Stories of celebrities who protect ancient buildings

1. Celebrity poems about ancient buildings

Celebrity poems about ancient buildings 1. Poems describing ancient celebrities

Du Fu's "Song of the Eight Immortals in Drinking" Zhizhang Riding a horse is like riding a boat, falling into a well and falling asleep in the water.

The three buckets in Ruyang begin to face the sky. The road is full of curves and the mouth of the carriage is salivating. I hate to move towards Jiuquan. The Prime Minister of the Left spends tens of thousands of money every day, drinks like a long whale sucking in hundreds of rivers, holds a cup in his mouth and enjoys the sages and calls them shunned virtuous people.

Zong Zhi, a handsome and handsome young man, raised his glass and looked at the blue sky with his white eyes, which was as bright as a jade tree before the wind. Su Jin Changzhai often likes to escape to Zen when he is drunk in front of embroidering Buddha.

Li Bai Yidou's 100 poems, "I went to sleep in a restaurant in Chang'an City, but the emperor couldn't get on the boat because I called him, so I claimed that I was a wine fairy." Zhang Xu takes off his hat and tops his head in front of the prince, swiping paper like clouds of smoke.

Jiao Sui fought against Fang Zhuoran, and his eloquent talk shocked the four feasts. "Song of the Eight Immortals in Drinking" is a unique and characteristic "portrait poem".

The eight Jiuxian are contemporaries and have all lived in Chang'an. They are similar to each other in terms of alcoholism, boldness and broad-mindedness. The poet uses refined language and character sketching techniques to write them into a poem, forming a lifelike group portrait.

The first among the Eight Immortals was He Zhizhang. He is the oldest and oldest among them.

In Chang'an, he once "exchanged the golden tortoise for wine for pleasure" (Li Bai's "Reminiscences of Wine and the Preface to Congratulations to the Supervisor"). The poem says that when he was drunk, his riding posture swayed like a boat, his eyes were blurred and dazzled, and he fell into a well and fell asleep in the well.

It is said that "Ruan Xian was drunk and drank while riding a horse. People said: 'I am like riding a boat on the waves'" (Volume 1 of "Du Zuo" by King Sisi of the Ming Dynasty). Du Fu made full use of this allusion and used exaggerated techniques to describe He Zhizhang's state of drunkenness and drunkenness while riding a horse, which was filled with a humorous and cheerful mood, vividly expressing his broad-minded and indulgent character.

The next character who appeared was Li Jing, King of Ruyang. He was the nephew of Emperor Xuanzong of the Tang Dynasty, and he was extremely favored for a while. He was so-called "the master's favor is often seen" and "more closely related than flesh and blood" (Du Fu's "Gift to the Crown Prince and Grand Master of Ruyang County Wang Jing"). Therefore, he dared to drink three fights before going to court. Pay homage to the emperor.

His alcoholism was also unusual. When he saw a car (i.e. a wine car) on the road, he started drooling, and he wished he could move his fiefdom to Jiuquan (now part of Gansu). It is said that "there is a golden spring under the city, and the spring tastes like wine, so it is called Jiuquan" (see "San Qin Ji").

In the Tang Dynasty, relatives of the emperor and noble ministers were eligible to seize the fiefdom. Therefore, only Li Jing among the eight people would have the idea of ??"transferring the fiefdom", and the others would not have such wild thoughts. The poet took advantage of the fact that Li Jing was born into a royal family and delicately described his hedonic psychology and drunkenness, writing in a realistic and measured way.

Next up was Li Jinzhi. In the first year of Tianbao, he replaced Niu Xianke as the prime minister of Zuo. He entertained guests and entertained them at night. He spent ten thousand yuan on drinking every day. He drank as much as a whale gulped down water from hundreds of rivers, which highlighted his luxury and extravagance.

However, the good times did not last long. Five years after opening the treasure, he was squeezed out by Li Linfu. After he resigned as prime minister, he drank with relatives and friends at home. Although his enthusiasm for drinking was not diminished, he could not help but be full of complaints. He wrote a poem: "In the early days of avoiding virtue, After the Prime Minister's appointment, the Music Saint holds the cup to ask the guests in front of the door, how many of them are here today?" ("Old Book of Tang Dynasty: Li Jing's Biography") "The Music Saint holding the cup calls the virtuous person away" is an adaptation of Li Jing's poem. "Lesheng" means drinking clear wine, and "avoiding virtuous people" means not drinking turbid wine.

Judging from the fact that he resigned from the prime ministership, "avoiding talents" is a pun, which means to satirize Li Linfu. Here, we capture the important aspect of gain and loss of power and position to depict the character, and carefully depict the portrait of Li Jingzhi, which contains profound political content and is very thought-provoking.

After the three dignitaries appeared, two handsome celebrities, Cui Zongzhi and Su Jin, appeared. Cui Zongzhi is a suave, free and handsome young man.

When he was drinking heavily, he raised his glass high and looked up at the sky with his white eyes, looking at everything as if no one else was around. When drunk, I feel like a jade tree swaying in the wind, unable to control myself.

