Traditional Culture Encyclopedia - Hotel franchise - Introduction, legend, history and poetry of the Yellow Crane Tower.

Introduction, legend, history and poetry of the Yellow Crane Tower.

The original site of the Yellow Crane Tower is located at the head of the yellow crane in Sheshan, Wuchang, Hubei Province. It was built in 223 years in Huang Wu, Dongwu during the Three Kingdoms period. According to the Records of Yuanhe County, Sun Quan began to build the old city of Xiakou. "There is a big river in the west of the city, and the Yellow Crane Tower is at the south corner of the Yangtze River." It was built for military purposes. According to Lu, it turned out to be a newly opened hotel.

It is located at the eastern edge of Jianghan Plain, and the hills in southeastern Hubei fluctuate between lakes and swamps in Ye Ping. On Guishan, the boats on the river are woven like the Yellow Crane Tower. Scholars of all ages have visited here, leaving many well-known poems. A poem by Li Bai, a poet in the Tang Dynasty, "The Jade Emperor blows the Yellow Crane Tower, and plum blossoms fall in May in Jiangcheng", which established the title of "the most beautiful Jiangcheng" in Wuhan.

In the first year of Yongtai in Tang Dynasty (765), the Yellow Crane Tower had begun to take shape. However, wars and fires occur frequently, and the Yellow Crane Tower is repeatedly built and abandoned. In the Ming and Qing Dynasties alone, it was destroyed seven times and rebuilt and maintained 10 times. There is a saying that "the prosperity of the country is the prosperity of the building". The last one was built in the seventh year of Tongzhi (1868) and destroyed in the tenth year of Guangxu (1884). At present, there is only one bronze cast roof of the Yellow Crane Tower after its destruction in Qing Dynasty.

From the Northern Song Dynasty to the 1950s, the Yellow Crane Tower was once regarded as a famous mountain and holy place of Taoism, and it was also the Dojo for Lv Dongbin to preach, practice and educate. "Taoist Scriptures, Stories, Immortals, Bodies, Taoism and Mirrors" says: "Lv Zu boarded the Yellow Crane Tower on May 20th and ascended to heaven at noon. Therefore, it is still a sacred relic. " It is said in Quanzhen Night Tanjing that the head of the Yellow Crane Tower has left a sacred mark.

The ancient Yellow Crane Tower "where there are three floors, the height is nine feet two, and the copper roof is seven feet, * * * becomes the number of 99".

When Wuchang approach bridge of Yangtze River Bridge 1957 was built, the former site of Yellow Crane Tower was occupied. 198 1 10, the Wuhan municipal government decided to rebuild the Yellow Crane Tower according to historical data. Experts decided to rebuild the new Yellow Crane Tower on the ridge of Sheshan Peak about 1 km away from the old site. 1985 was completed in June and became a landmark building in Wuhan. The new building * * * has five floors in total, with a gourd-shaped roof 5 meters high and a height of 5 1.4 meters. It has a pyramid-shaped roof with layers of cornices, which is nearly 20 meters higher than the Drum Tower. The ground floor of Gu Lou is "15m wide" and the ground floor of the new building is 30m wide. The whole building is made of reinforced concrete.

The main building is based on Tongzhi Building in Qing Dynasty, but it is bigger and more magnificent. Using modern building technology, reinforced concrete frames imitate wood structures. There are five cornices, a pointed roof and a golden glazed tile roof, with a height of 5 1.4m, a bottom width of 30m and a top width of 18m. Large murals, couplets and cultural relics are arranged on all floors of the building. Outside the building, a number of ancillary buildings such as bronze yellow crane modeling, statue pagoda, memorial archway, porch and pavilion make the main building more magnificent. When you climb up this building, you can see the scenery of the Yangtze River rolling forward and the three towns, which is very spectacular.

From west to east, it is Meishan, Guishan, Sheshan, Hongshan, Luojiashan, Moshan and Yujiashan. This series of ridges is like a dragon lying in the waves. Yujiashan, the first peak in Wuhan, is the leader, and Yuehu Womeizi Mountain is the dragon tail. This is the geographical Long Mai of Wuhan. The Yellow Crane Tower is right on the dragon's waist. Riding Long Zaitian, taking this opportunity, the position of the Yellow Crane Tower seems to reveal some mysteries.

