to explain the rhyme in the Tang Dynasty. Now, the rhyme of 106 is listed as follows: the sound in the flat voice goes out of tune, the sound enters into tune, one east, one dong, one room, two winters, two hurricanes, two songs, two rivers, three lectures, three senses, four branches, four papers, four (Baoyu is true), five micro, five tails, five fish and six languages. Eleven truths, twelve earthquakes, four qualities, twelve articles, twelve relatives, thirteen questions, five things, thirteen yuan, thirteen Ruan, fourteen wishes, fourteen cold, fourteen drought, fifteen Han, fifteen seven, fifteen deletion, sixteen remonstrations, eight incantations (above the level), one sixteen mill, seventeen cymbals, nine scraps, two elementary schools and seventeen elementary schools. Twenty-two seven Yang, twenty-two Yang, twenty-three Yang, twenty-three Yang, ten herbs, twenty-three stems, twenty-four statues, eleven artistic conceptions, nine greens, twenty-five cycles, twenty-five cycles, twelve tin and ten steams-thirteen posts, eleven specials, twenty-five cycles, twenty-six sleeps, twenty-seven Qin fourteen arrests, thirteen Tan twenty-seven senses, twenty-eight tests, fifteen salt combinations, twenty-eight Yan, twenty-nine brilliant sixteen leaves, fifteen. Both poems are quatrains. Now let's take Du Fu's "Lilac" as an example: Lilac is weak, and its branches are still flocculent. The leaves are thin and floating, and the flowers are sparse and light. After cultivating Qi deeply, he was occupied by close people. I fell into the blue musk deer at night and got pregnant with powder, thinking. This pentatonic bet is to remove the sound and rhyme. (2) Modern poetry is very strict about rhyme. Whether it is a metrical poem, a long rhyme poem or a quatrain, it must rhyme to the end, and adjacent rhymes are not allowed. There are many wide rhymes, such as eastern rhyme, partial rhyme, pre-rhyme, yang rhyme, Geng rhyme and you rhyme. , can't be compared with the adjacent rhyme; Even fewer words and narrow rhymes, such as micro-rhyme, literary rhyme, deletion rhyme, steaming rhyme, invasion rhyme and so on. , can not be tied with adjacent rhyme. Take the works selected in this unit as an example. Li Bai's Letter to Meng Haoran rhymes with Du Fu's Tomb of the Prime Minister, and Du Fu's Going upstairs to look at spring rhymes. Du Fu's Monument to the Forever (Part I) rhymes with Lu You's View of Chang 'an City, while Du Mu's Going to Wu and Leyou Tombs rhyme, but there is no rhyme. But if the first sentence enters rhyme, the poet often borrows the word adjacent rhyme as the rhyme foot of the first sentence; This practice gradually increased in the late Tang Dynasty and even became a trend in the Song Dynasty. Su Shi's "Writing in the West" uses the word "feng" in the winter rhyme and the words "tong" and "zhong" in the east rhyme as rhyme, which is an example. However, we can't think that the rhyme of modern poetry is also very wide, because it is limited to the first sentence, and the first sentence can actually be said to be redundant rhyme, and whether it rhymes or not is free. (3) Classical poetry can not only rhyme, but also rhyme. In phonology, we should also distinguish between upper phonology, lower phonology and upper phonology. Generally, different tones do not match, and occasionally they can only match the upper rhyme and the lower rhyme. In Bai Juyi's Song of Eternal Sorrow, everything is in the same position except "the pool, the garden and the palace are the same, the Taiye Lake is hibiscus, and the Weiyang Palace is willow". (4) The rhymes of classical poetry are wider than those of modern poetry, and adjacent rhymes can be connected. For example, Li Bai's "The Chivalrous Man" is the sum of Geng Qing's two rhymes, and Du Fu's "From Beijing to Fengxian" is the sum of six rhymes. Another example is Bai Juyi's Song of Eternal Sorrow: all sisters and brothers are in the soil, and because she shines and glorifies her clan. When a girl is born instead of a boy, she brings happiness to every father and mother in the empire. This is rhyming and rhyming. "Female" is rhyme, "Earth" and "Hu" are rhyme. In addition, there are examples of Tongan sent by Song, Tongan sent by Mo and Tongan.