Are there any actors who worked hard to become famous by relying on bad movies and then despised the famous ones?

Do you still remember the hit movie "Train to Busan" the year before last?

It is a very good film among the doomsday zombie-themed movies, which has moved countless audiences and gained both box office and word-of-mouth success.

Not long ago, the director of this film, Yeon Sang-ho, launched his new masterpiece.

The same imaginative subject matter is a Korean superpower story, but the difference is that the reputation of this work is a bit off -

"Psychic Power"< /p>

Actually, I think the name of this movie can be called "The Counterattack of the Useless Dad" or "I Don't Know How I Became Superman".

To be honest, the screenwriter's imagination is almost at the level of a second-rate Internet writer, and the various plot ideas in Internet articles are more fresh than this movie.

This movie tells a story like this:

A greasy middle-aged uncle woke up one day and found that he had super powers (yes, it was so sudden), and he could do whatever he wanted to others. It’s time to fight monsters, punish evil and promote good to save the world.

But this uncle did not, but went to help his daughter fight against the demolition.

There are also forced demolitions in South Korea. The reason is that there are too many foreign tourists in South Korea and duty-free shops need to be built.

Like most Korean movies, this film is wrapped in a science fiction shell and follows the route of family warmth.

In the end, it created such a four-dimensional work. To be honest, Korean movies have always tried too hard recently.

Things that are clearly easy to explain must go around in circles to deliberately sensationalize them.

The director did not realize how abrupt this was, just like the scene where the uncle suddenly discovered that he had superpowers. It was exaggerated and artificial, and deliberately obvious.

The starring role of this movie is Ryu Seung-ryong, the famous actor who played the mentally retarded father in "The Gift of Room No. 7".

The movie was very successful. I think the director chose Liu Chenglong to star in this drama because of this, but I always feel that "The Gift of Room No. 7" has been over-praised.

Forced sensationalism is the most fatal. If the whole movie is like this, it will cause aesthetic fatigue in the audience.

Movies made by Koreans always feel that they lack momentum, which is inseparable from the national conditions of a small country with few people.

Just like the movie "Psychic", it still takes family love as its theme and makes it over and over again.

So even if it puts on the coat of science fiction, it is just the emperor's new clothes, without substantial content, giving people a sense of narrow-mindedness.

I have to say that Koreans are very good at making reality-themed movies, such as "The Defender" two years ago.

Last year's "Taxi Driver" is indeed a rare reality-themed masterpiece.

The title of the movie "Psychic" is a very grand topic, and even involves philosophy.

But the director’s understanding of telekinesis is too simple. It is mainly about a father’s love for his daughter. The pattern is too small, which is a flaw.

However, in terms of performance, the daughter played by Miss Shim Eun-kyung is still very interesting to watch, giving people a fresh and refined feeling, and her acting skills are not to mention.

There are so many young ladies in Korea who have acting skills and good looks. I watched a movie called "Earthworm" some time ago.

I am particularly impressed by the heroine, whose acting skills are really good.

Looking at many domestic idol dramas, there seems to be nothing more than winking and winking. After all, the market is too fickle.

Movies have become a shortcut to becoming rich and famous, and few people can calm down and pursue art.

In "Train to Busan", the expression of human nature is very prominent, but in the movie "Psychic", I did not see this.

In general, this movie is better than many domestic non-mainstream idol dramas, but in South Korea it can only be said to be unsatisfactory.

What's more, the starting point of the director's last movie was too high, which led to too much expectations. It was inevitable that there would be disappointment, but I still believe that the director will make a better movie.