Du Fu described Zongzhi's handsomeness and graceful appearance as "a jade tree facing the wind", which is very charming. Then write about Su Jin.

When Sima Qian wrote "Historical Records", he was good at using conflicting plots to express the characters' thoughts and personalities. Du Fu is also good at capturing contradictory behaviors to describe characters' character traits.

On the one hand, Su Jin indulged in Zen and fasted for a long time. On the other hand, he was addicted to drinking and often got drunk. He was in the contradictory struggle between "fasting" and "drunk", but the result was that "wine" often defeated "Buddha", so He had no choice but to "escape from Zen while drunk". This short two-line poem humorously expresses Su Jin's character traits of being addicted to alcohol and getting carried away, indulgent and unscrupulous.

After the above five secondary characters were presented, the central character made a grand appearance. Poetry and wine have an indissoluble bond with Li Bai. Li Bai himself once said, "One hundred years and thirty-six thousand days, three hundred cups of wine must be poured in one day" ("Song of Xiangyang"), "The writing is in high spirits and the five mountains are shaken" ("Yin on the River") 》).

A few lines of poems written by Du Fu about Li Bai highlight Li Bai's hobbies and poetic talents in relief. Li Bai was addicted to alcohol and often slept in "restaurants in Chang'an City" when he was drunk. It was not surprising that he was accustomed to this.

The sentence "The emperor called but couldn't get on the ship" immediately made Li Bai's image tall and majestic. After Li Bai was drunk, he became even more arrogant and unruly. Even when the emperor summoned him, he was not so respectful and frightened, but proudly shouted: "I am an immortal in wine!" This strongly shows Li Bai's character of not fearing the powerful.

"The Emperor cannot come on board the ship", although it may not be true, it is very consistent with Li Bai's ideological and character, so it has a high degree of artistic authenticity and strong artistic appeal. Du Fu was a close friend of Li Bai. He grasped the essential aspects of Li Bai's thoughts and character and exaggerated them with romanticism, creating an artistic image of Li Bai who was unruly, bold and unrestrained, and looked down upon the feudal princes.

This portrait is full of energy, both form and spirit, and glows with the ideal brilliance of beauty, making it unforgettable. This is exactly the romantic image of Li Bai that people have loved for thousands of years.

Another important figure who appears alongside Li Bai is Zhang Xu. He was "good at cursive calligraphy and a good drinker. Every time he got drunk, he would run wildly, howling and swaying his pen, with endless changes, as if there was divine help" (Volume 1 of "Du Sui").

At that time, he was known as the "Grass Saint". After Zhang Xu was drunk for three glasses of wine, his passion would flow out from his writing.

He ignored the majesty of the powerful, took off his hat in front of the distinguished princes, exposed the top of his head, wrote vigorously and freely, and the writing was as smooth as clouds and smoke. "Take off your hat and reveal your head before the prince", how arrogant, disrespectful and informal this is! It expresses Zhang Xu's uninhibited and independent character.

The character at the back of the song is Jiao Sui. Yuan Jiao called Jiao Sui a commoner in "Gan Ze Ballad", which shows that he was a commoner.

Jiao Sui became drunk after drinking five measures, and he looked even more drunk at that time.

2. Write a poem about ancient celebrities visiting famous places

Chen Yuyi (1090-1138), a poet of the Song Dynasty "Climbing the Yueyang Tower" (describing the Yueyang Tower) Dongting in Dongting, east of the river and west of the water, with curtains and banners The sun sets late without moving.

Climb to the land where Wu and Shu divide each other, and move to the lake and mountains when it’s almost twilight. Traveling thousands of miles is still a far-off journey, and more than three years have been difficult and dangerous.

In the ancient wind and frost, old Mucangbo is infinitely sad. The Yellow Crane Tower (describing the Yellow Crane Tower) by Cui Hao, a poet of the Tang Dynasty. People in the past had traveled by Yellow Crane, and the Yellow Crane Tower was left vacant here.

The yellow crane will never return, and the white clouds will remain empty for thousands of years. Qingchuan is full of Hanyang trees, and the grass is luxuriant and Parrot Island is green.

Where is the country gate at dusk? The misty waves on the river make people sad. "Li Bai, a poet of the Tang Dynasty, went to Baidi City early (describing Baidi City) and said in his words to Baidi that among the colorful clouds, thousands of miles of rivers and tombs can be returned in one day.

The apes on both sides of the bank can't stop crying, and the light boat has passed the Ten Thousand Mountains. Tang Dynasty The ancient poet Li Bai (describing the Yellow Crane Tower) left the Yellow Crane Tower in the west, and the fireworks went down to Yangzhou in March.

The shadow of the solitary sail is gone in the blue sky, and only the Yangtze River can be seen in the sky. The introduction of the work is selected from "The Collection of Chen Yuyi". (Zhonghua Book Company 1982 edition).