The snake mountain area where the Yellow Crane Tower is located has been turned into the Yellow Crane Tower Park. Many flowers and trees have been planted, and some buildings such as archways, pavilions, corridors and so on. There is a poem stele gallery with many stones engraved with the works of famous poets of past dynasties. The ancient scenic spots around Snake Mountain will be restored one after another, which is the symbol of Wuhan.

Surrounding attractions: Wuchang Rebel Government former site, Wuhan Botanical Garden, Goose Pond, Yue Fei bronze statue, Mulan Tianchi, Hubei Provincial Museum, East Lake, Wuhan National Government former site, Mulan Mountain, Jiufeng Mountain Forest Park, Mulan Eight Scenes, Epiphyllum Forest, Farming Years, Guqintai, Wuhan Museum, Wuhan University, Qingchuan Pavilion, Chuhe Hanjie, Huazhong Normal University and wuhan happy valley.

Inside and outside each floor of the new Yellow Crane Tower, there are patterns with cranes as the main body and moiré, flowers and plants, dragons and phoenixes as the foil. The front wall of the lobby on the first floor is a huge ceramic mural with the theme of "White Clouds and Yellow Crane". Seven-meter-long couplets are hung on the pillars on both sides:

The west is cool, and the clouds sweep the world;

A river gone forever, the waves washed away the troubles of the past and present.

The Yellow Crane Tower on the second floor is carved with marble, describing the rise and fall of buildings and anecdotes of celebrities. In addition, there are murals such as "Sun Quan built the city" and "Zhou Yu gave a banquet". There is an embroidered portrait mural on the third floor, which depicts the images of ancient China poets such as Li Bai, Bai Juyi, Lu You and Yue Fei, and extracts their famous sentences chanting the Yellow Crane Tower. Now the Yellow Crane Tower has been converted into the Yellow Crane Tower Park, and the main building is surrounded by buildings such as Victory Tower, Monument Gallery and Shanmen, covering an area of about 150 mu. The archway in front of the building is written with the characters "three places on the first floor", and there are two stone pavilions next to the foundation of the building. The stone tablet records the achievements of rebuilding the Yellow Crane Tower and "Rebuilding the Yellow Crane Tower" written by modern people.

In February 2003, the Yellow Crane Tower began its first large-scale renovation since the reconstruction of 1985. The transformation is mainly to repair the four plaques on the roof and reproduce the plaques while keeping the handwriting unchanged.

The Yellow Crane Tower is praised by many famous poets in China, and enjoys the reputation of "the best scenery in the world". Celebrities of past dynasties, such as Li Bai, Bai Juyi, Jia Dao, Lu You, Yang Shen and Zhang. , all come here to write poems, among which Cui Hao's poem Yellow Crane Tower makes it famous all over the world.

Yellow Crane Tower in Cui Hao;

The fairy of the past has flown away by the yellow crane, leaving only an empty Yellow Crane Tower.

The yellow crane never revisited earth, there have been no long white clouds for thousands of years.

Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass.

But I looked at my hometown, and the twilight was getting thicker, and the mist of sadness was filled on the river waves.

Farewell of Li Bai's Yellow Crane Tower Meng Haoran's Trip to Yangzhou;

My old friend resigned from the Yellow Crane Tower,

Fireworks fell in Yangzhou in March.

Lonely sails, distant shadows, blue sky,

Only the Yangtze River flows in the sky.

Li Bai's Looking at the Yellow Crane Tower;

Looking at the Yellow River Mountain in the east, the male bird came out in the air.

There are white clouds on all sides, and the middle peak leans against the red sun.

The rocks cross the vault and the peaks are dense.

I have heard of many immortals and learned flying skills here.

Facing the sea, the stone room is empty for thousands of years.

The golden stove produces smoke, and the jade pool is secluded.

Leave the ancient wood, the court is cold and old.

I advocate rock climbing because I want to protect my leisure.

Traveling all over Shan Ye, Zi Ling is unparalleled.

Send your heart to the pine tree and don't forget the guest's feelings.

Wang Wei saw Kang Taishou off.

Cangjiang at the door, Yellow Crane Tower by the river.

Zhu Lan will be pink, and the river will reflect.

The cymbals blow the summer mouth, making the monarch above.

The door hides the maple bank, while Hou Li tends to Luzhou.

Bodhisattvas in Mao Zedong climb the Yellow Crane Tower;

Nine sects flow to China,

A thick line runs through the north and south.

Cloudy and rainy,

Tortoise and snake lock the river.

Does the yellow crane know where to go?

There is room for tourists.

