Traditional Culture Encyclopedia - Hotel franchise - Hong Kong's two sessions are amazing. Why is there a Leslie Cheung?
Hong Kong's two sessions are amazing. Why is there a Leslie Cheung?
Leslie Cheung, Brigitte Lin, Michelle monique Rice, Zhu Lingling: These four amazing landscapes 1996.
Leslie Cheung, Brigitte Lin, Michelle monique Rice and Rosamund Kwan.
He is obviously a man, but he has become the first of the four stunning.
Emil Wakin Chau once said: "In the past, Leslie Cheung stood on the stage and was a god loved by thousands of people, but now there are no superstars." He wore pajamas at the concert and sang "Cheating". He stood on the stage, touched the scene and made the fans scream directly. A gust of wind blew and lifted the robe, which made the atmosphere of the whole concert fall into a charming dream. He lifted the robe. Carelessness is fatal.
He is radiant on stage, even more attractive than off stage. Many stars have to design the explosion point when opening a concert. His concert is entirely his own will.
When he and Anita Mui sang Youth, all the movements were improvised, but they performed a classic that could not be copied.
At the concert above 97, he looked at his mother in the audience and said naughtily, "Mommy, why can you make me so cute and handsome?" Were you and dad in a particularly high mood that night? "
Then he suddenly announced his relationship with Mr. Tang Hede on the stage, a decision that even his agent Chen Shufen didn't know beforehand.
Chen Shufen once said in an interview: If I had known, I wouldn't have approved it. The public opinion environment at that time, he couldn't say for sure. But he is kind. He doesn't want to hurt his lover's feelings.
This famous hand-in-hand photo shows him and Mr. Tang walking in the street in the early morning, followed by paparazzi. Leslie Cheung held Mr. Tang's hand when he knew there was a reporter. Mr. Tang's worried eyes turned back, which made this photo full of stories.
Compared with Andy Lau hiding in Zhu Liqian for more than ten years, we have to say that at that time, Leslie Cheung dared to admit that Mr. Tang's courage was really precious.
When I was a teenager, I watched Forrest Gump, in which Forrest Gump asked his mother, "Can't I be myself when I grow up?"
How simple the answer to this question is, how difficult it is to do it.
In the entertainment circle, few people can be themselves, and even fewer people can stick to their hearts in the face of fame and fortune.
Leslie Cheung is not indifferent. He has also faced fights in the entertainment industry. As a golden singer in 1980s, he quarreled with Alan Tam at 1989, and finally he chose to bid farewell to the music circle.
At the farewell concert, Leslie Cheung said, "I am not a greedy person. I only hope that if any of your friends ask about Hong Kong singers in the 1980s, just mention me and you will be satisfied. "
Will he be happy if you can tell him that Baidu turned all his search pictures into black and white today?
Sandy Lam, Eason Chan, Kelly Chen, George Lam, Liu Meijun, Hacken Lee, Karen Mok, Hins Cheung, Xie Anqi and Eric came here to remember him.
When many people went to Hong Kong, they once made a special trip to the Mandarin Hotel just to see his last stop.
Time has never forgotten him, he is a star among the stars.
Eason Chan once cried for him at his concert.
In every tour, he sang a classic song of Leslie Cheung to pay tribute to his idol, and also cloned the image of Leslie Cheung in the album, appearing in the mirror with the classic flowing long hair style of his idol. He covered the sentence in his song "The coldest day": "I just want to leave my eyes in front of the corner to see you". The listener's feeling is like a thorn in his heart, and the singer's deep thoughts will never be realized. Plus a first-class singer and a first-class actor, he is probably born for art.
He is an important part of Hong Kong movies.
In the films directed by Wong Kar-wai, Leslie Cheung starred in three films, namely The True Story of Teddy Boy, Ashes of Time and Spring Festival.
The most unforgettable scene in The Story of Teddy Boy is1April, 960 16. One minute before 3 pm, you were with me, and I will remember this minute because of you. From now on, we will be friends for one minute. This is a fact, and you can't change it, because it's over.
A Fei is a prodigal son. He changes from one woman to another, but he can't find inner peace. Wong Kar-wai dug deep into the prodigal son of Leslie Cheung. In the film, he can't get rid of the pain of fate, and people can't tell the difference between drama and drama.
In the film, A Fei said: "I heard that there is a kind of bird in the world that has no feet. It can only keep flying and flying. When it is tired of flying, it sleeps in the wind. This bird can only land once in its life, and that is when it dies. "
This sentence becomes a proverb in one sentence. In The True Story of Teddy Boy, the ultimate proposition that Teddy Boy faces is to find the meaning of his own existence, but he can never grasp his own destiny. Leslie Cheung was once commented that he was born like a rich young master, but he performed the self-exile of a prodigal son at the bottom.
In Ashes of Time, Ouyang Feng is a tragic figure. His tragedy is that he chose to escape from this desert when he could change everything. Everyone in the film has an ending, but Ouyang Feng doesn't.
When he played that fantasy, when his sister-in-law touched him, even his eyes were useless, which made the audience feel deep pain. Only a faint expression conveys a clear feeling-I don't know if I am a guest in my dream, and I am greedy for pleasure in the afternoon.
In the spring scene, he plays He Baorong, and countless love-hate entanglements begin with him. At the beginning and end of the film, we read, "Li Yaohui, why don't we start from the beginning?" .
This convincing temptation can only be played by Leslie Cheung. This fatal temptation on him is originally a part of his temperament. It is said that when filming that year, Tony Leung Chiu Wai was particularly worried about whether he would really fall in love with Leslie Cheung, fearing that he would be too deeply involved to resist.
He plays tragedy, and tragedy is just like him.
Facing Cheng Dieyi's madness and arrogance, Lou in Farewell My Concubine shook his head and sighed: "How can you live in this world and in this mortal pile?"
His face is painted with thick oil paint, and the deep affection in his eyes makes him like a dying ember here, which makes him an unparalleled Cheng Dieyi.
In the end, Yu Ji died in his own role and finished the swan song of Farewell My Concubine.
And the audience sealed him with a word: "absolute beauty." No star in the entertainment circle dares to use this name in the future.
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