Chen Yuyi (1090-1138), a poet of the Song Dynasty, with the courtesy name Qufei and the nickname Jianzhai, was born in Luoyang (now part of Henan). He was a famous poet at the turn of the Southern and Northern Song Dynasties. "Climbing the Yueyang Tower" contains two poems.

Yueyang Tower, the west gate tower of Yueyang in South China, is on the south bank of the Yangtze River, close to Dongting Lake. First built in the Tang Dynasty, it is one of the three famous buildings in Jiangnan.

Note ⒈Lianjing: A sign of a hotel or teahouse. ⒉The setting sun is late: The setting sun sinks slowly.

Late, slow. ⒊Wu and Shu divided the territory horizontally: During the Three Kingdoms period, Wu and Shu competed for Jingzhou. Wu general Lu Su led 10,000 troops and was stationed in Yueyang.

Horizontal division, here refers to carving up. ⒋Migration: wandering.

⒌Three years of hardship: The Northern Song Dynasty collapsed in the spring of the first year of Jingkang of Song Qinzong (1126). It had been three years since I thanked this poem for it. ⒍Ping Wei: Only climb the stairs.

Rely on. Danger refers to high places.

Translation The towering Yueyang Tower stands east of Dongting and west of the Yangtze River. The sun sets and there is no evening breeze. The flags on the pavilion stand still where I stand, allowing Wu and Shu to separate here. When I was wandering, Dongting Lake and Junshan Mountain were shrouded in dusk. To avoid the war, I traveled for three years and traveled thousands of miles. How do I feel when I climb up and look into the distance today? Climbing the tower to pay homage to the ancients, I myself have frost on my temples. Looking at the ancient trees in the distant mountains, there is infinite sadness hidden in the green sky. Cui Hao, a poet from the Tang Dynasty, climbed up to the Yellow Crane Tower to enjoy the scenery and wrote a masterpiece that has been passed down through the ages: " People in the past have gone by the Yellow Crane, and the Yellow Crane Tower is empty here.

The Yellow Crane will never return, and the white clouds will linger in the sky for thousands of years.

Where is the hometown at dusk? The Yanbo River makes people sad. "Li Bai, a poet of the Tang Dynasty, left Baidi City early to pay homage to Baidi. Among the colorful clouds, he returned to Jiangling after thousands of miles away.

The apes on both sides of the bank can't stop crying, and the boat has passed the Ten Thousand Mountains. "Sending Meng Haoran to Guangling at the Yellow Crane Tower" is one of the famous poems by the great poet Li Bai of the Tang Dynasty.

This is a farewell poem that combines feelings of separation and scenery. The first sentence points out the place of farewell: the famous Yellow Crane Tower; the second sentence describes the time and destination of farewell: the spring scenery of "Fireworks in March" and the scenic "Yangzhou" in the southeast; the third and fourth sentences describe the scene of farewell: watching Gufan. Gone far away; leaving only a river of spring water.

The poem is set against the background of the gorgeous spring scenery of fireworks and the vast Yangtze River, and is rendered to the best of its ability, painting a farewell painting of a poet with a broad artistic conception, endless emotions, bright colors, and suave style. . Although this poem is a farewell poem, it is written elegantly and smartly, with deep but not stagnant emotion, eternal but not sad meaning, beautiful but not superficial words, and far-reaching rhyme but not empty.

The old friend left the Yellow Crane Tower in the west, and the fireworks went down to Yangzhou in March. The shadow of the lone sail in the distance is gone in the blue sky, and only the Yangtze River can be seen flowing in the sky.

Notes: Yellow Crane Tower: a famous historical site in China. Its former site is on the Yellow Crane Island in the Snake Mountain of Wuchang, Wuhan City, Hubei Province today. It is said that Fei Yi during the Three Kingdoms period ascended the throne here and rode on the Yellow Crane, so it was called Huanghe Tower. Crane Tower. The original building has been destroyed, and the latest renovation of the Yellow Crane Tower was completed in 1985.

Meng Haoran: Li Bai’s good friend. Which: arrive.

Guangling: Yangzhou. Old friend: Old friend, this refers to Meng Haoran.

He is older than Li Bai and enjoys a high reputation in the poetry world. Li Bai admired him very much and had a deep affection for each other, so he called him an "old friend".

Fireworks: Describes the spring scenery of catkins like smoke and flowers like brocade. Down: Go down with the current.

End of the blue sky: disappear in the blue sky. End: gone, gone.

Blue Sky: One work "Blue Mountain". Lu You's "Enter Sichuan" says: "On August 28th, when I visited the former site of the Yellow Crane Tower, Taibai climbed up to the tower to send Meng Haoran a poem: 'The lonely sail reflects the blue mountains in the distance, and only the Yangtze River can be seen flowing in the sky.

"The covered sails reflect the distance, and the mountains are particularly impressive. It cannot be known unless the river has been traveling for a long time." Wei Jian: only see.

Sky flow: flowing to the horizon. Skyrim: The horizon.

Words: Farewell. An old friend said goodbye to me at the Yellow Crane Tower and left for Yangzhou in the flower-filled March.

