Late-night pranks —— After watching pina bausch's Full Moon

When I first saw it, I couldn't see the relationship between Volmond and ballet. The scenery is full of water and stones, but the stage lights shine on the stones, which are covered with Yue Hui.

The second time, only Walmond proposed a specific time. Late at night is another world. The common sense rules and order of the world born during the day have faded, and all kinds of pranks and inner monologues only exist at this moment. The full moon night is the most ridiculous and the most real. A dancer shouted "This is me", then twisted her back muscles and messed up her hair. They are looking for themselves, and they are regaining the other side of their temperament that is covered by convention. It's strange in the middle of the night, but absurd in the middle of the night is just a game. Late at night is a scene and the opposite of the rules. The background of dance drama is night, but it alludes to the lack of creativity and interest during the day, the weakening of original enthusiasm and the dislocation of self-cognition.

So I suddenly agreed with this dance, although this agreement is mostly misinterpreted. But it doesn't matter.

Although the two-hour dance drama is divided into two parts, the interior is very scattered, and it is difficult to find the connection between the paragraphs. Honesty is not without. At first, two dancers waved empty bottles. As the dance drama went on, the water in the cup wet the dancer's skirt, and then it rained, and there was a piece of water in the center of the stage. Later, the dancers poured water all over their bodies with buckets. Finally, the water is flying. People feel that since the clothes are wet, it is better to be wet all over. Anyway, it's the middle of the full moon.

Clothing is the same as "Mueller Cafe". Men are shirts and pants. However, the Mueller Cafe was revived on the set, exactly like the cafe, with black tables and black seats. By setting her life background on the stage, Pi Na may want to convey a message: her works have elements of metaphor for reality. It can be regarded as an artistic life. What about the artistry of life?

After listening to Hou Ying's lecture, she said that dancing into contemporary art means removing it from the stage and making it a kind of space art. Houying Dance Theater has also danced in bookstores, art galleries and hotel lobbies, blending in with the environment. I think, life is the starting point of dance, and it will also be the end of dance.

"Normal people" may not like Pi Na Bosch.

Pi Na's body expression is often harsh, exaggerated and naked. Desperate struggle, happy swimming, superficial excitement and empty false happiness, smirking and laughing became real ... and the extremely happy stroke at the end of Full Moon was regarded by me as a sad moment, even I doubted it myself, but the moment of impact came too real. How to describe "delicate" feelings with rude body language? Pina uses intense dance to create illusion, which becomes a different means to create subtlety.

Because of my contact with modern dance, I had a desire to explore the question of "what is beauty" until I heard a sentence from Hou Ying to the effect that modern dance is not about beauty, but about reality. Although I still stubbornly believe that it is a good direction to analyze modern dance from the aesthetic point of view, and Pi Na said that she is beautiful, but it is very realistic! Pi Na Bosch dug up real flesh and blood for you to hide from. Judging from her interview, she is not a dancer who focuses on physical exploration, but is more expressive and eager to be understood by the audience (although being scolded is common). She faces violence, distortion and pain directly, looks them directly and presents them through dance. Blindly avoiding and covering will only make the wound rot, and expression will often lead to the way of cleaning up. Face up to and express, I think this is not only the spirit of Pi Na, but also the spirit of modern dance.

Watching the full moon, to be honest, is a bit difficult. For the works in 2006, there is almost no information in online books. Most of the lines are in German, with no subtitles. Although the language itself is something other than dance, through a few lines of English, I infer that lines are an organic part of Pi Na Dance Theater, which is integrated with dance performances, and * * * plays the same role in expressing meaning. Therefore, the misunderstanding caused by language barrier is deeper.

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