Pour wine,

The tide is rising.

Yan Boli's Yellow Crane Tower;

In the southwest corner of the city, there is the Yellow Crane Tower. According to the "Atlas", "Fei Yi ascended the immortal, and wanted to drive the Yellow Crane back here, so it was called the famous tower." The things listed in The Legend of the Immortal trace back to the ambition of "explaining differences". Look at its towering structure, high standard, leaning down the river; Double eaves wing pavilion, four rosy clouds open; Peek at Jing Yi and shoot clouds: Jing Hewu is the best. Why are Lai Xiang's Nine Columns and Dongyang's Eight Chants able to enjoy the time and things, and gather spirits and gather immortals?

There are many legends about the Yellow Crane Tower. According to Qi Xie's records, the immortal Wang Zian passed a mountain here by yellow crane, so the mountain was named Yellow Crane. Later, someone built a building on the mountain called the Yellow Crane Tower. In Stories with Different Perspectives, Xun Huan likes the art of immortals. He once saw a fairy falling from the sky on the Yellow Crane Tower. The fairy had a drink with him and then left by crane. "Ezhou Tujing" said that after Fei Heng ascended to immortality, he took a yellow crane to rest here.

Why is the Yellow Crane Tower named "Yellow Crane"? It is said that the original building was built on Huangguyan, and later generations read "stork" as "crane", which proved the truth by word of mouth. It is a legend of "Xianhuanghe" with magical colors.

Its historical development is roughly as follows: During the Wei, Jin, Southern and Northern Dynasties, the theory of immortals prevailed, and the mythical story about the Yellow Crane Tower was also formed under the background of the development of strange novels devoted to "Machamp's disorderly gods". The legend of the immortal crossing the crane first appeared in the works of Zu Chongzhi, a scientist in the Southern Dynasties. The "Guest Driving a Crane" in his Strange Tales from a Lonely Studio was later recorded by Lu Xun in the "Ancient Novel Hooking and Sinking": The original site of the Yellow Crane Tower was at the head of a yellow crane in Sheshan, Wuchang, Hubei. According to legend, this was originally a hotel opened by the Xin family. Before leaving, a Taoist drew a crane on the wall to thank her for her thousand cups and told her that it could come down and dance. From then on, the guests were full and the business was booming. After ten years, the Taoist priest came back and played with a flute. The Taoist priest set foot on the yellow crane and went straight to the sky. In memory of the fairy who helped her get rich, Xin's family built a building in her place and named it "Yellow Crane Tower".

"Xun Xuan, the word uncle Wei, filial piety to parents, good literature and Taoism, latent knowledge. Try to travel to the East and rest on the Yellow Crane Tower in Jiangxia. Look at something in the southwest, floating down from the sky, and it will arrive soon. It is also a guest driving a crane. The crane stops at the door, the immortal will sit on the table, the feathers will hang in the rainbow, and the host and guest will be happy. I have resigned, flying cranes pass, and the smoke goes out. "

Later, Xiao Zixian of the Southern Liang Dynasty said in "The Book of the Southern Qi Dynasty under the County": "Xiakou City is handed down by Huang Huangji, and Fairy An is handed down by Yellow Crane." Give the immortal the name of peace. Later, some people said that Zi 'an was surnamed Wang, others claimed that the immortal was surnamed Dou, and others said that Dou 'an was a Jiangxia man with a supernatural nature. After he died and was buried, a yellow crane flew and stopped in the tree in front of his house, shouting the name of "Dou An" frequently. Dou Zian really appeared. He circled the roof and the crane several times, and then drifted west.

During the Tang and Song Dynasties, people gradually linked myths and legends with historical figures. In the Yellow Crane Tower in the Tang Dynasty, Yan Boli recounted that in the music history of the Song Dynasty, The Jade Ring of Taiping, it was said that Fei Yi, the minister of Shu and Han Dynasties in the Three Kingdoms period, was a fairy and drove a yellow crane to rest here, because he thought it was famous.