The shadow of Gufan went away and disappeared in the blue sky, and only the mighty Yangtze River was seen flowing towards the horizon. Appreciating this farewell poem has its own special flavor.

It is different from the young and tough farewell in Wang Bo's "Send Off Du Shaofu to Shuzhou", and it is also different from the affectionate and considerate farewell in Wang Wei's "Weicheng Song". This poem expresses a poetic farewell.

The reason why this is so is because this is the farewell of two romantic poets, and also because this parting is related to a prosperous era, prosperous season, and prosperous region. In a happy breakup, It also carries the longing of the poet Li Bai, which makes this parting extremely poetic. Li Bai's relationship with Meng Haoran happened not long after he came out of Sichuan. When he was young and happy, the world in his eyes was almost as beautiful as gold.

Meng Haoran, who was more than ten years older than Li Bai, was already famous for his poems all over the world. The impression he gave Li Bai was that he was intoxicated among the mountains and rivers, free and happy, so Li Bai said in the poem "Gift to Meng Haoran": "I love Master Meng, and he is famous all over the world.

The beauty abandons the crown, and the beauty is white. The first bedroom is Songyun. "This departure coincides with the prosperous and prosperous Kaiyuan period. The season is March, when the fireworks are at their strongest and spring is at its strongest. From the Yellow Crane Tower to Yangzhou, the road is full of flowers.

Yangzhou was the most prosperous city in the entire southeast region at that time. Li Bai was such a romantic person who loved to travel, so this parting was entirely carried out in a very strong atmosphere of capriccio and lyric poetry.

Li Bai felt no sadness or unhappiness in his heart. On the contrary, he felt that Meng Haoran was very happy on this trip. He yearned for Yangzhou and Meng Haoran, so while saying goodbye, his heart flew with him, and he had infinite poetry in his heart. With the ripples of the river. Farewell to friends in a beautiful scenery, there is really a special feeling in the heart. The scenery is pleasing to the eye, but the farewell is sad. The feelings are seen through the scenery, which is implicit and profound, just like the overtones.

3. Longer poems by ancient celebrities

Chang Ge Xing Dynasty: Tang Dynasty Author: Li Bai Original text: The peaches and plums wait for the sun to bloom, and the glory will shine as before.

The east wind moves all kinds of things, and the grass and trees are full of words. The dead branches have no ugly leaves, and the dry water spits out clear springs.

He moves the heaven and earth vigorously, and Xihe whips without stopping. If fame is not announced early, how will it be announced on bamboo and silk.

Who can maintain youth through peach and plum blossoms? Wealth and immortality are both lost in time.

Gold and stone are still sold, and wind and frost have no lasting quality. Afraid of the setting sun and moon, I force myself to sing and drink wine.

The autumn frost does not care about people and suddenly invades the Pu Liu. After the chaos, Tianenliu Yelang recalled his old travels and presented it to Liangzai, the prefect of Jiangxia Wei Dynasty: Tang Dynasty Author: Li Bai Original text: The white jade capital in the sky, the twelve floors and five cities.

The immortal caressed my head and tied my hair to achieve immortality. Wandering away from worldly pleasures leads to confusion and confusion.

The ninety-six saint kings have empty names in the clouds. The world is a gamble, but the war cannot be forgotten.

Try the overlord strategy, and you will be crowned with glory. The fate of the time is a big mistake, and it is abandoned on the sea.

If you learn to translate swordsmanship, how can you become a writer? A sword cannot be defeated by ten thousand people, but a sword can be heard all over the world.

Children’s play is insignificant, and I left Xijing at five o’clock. When I was about to leave, I burst into tears.

I admire you for your generosity and talent, and praise you for being the best among all the heroes. Open a banquet to invite the ancestors to the tent to comfort this distant expedition.

The pommel horse is like a floating cloud, sending me to the riding pavilion. The song is not satisfactory, the sun sets in Kunming in the white sky.

When I arrived in Youzhou in October, the weather was as bright as the stars. The king abandoned the North Sea and swept the land to borrow the long whale.

The breath flows through hundreds of rivers, and the swallows can be destroyed. I know I can't say anything, but I want to live in Peng Ying.

Wan Hu is afraid of the Sirius and dare not open his arrow. Hold the golden platform with tears in your eyes, cry to the sky and cry for the king.

No one values ??the bones of a horse, and the horse is flying high in the air. If Le Yi were to be reborn, he would also be dead today.

Unsatisfied with his wasted time, he drove his horse back to his hometown. When I meet you, I listen to string music and sit solemnly in the flower hall.

A hundred miles away, Tao Ran lies under the Emperor Xi. The Le Changle Hall was conquered, and a banquet was held with pots and wine glasses.

Among the virtuous men, Qing'e looks like a pair of candles. There are drunken dances and colorful banquets, and clear songs are flying around the beams.

The joyful entertainment was not over, and he returned to Xianyang with full rank. The ancestral road supports thousands of people, and the tents look at each other from a distance.

