What are the five songs in Wei Zhuang's Bodhisattva Man?

Don't be blue at night in the red chamber,

The incense lamp is half-rolled with tassels.

When the waning moon goes out,

Beauty and tears.

Pipa gold,

The oriole language on the string

Advised me to go home early,

The green windows are like flowers.

2. second,

Everyone says Jiangnan is good,

Tourists only live in Jiangnan.

The spring water is bluer than the sky,

Draw a boat and listen to the rain.

(2) People are like the moon,

Frost and snow on the wrist.

Go home before you get old,

You'll be heartbroken when you get home.

Third, 39

Now that I think of Jiangnan music,

I was young and thin at that time.

Riding on a sloping bridge,

Covered in tea.

Cuiping gold buckle,

Indulge in flowers.

Seeing the flowers at this angle,

Never come back.

4. fourth.

I suggest you go to Shenzhen tonight.

Let's not talk about the Ming dynasty in front of the bottle.

Cherish the master's heart,

Wine is affectionate and deep.

You must worry about spring,

Don't complain that the golden cup is full.

Speaking of wine, hehe,

Life can be geometric.

5. Fifth.

Spring in Luoyang is very good.

Luo Yang is a gifted scholar and an old man.

Liu secretly called Wei Wangdi,

At this time, my heart turned confused.

Peach blossom and spring water,

Yuanyang bath on water.

Hate afterglow,

I don't know Jun Jun.

The first one is about a beautiful encounter in Luoyang in his early years. At that time, he had to leave this woman for his livelihood and future, and she once played a lute as a farewell and told him to come back a day earlier.

This word is about the feeling of parting. What a charming background "the red chamber is sad at night, and the incense lamp half covers the tassel account", "the red chamber", "the incense lamp" and "the tassel account". The words "lazy to paint flying moths' eyebrows, make up and freshen up in the evening" and "I fell into a low bun and brushed my eyebrows" in the article say that I have placed a very deep and gentle love for beauty. The first two sentences of this word seem to be about boudoir affairs, which seems to be quite fragrant. Imagine how charming it would be if it weren't for the tassels of the red chamber incense lamps. But behind the "red chamber" here is "staying at night", and there is a word "semi-hidden" between "incense lamp" and "tassel account". During normal rest and sleep, you can turn off the incense lamp and put down the tassel curtain. The incense lamp is always on and the curtain is covered, indicating that tonight is the night of parting. There are many contradictions and contrasts between these two simple narratives, so they are "disappointed" because they can't get together to sleep in the red room with fragrant lamps and tassels, but their hearts are full of parting sadness. It was not until you read the fifth song "I hate slanting photos, but I don't know Jun Jun" that you really realized the meaning. The Analects of Confucius said: "If you can speak without words, you will lose people;" You can't talk to it in words. It's called a slip of the tongue. A wise man never loses people or words. " Poetry appreciation should also be done without losing face and words. For the author of poetry, if he has profound meaning and you ignore it, then you are sorry for him. If his works have no profound meaning, it is your fault to impose them on him. Especially subtle and euphemistic works, don't lose people or words. There are two explanations for the "waning moon", one is the lack of the moon, and the other is the sinking of the moon. There is a saying in Huajianji that "the face of the waning moon is bright, so don't cry." Only the setting moon will be flush with people's faces. Wen Feiqing's poem "The cock crows in Maodian and the frost on the bridge is cold and cheerless" also points out that dawn is the time for pedestrians to hit the road. From the incense lamp on another night to the waning moon in the morning, it reveals the author's sensitivity to the passage of time before parting. When the waning moon goes out, when I have to say goodbye to the woman I love, there are three possible syntactic explanations for the sentence "Beauty and tears". The first explanation is that the beauty bid farewell to me with tears, the second explanation is that I bid farewell to the beauty with tears, and the third explanation is that I bid farewell to the beauty with tears. These three explanations can coexist. The key to Bodhisattva is to rhyme every two sentences. The word "Yu" and "Yu" in "Pipa is a golden jade, and the string is an oriole dialect" should rhyme, but "Jin Yu" doesn't rhyme, so it shouldn't be "Jin Yu" here, which is a very simple identification method. "Gold" is an ornament on the plucked part of the pipa, a feather of the bluebird, and a delicate and precious pipa. "On-string oriole" refers to the sound that pops up on the strings of the pipa, just like the euphemistic warbler sound. Yan (Hill) said: "I remember Xiaoping's first sight. Her two focuses were on Luo Yi, and the pipa string said that she was homesick." Therefore, pipa can convey deep and euphemistic feelings in the heart. What Wei Zhuang wants to write is not only the fact that the beauty plays the lute when she leaves, but also the lovesickness conveyed on the strings of the lute. "On-string oriole dialect" means that the melodious sound played by pipa is a affectionate reminder. What are they talking about? It is the following sentence: "advise me to go home early". Why should I go home early? This is a very good reason. Because "people with green windows are like flowers", there are beautiful women waiting at home. Can't you go home early? ! The life of a flower is short, and the beauty of a woman is hard to last. If you still want to see someone as beautiful as flowers and pure as jade, come back early. If it is late, even if you come back, that person is still there, just not as beautiful as a flower. Wang Guowei wrote two sentences: "I read all the hardships of leaving the world, but I lost my life but didn't come back." I have experienced the pain of leaving this world, but I didn't expect the flowers to be scattered after I came back. To sum up, this word is all about feelings of parting and cherishing. When we talk about the fifth word later, we will have a deeper understanding of this emotion conveyed by this first word.