Taiping Universe: "The Yellow Crane Tower is in the west of the county: 280 steps. In the past, when Fei Yi went to visit immortals, he took a yellow crane to rest and drive here every time, hence the name Yellow Crane Tower. "

Fei Yi in Yi Shu Ji is Wen Wei, Xun Xuan is Shu Wei, and both of them are Jiangxia people, which is probably the reason why later generations confuse them. After the Tang and Song Dynasties, people pointed their finger at Lv Dongbin, one of the Eight Immortals. According to the Chu people in the early Qing Dynasty, Selected Works of Jian, volume 8, four years:

"According to legend, in the Tang Dynasty, Lv Chunyang tasted the land of the guest, hated eating out, and drank several pots a day, tired to hundreds; If it's not worth it, ask for another cup, and the owner will have endless colors. Chunyang likes it. Suitable for spitting watermelon, so I drew a crane on the wall with melon skin. At first, the melon skin was green, but it turned yellow after a long time, so it became a yellow crane. Chunyang also teaches restaurant boys to sing sermons and knock on the board for festivals. When singing, cranes fly down from the wall and dance. There are thousands of people watching and drinking. After studying for a few months, the restaurant took millions and made a fortune at once. Reward pure yang with money, and pure yang will not accept it. Therefore, this building was named Yellow Crane Tower. "

In addition, similar to the above story, it is the theory of retribution recorded in Jiangxia County Records. According to it, the city drinker is Xin's, the drinker is Taoist, the crane paints orange peel, and the building is Xin's building. This is the most widely known myth:

The original text is: "Xin used to sell wine as a business. When a gentleman came, he was tall and in rags. He said quietly to Xin, "Can you drink? Xin didn't dare to quit and drank a big glass. When I was half a year old, the Xin family enjoyed it. One day, Mr. Xin called him and said that he owed wine and he couldn't pay you. So he took a small basket of orange peels and drew a crane on the wall. It was yellow. The sitter clapped his hands and blew, and the yellow crane danced with the law. Everyone paid money to see it. 10 years later, when the Xin family was exhausted, Mr. Hou came to the table. Xin thanked him and said that he was willing to provide him with the best. Mr. Wang said with a smile, "Why did I suddenly take a flute and play a few tricks for it?" After a while, white clouds fell from the sky and painted cranes. The king rode over the crane and built a building in Xin's house, named Yellow Crane. "

The main idea of this myth is that there was once a man named Xin who made a living by selling wine. One day, a tall, ragged guest came and asked Xin calmly, "Can I have a drink?" Xin didn't neglect each other's rags, and quickly filled a large glass of wine. After half a year, Xin didn't show boredom because the guests couldn't afford the drinks, and still invited the guests to drink every day. One day, the guest told Xin's family, "I owe you a lot of money for drinks, and I can't afford it." So I took out the orange peel from the basket and drew a crane on the wall. Because the orange peel is yellow, the painted crane is yellow. As long as the people in the seat clap their hands and sing, the yellow crane on the wall will dance and beat with the song, and the guests in the hotel will pay for this wonderful thing. After more than ten years, Xin has accumulated a lot of wealth. One day, the ragged guest drifted to the hotel again, and Xin came forward to thank him and said, I am willing to support you and meet all your needs. The guest replied with a smile, where did I get this? Then he took out his flute and played some songs. Soon, I saw white clouds falling from the sky. The yellow crane followed Bai Yunfei to the guest, who climbed the yellow crane's back and went to heaven in Bai Yunfei. In order to thank and commemorate this guest, Xin built a castle on Huangqiyan with the money he earned in ten years. At first, people called it "Xin's Building". Later it was called "Yellow Crane Tower".

There is another version of the fairy tale about the Yellow Crane Tower. According to legend, a fairy became a human being and drank in the Yellow Crane Tower. Unexpectedly, there was not much money in the fairy bag, and the shopkeeper did not delve into it. The fairy thanked the shopkeeper for his generosity and drew a crane on the wall. And tell the shopkeeper that in order to repay the shopkeeper for leaving a yellow crane, you only need to clap your hands four times and the yellow crane can dance in the air for everyone's entertainment, but you must remember that the yellow crane only dances for everyone. With that, the fairy left. The shopkeeper tried it according to the fairy's method, and sure enough, the yellow crane danced and everyone appreciated it. When a big official heard the news, he hired the whole place and ordered the store to let the yellow crane dance. Helpless, the shopkeeper clapped four hands, and the yellow crane emerged from the wall and danced with heavy steps. Then when the golden light flashed, the store saw the fairy come back. The fairy said, "The yellow crane can't dance just for its own happiness." Say that finish, sit cloud to leave, yellow crane followed.

Li Bai boarded the Yellow Crane Tower and looked at Chutian. He is open-minded and poetic. When he was about to start writing poems, he saw Cui Hao's poems. He felt very ashamed and had to say, "There is a scene in front of him, and Cui Hao wrote a poem on it." Cui Hao wrote a poem, and Li Bai put pen to paper. Since then, he has gained great fame.