Thousands of miles apart, prosperity and dryness are different. Yanliang changed several times, and the nine soils collapsed.

Han Jia Company and Hu Bing, the sand and dust darkened the sea of ??clouds. The grass and trees shake with murderous aura, and the stars have no luster.

White bones turn into hills and mountains, how can the common people be guilty? Emperor Zhuang lives in Hanguan, and the fate of the country hangs on Ge Shu.

Three hundred thousand halberds, open the door to accept evil. The ministers are like dogs and sheep, loyal to the grain and the water.

The two saints traveled to Henan and visited Suiqiu Ruins in the two capitals. The emperor's son Xu Zhuozheng, Bingyao controlled the powerful Chu.

Moderation is not what Huan Wen has, and military advisors support bears and tigers. When people's hearts are lost, thieves become more powerful.

Weijun maintains the mausoleum, and his sincerity and integrity last forever. The servant lies on the top of the incense burner, dines with the clouds and washes the Yao Spring.

The door opens to Jiujiang, and five lakes are connected under the pillow. When the navy came in the middle of the night, Xunyang was full of signals.

The empty name is self-defeating and threatens to board the ship. He was only given five hundred gold, but he threw it away like smoke.

Resigning will not be rewarded, and he will be relegated to Yelangtian. Yelang's road travels thousands of miles, and traveling to the west makes people grow old.

After sweeping away Liuheqing, it is still a negative frost grass. The sun and the moon shine without partiality, why should I complain to Cang Hao?

A good pastor is called a god, and he is deeply benevolent and considerate. A Qingyun guest, three climbs to the Yellow Crane Tower.

I am ashamed that you are a virgin, and you are facing Parrot Island. Fanshan's domineering power is gone, and the sky and earth are empty.

The river carries Emei snow, and the river flows across the Three Gorges. Thousands of troops came from here and even sailed across Yangzhou.

Sending me thousands of miles of sight, my worries are gone. The screen windows are open against the sky, and the water and trees are as green as hair.

Looking at the sun, I am afraid of holding the mountain, and I am happy to drink the moon. Wu Wa and Yue Yan are both graceful and graceful.

He climbed up the ladder and came out of the curtain with a smile. Lower your hands to the guests, dancing in the spring breeze.

The guest kneels down to ask for a rest, but the host is not very affectionate. Looking at Jun Jingshan's works, Jiang Bao is moved.

Hibiscus emerges from clear water, and the carvings are naturally removed. Yixing is everywhere, and he is looking for you all the time.

The rich clan supports tiger warriors, and the halberds are so dense. The bamboo and stone are cut open, and the flowing water rises and becomes clear and deep.

He sat on the stage in the water pavilion and talked about many English accents. A piece of speech is precious like a white jade, but a promise is as light as gold.

Say that I am worthy of you, and the blue bird has a clear heart. Magpies of five colors fly up from the sky.

It was rumored that the pardon letter arrived, but Yelang was released. The warm air turns into a cold valley, and the scorching smoke turns into ashes of death.

When you went to Fengchi, you suddenly abandoned Jia Shengcai. The Jie dogs still bark at Yao, and the Huns laugh for eternity.

I sigh four or five times in the middle of the night, often worrying about the great country. Jingzhao is sandwiched between two mountains, and the Yellow River flows in the middle.

Even the chickens are not allowed to enter, and the horses are empty and barren. An Deyi was good at shooting, and one arrow fell on his head.

Pipa Xing / Pipa Yin Dynasty: Tang Dynasty Author: Bai Juyi Original text: In the tenth year of Yuanhe, he moved to the left to Sima Jiujiang County. Next autumn, when seeing off guests at Penpukou, I heard someone playing the pipa in the boat at night. When I heard the sound, there was a clanging sound from Kyoto.

Asked about this person, I originally advocated women in Chang'an. I tried to learn pipa from Mu and Cao, two talented people. Then he ordered wine and asked him to play several songs quickly.

The song ends with pity, and he recounts the joyful things in his childhood. Now he is drifting and haggard, migrating among the rivers and lakes. I have been in office for two years, and I feel at ease. I am grateful to the people who said that in the evening, I began to feel the intention of relegation.

Because of the long sentences, the song was given as a gift. Every six hundred and sixteen words was named "Pipa Xing". The Xunyang River sees off guests on the first night, and the maple leaves and flowers rustle in autumn.

The master dismounted and was on the boat. He wanted to drink wine without orchestra. It's too late to be drunk and happy to say goodbye. When we say goodbye, the vast river is soaked in the moon.

Suddenly I heard the sound of pipa playing on the water, and the host forgot to return home. Who is asking secretly? The sound of the pipa stopped and it was too late to speak.

Move the boat closer to invite each other, add wine, turn back the lights, and resume the banquet. After calling for thousands of times, he came out, still holding the pipa and half covering his face.

The three or two sounds of the strings being plucked by the rotating shaft, there is emotion before the tune is formed. The strings muffle the sounds and thoughts, seeming to complain of a life of failure.