The second wrote that he went to Jiangnan. 1978, he made a trip to Wan Li, but still got nothing. Everyone says Jiangnan is good. In Wei Zhuang's eyes, the most beautiful thing in Jiangnan is the white-armed wine girl. However, he missed his hometown and wanted to go back, while the north was at war. Therefore, Jiangnan people advised him: don't go home before you are old, and you will be sad when you go home. "Everyone says Jiangnan is good" corresponds to "Now I think of Jiangnan music" in the third poem. "Everyone says" means that he never thinks Jiangnan is good, but everyone says Jiangnan is good. The following "tourists only live in Jiangnan" is also the persuasion of others, and people who travel far away should die in Jiangnan. "Only Harmony", this combination, should also be, was traveling in Jiangnan, but was persuaded to die in Jiangnan, because Wei Zhuang went to Jiangnan in the war in the Central Plains. At that time, the Central Plains, as he described it in "Fu Qin Yin", was "the inner library burned into splendid ashes, and the sky street stepped on the bones of the masses". In this case, Jiangnan talents advised him to stay. The following is a beautiful description of Jiangnan, saying that Jiangnan is really good. "Spring water is brighter than the sky" is the beauty of Jiangnan scenery, and the green water in Jiangnan is more beautiful than the blue sky. "The painting boat listens to the rain and sleeps" is the beauty of life in Jiangnan. Lying on the boat listening to the drizzle, this life is so leisurely compared with the war in the Central Plains. What's more, Jiangnan is not only beautiful in scenery and life, but also beautiful in Jiangnan people. "People are like the moon, and frost and snow condense their wrists." What's more, it's the place where the hotel keeps wine containers. "Historical Records Biography of Sima Xiangru" says: "Buying a wine shop is what Wen Jun did. The woman selling wine in Jiangnan wine shop is radiant, and when selling wine, she rolls up her sleeves and shows her wrists as white as frost. There are many twists and turns in the following five words: "Return home before you get old". The Buddhist scriptures say that "there is nothing to point to" and "not going home" because of the idea of going home. He didn't use the word "no", but used the word "mo". He savored it with a tone of exhortation, revealing a deep and painful affection. Saying "not to return to his hometown" and "mo" means the second meaning, and "not old" means the third meaning, because people are not old, and it doesn't matter if they wander outside for a few years. Looking back here, "Everyone says that Jiangnan is good, and only tourists are old in Jiangnan", you will understand why Chen Tingzhuo praised Wei Zhuang's words as "straight and elegant, vivid and melancholy".

