Do you really understand Dragonair?

Byron, an English poet, once put forward an eternal question about the reunion of lovers:

Now Xu zhēng gives the third answer in "On the Embarrassment of Hong Kong"-iron helmet. ?

Inherited the essence of "The Road to Embarrassment" series, it is still a movie with complete plot, lively rhythm and full of laughter. If you just read the preview and assert that the word-of-mouth of this movie will "save the street", then you have missed perhaps the best comedy movie of the year. No wonder Xu zhēng said in an interview:

If Ning Hao's films are often the losers' helplessness and persistence to the outside world, then Xu zhēng's works focus on the inner struggles and obsessions of the winners. From A Man on an Embarrassed Road to Too Embarrassed, including Let Heart Flowers Go on the Road and Hypnosis Master, there is the same core, that is, the protagonist has gained spiritual growth in the film.

Hong Kong is no exception. The story begins with a middle-aged balding man, Xu Lai, who insists on a dream of kissing his first love, but finally understands that the "red rose" in the distance is only the "Zhu Shazhi" in his heart, and the "rice stick" beside him is the eternal "the bright line at the foot of my bed". As Xu said in the interview:

David Baudelaire once commented on the heyday of Hong Kong movies in The Secret of Hong Kong Movies: "Everything is crazy, everything is too much." ? Years later, this sentence can be used to describe the tribute of Hong Kong movies and music.

If "I just like you" is the crowning touch at the beginning of the film, then the theme song of "A Chinese Odyssey" is slightly melodramatic when meeting the first girlfriend. The arrangement of songs such as Ghost Story and Hero Huo Yuanjia makes people play frequently.

However, as a Hong Kong film lover, I still think some details are lovely. For example, the hotel room number where Xu Lai saw his first girlfriend for the last time was "2046"; The policeman played by Li Cansen comes from the famous "West Kowloon Crime Unit"; Does Xu Laifei's collision with the billboard remind you of Kung Fu? And he is actually imitating Fage's "The True Color of Heroes" and revealing his true feelings during a trip to sightseeing bus:

While paying tribute to Hong Kong films in the 1990s, Hong Kong is also remembering the peak of China films. Those once brilliant Hong Kong filmmakers are now sitting in the cinema, looking up, and the screen is full of their own heyday.