Who is the director of the dance "Flying"?

Dance music: Liu Xing

Dance costumes: Zhang Kuangyu, Ye, Ryan designed costumes for this dance successively, and Xia Yayi was adopted after 1962.

Dance premiere: 1954 Beijing

Premiere group: Central Song and Dance Troupe

Premiere actors: Jeff, Zi Huajun.

Awards: 1955 won the bronze medal in the 5th World Youth and Students' Peace and Friendship Festival Dance Competition; 1994 won the classic works award of the 20th century Chinese dance classic appraisal.

In Dunhuang murals, there is a splendid and long-standing historical and cultural imprint of China. At the same time, Dunhuang is also a meeting place of various cultures, where China, Indian, Greek and Islamic cultures meet. Those murals and sculptures from the 4th century to 1 1 century have brought people a very strong sense of art. Flying is based on the dance images in Dunhuang murals. This woman's classical duet is China's first dance work based on the image of the fragrant goddess ("Flying") in Dunhuang murals.

Choreographer Dai is a famous dancer, choreographer and educator in China.

Dai Yu 19 16 was born in Trinidad, West Indies. /kloc-when he was 0/2 years old, he was admitted to a local white dance class. He was the only colored child in the class. /kloc-at the age of 0/4, he entered the ballet classroom of famous dancer Anton Dowling and studied European classical ballet at Mary Lambert Ballet School in London.

1936 Dai was admitted to the dance studio opened by Leslie, an actor of Weigmann Dance Company, and devoted himself to learning modern dance. Two years later, while watching the performance of eustace Ballet closely combining human movements and inner feelings, she found her ideal dance form.

Although he had no friends at home, Dai resolutely boarded the ship returning to China at the end of 1939. After the Pearl Harbor incident, Dai and some literary and art workers traveled from Hongkong around Macau to Guilin, Guangxi, and finally arrived in Chongqing, and began to actively run for War of Resistance against Japanese Aggression in China.

With Deng's care and encouragement, Dai began to look for the roots of China dance as soon as he returned to China, and worked hard to develop the dance of the Chinese nation. In the history of modern dance in China, Dai earlier processed colorful folk dances into drama art and put them on the stage, which made people see the rich dance art treasures possessed by the motherland.

Flying is an outstanding masterpiece of Dai's long-term commitment to the inheritance and development of national traditional dance. In "Flying", she once again inherited and developed the long silk dance technique in Chinese traditional dance, and reproduced the image of "flying" on the stage with concise dance vocabulary and lyrical and romantic techniques. The style of dance is elegant and graceful, which injects the author's yearning and pursuit for freedom and light.

In addition to seeking inspiration from murals and exploring dance movements, Flying also draws lessons from the long-sleeved dance in China traditional opera and dance, and creates a pair of fairy images yearning for freedom and happiness by processing, sorting and recreating the long-sleeved dance techniques. Elegant, graceful, pure and quiet flying, the splendid and long-standing national culture of Dunhuang is reproduced on the stage of China for the first time. Fluttering ribbon lines and colorful "silk flower" tell the melody of "Goddess of Fragrance" and also create a pure, elegant and refined girl image. On the stage, this pair of goddesses, one high and one low, move quietly, one left and one right, or join hands, look at each other and entangle. Long-sleeved silk is like Changhong, and then unpredictable, fully demonstrating the superb skills of Chinese traditional dance for thousands of years.

Flying and Lotus Dance are Dai's representative works in 1950s. After the performance, it was deeply loved by the audience and became a dance that many dance companies in China have been competing to learn and perform for a long time. The British "Times" once commented that this dance "embodies Ms. Dai's extraordinary talent in dealing with human body modeling and stage space structure".