Wang Jiangnan imagery descriptive essay

1. The descriptive artistic conception of Wen Tingyun's "Wang Jiangnan"

"Wang Jiangnan"

After washing up, I leaned alone in Wangjiang Tower.

Thousands of sails are not the same, the slanting light and the flowing water are long.

Bai Pingzhou is heartbroken.

This little order has only twenty-seven words. "Ci is more difficult than making music, just as poetry is more difficult than quatrains", "you can't spare a sentence or a word" ("Bai Xiang Ci Pu Jian"). The sentence "let's freshen up" seems to be ordinary, "the words are not surprising". But these three words are rich in content and leave a lot of room for imagination for readers. This is not the way ordinary people wash their faces and comb their hair when they wake up in the morning, but a reflection of a specific emotion (joy and excitement) of a specific person (missing a wife) under specific conditions (preparing to welcome the return of a long-lost lover).

In classical Chinese poetry, descriptions such as "The stove is closed and not used, and dust grows on the mirror box. The beautiful silk is abnormally colorful, and the gold and green are dark and lifeless". It expresses the lonely and painful life and mood of the missing woman. The usage in this article is different. The pain of parting, the loneliness of lovesickness, the days of loneliness seem to be passing, or the beautiful days she hopes for seem to be coming, so she dresses in the mirror, looks at her reflection, pities herself, and deliberately embellishes it. The result is that the warm fire of hope encounters the cold reality, bringing about a deeper level of disappointment and greater mental pain, and the person has to return to the miserable state of "a mirror that cannot be cured" and "a head like a flying pod". Don't these three words vividly express the environment in which this woman lives alone, her deep inner emotional changes, and her yearning for a better life?

Then, a broad and colorful artistic picture appeared: "Lonely leaning on the river tower." The river is the background, the building is the main subject, and the focus is the person leaning alone. At this time, the woman's feelings are complicated; as time goes by, her emotions change. The excitement and joy when I first climbed up the building, the anxiety of waiting for a long time, and the deep nostalgia for the past; here, the word "independence" is used very expressively. The word "Du" has neither color nor sound, but it has a profound meaning. This is not the "mutual leaning" of lovers whispering affectionate words, nor is it the "mutual leaning" of a group of people chattering. This picture of silent leaning alone reflects the spiritual world of the characters. A picture of a beautiful woman leaning on a railing and looking into the distance is a "suffering from separation from love" that "returns to the boat after missing the horizon several times". By linking people, scenery and emotions, the picture has the colorful colors of the woman in makeup and the beautiful river scenery, and the blending of the emotional changes of the characters and the flow of the river.

"A thousand sails are nothing but nothing" is a great emotional turning point in the whole poem. This sentence contrasts with the cheerful mood of the first sentence, which is clear and strong; it is also connected with the loneliness and anxiety of "Lying Alone on Wangjiang Tower", connecting the above and the next. The boat is gone and the river is empty, how can people be embarrassed! Her hopes were dashed and her fantasies were shattered. What caught her eyes at this time was the "slanting light and flowing water." The setting sun and running water were originally lifeless and heartless things, but in the eyes of the missing woman at this time, they became sentimental and sentimental. This is an associative analogy arising from her painful state of mind empathizing with natural objects. The setting sun was about to set, but he was full of affection for the disappointed woman, and couldn't bear to leave, quietly collecting the afterglow; the endless river seemed to understand her mood, and flowed away silently. It is like a set of movie shots: a woman who is deliberately groomed, leaning on a building and gazing at the vast river, waiting for her lover who has not returned for a long time. From sunrise to sunset, hope turns to disappointment. How touching is the expression of this woman's misfortune. .

At this point, the description of the scenery, the expression of emotions, and the contrast of the atmosphere are all mature. Finally, the strongest sound of the whole song comes out: "The heart is broken in Bai Pingzhou." "The best is when you finish it." Compared with the whole word "without showing any trace", the last sentence seems to be too straightforward to point out the theme, but in the emotional climax, there is still the meaning of "more than enough". Where is Bai Pingzhou? Mr. Yu Pingbo said that it is better not to "be too practical and speak generally" (Yu Pingbo's "Selected Interpretations of Tang and Song Ci"). This is a very profound insight. But in the artistic description of this article, it should be said that there is indeed a Baizhou in the river. It is not a metaphor, imagination, or general reference, but a real description. Looking at the river tower alone, one can see the island at a glance. But at that time, people were eager to see the boat and could not see the island. Thousands of sails have passed, the slanting light is shining, the rivers and islands are still the same, I can’t see what I think, but I can’t be heartbroken!