The formalities of the letter with a low eyebrow are continued, and the infinite things in the heart are said. The big strings are as noisy as the pelting rain, and the small strings are as murmuring as the "Nishang" and "Liu Yao".

Noisy and jumbled bullets, big and small beads falling onto the jade plate. The orioles in Guan Guan are talking about the slippery bottom of the flower, and it is difficult to go under the ice of the Youyan Spring.

The ice spring is cold and the strings are condensed, and the condensation will never pass the sound for a while. Don't worry and hate yourself. Silence is better than sound at this time.

The silver bottle bursts into water and the water slurries burst out, and the cavalry stands out with swords and guns.

At the end of the song, the plectrum is carefully drawn, and the four strings sound like cracking silk.

The boats in the east and west were silent, except for the white autumn moon in the middle of the river. While he was chanting and plucking strings, he straightened his clothes and tightened his features.

She said she was originally a girl from the capital city, and her family lived under the Xia Toad Mausoleum. At the age of 13, he learned the pipa successfully and became the first member of the teaching group.

Qu Ba once taught talented people how to dress well, and Qiu Niang was always jealous of her makeup. The young people in Wuling are struggling with their heads, and there are countless red silk songs.

The silver grate on the tin head was smashed into pieces, and the bloody skirt was stained by wine. This year's laughter will bring back the next, and the autumn moon and spring breeze will pass easily.

My brother left to join the army and my aunt died. There are few horses and pommels in front of the house, and the boss is married to a businessman.

Businessmen value profits over separation. The month before last, they went to Fuliang to buy tea. We go to and from the mouth of the river to guard empty boats, and when we go around the boats, the moon shines brightly on the river, and the water is cold.

Late at night, I suddenly dreamed about my youth. I cried and cried, and my eyes were red with tears. I sighed when I heard the pipa, and sighed again when I heard the words.

We are both fallen people at the end of the world, so why should we have known each other before? I resigned from the imperial capital last year and was relegated to Xunyang City where I was sick. There is no music in Xunyang, a remote place, and the sound of silk and bamboo is not heard all year round.

The land where I live near the Huanjiang River is low and humid, and yellow reeds and bitter bamboos grow around my house. What did you hear during the day and night? The cuckoo cries and the blood ape moans.

On a spring river with flowers and an autumn moonlit night, I often drink wine alone. Are there no folk songs and village flutes? It's hard to listen to the vomiting and muttering.

I heard Jun Pi tonight.

4. What are the four famous towers?

The four famous towers in the country refer to Yueyang Tower, Tengwang Pavilion, Yellow Crane Tower and Penglai Pavilion.

Another theory is that the Yellow Crane Tower, Yueyang Tower, Tengwang Pavilion and Stork Magpie Tower are the four most famous towers in China: Yellow Crane Tower is known as one of the three famous towers in the south of the Yangtze River. The Yellow Crane Tower in Jitou is said to have been built in the second year of Wu Huangwu in the Three Kingdoms (AD 223). In the long history of history, the Yellow Crane Tower has gone through many vicissitudes of life and has been destroyed and rebuilt many times. It can be verified more than 30 times. So many. The last time the Yellow Crane Tower was destroyed was in August of the 10th year of Guangxu's reign in the late Qing Dynasty (AD 1884). A fire broke out in a residential house in Dongjiapo outside Hanyang Gate. The strong wind and fire affected the tower and soon reduced this ancient and famous tower to ashes. There are thousands of kilograms of treasures and a copper-covered tripod.

The issue of rebuilding the Yellow Crane Tower was raised as early as the early days of the founding of the People's Republic of China when it was decided to build the Yangtze River Bridge. After decades of repeated research and preparation, the Yellow Crane Tower reconstruction project finally broke ground in July 1981 and was completed at the end of 1984. It was exactly 100 years since the last Yellow Crane Tower was destroyed. It is located on the western slope of Gaoguan Mountain at the western end of Shanxi, opposite the Simenkou District of Wuchang Old Town, and is located in the triangular area between the Beijing-Guangzhou Railway and the branch approach bridge that crosses the Yangtze River Bridge.

The new building has 5 floors, 51.4 meters high, and an antique reinforced concrete structure. Although it is further away from the river than the former site of the Yellow Crane Tower, the view of the Yellow Crane Tower is unprecedented and unparalleled due to the tall mountains, majestic momentum and wide field of vision.

The famous building has many legends, which makes it more magical. According to records in "Ji En Lu", the Yellow Crane Tower was originally a hotel opened by the Xin family. In order to thank her for her kindness, a Taoist priest drew a crane on the wall before leaving and told it to come down and dance to cheer her up.

Since then, there have been many guests and business has been booming. Ten years later, the Taoist priest came back and played the flute. The Taoist priest climbed onto the yellow crane and went straight to the sky.

In order to commemorate the immortal man who helped her get rich, Mrs. Xin built a tower on the site and named it "Yellow Crane Tower". The above are of course myths and legends.

