Use of burning Guanyin bottle with satsuma mandarin in Japan

This is a collection, which is of no use in real life.

Guanyin bottle, also known as Guanyin Zun, was one of the popular bottle types from Kangxi to Qianlong in Qing Dynasty. The utensils are left-handed, with a straight and short neck and wide shoulders. The arc below the shoulder shrinks back, and it is omitted below the Gaskin, and the circle is shallow. The bottle body is beautiful and exquisite, and the lines are smooth. During the Kangxi period, there were many kinds of bottles fired in Jingdezhen, and it was sometimes difficult to distinguish between Zun and bottles. Generally speaking, those with big mouths and big bellies are called bottles, but they are not used in daily life. They are decorative display porcelain or ornamental devices. Multicolored and blue-and-white products are more common. Because "Guanyin" and "official seal" often imply that the cause is rising step by step, they have a certain connection with Guanyin Bodhisattva, implying good weather, abundant crops, good luck and happiness, so they are deeply loved by everyone and are still burning up to now.

Satsuma (Japan) is a milky white Japanese pottery, also known as Satsuma porcelain, which originated at the end of 16. Satsuma porcelain, including official kiln, folk kiln and imperial kiln, is distributed in the southern part of Kyushu Island, Japan, and belonged to Satsuma State and Otsuka State in ancient times. At the end of 16, Samoans led the army into the war and plundered a large number of potters and ceramics from North Korea. North Korean potter Jinhai was skilled in making porcelain, and was later ordered to build a kiln to burn porcelain, which became the beginning of firing porcelain in Samoan court. In Japan, Korean potters and their descendants played a great role in the development of Satsuma. Indeed, it is hard to imagine that such exquisite porcelain was actually made by ancient Koreans. /kloc-At the end of 0/8, Satsuma in Kyushu began to become popular, burning exquisite crack glaze and exquisite colored and gold decorative patterns. It is said that there are thousands of kilns in Kagoshima Prefecture, Japan, which is a ceramic kingdom. The prototype of the Saman was made by potters from Korea in Toyotomi Hideyoshi's time. In Japanese history, Satsuma was divided into "White Satsuma" and "Black Satsuma". Known as White Satsuma, it is ivory white ceramics. Because it is the supplies of the Samoyed Lord, that is, the supplies of the nobles, most of them are vases, incense burners, tea sets or ornaments. Its main feature is that there are regular and delicate cracks on the surface. In addition, there are black ceramics called Black Satsuma, which are mainly used in daily life. Among them, a black wine vessel called Li Shuhang-Joka is the representative product of Black Satsuma. At present, Satsuma's position in Japan is not high. From the end of Edo to the Meiji and Taisho periods, Satsuma became popular, and the Showa period was the peak of Satsuma. Even during World War II, his works were exported to all parts of the world, including the famous valley artists, Xiushan artists, Chiyo artists, Shenshou officials and so on. Samoyed burning is a treasure of Japanese ceramics, which embodies the crystallization of the wisdom of ancient working people. We can still see that indelible memory from it.