Traditional Culture Encyclopedia - Hotel accommodation - Appreciation of good sentences
Appreciation of good sentences
The gloomy words, gloomy tone, simple words and simple stories in Passer-by reveal a kind of destruction and darkness everywhere. "To the east, there are some miscellaneous trees and rubble; In the west, it is a desolate and dilapidated tomb. Passers-by "have a bitter hatred, gloomy eyes, black beard and messy hair", from east to west. When we met the old man and the girl, we saw three different souls in the water.
A black-and-white film reveals a fable. We are all passers-by in this world, whether we stop or go forward, we have reached the end of each time.
Flowers bloom and fall, the sun rises and falls, and what will never change is the silence called between the ends of the earth.
Riding a breeze and a paper boat, I bid farewell to the moonlight everywhere and set foot on a distant journey.
Lu Xun who lived in that era. In the face of bloody facts, although he will be "stunned", he will burst into amazing power under the weight of darkness. He dared to face the murderer and criticized him mercilessly. In this arduous exploration, he has hesitated and lost, but he is still struggling.
2. Seek the appreciation of Lu Xun's Traveler;
The script "Passer-by" is about a passer-by passing by a house. This passer-by is not an ordinary passer-by, but a reference to Lu Xun's own living conditions. And an old man and a little girl in that family also have symbolic significance in their lives. When we carefully savor the dark, gloomy and desolate background in the text,
The man who is in a hurry is traveling to a distant place wearily and aimlessly. He will bleed to death on the way. Do we have any respect and sympathy for this tired man?
The vicissitudes of life, the encounter between people, in fact, is like a passer-by, so the passer-by, that is, the author himself, can not leave any image in most people's minds. So, "people just call me". The process of walking is everyone's life state, and it is the only life state.
He said, "I've been walking like this for as long as I can remember." Moreover, this life has no direction and no end. This adds to the sadness and helplessness of life.
More precisely, this road of life is lonely. This kind of loneliness is imposed on him by society, and the indifference between people is separated by a thick gap. Not understood, even persecuted and suppressed.
When the meaning of life becomes an escape from darkness, how pitiful and precious such escape and yearning are. He is a romantic soul, a yearning for freedom, and a process of tasting loneliness and perceiving the gradual disappearance of life. However, he doesn't want to be eaten by others, and he doesn't want to eat weaker people in that cannibal society.
Extended data
Create background:
After the May 4th Movement, the "League" in the revolutionary ranks has undergone profound changes. The revolutionary intellectuals who accepted the thought of * * * kept advancing and waged a thorough and uncompromising anti-imperialist and anti-feudal struggle. Some petty-bourgeois intellectuals retreated passively in the face of cruel struggle.
On the other hand, some literati turned to imperialism and northern warlords and became enemies of the May 4th New Culture Movement and the bourgeois right wing. Lu Xun, the author, tirelessly sought the revolutionary truth, explored the revolutionary road, persisted in advancing and opposed retrogression, pretended to write this article to record this process, and encouraged himself by taking the "passer-by" in the article as his spiritual portrait.
This article was written on March 2nd 1925, and first appeared in Threads Weekly on March 9th 17.
Theme concept:
About a month after writing and publishing Passer-by, the author Lu Xun wrote a very clear self-report in a letter to a friend, in which he talked about the theme of Passer-by: the meaning of Passer-by, as the letter said, is that although he knows that the road ahead is a grave and wants to go, he is resisting despair.
The author Lu Xun believes that despair is irresistible, braver and more tragic than fighting because of hope. But this kind of resistance is easy to stumble into "love"-gratitude is included, so passers-by can hardly move forward when they get a rag from the little girl. In other words, the author Lu Xun himself has explained the theme of Passers-by.
That is, "resisting despair" and "going away knowing that the road ahead is a grave" are a kind of "braver and more tragic" resistance. This spirit is fully reflected in the behavior, language and personality of the character "passerby".
Baidu encyclopedia-passerby
3. It's just a profound sentence from passers-by 1. I'm going to live a passerby's life. Welcome to visit.
I only want to participate in your life as a passer-by. Where there is talk, where there is confusion, I am willing to listen, to make suggestions and to be a passer-by.
3. Acquaintance is predestined fate, knowing each other is predestined coincidence, and companionship is predestined fate. Like passers-by, we walked through each other's world, leaving only shallow footprints all the way.
4. Some people are really worse than passers-by. At least passers-by have left footprints in your life, just like the rosy clouds that appeared that day, while some people are nothing.
It is better for some people to meet than not to meet. He walked into your life silently, and then suddenly left, leaving a specious pale silhouette and a broken heart everywhere.
6. Once, you had me in your life and you in my world. Although we can only get to know each other like passers-by, we left a wonderful moment like fireworks.