During the Three Kingdoms period, buildings were built on the top of the mountain near the river. First of all, it was for military needs, but later it gradually became a tourist attraction where literati gathered to entertain guests, meet friends, recite poems and enjoy the scenery. Celebrities in the past dynasties such as Cui Hao, Li Bai, Bai Juyi, Jia Dao, Xia Song, Lu You, etc. have visited here successively, recited poems and composed poems.

Cui Hao, a poet of the Tang Dynasty, climbed up to the Yellow Crane Tower to enjoy the scenery and wrote a famous poem that has been passed down through the ages: "In the past, people have gone on the Yellow Crane, and the Yellow Crane Tower is empty here. Once the Yellow Crane is gone, it will never return. The white clouds have lingered in the sky for thousands of years.

The Qingchuan River is full of Hanyang trees, and the fragrant grass is growing in the parrot island. Where is the hometown at dusk, and the misty waves on the river make people sad."

Later, Li Bai also climbed up to the Yellow Crane Tower, looked at the Chutian, broadened his mind, and became very interested in poetry. When he was about to write a poem, he saw Cui Hao's poem. He felt ashamed and had to say: "In front of me." There is a scene that cannot be reached, but Cui Hao is writing poems on it." Cui Hao proposed the poem and Li Bai penned it, and his fame has flourished ever since.

When the Wuchang Approach Bridge of the Yangtze River Bridge was built in 1957, the old site of the Yellow Crane Tower was occupied. Today, the rebuilt Yellow Crane Tower is on the Sheshan Mountain Ridge about 1 kilometer away from the old site. The ancient Yellow Crane Tower "has three floors, with a total height of 9 feet and 2 feet, plus a copper roof of 7 feet, making it ninety-nine."

The new building is much more majestic, with an additional 5 floors. The meter-high gourd-shaped treasure top has five floors and is 50.4 meters high, nearly 20 meters higher than the ancient building. With its spires and overhanging eaves, it looks like one in all directions.

There are also Shengxiang Pagoda, Stele Corridor, Mountain Gate and other buildings around the main building. The entire building has a unique national style.

The ground floor of the old building is "15 meters wide each", while the ground floor of the new building is 30 meters wide. Therefore, the Yellow Crane Tower is not restored but rebuilt.

It retains some features of the ancient building, but is more designed according to current needs and changes in people's aesthetic views. The new Yellow Crane Tower is more spectacular than the old one.

This is because the Yangtze River Bridge, which spans the Yangtze River, is right in front of it, and across the river is the 24-story Qingchuan Hotel. This group of buildings complement each other and add beauty to the river city of Wuhan.

Inside the Yellow Crane Tower, the styles vary from layer to layer. The ground floor is a tall and spacious hall with a caisson in the middle that is more than 10 meters high. On the front wall is a huge ceramic mural of "White Clouds and Yellow Cranes", and 7-meter-long couplets are hung on the columns on both sides: The refreshing air comes from the west, the clouds and mist sweep away. The world shakes; the great river flows eastward, and its waves wash away the sorrows of the past and present.

The architectural features of the Yellow Crane Tower are the large and small roofs on each floor, which are staggered and overlapping, and the corners are raised in the air, as if they are like crane wings spreading their wings. The interior and exterior of the floor are painted with cranes as the main body and cloud patterns, flowers, dragons and phoenixes as background patterns.

The front wall of the first floor hall is a huge ceramic mural with the theme of "White Clouds and Yellow Cranes". The surrounding space displays important documents about the Yellow Crane Tower from past dynasties, landscape prints of famous poems, and reproductions of Yellow Crane Tower paintings from past dynasties.

On the front wall of the hall on the second floor, there is a marble inscription "The Story of the Yellow Crane Tower" written by Yan Boyin of the Tang Dynasty. It describes the rise and fall of the Yellow Crane Tower and anecdotes of famous people. There are two murals on both sides of the building record. One is "Sun Quan Building the City", which vividly illustrates the history of the construction of the Yellow Crane Tower and Wuchang City; the other is "Zhou Yu hosted a banquet", reflecting the visit of celebrities from the Three Kingdoms to the Yellow Crane Tower. activities.

The murals in the hall on the third floor are "embroidered portraits" of celebrities from the Tang and Song Dynasties, such as Cui Hao, Li Bai, Bai Juyi, etc., and they also excerpt their famous lines about the Yellow Crane Tower. The lobby on the fourth floor is divided into several small halls with screens, with built-in calligraphy and paintings of contemporary celebrities for visitors to appreciate and purchase.

The top hall has long scrolls and murals such as "Ten Thousand Miles of the Yangtze River". Walking out of the outer corridor of the fifth-floor hall, you can look around and have a wide field of vision.

This place is nearly 90 meters above the river. The scenery on both sides of the river is vivid and refreshing. The Snake Mountain area where the Yellow Crane Tower is located has been turned into Yellow Crane Tower Park.

Many flowers, plants and trees were planted, as well as some archways, pavilions, pavilions, corridors and other buildings. There is a poetry stele gallery, which houses many stones engraved with the works of famous poets from past dynasties. The ancient scenic spots in the Snake Mountain area will be restored one after another.

