What is the understanding that Wan Li is difficult to travel for more than three years?

Wan Li Road is still long, and it is even more difficult to rely on risks for more than three years: Wan Li has been in Yueyang Tower for three years, and the situation is even more embarrassing.

More than three years is difficult. In the first year of Song Qinzong Jingkang (1 126), the Northern Song Dynasty perished in the spring, and it has been three years since this poem was written.

"Being in danger" refers to the stairs. By, by. Danger means height

"Wan Li's visit is still far away, and it is even more difficult to rely on risks for more than three years." These two poems express the resentment in the heart of the minister. "In a way close to direct call, issued the loudest and strongest cry. The antithesis of "Wan Li" and "Three Years" tells stories from the span of space and time respectively, and it has received the artistic effect of double superposition, which is very touching to read. The poet's "visit from Wan Li" is just an elegant expression of Wan Li's escape, but what can it do? The anguish in my heart has to be dissolved in the "vision". "More than three years is difficult", which is already overwhelming, but we still have to climb the mountain here. How can people stand it? At this point, poetry has been full of twists and turns, pushing feelings to the extreme.

-

Climb Yueyang Tower (1) ①

the Chen Dynasty

Dongting Dongjiang River is in the west, the curtain remains the same, and the sunset is late.

Deng Wu Shu is divided into two parts, leaning against the lake and mountain until dusk.

Wan Li road is still long, but it is more difficult than three years.

In the ancient wind and frost, the old man has no complaints or sorrows.

(1) from Chen. Chen (1090- 1 138) was a poet in the Song Dynasty. Qu Fei, nicknamed Jian Zhai, was born in Luoyang (now Henan) and was a famous poet at the turn of the Northern and Southern Song Dynasties. "Climbing Yueyang Tower" is two songs. (2) 【 curtain sutra 】 The cover of a hotel or teahouse. The sunset slowly sets. Too late, too slow. (4) 【 Wu Shu divided the land equally 】 During the Three Kingdoms period, Wu and Shu fought for Jingzhou, and Lu Su, the general of Wu, led 10,000 troops to Yueyang City. Horizontal segmentation, here refers to segmentation. (5) [Migration] Wandering. ⑥ 【 More than three years difficult 】 The Northern Song Dynasty perished in the spring of the first year of Jingkang in Song Qinzong (1 126), and it has been three years since this poem was written. ⑦ refers to the stairs. By, by. Danger means height

Teaching reference:

Climb Yueyang Tower (1)

First, the overall understanding

In the spring of the first year of Song Qinzong Jingkang (1 126), the nomads from the northern song dynasty broke through Kaifeng. Like most poets (such as Li Qingzhao) at the turn of the Northern Song Dynasty and the Southern Song Dynasty, Chen's life experience and literary creation are divided into two periods by the difficulty of Jing Kang. Before that, he took the usual path of becoming famous in official career. At the age of 24, he was awarded the title of Song Huizong Zhenghe Scholar for three years (113). He is good at painting and calligraphy and is famous for his poems. He was deeply appreciated by the emperor, and his official position changed repeatedly, but he was unconsciously involved in the whirlpool of political struggle. When the Jingkang disaster occurred, Chen was demoted to be a small official of Chen Liu (now southeast of Kaifeng, Henan Province) to be a wine tax supervisor, and naturally joined the ranks of refugees, and went south to Hunan, drifting from Hunan to Hunan and being displaced. He went into exile in Dongting Lake, boarded Yueyang Tower several times, grieved for national affairs with his friends, drank wine to drown his sorrows, and wrote several poems to commemorate his events. This lesson is one of them.

This is a seven-character poem, the first of two poems about Yueyang Tower, and the opening work of the poet's writing about Yueyang Tower, so it is carefully crafted and serious. The first part describes the geographical location of Yueyang Tower, which is grandly launched from a macro perspective with Dongting Lake and the Yangtze River as the background. In a seven-character poem, the poet skillfully uses the two directional words "East" and "West" and connects them with lakes and rivers, which shows the location of Yueyang Tower. Then write what you see when you look up, "The curtain is still and the sunset is late." This sentence is a colorful stroke of the whole poem, which seems ordinary, but in fact it is delicate. "Curtain Scene" is a close shot, "Sunset" is a long shot, and the close shot and the long shot are combined into one. As you can imagine, the poet's line of sight scanned from near to far, gradually released and merged into the boundless twilight. The static curtain shows that the lake is calm; The sunset reminds us of the tranquility of the night. How can such poetic imagery not arouse the poet's rich reverie?

The couplets in the poem are produced from the static and soothing description of the scenery and transformed into strong lyricism. Like variations of music, these two poems seem to repeat the above themes, but their styles are quite different. "Landing with Wu Chu and sharing the land equally" is also about the geographical location of landing, but it adds a heavy sense of history; "By the lake and the mountain, I want to see the scenery at dusk", but I feel a little disappointed. This gradual change is a contrast, a transition and a description of the integration of things. Here, the subject image of the poet appears in the poem inadvertently and naturally. He is thinking, wandering, blending into the scene and expressing his feelings through the scene.

After gaining momentum ahead, the poem's neck couplet finally issued the loudest and strongest cry in a way close to direct call: "Wan Li is still looking forward to a long journey, and it is more difficult to rely on risks for more than three years." These two poems express the resentment in the heart of the minister. The antithesis of "Wan Li" and "Three Years" tells their stories from the span of space and time respectively, and has received the artistic effect of double superposition, which makes people feel deeply. The poet's "visit from Wan Li" is just an elegant expression of Wan Li's escape, but what can it do? The anguish in my heart had to be dissolved in the "vision". "More than three years is difficult" has been overwhelming, but the mountains here still have to climb. How can people stand it? At this point, poetry has been full of twists and turns, pushing feelings to the extreme.

In the last couplet of the poem, Gu Ying felt sorry for himself and ended the whole article with infinite sadness. At this time, the poet has reached the age of forty and has reached the age of no doubt, so he said "hoary head"; Not to mention hurting today, but "hanging over the past" is implicit and meaningful; "Wind and frost" clearly refers to natural things, which is a metaphor for social reality, pun intended; And "Old Mu Cangbo" is the coat that wraps the poet's image. Full of sadness and hatred, it can be said that "one scene is difficult to write." For example, at present, it contains endless meanings, which can be seen outside the words "(Ouyang Xiu's poem of June 1 day, quoted from Mei).