Ci is an art form that focuses on the writer’s subjective lyricism. This little order is sincere, vivid and natural, without any pretense or any words that go against one's heart.

The buildings, sails, slanting light, rivers, and small islands that appear in the poem are all objective entities that are unrelated to each other. From the joy of looking forward to Lang's return to the painful disappointment of "broken heart", these characters' emotional expressions The complex changes of the character, the writer made it into a coherent artistic image through exquisite artistic conception. The writer's thoughts and feelings are like a bridge that connects these scenery and characters, and penetrates into the description of the scenery and the activities of the characters, forming an organic artistic whole, making the cold buildings, sails, water, and islands seem to have warmth. With flesh and blood life, it becomes affectionate; the scattered and isolated scenic spots are integrated into artistic pictures with internal logical connections; the external expression and internal psychological activities of the characters are displayed in a perfect unity. This is the resentment, hatred, blood and tears of the missing woman in real life, which deeply moved the writer; in these seemingly calm words, the writer's sincere and passionate heart beats.

This poem is like a beautiful landscape scroll. The river in the picture does not have endless waves, but only a helpless sigh. Even the afterglow of the setting sun lacks majesty. The implication is that there is a nameless depression and resentment that cannot be dismissed. There are also the buildings facing the river, the dotted sails, the slow flowing water, and the small island in the distance. They are all arousing people's imagination and fun. They have a beautiful taste and an artistic conception of blending scenes. This little order seems to be calm, but it is full of passionate emotions in the understatement, and it is full of ups and downs, and the "heavy strokes" can be seen where there is no effort. Many people write about the subject of missing a wife, which can be said to be a "popular subject", but this little poem is unconventional and very unique. This is also a soft theme, but this song is not soft. The mood is positive, healthy and simple. Among the warm poems with a delicate and beautiful "flower room" atmosphere, this poem can be said to be a sincere, beautiful and natural, unique masterpiece. 2. "Looking to the South" by Wen Tingyun has a beautiful artistic conception and sincere feelings

The dawn fog is about to break, and there are a few stars in the sky. The moonlight entered the house, and the outline of the moon was blurred, and the pale light reflected the white light of the river. Moon, do you know the taste of a river that cannot be carried by autumn water? Do you know the sadness of missing someone who is thinner than a yellow flower, and whose tears are ice-cold and jade beads are slender?

A few wisps of morning breeze broke into the room, and I couldn't help but shiver. Sitting in front of the dressing table, the face in the bronze mirror was a little more radiant with anticipation, but also a little haggard because of the excitement and sleeplessness last night. Picking up the wooden comb, a waterfall of long hair hung down to her waist, with a few strands of white hair mixed in. She frowned slightly, as her husband was about to return, how could he see his face as haggard as the autumn sun, and his hair dyed white by autumn frost. She gently rolled up her black hair and skillfully hid her white hair inside. She carefully combed her makeup and applied makeup and powder. But who in the past tied up her long hair and drew her eyebrows tenderly. Sadness and sadness arose in my heart again. I kept cutting, and my reasoning was still confused. It was the sorrow of separation that made me lower my brows, but it was still in my heart. Looking at the woman with a sweet smile in the mirror, thinking of his joy when he saw her, happiness overflowed on his face.

I moved to the Wangjiang Tower and looked out the window. Dots of white sails came into my eyes, and the colors took away the little expectations, bringing a slight disappointment. If you look closely, it's not Bai Fan, but Li Ren's tears. Time has passed, and I am still staring at the white sail, but I don’t know that my soul has been broken, and there are only dreams accompanying me. The longing is heartbreaking and soul-destroying. How can the word "sorrow" be used to describe such a feeling? If the sky is sentimental, the sky will also grow old. If the moon is sentimental, the moon will sing forever. If people are longing for each other, they will be haggard. Their clothes will become wider and wider, but they will never regret it. I remember that he once looked for him and said: The fish has fallen and the goose has fallen, the moon is closed and the flowers are shy. I can't describe your beauty. You will always be in my heart. I am willing to hold your hand and grow old together with you. A hundred years later, you, with gray hair, will still be the most beautiful in my heart. Nowadays, the sweetheart is no longer there, it has become a thing of yesterday. Does he still remember that she once made a sea oath and a mountain alliance with him? She is his most beloved sweetheart.