The Yellow Crane Tower will become a symbol of Wuhan, a central city located in the heart of my country. China's Four Famous Towers: Yueyang Tower Yueyang Tower is located in Yueyang, an ancient cultural city with a long history. Yueyang was called "Baling" in ancient times. It is located in the northern part of Hunan Province, where the vast Dongting Lake and the Yangtze River meet. It is the first of the three famous towers in the south of the Yangtze River. The Yueyang Tower is located at the west gate of an ancient city near the water.

Yueyang has mountains, waters and buildings, picturesque scenery and many places of interest. The beauty of Yueyang scenery is concentrated in Dongting Lake and is best known on the first floor of Yueyang.

The scenic spot of Baling, centered on Yueyang Tower and Junshan, is famous far and wide. It is known all over the world as "the water in Dongting is under the sky, and the tower is under the sky in Yueyang". Yue.

5. Beautiful paragraphs about ancient celebrities (preferably with poetic descriptions)

The drizzle and idle flowers are all lonely, and literary heroes should be like this

Loneliness It is a broken red thread. A caring person holds it tightly and waits silently for the matchmaker at the other end, even if that person has already gone away.

"You can't see it in the drizzle and wet clothes, and you can hear the idle flowers falling to the ground silently." "Every time I read this sentence, I can't help but lament the loneliness of drizzle and idle flowers. When the misty drizzle falls on Luo Shan drop by drop, who says the feelings are not overwhelming? Otherwise, why would the whole dress be soaked? When the soft flowers dance and spin on the bluestone road, who says this feeling is not heroic? Otherwise, why would the entire secluded path be covered? However, they are "invisible" and "hearing silently".

Everyone has a flower grave deep in his heart, where those sad and beautiful but inhumane emotions are buried. And this flower tomb is locked by loneliness.

Nalan is lonely. His good friend once lamented: "Every family is singing drinking songs, how many people know about Nalan's thoughts?" Undoubtedly, he is the prime minister's son, the imperial bodyguard, and everyone envies him. However, deep in his heart, there was a deep loneliness. He found a green leaf in the courtyard, but "I can't say why I hate it." He could only sigh, "It has been missing for ten years." He yearned for plainness and simplicity, but in the eyes of the world, this wish was like the drizzle. No matter how hard it beat him to the point of being cold, it was just silent. Nalan's loneliness is a person's sadness.

Li Yu is also lonely. Wang Guowei said that he was "born in a deep palace and grew up in the hands of women." Children who urinate and sit on the throne often have no friends. Even if you live a life of luxury and luxury, and enjoy the feasting and feasting all day long, you can't resist the loneliness of having no one to express your feelings in the dead of night. Especially after the fall of the Southern Tang Dynasty, the hatred of family and country fell on this immature emperor, adding a touch of lonely gray to his heart. His loneliness is also silent, but not invisible. With his own authenticity, he spread the lonely petals on the rice paper, turning them into "spring water in a river" and "flowing water, falling flowers, spring leaves, heaven and earth". There is a comment in "Renjian Ci Hua": "The Ci became the master of Li Hou, and the Ci of Ling Gong became the Ci of scholar-bureaucrats." Li Yu's loneliness was the sadness of that turbulent era, but it opened a new era of Ci.

Lu You wrote "Red hands, yellow wine..." in Shen Garden, which fixed the loneliness in Tang Wan's memory. When Wang Wei lamented that "there is one less person planting dogwood trees everywhere", he injected loneliness into the hearts of close friends. Yuan Zhen wrote with a masculine hand, "The white-headed palace maid is here, sitting and chatting with Xuanzong." It expressed the voices of the lonely souls in the deep red-walled courtyard. The red thread in the poet's hand has a pen tied to the other end. After the huge emotion settled, it turned into silence and the motivation to write, making the idle flowers in the drizzle become sonorous and powerful and never fade away.

In fact, there are still some people's loneliness, which even has more than literary effects. Lin Zexu was demoted to Yili. His loneliness was unparalleled by ordinary people, but he sang "If you want to benefit the country's life and death, how can you avoid it because of misfortunes and blessings." He benefited the people. Han Yu was sent to Chaozhou, but his beloved daughter died on the way. His loneliness and lamentation turned into the motivation to govern the country. He established education and built water conservancy in that remote town, and was supported by all the people. The mountains and rivers of Chaozhou were all named Han.

Their drizzle not only wets their clothes, but also falls on the heavy earth, nourishing the water and soil; their idle flowers not only cover the road, but are embedded deeper into the earth, "turning into spring mud." "More protective flowers." On the other side of their red line are the common people! They turned loneliness into motivation to "establish their hearts for the world and their lives for the people."

A person's loneliness can be printed on a book or engraved on a monument. This loneliness is beautiful and is for people to appreciate. But no monument can last forever. Han Yu's story tells us that the loneliness of those heroes is dedication, and we should look up to it respectfully.