Song information in spring

Smile in spring

All over the earth,

severe winter

Hurriedly escape;

Beautiful flower god

Wearing colorful skirts,

A sweet hymn

Echo in the forest. Ah!

Lying in the arms of the flower god

The sun god is still smiling,

Colorful flowers are everywhere,

From fengshen.

Sweet smell.

Let's fall in love quickly

Share the sweetness of love. Ah!

Nightingale singing

Sweet music,

The green grass is laughing.

Blooming beautiful flowers,

Happy bird

Shuttling through the forest,

The girl's song is

The beginning of endless joy. Ah!

The sun shines on everything,

Warm and pure,

Return in April

Show her face to the world,

will of the people

Full of longing for love

Naughty Cupid

Dominate all happiness.

During the Spring Festival

Everything came back to life.

The charm of spring

Let us be ecstatic,

Reunion that long-lost happiness;

Turn this ecstatic day

Cherish it,

Don't let it go to waste

Love me faithfully!

I repay you with love:

Put your heart and soul into it

And soul,

Travel around the world

I want to be with you too.

Sincere love

Push the wheel of destiny.

Listen, this is desirable.

Charming spring

Brought back happiness and happiness,

On the grass

Flowers are blooming,

Brilliant sunshine,

Dispel the sadness in your heart!

Summer reappears,

severe winter

Without a trace. Ah!

The ice and snow melt,

The winter wind has disappeared,

Spring sucks the milk of summer;

Those poor people

But I don't understand

Enjoy this wonderful summer.

Pursue that sweet love. Ah!

Immerse yourself in sweetness

gloriously

And joy,

go to all lengths

Just for enjoyment.

Cupid's reward;

Follow Venus' wishes

Share Paris's

distinguished

And happiness. Ah!

The lyrics are Latin, which are songs written by students about drinking, women and love. They are divided into three parts: 1. Spring, 2. Inn, 3. Love. There are pantomime movements during the performance, accompanied by clowns and dance scenes. The writing technique of this song is simple, abandoning the common counterpoint, theme expansion, variation and so on. , but using the voice of the same degree, octave and third degree, the sentence is repeated. It is a work with excellent sound effects, and now it is often quoted by film and television works. Bulana —— In Benidick, a small town in Upper Bavaria, to the southern alps Valley in Munich, Germany, there is an ancient monastery —— Bulan Monastery, which was founded in 740 AD. Because of its remoteness and secrecy, it is rarely destroyed by wars and other natural and man-made disasters, so many historical documents with important value have been preserved. 1803, archaeologists found a large number of ancient scrolls of medieval poems and dramas in this monastery, which were created in about 1 1 to13rd century. They can be divided into religious and secular categories in content. More than 200 secular poems with unknown authors have been compiled and published by Bavarian scholars, namely "Poems of Carmina Brana Bran". Obviously, most of these poems written in Latin were written by clergy, down-and-out literati and wandering students, and their bohemian spirit, praise of decadent lifestyle and ruthless ridicule of feudal society are surprising. Undoubtedly, it is a miracle that these works, called medieval Latin lyric poems, appeared in an era centered on Christian culture. Orff read this collection of poems on 1935, which made Orff, who has been engaged in music education all his life, find the connection between the past and the present at a certain point in time and space. His impulse, after reading this collection of poems, formed a kind of thinking about human beings and their own destiny. So he impulsively composed this secular song for soloists, choirs, instrumental accompaniment and magical scenery. He called it a situational cantata and asked it to be performed as a stage work. 1On June 8th, 937, The Poems of mana Brana premiered in Frankfurt. In Germany at that time, Schoenberg, Weber, Berger and others defined a modern music language-twelve-tone series. It was not only the focus of the music industry, but also indirectly or directly influenced all modern music at that time. Orff, as a children's music educator, co-founded Gunter Gymnastics-Music-Dance School with his good friend D. Gunter, mastered his own music language, explored the combination of music and language movements and the cooperation of various percussion instruments, wrote teaching works and created a unique children's music teaching system. Orff said: The more essential and simple the musical expression, the more direct and intense the effect will be. Orff's aesthetic thought is simple and simple. He prefers strong and lively rhythm, and thinks that rhythm is the beginning of all music. He used the most primitive and simple rhythm, repeated, tired and then changed to another rhythm. His rhythm is crisp and neat, and he doesn't pay attention to harmony and progress. He is not dynamic, but static. In the whole oratorio, the exciting and forceful rhythm plays an important role. His melody consists of short motives that are repeated continuously. No modeling, no change, no expression, no clear features. It can only be understood through lyrics, rhythm and accompaniment. The melody language in Kamina Brana Brana's poems covers a wide range, ranging from single melody songs and folk songs to Flemish songs and romantic operas. His harmony uses one or five chords, mostly the same degree, octave, third degree, fifth degree, and almost no semitone. Discordant chords are only used when exclaiming.

Bran's poems are full of amazing elements and drama. Full of majestic shouts and euphemistic hymns, it makes a surging sound like a raging torrent crashing on a rock, and it is like a gurgling stream winding to a soft grass beach. Band and singing complement each other; Shock percussion music is like the call of fate, which has a strong soul-knocking effect. Bran's Poetry is a hymn of life, as if God's eyes were watching in the dark. Under the guidance of the three themes, motives such as "belief" and "death" are skillfully involved, and the tonality has both secular joy and epic momentum. The real motive implied in it is pity, regret and lament for the short life. Rilke's poem is used to describe this work: "The true God of mercy, when he comes, is majestic and radiant, just like the gods. It is stronger than the wind blowing a big ship. "