7. The girl whose thoughts gushed out this afternoon made me a passer-by in her life, a passer-by who left no trace, just like a gust of wind in late autumn.
8. I don't belong to anyone, and neither do you. It's just that we are all passers-by in front of time.
9. Everyone has a passer-by in his life. It's just that you are a few passers-by in his life.
10. Passers-by in history have given me a lot of space to relax my thoughts. I feel like the traveler riding westbound.
1 1. Since you believe that there will be passers-by in life, you should be kind to everyone around you, because in your last life, he was someone you knew a long time ago. This life came to this world just to know you. He just wants to know how you are doing.
12, a passerby starts, a passerby ends, and a passerby ends. Everything can only exist in the depths of memory.
13, we don't know love, but there is love. When we understand what love is, love has left us. He is just a passer-by in our life.
14, "Iron Camp, Mobile Soldiers", is a passerby; Zi said in Sichuan that "the deceased is like a husband", which means a passer-by; Everything in the world is a passer-by The earth has been hundreds of millions of years, and human beings are like the last. How can I not be a passer-by In the vast starry sky, countless meteors are passers-by
15, I am a passerby, just an unknown passerby. But I have my own world.
16, I also believe in everlasting love, but I prefer to regard it as a passer-by, everlasting love.
17, I am still a passerby. There are no friends here, and no one can immediately call friends who have nothing to say; No relatives, except his wife and children; Without the life I know and love, I am tired of this city.
4. Appreciation of the Characters in Passers-by A passer-by is a warrior image full of fighting spirit, lonely and desperate resistance, a revolutionary who liberated the country, and a concrete embodiment of Lu Xun's own spiritual personality in his works. Old man: The man who gave up halfway in the revolution, despite the voice calling him forward, was numb, winced and ignored-his heart was as dead as that desert.
This artistic image is very representative among intellectuals in semi-feudal and semi-colonial old China. Of course, people in reality can't be absolutely compared with the typical works. If the differences of some specific events are excluded, or historical figures are not comprehensively evaluated, the shadow of artistic image can always be captured from real life.
Girl: A person who is still blinded by the gorgeous appearance of society. The girl is ignorant of the world, but she is sincere, kind and beautiful. She heard that passers-by had a broken foot, many injuries and a lot of blood, so she generously handed him a piece of cloth to wrap his foot.
Although the cloth is small and affectionate, it is a heartfelt comfort to the respectable elders and a hope for the pioneers. In her immature mind, there is neither the decadence and consciousness of the old people, nor the mental preparation forged by passers-by honed by life to overcome difficulties and obstacles in the journey.
As far as she can see, there are flowers everywhere, and naturally there are more blessings than sympathy for passers-by who are about to step into the flowers. In Lu Xun's Passers-by, the image connotations of a passing girl, an old man and three people are 7A68696416FE78988E69833133396666, which can be said to be the symbol of Lu Xun's inner three selves to some extent.
The spiritual connotation of those characters with strong subjective feelings in Lu Xun's novels is undoubtedly linked with Lu Xun's spiritual connotation. They generally reflect the development and changes of Lu Xun's thoughts, and reflect Lu Xun's spiritual temperament, personality characteristics and even life experiences in different periods. Here, Lu Xun divided the highly subjective figures into three types: passers-by, passers-by-old people, girls-passers-by-old people.
This paper closely follows the spiritual connotation of Passers-by, focusing on the first two types of characters, explaining their lifestyles and their philosophy of life against despair, knowing that the road ahead is the grave. .
5. Appreciate+appreciate the beautiful sentence "It takes flowers to pick up in the morning, things are impermanent": We are now walking a narrow and dangerous path, with a vast and boundless mire on the left and a vast and boundless quicksand on the right, and a destination hidden in the mist ahead.
Appreciation: This is what rural people written by Lu Xun can't do. I like this sentence very much. He vividly described the concept of life of the country people at that time in profound and beautiful language.
Lu Xun thought that rural people would not write such a "burning" punch line, and also wrote that the quality of rural people at that time was low, which laid the foundation for the later impermanence of writing. However, it is everyone's intention to joke with impermanence, because he is frank, talkative and human, and it is also the place where he finds true friends.
Appreciation: This sentence reveals Mr. Lu Xun's admiration for impermanence, which can be seen from his respectful name "Mr. impermanence". Since even ghosts can be so human, why don't we be human? Therefore, Mr. Lu Xun also borrowed the impermanence of "valuing human feelings" to enlighten us.
As a person, jurisprudence is important, but it should also be endowed with strong sympathy like Mr. impermanence. Zhu Ziqing's Spring (1) "Hope, hope, the east wind is coming, and the footsteps of spring are approaching."
(The first section of the text) "Hope" is used together, and the longing for spring is vividly portrayed. In the future of spring, write the spring breeze and footsteps first. If you don't see the man, smell his voice first. It's charming.
