What's the last sentence about traveling to the north of Licheng?

Because Li Chengbei's last sentence: I want to go to Bidi Palace.

Because Li Chengbei's last sentence: I want to go to Bidi Palace. Title: Thirty Rhymes of True Poetry. Real name: Yuan Zhen. Font size: small and bright. Time: Tang Dynasty. Ethnic group: Xianbei nationality with China characteristics. Place of birth: Luoyang, Henan. Date of birth: February, 14th year of Dali (779). Time of death: Taihe five years (83 1 year). Main works: Crossing Xiangyang Tower, Poems of Three Mournings, Hearing Letian Awarded Jiangzhou Sima, Three Nights of the Bright Moon, Walking Palace, etc. Main achievements: Advocating the New Yuefu Movement.

We will give you a detailed introduction of "Journey to the North of Licheng" from the following aspects:

I. The full text of Thirty Rhymes of Huizhen Poetry Click here to view the details of Thirty Rhymes of Huizhen Poetry.

The moonlight shone through the curtains, and the fluorescence was blue.

The distant day began, and the low trees gradually became lush.

Dragons blow quite Chu, while phoenix songs blow wells.

Fog hangs in the sky and the breeze surrounds it.

The crimson festival follows the golden mother, and the cloud embraces Yu Zi.

People are getting deeper and deeper quietly, and it will rain in the morning.

The pearls are bright and elegant, and the flowers are brightly embroidered.

Baochai travels Cai Feng and Luo Kui covers Danhong.

From Yaohuapu, I'm going to Bidi Palace.

Because I travel to the north of Licheng, I occasionally go to Songjiadong.

At the beginning of the play, the tune is slightly decisive and tender.

When cicadas move, jade dust will cover them.

Turn around and go to bed.

Yuanyang cross-neck dance, emerald acacia cage.

Eyebrows are often shy, and lips are warmer and more harmonious.

The air is clear and blue, the skin is moist as jade and muscular.

The wrist is not small, but I can't move my heart, but I like to bow my head.

Beads of sweat, loose hair.

Fang Xi was in the Millennium, but I was poor for five nights.

The stay is limited and it is difficult to end.

The slow face is full of sadness, and the words swear.

The gift ring is clear and harmonious, and so is the knot.

The crow powder flows through the mirror, and the residual light surrounds the dark worm.

He is still here, but Xu is already in Shanghai.

The police ride home, and the flute sings.

The smell of clothes is still dyed with musk deer, and the pillow is still red.

The power is near the pond grass, fluttering and thinking.

Su Qin complained about the crane and looked back at Hong.

The sea is vast and sincere, and the sky is high and not easy to rush.

Nowhere to go, Shaw History is in this building.

Second, Yuan Zhen's other poems.

Chrysanthemum, self-reflection on five-character poems (Part IV), Palace, giving the best in September (autumn words) and late autumn. Poetry of the same dynasty

Sangu's Family, Warm Dishes, Farewell to Xu Kan, Mourning Poems, Jia Dao's Tomb Inscription, Tiantai Temple Couplet, Song of Eternal Sorrow, Memory of Jiangnan, Spring Tour in Qiantang and Ode to Mujiang.

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