What are the main features of mourning prose in Mourning for Zhimo? What are the advantages of writing like this?

First, strong contrast, a combination of tragic and sad feelings.

The artistic conception of prose refers to a harmonious and perfect artistic realm caused by the author's profound conception and sincere emotion blending into the beautiful and unique artistic image, which is the high integration and unity of the author's thoughts, feelings and artistic image. "Mourning Mo" uses indirect and direct methods to create a touching artistic conception of chic and pain, beauty and sadness with diametrically opposite images.

The beginning of Mourning for Zhimo is not to express the author's great sorrow, but to skillfully quote the last paragraph of Zhimo's most famous poem A Farewell to Cambridge:

I left quietly,

Just as I came quietly; I waved my sleeve,

Don't take away a cloud.

As we all know, Zhimo died in Dripping Rain and Mystery? In the fog, he died in the "flame" of the plane crash. However, when people open this eulogy with great sadness, what they see is a young man with natural and unrestrained demeanor and full of tenderness, who is sketching a sentimental state with his magical crayons and singing his dreamlike attachment to Cambridge life with a soft and light melody. In order not to destroy this harmonious unity, he left "quietly" and "gently", and even a cloud was reluctant to take away! This is the artistic conception created by Zhimo before his death, a state of elegance and tranquility. The author hasn't written a word yet, but the feeling of grief in the author's heart has jumped out of the poem, causing a strong * * * sound from readers. The author then wrote: "Zhimo really left this time! This is not a quiet walk. In the dripping rain and misty fog, there was a violent vibration. A 300-horsepower plane crashed into a stationary mountain. Our friend hit a fatal bag on his forehead and may lose consciousness immediately. There was a sky fire in the air, which fell straight to the ground like a big star in the sky. Our Zhimo and his two companions died in that flame! "In the series of images of Heavy Rain, Fog, Flame and Meteor, we seem to see the painful struggle of Zhimo and the sad expression of the author, and we clearly hear the screams of Zhimo and the tears of the author. Here, the author is outspoken, creating a tragic realm for us.

At the beginning of the article, two people from different worlds, two different styles and two completely different images-chic and painful, soothing and shocking, implicit and explicit-collide together, which makes the quiet and graceful beauty of the poem in sharp contrast with the tragic and tragic death of the poet. With the grief of mourners as the connection, the two realms are perfectly integrated and unified, creating an elegant and sad, deep and sad, tragic and moving artistic conception. Contrast is a common technique in lyricism, which Hu Shi applied to the extreme.

Second, express feelings with reason and express the temperament of the deceased's life.

Literature and art must have the connotation of life and must be the construction of humanity and spirit. As a branch of literature and art, prose is no exception. As a lyric style, it should have the aesthetic significance of true feelings in order to impress readers and arouse people's hearts. As a mourning essay, Mourning for Mo mainly focuses on expressing emotion, aiming at eulogizing the noble character of the deceased, summarizing and evaluating his short life, expressing the inner life experience of the deceased and expressing the author's mourning and pity. For example, in the second part of the article, the author first highly affirmed Zhimo's idealistic outlook on life: "His outlook on life is really a kind of' simple belief', and there are only three big characters in it: one is love, the other is freedom, and the third is beauty. He dreams that these three ideal conditions can be met in his life. ……

The history of his life is only the history of his pursuit of this simple belief. "This incisive exposition has won the approval of many people. It is a classic evaluation of Zhimo and is full of the author's admiration for Zhimo. This is a lyrical argument. Then, in response to the social criticism and attack on Zhimo, the author takes the divorce from his ex-wife Zhang Youyi and the marriage with Lu Xiaoman as the breakthrough point, and repeatedly expounds Zhimo's "trinity life" of pursuing "love, freedom and beauty", fully affirming Zhimo's bold pursuit of love ideal and persistent and enthusiastic spirit, and strongly refuting people's unfair accusations against Zhimo. Between the lines, the author is full of admiration for Zhimo's courage to pursue "true love", appreciation of Zhimo's personality beauty, sympathy and understanding of Zhimo's misfortune. This is a lyric in the combination of breaking and not breaking. It is this indirect lyrical way of integrating feelings into argumentation and reasoning that not only embodies the characteristics of Hu Shi's articles, but also flows the true feelings of the author's praise and admiration, which is very convincing and infectious.

Third, find a new way to create a poetic realm.

Wang Guowei, a famous scholar in modern China, said: "Whether a literary work is good or not depends on its artistic conception and depth." He regards the existence and depth of artistic conception as an important measure to measure the quality of an article. Hu Shi also said that "one of the elements of literature lies in' aesthetic feeling'". How to create aesthetic feeling and artistic conception in a highly reasoned essay? Hu Shi deserves to be a master. He found a new way, quoted a large number of poems of Zhimo to mourn the death of Zhimo, and borrowed the artistic conception of Zhimo poets to create poetry in the form of prose, reflecting Zhimo's pursuit, pain and failure all his life. Lyricism by borrowing words is an indirect lyric, and some essays and novels have also used this method to achieve lyric effect. For example, Pei Duofen's poem "I would like to be a torrent", which frequently appears in the novel "Man to Middle Age", appropriately expresses the hero's mood and brings beautiful melody and tragic atmosphere to the work; However, compared with the borrowing techniques in Regret for the Past, Regret for the Past is more ingenious in lyrical conception.