"Footsteps" are personified, as if spring came to the world with brisk steps and vivid images. (2) "Rain is the most common and lasts for three or two days.
Don't be upset. Look, it is like cow hair, like a needle, like a filament, densely woven into a diagonal. "
(The sixth section of the text) "Don't be upset", as if the author is having a heart-to-heart talk with us and exchanging knowledge about the spring rain. I felt very cordial and suddenly changed my view of the spring rain.
The annoying spring rain has also become very lovely at this time. A dream of red mansions with apricot curtains is in sight, attracting guests to drink, and there are villas in the eyes.
Lingbi Goose Water, Sang Yu Yanziliang. A bed of spring leeks is hot, and ten miles of rice smells fragrant.
In prosperous times, you don't have to plow and weave. 1. "Apricot curtains" sentence-curtains, as the flag symbol of the hotel.
"Apricot curtain" comes from the Tang poem "Red apricot hangs on the top of the tree with wine flag", see the inscription of former Baoyu. Move, say the curtain floats like a wave.
This joint topic is two sentences, and the following six sentences are written from what the guest saw and felt. 2. The word "water chestnut"-the lake with water chestnut is the place where geese play, and the branches and leaves of mulberry trees and elms are the beams of swallows' nests.
Water chestnut, water chestnut, aquatic, edible young leaves. There are no verbs or adjectives that usually need to form predicates in grammar, and all nouns are used. This is the syntax of "Goose crows Mao Dianyue".
Playing in the water in groups, carrying mud through trees and so on, needless to say, are already in the imagination. 3. The sentence of "one boundary"-the planting land in rural areas.
According to the book, Yuan Chun changed the name of "Rogge Villa" to "Daoxiang Village" after reading the poem, but the name "Daoxiang Village" was originally put forward by Baoyu and was once dismissed as nonsense by Jia Zheng, but now it is said by the imperial concubine that "Jia Zheng and others praised it after reading it". 4. "Prosperity"-Although there are granges dotted with scenery in the Grand View Garden, there is no agricultural weaving, so it is not surprising that there are granges and no agricultural weaving. Isn't it a peaceful time now? Since there are no hungry people, what's the use of busy farming? I stood in front of the camels and watched them chew grass: so ugly face, so long teeth, so quiet posture. When they chew, the upper and lower teeth grind alternately, the nostrils are steaming, and the beard is covered with white foam.
I'm so surprised that my teeth are moving. Appreciation: This essay describes the expression and action of camel chewing forage in detail.
I seem to really see a camel hunched, eating grass, grinding its teeth and making a "zi zi" sound. Grinding and grinding, some white bubbles come out and hang on the camel's mouth. Don't have fun.
From "I was shocked and my teeth moved", I learned that Lin was very interested in camels and loved them, and was deeply attracted by them. Also let me see the small sea print with two braids, looking at the camel, eyes straight, teeth grinding rhythmically. Let's take a look at the sentence "steaming in the big nostrils", which also fully shows the author's love for camels. If she doesn't like camels, will she observe them so carefully? This is the genius of Lin-the whole paragraph does not use a "love", but shows his love through his own actions and the actions of the camel.
Excerpt 2: I have seen the madman in Huian Pavilion several times. Every time she stood at the door, or the horse quickly squeezed my hand and said softly, "crazy!" " We walked over the wall, and if I turned around again, they pulled my arm to stop me. In fact, that madman is just a big girl of pine and cypress in big braid, like the big girl of the Li family in JiaHe Zhang! She always stands against the door wall and watches people pass by.
Appreciation: This passage made me realize the kindness of the author. Her mother and old nanny Ma Song are very afraid and disgusted with the madman in Hui 'an Pavilion, which means that they look down on the madman.
What about the author? From the short sentence "In fact, that madman is just a big girl from big braid, Pinus tabulaeformis", I read that the author did not regard her as a madman, but thought that the madman was a big sister of big braid, and her thoughts were very pure. We can see the beauty of the author's childhood thoughts from the second half of the sentence "Like the big girl of the Li family in JiaHe Zhang". She is not sorry for the madman, but treats the madman as a normal person ... I wonder if the author still has such childlike innocence? Excerpt 3: So I sang a eulogy for five years, and now it's the students' turn to sing goodbye to us: "Outside the pavilion, beside the ancient road, the grass is blue.
..... When did you come here? Don't wander around when you come! Time flies, the ends of the earth, and close friends are scattered. Life is rarely a gathering, but there are many separations ... "I cried, and all our graduates cried." How much we like to grow taller and become adults, and how afraid we are! When we get back to primary school, no matter how high it is, teacher! You should always treat us like children! Appreciation: This passage describes Lin's feelings for teachers and students.
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