Looking to the south of the Yangtze River, I look forward to my husband's return. I look forward to my husband's return from the tower above the river. The river flows through the ages, and I look forward to my husband for thousands of years. For him, the beautiful face turned into yesterday's flowers; for him, three thousand blue hairs were dyed with autumn frost. For him, for him, or for him, he would look beautiful and thin in the mirror. But why, Qianfan has passed by, but the figure he misses so much is still nowhere to be found. Looking at the river there are no words, only a thousand lines of tears. The river is long, the sound of the waves is still there, the slanting light has not yet set, the thin thoughts are haggard in the sunset under the autumn wind, and the heart is broken in Bai Pinzhou.

3. Urgently, urgently looking for a description of the artistic conception of the poem "Wang Jiangnan" written by Wen Tingyun, who is in the 19th grade.

This is a concise and meaningful poem about women's resentment, which is described implicitly in just 27 words. The tenderness of the missing woman has captivated countless readers from ancient times to the present. The three words "wash up" at the beginning are a slightly festive prelude and contain a sense of affection. The word "alone" in this sentence also has a special meaning. The missing woman is dressed up so pretty and touching, but she is afraid of being seen by others. , is a portrayal of her shy psychology. Therefore, the behavior of the missing woman looking at her lover and the shyness of being afraid of being seen by others is a symbol of the special status of the missing woman, and has a desolate aesthetic effect. From "washing up" to "seeing thousands of sails" It is a long and unbearable anxious time, but it is also a period of hope blurred with rose-colored dreams. The phrase "the slanting light shines on the pulse and the water is long" has another meaning, which is to add to the pain of missing a woman and "why don't you think about it like this" "Heartbreak" is a story from "Shishuo Xinyu". It describes the extreme pain of lovesickness of a missing woman. "Baijizhou" is not an easy word, because "Ping" is a water plant, and Ping and water depend on each other. Water means death. A woman who cannot live with her sweetheart is just like a capsule without water! How can we not feel sad when we are touched by a scene? Poems are noble and subtle. Wen Tingyun's poem is well versed in women's psychology. In just a few words, he expresses his longing for a woman without letting go of her thoughts. It can be called an eternal masterpiece. 4. Urgently, urgently looking for a description of the artistic conception of the poem "Looking to the South" written by Wen Tingyun, who is in the 19th grade.

This is a concise and meaningful poem about boudoir, which is described implicitly in just 27 words. The tenderness of the missing woman has fascinated countless readers from ancient to modern times.

The three words "wash up" at the beginning are a slightly festive prelude and contain a lot of affection. The word "alone" in this sentence also has a special meaning. The woman who wants to dress up so pretty and attractive but is afraid of being seen by others is a reflection of her shy mentality. Therefore, the behavior of the missing woman looking at her lover and the shyness of being afraid of being seen by others is a symbol of the special status of the missing woman, and has a desolate aesthetic effect. From "washing up" to "seeing all the sails" is a long and unbearable anxious time, but it is also a period of hope blurred with rose-colored dreams. The sentence "The rays of light are shining brightly and the water is long and gentle" has another meaning, which is to add to the pain of missing a woman and "why don't you think about it like this". "Heartbreak" is a story from "Shishuoxinyu", which describes the extreme lovesickness of a missing woman. "White Capsule" is not an easy choice, because "Ping" is an aquatic plant. Ping and water depend on each other to survive, and Ping will die if it loses water. A woman who cannot live with her sweetheart is like a pod without water! How can we not feel sad when we are touched by a scene?

Poetry is noble and subtle. Wen Tingyun's poem is well versed in women's psychology. In just a few words, he expresses his thoughts about a woman without letting go. It can be called an eternal masterpiece. 5. What does the poem "Looking at Jiangnan" describe?

Appreciation of Wang Qi's "Looking at Jiangnan·Jiangnan Moon" Author: Han Zhen Compiled article source: Reprinted from the Internet Number of hits: 391 Update time: 2004-5-12 The author introduces Wang Qi, courtesy name Junyu, from Huayang (now Shuangliu, Sichuan), brother of Wang Guicong.

He was a Jinshi and served as the chief administrator of Jiangdu. In the third year of Tiansheng's reign (1025), Emperor Renzong Jiazhi was appointed to the Ten Affairs Bureau, and was ordered to take the bachelor's degree examination. He was awarded the title of Dali judge, collation of pavilions and pavilions, collection of virtuous scholars, and knowledge of imperial edicts.

Jiayouzhong, guarding Pingjiang Mansion. In several southeastern states, the government is still simple and quiet.

He became an official in the Ministry of Rites and died at the age of seventy-two. "History of the Song Dynasty" appended to Wang Gui.

The author of "Long and Short Sentences on Exalting Immortals" has been lost. "Complete Song Ci" contains eleven of his poems.