The third song is "Now"-that is, when he was in West Shu, he was already old and the Tang Dynasty was extinct. Don't say hometown, even Jiangnan will always be a thing of the past. His memory is "tea all over the building", but he was not recruited by these "tea" at that time, so "seeing flowers at this time and never looking back" can be regarded as making up for the regret at that time. "Now I remember Jiangnan music" and "now" are compared with the past, which means that I only recall the benefits of Jiangnan now, but "is an opposite word." Now I remember "cancels" everyone says Jiangnan is good "once and for all, once again highlighting that he didn't think Jiangnan was good at that time, so it can be confirmed that this word was written after leaving Jiangnan. When he was in Jiangnan at that time, he was not satisfied with Jiangnan. His heart and mind are in the Central Plains where "the Red Chamber stays up late" and in the beauty who "advised me to go home early". Therefore, he has no nostalgia for the picturesque Jiangnan and the wine girl like the moon. But when he left Jiangnan, he recalled the beauty of his life in Jiangnan. "I was young and emaciated at that time", and the power of feeling conveyed by most words is not by image, but by narrative tone, that is, by Fu's brushwork. The word "thin shirt in spring" is vivid and describes the beauty and nostalgia of teenagers. Li Shangyin has two poems: "Yu Lang is the youngest, and the grass is jealous of the spring robe." In order to set off Yu Lang's youth, the lightness of materials and the vivid image of the color of the spring gown were used to make the grass jealous of such a bright and energetic spring gown, which is the image of youth. "Riding on an inclined bridge" is an image. How to describe the heroic and natural style of young men? In western literature, the image of young men in the eyes of girls is the so-called Prince Charming, and China has a similar tradition. Bai Juyi's poem: "Lang rides a white horse and looks down on the Yang, while my concubine folds her childhood and leans against the short wall. The wall immediately faces each other, and when she sees you, her heart breaks. " This young man from China is also riding a white horse. Wei Zhuang's "Riding on a Inclined Bridge, Tea Everywhere" also describes this emotional encounter between men and women. We must pay attention to the tradition of meeting they wrote. At the same time, this encounter has a meaning of * * *, which is to use your best years, best talents and best looks to get this precious encounter. Riding on an inclined bridge is a combination of bravery and chic. Riding a horse is a heroic side, leaning against the bridge is a romantic and chic side, and "tea is full of wind" means that women are fooled. The word Wei Zhuang means no talent, no meeting, no enjoying love. However, does he love tea all over the building? Do you really value those people he didn't have? Because the first sentence he wrote was "Now I think of Jiangnan music", so his so-called "red tea adds fragrance everywhere" is a contrast, saying that I had that kind of time, met and fell in love, but I didn't value it. Now it's all over. So far, all I have written are memories of the past in Jiangnan. In the second half of the sentence, "the emerald screen is broken and flowers fall", one may still write about the events in memory, and the other may write about today's events. There are two possibilities, or both. "Cuiping" is a screen inlaid with jade, and "Golden Canal" is a metal ring buckle on the screen. "Cui" and "Jin" are used to express the beauty of the environment. In China's ancient poems, "flower" not only refers to flowers in nature, but also refers to flower-like women in a broad sense. He said that I didn't like "adding fragrance to the floor with red tea" in the past, but now if we can meet like that again, I will "swear never to look back". "Swear" means that my attitude is absolutely firm. The phrase "never to return" is in sharp contrast to the previous phrase "don't go back to your hometown before you get old", which means that you can not go back to your hometown for a while before you get old. What it really means is that you must go back to your hometown when you are old.