Red Pig Miyazaki Hayao Movie (Miyazaki Hayao's cartoon at the age of 5 1)

(Text/Red Pig Watching Movie Original Article)

Miyazaki Hayao's animated films range from Valley of the Wind to Spirited Away, who won him an Oscar and a Golden Bear Award, and then to the hand-painted Jin Yuji on the Cliff.

Nausicaa, Hida, Witch Kiki, Chihiro, Ponyo, these familiar names, are Miyazaki Hayao's complaints about this world where men have the right to speak.

Valley of the Wind

He thinks that independent and kind women are the other side of the world. However, when Miyazaki Hayao was 5 1 year-old, he broke his heroine's convention and made an unprecedented animated film Red Pig in his works.

Red pig

This is the only film in which Miyazaki Hayao fully shows himself. Knowing his own destiny, Miyazaki Hayao borrowed The Red Pig at this stage of his life, as if he had made a confession of his feelings at that time. The protagonist in The Red Pig is like Miyazaki Hayao's metaphor for himself. He acted in his own film in a special way.

Therefore, "Red Pig" has become the only film in Miyazaki Hayao with a purely male protagonist's perspective before 20 13 "It's windy".

In the blue Adriatic Sea, Bounty Hunter Boruk is flying an eye-catching red flying boat (a kind of air-sea dual-purpose plane), which makes thieves everywhere turn pale at the smell, but the appearance of Boruk's pig head also shows that he has unknown secrets. (Red Pig's worldview is set in the human world)

What turned human pilots into pigs?

Miyazaki Hayao's answer is: escape from reality.

Pollock was originally an Italian Air Force pilot. All his colleagues died in a battle. The exhausted pollock was carried above the clouds by the airflow. Here, he saw his comrades-in-arms and enemy planes rising from the clouds and being involved in distant stardust. When he woke up again, he had returned to the airspace near the sea. The film does not directly explain why Boruk became a pig, but we also guess that since then, Boruk has become a pig.

In the film, Miyazaki Hayao hinted many times that Pollock's curse may be because he doesn't want to be a man again, because there are some things he doesn't want to face or can't face.

For example, the aversion to frequent wars at that time. Pollock's becoming a pig was triggered by an air battle, and he couldn't let go of the sacrifices of his friends and colleagues. Later, when faced with the advice of former comrades-in-arms, Pollock's words also confirmed this choice.

"If I want to be a fascist, I'd rather be a pig."

This aversion to authority and careless attitude towards life have appeared in Pollock's dialogues many times. For example, the teller of the bank asked him if he would like to buy some government bonds and make some contributions to the country. Pollock replied directly: this is what you humans are worried about.

Another important reason for Pollock to become a pig is that he can't face the feelings of the heroine Gina.

Pollock, Gina and Bei Lini have been good friends since childhood. Perhaps because of Pollock's evasive personality and lack of initiative in love, Gina finally married Bei Lini.

Pollock's photos when he was young.

After Beligni's death, Pollock felt helpless in the face of the death of his old friend and Gina's feelings, so he would rather live in a cave on the coast and be a pig who can fly an airship than face Gina's expectations.

In fact, several quite touching scenes in the film were completed by Pollock and Gina. There are two places that left a deep impression on Brother Pig: First, they sat together and recalled their old friends. Both of them died, and Red Pig swallowed the red wine in his glass. Joe Hisaishi's music is unforgettable.

Jiushiqiao (a long photo (a tan photo). Mp3 0:48 Watch a movie from the red pig.

In another place, the plane was repaired and returned to Boruk in the Adriatic Sea, hovering over the Gina Hotel like a teenager. Seeing the red wings flying across the sky, Gina remembered the first time they took an airship when they were children, so she couldn't help but blurt out a "fool" and almost brought the film to the edge of a romantic film.

Pollock turned himself into a pig to escape the reality that he could not face, whether for his comrades who died in battle or for love.

When Miyazaki Hayao made this film, the world was in turmoil, the Soviet Union disintegrated and the Japanese economic bubble burst. As we all know, Miyazaki Hayao has a left-leaning tendency, which has affected his spiritual world to some extent. On the other hand, business in Studio Ghibli was not satisfactory before Red Pig. Since City in the Sky, most of his works are very popular, but not very popular. Ghibli's income is on the verge of collapse, because the sales of peripheral products in My Neighbor Totoro are gradually on the right track (which is why my neighbor totoro has become the mascot of Ghibli), and the appearance of computer technology is also an impact on Miyazaki Hayao who insists on hand-drawn animation.

In the film, Boruk's escape from reality contains Miyazaki Hayao's own anxiety at that time. Because Miyazaki Hayao can't escape from reality, he pinned his inner troubles and yearning on Boruk. In animation, he can draw a pig and let him gallop between heaven and earth like a ranger.

Studio Ghibli mascot "Totoro"

However, Japanese culture has entered the WTO after all. How Pollock returns to reality from escape is the answer that Miyazaki Hayao needs to give the audience, and it is also the answer that he wants to give himself.

So we see a girl named Fio in the movie, and her rampage calls back Pollock's "human nature". Because he deliberately avoided Gina, Boruk didn't often meet any friends, but came to his life by repairing planes.

Fio, red pig

After accepting the challenge of American Cadiz betting on his engagement with Fio, Pollock was even discovered by Fio and instantly became human.

Although it was only a moment, it once again showed that Pollock's curse actually originated from his own heart.

In the final battle, Pollock and Cadiz both sank into the water, and Gina arrived at the end of the referee's countdown. She said to pollock, do you want to delay another girl's happiness for life?

So Boruk, who had been escaping from life, jumped out of the water.

Breaking through the water surface is also a metaphor for Pollock's return to reality from escape.

Knowing that the government troops were coming, he put Fio on Gina's airship and told them to leave first. At this moment, Fio gave his first kiss.

Cadiz was surprised to find that Pollock's face changed.

Although Miyazaki Hayao didn't give the final result of Pollock, we can get the answer from the red airship docked next to Gina Hotel in Adriatic Sea many years later.

Just as the engine used by Pollock in the film is called Ghibli (Ghibli English), the "engine" of Miyazaki Hayao in reality is also Ghibli. The details in the film once again exposed Miyazaki Hayao's mind.

At that time, Miyazaki Hayao, a middle-aged man, projected some of his confusion and yearning into the movie Red Pig, and "played" the hero in another form. Later, we learned that it was a little farewell at that time. Because in reality, after the movie ended, he announced his retirement. When he came back again, Miyazaki Hayao's first computer-generated animated film, Princess Ghost, was born.

Red Pig is like a node in Miyazaki Hayao's life.

Just like the wind is blowing, the theme of "Flying and Dreams" is Miyazaki Hayao's heartfelt transmission and encouragement. He came back from the army many times, almost 80 years old. Perhaps this sentence can shine into his heart: even if the wind is high, life will not give up.