Appreciation of Works Looking to the South of the Yangtze River The moon in the south of the Yangtze River fills the west building in the clear night. When the clouds fall and open, the ice spits out the mirror, and the jade hook sinks deep in the waves.

When will the round and the vacancy rest? The stars are far apart, and the wind is blowing into the new autumn.

Dangui doesn’t know how to shake and hate, Su’e should be sad to say goodbye. ***Yuyou in the sky.

Wang Qi’s poem about the moon expresses feelings through scenery and objects: the constant waxing and waning of the moon at night symbolizes the impermanence of people and events; the image of Chang’e embodies the deep and painful sorrow of separation, and it is full of emotions. The joys and sorrows of the world. The whole poem describes the scene vividly, the objects are subtle, the artistic conception is far-reaching, and it is implicit.

Start with the sentence "The moon in the south of the Yangtze River, the clear night fills the West Tower", and write about a clear and clear autumn night, when the bright moonlight fills the West Tower. "When the clouds fall, the ice spits out the mirror, and the jade sinks into the hook deep in the waves."

The moon rises, the moon sets, the moon waxes and wanes, I don’t know how many times it has been repeated. The first sentence writes about the moon in the sky. When the clouds disperse, the full moon hangs high in the sky like an ice mirror. The second sentence writes about the moon in the river. The waves bloom in the depths. The missing moon sinks like a jade hook in the middle of the river.

The first sentence "jian" means the full moon, and the second sentence "hoo" means the moon is missing; "ice spits the mirror" and "jade sinks the hook", the sentence structure is novel and unique. The words should be "bingjian" and "jade hook". The author uses the verbs "spit" and "sink" to separate the noun phrases "bingjian" and "jade hook", so that the ice and jade-shaped moonlight is bright; , describing the shape of the bright moon, not only the sentence structure is wonderful, but also the meaning of the words is also quite original.

The closing sentence of the first film is "When will the full moon end?" It not only accepts and integrates the first two sentences, but also opens the next film very naturally with the emotion of when the full moon will end. The first sentence of the second film is "The stars are far apart, and the wind and dew are entering the new autumn." It writes that the stars are changing, the Milky Way is far away, and it is the new autumn with golden wind and jade dew.

"The red osmanthus does not know how to shake and hate, Su'e should believe in the sorrow of separation." In the middle of the month, the red osmanthus does not decline at all times, although it will not wither due to autumn; but in the middle of the month, Chang'e lives alone in isolation, endlessly In my lonely life, I must have experienced the pain of separation.

Su'e, another name for Chang'e. Dangui, according to myths and legends, there is an osmanthus tree in the middle of the moon, five hundred feet high. If you cut it, the tree will grow together (Duan Chengshi's "Youyang Zazu·Tiangui").

The concluding sentence "The moon in the sky is leisurely" tells the story of the separation between the human being and Chang'e in the sky. They are both sad because the moon is missing and the moon is not full. Long and long, looking worried.

The word "***" has the artistic effect of "killing two birds with one stone". 6. What are the similarities in artistic conception between "Wang Jiangnan" and "Wrong"

Same as:

Similarities between Wen Tingyun's "Wang Jiangnan" and Zheng Chouyu's "Wrong": Both poems use a woman's tone of voice to describe her longing for the person she loves. The seemingly ordinary story and the inadvertently passing pictures all exaggerate a helpless feeling of lovesickness and express the woman's deep longing for the man. Both poems are The ending is about not being able to wait for the man in my heart, leaving people with a sense of reverie and compassion. Both poems are poems about boudoir.

=========================================== =====================================

Differences: "Wang The woman in "Jiangnan" seems to be more like a businesswoman (a wild guess). She is like the pipa girl in "Pipa Journey", waiting for her husband to come home by the river, from washing and dressing up in the early morning until the sunset in the evening. Shen Jiang, she never waited for her husband, but pinned her longing for her husband on Bai Pingzhou on the river.

The woman in "Mistake" is more like a boudoir girl in the south of the Yangtze River, with implicit emotions, such as "the tones are silent, and the spring curtain of March is not lifted"; "a small lonely city", " Comparing "the bluestone street toward the evening" and "the small windows tightly closed", it describes the woman's waiting state. The clatter of "I" horse hooves gave her lonely, lonely and sad heart a brief solace. Although the woman was excited when she heard the sound of horse hooves, she behaved in a reserved and tactful manner. When the sound of horse hooves faded away, she was still left with a long longing for her.

The woman in "Looking to the South" experiences waiting but not being able to wait for her husband, while the woman in "Mistake" gets temporary comfort from the sound of "my" horse hooves.