The first poem quoted in this paper, Farewell to Cambridge, is a masterpiece of the poet's pursuit of art and pure beauty. The poet once said that Cambridge is his "favorite place" and the cradle of his "simple faith". "Cambridge Ideal" is the author's "bourgeois ideal". The second song quoted is you in his eyes. This poem has three sections, and the article quotes the first and third sections. From this poem, we can see that Zhimo pursues his "bourgeois ideal" and "climbing Gorkon in Wan Ren". Although the reality is cruel, "thorns pierced my clothes", which made him black and blue. Although this ideal is still "outside the misty sky", he has been working hard for "love in his eyes". The article vividly reproduces the pursuit, frustration and struggle of Zhimo by using the images of "Gorkon", "Thorn" and "Love in Eyes" in the poem, and expresses the author's high praise for Zhimo's pursuit of beautiful ideals. The third poem "Life" quoted in this paper reproduces the poet's "gloomy and terrible" situation and state of mind. The poem describes a series of dark and horrible images, such as "tunnel", "sticky tide on the cold wall", "gloomy and dark, winding like a poisonous snake" and "struggling in the internal organs of the devil" ... In this image world, we seem to see the poet struggling painfully under attacks from all directions, as if we heard the cry of sadness and despair from the poet because of fear. From the realm of poetry, we can realize that Xu Zhimo is in the darkest age of a poor country. He is full of hope for "love", "freedom" and "beauty", and he is struggling to pursue the ideal light in the cracks of the times, but all these are like flowers on the beach, which are fleeting, so he is decadent and desperate. Through life, the author exaggerates the gloomy situation and mood of Zhimo at that time, and vividly shows the setbacks, failures and pains of the poet's life, thus highlighting the theme of praising Zhimo's brave spirit of continuing to sing after suffering great setbacks and failures. The fourth poem "The Oriole" quoted in this paper has two sections. Here is the second section: Wait for it to sing, so as not to surprise it; But as soon as it spread its wings, it broke through the thick and became a colorful cloud; It flies, disappears and goes away-like spring, like flame, like enthusiasm. The oriole and colorful clouds in the poem are Zhimo. He broke through all kinds of "thickness" and continued to sing; His songs give people the brightness of "spring" and the enthusiasm of "flame". His songs are the flow of true feelings, giving people innocence and loveliness. This spring, this flame is the "resurrection opportunity" he repented in the preface of Tiger Collection, and he rekindled the hope of pursuing his ideal; However, he flew away and passed away. The beautiful and sad artistic conception entrusted the author with endless grief and praise for Zhimo's character, and received the artistic effect of blending scenes and reflecting each other.

The fifth poem "Accidental" quoted in this paper is Zhimo's favorite poem:

I am a cloud in the sky, occasionally projecting on your heart-

You shouldn't be surprised,

Not to mention being lucky.

-disappeared in a twinkling.

You and I met in the dark sea, you have your direction, I have my direction,

It would be better if you remember, but you'd better forget the light released at this meeting!

This little poem, probably a love poem, is written for a lover who falls in love by chance and then lives far apart. However, the image of this poem borrowed by the author has gone beyond itself. In the poem, we can see Xu Zhimo's deep attachment and persistent pursuit of beauty, love and life; Only "beauty" and "love" are like clouds in the sky, and the light on the sea disappears instantly at night. Now, the ideal that Zhimo has been striving for, together with his life, has disappeared like the "cloud shadow" and "light" in the poem. The author skillfully grasps the fleeting "shadow" and "light" in the poem and gives it a relative rather than absolute meaning (continued to page 63).

As Genette said: "Contrary to the performance of drama, any narrative can't' imitate' and' show' the story it tells, but can only be told in detail, accurately and vividly, thus causing different degrees of' imitation illusion', which is the only reason for the only narrative imitation and is sufficient. Oral or oral narration is a speech act, and words just don't imitate. " It is difficult to be completely "dramatic" in narrative. To do this, we must strictly distinguish the narrative factors in the text and clean up the former. For example, only the dialogue between pure characters and the author's explanatory description can be regarded as non-narrative factors, but in any narrative, these factors are inevitable, and the dialogue in narrative is bound to be accompanied by introductory words such as "Heshuo" and the simplest action description such as "looking up". As long as these narrative discourses do not destroy the illusion that readers are experiencing narrative events personally, they can be said to have achieved the effect of "display".

This is what Lawrence did in his work The Rainbow, which let readers enter the events he described. Such as the following quotation: "I can do whatever I want in my bedroom." She cried and said, "Why do you interfere with me?" She put on her dressing gown and squatted in front of the fire. She put on clothes, which made him feel much more comfortable. Her hallucinations always tormented him. She has always been a strange and indifferent person, and has nothing to do with him. From that day on, the door of his heart seemed to be closed. He frowned and became indifferent. His eyes stopped looking at anything, his hands froze, and his will curled up like an animal, hidden in the darkness of his heart. However, this will be a potential move. (page 2 17) The first paragraph of this quotation is a narrative way of "telling", and the second paragraph begins to transition from "telling" to "showing". The third natural paragraph is already a "show"