During the Qianlong period, three scholars returned home from Beijing together. One is from Henan, one is from Sichuan and the other is from Hubei. At lunch time, they gathered in a pub and talked about the famous and popular scenery in their hometown. They all praised them.

Henan Jinshi said: "There is a Kaifeng Tower in Henan, which is only 18 feet away from the sky."

Sichuan Jinshi said, "There is Mount Emei in Sichuan, which is only three feet away from the sky."

At this time, I saw that Hubei Jinshi was still slowly eating wine, and their eyes were all on him. Hubei Jinshi took a sip and shook his head loudly: "There is a Yellow Crane Tower in Hubei, half of which extends into the sky."

The two Jinshi refused to accept, saying that Hubei Jinshi could not be punished for drinking. Hubei Jinshi still said slowly, "If you don't believe me, go by boat."

Hubei Jinshi is familiar with astronomy and geography and can watch stars. Knowing that there would be heavy fog in three days, he invited two people to swim across the river and reach the foot of the Yellow Crane Tower on the Yangtze River. At this time, the top of the Yellow Crane Tower was foggy, and the two men praised: "The Yellow Crane Tower in Hubei really deserves its reputation!"

The legend of the Yellow Crane Tower is isomorphic with poems, essays and couplets, which forms the cultural accumulation of the Yellow Crane Tower. For example, Cui Hao's "Yellow Crane Fairy died in ancient times" and Li Bai's "Yellow Crane Tower plays the Jade Emperor" are all based on this. The legend about the Yellow Crane Tower was first seen in the Annals of Fifteen Counties in Southern Qi Dynasty around 502 AD, which recorded that "the immortal son An passed down from generation to generation rode away by the yellow crane". The Collection of Wuhan Folklores, collected by the Municipal People's Art Museum 1983, includes Xin's "Building a Building with Gratitude", Lu Ban's "God Building", Wu Zhuangyuan's "Worship the Immortal Building", Winning the Elephant Tower's "Hanging the Lantern High", Li Bai's "Climbing the Building" and "Watching the Yellow Crane Tower".

Karma records. The original text is: "Xin used to sell wine as a business. When a gentleman came, he was tall and in rags. He said quietly to Xin, "Can you drink? Xin didn't dare to quit and drank a big glass. When I was half a year old, the Xin family enjoyed it. One day, Mr. Xin called him and said that he owed wine and he couldn't pay you. So he took a small basket of orange peels and drew a crane on the wall. It was yellow. The sitter clapped his hands and blew, and the yellow crane danced with the law. Everyone paid money to see it. 10 years later, when the Xin family was exhausted, Mr. Hou came to the table. Xin thanked him and said that he was willing to provide him with the best. Mr. Wang said with a smile, "Why did I suddenly take a flute and play a few tricks for it?" After a while, white clouds fell from the sky and painted cranes. The king rode over the crane and built a building in Xin's house, named Yellow Crane. "

The newly added area-the cultural and leisure scenic spot in the east of Sheshan, starts from Wuchang Road adjacent to the library in the west and ends at most sections of Sheshan Road in the east. Wuhan has spent hundreds of millions of yuan to demolish the buildings on the southern slope of Sheshan Mountain159,000 square meters, relocate the Provincial Institute of Education, the Provincial Library, the Yellow River Villa, Longhua Building and some private houses, restore mountain vegetation and build a new landscape.

After the transformation of Snake Mountain, this scenic spot and historical buildings in the scenic spot were handed over to the Yellow Crane Tower Park Management Office for management. The management office also demolished the courtyard wall between the original shouyi park and this scenic spot, so that shouyi park and this cultural and leisure scenic spot can be integrated and opened together for free, giving citizens more open leisure space.

Together with the original Yellow Crane Tower Park, the new management area is 40.3 hectares.

Wuhan, the future "Great Yellow Crane Tower Scenic Area", is planning to integrate resources such as Qintai, Guishan, Sheshan and Shouyi Cultural Park to build the Yellow Crane Tower Scenic Area, with an area of 12 square kilometer, which is 30 times that of the existing Yellow Crane Tower Park. White Cloud Pavilion Snow Scene Yellow Crane Tower South Building.

In the old days, there were Baiyun Pagoda, Anyuan Pagoda, Guiyue Pagoda and Chuguan Pagoda, which were also called the "four pagodas" of the ancient snake mountain with the Yellow Crane Tower, Toutuo Temple and Xie Bei. The existing building was rebuilt at 1985, which is located at the southeast of Yellow Crane Tower in the south of the park185m. The south building faces south, with two floors above and below, reinforced concrete imitation brick and wood structure, leaning on the roof of the mountain, double eaves and flying horns, green tile bamboo forest, 6 columns front, spacious and clean. There is a century-old tree in front of the building, which adds a quaint color to the South Building.

Oriental "Chutian Jim" and "Curtain Roll Dry Kun"; South "Nanwei high arch" and "potential to connect with Heng Yue"; Western "Yellow Crane Tower" and "Swallowing Clouds and Spitting Dreams"; "Beidou Linping" and "Yunheng Jiupai" in the north.

The Yellow Crane Tower (West Building) was written by Shu Tong, an old man from China Calligraphers Association.

The words "Chu Tian Jim" (Lou Dong) are taken from Mao Zedong's poem "Crossing the Yangtze River and Meeting the Sky", which means that the great land of Yellow Crane Tower is just around the corner.

"The Big Dipper Linping" (Building North) was written by Tao Shu in Wuhan. The Big Dipper is the Big Dipper. Because its constellation is in the north and its shape is like a bucket, it means standing on the Yellow Crane Tower and looking at the Big Dipper from afar, which makes people feel relaxed and happy. Beidou is as high and flat as itself, describing the height of the building.

"South Latitude High Arch" (Lounan) Wuhan Li Shu, South Latitude: Leading Stars; High arch: high above, sitting safely means that the Yellow Crane Tower faces south, with gorgeous stars, high above and rock-solid.

"Curtain Roll Dry Kun" (East of the first floor) is in Beijing, dry Kun refers to the ancient world, and the two faces of Yin and Yang refer to the universe today, referring to the vast nature outside the Yellow Crane Tower.

Cloud nine (north on the first floor) is a book written by Deng Shaofeng in Wuhan. Jiupai refers to the collection of many tributaries of the Yangtze River flowing into the sea. In ancient times, there was a saying that cloud nine schools were divided into nine schools. Nine schools of clouds are taken from Mao Zedong's poem "Cloud Nine Schools Floating Yellow Crane", which describes the magnificent spirit of the Yangtze River tributaries gathering Hanshui clouds.

The Yellow Crane Tower (south of the first floor) is of high specifications and magnificent verve, just like striking the iron with Nanyue, thousands of miles away, forming the verve of "rising from the ground and towering like a screen".

Swallow Clouds and Spit Dreams (first floor west) The book of Zhao Puchu in Beijing evolved from the poem Swallow Clouds and Spit Dreams and Besiege Yueyang by Meng Haoran, a poet in the Tang Dynasty. The poem praised the charm of the Yellow Crane Tower.

The Yellow Crane Tower has the reputation of "the first building in the world". Freshmen can choose a sunny day and enjoy the scene of Li Bai's "the lonely sail is far behind the blue sky, and only the Yangtze River is in the sky". The artistic conception in Li Bai's works depends on recalling the lonely scenery at that time.

Standing on a high place and looking closely, we can see the cosmopolitan temperament of Wuhan today, and even see the courage of Wuhan people-because someone is swimming in the Yangtze River. The reporter reminds you that in addition to boarding the Yellow Crane Tower, Baiyun Pavilion is the most suitable place to watch and take photos. The Yellow Crane Tower and the Yangtze River Bridge can be photographed at the same time.

The murals in the main hall of the Yellow Crane Tower have to be seen. A fairy drove the yellow crane away. Some people say that he is Zi An; Others say it is Fei Yi; Others say it's Lv Dongbin. The mountain is not high, and the fairy is famous.

Throughout the ages, countless celebrities have visited the Yellow Crane Tower, leaving behind a series of well-known masterpieces, which can be traced in large murals, couplets and cultural relics on all floors of the building.

Many scenic spots in the Yellow Crane Tower Scenic Area are very poetic. When you come to Luo Meixuan, you can think of Li Bai's "Yu Di blows in the Yellow Crane Tower and plum blossoms fall in May in Jiangcheng". When I came to Baiyun Pavilion, I heard Cui Hao's poem "Yellow Crane Will Never Come, Baiyun will never have him flying". There are inscriptions on famous poems and sentences sung by famous contemporary painters and painters in China in the poem gallery.