Traditional Culture Encyclopedia - Hotel franchise - Can the lens jump directly to the close shot? In the animated script.

Can the lens jump directly to the close shot? In the animated script.

Hello, according to your question, please allow me to answer it for you now. The animation shot can be directly transferred from the middle shot to the close shot.

Since there is an introduction about animation shots on Baidu, I will send you a Baidu link now, so you can have a look: /link? Url = RJA1NYY _ UN4Hepumiby8Vevg7G0-EBPKQ-ZFity 83mjzusel2gabns6fwzxzzqfqhnhgccpdcet03zwb8TS0A (Baidu entry).

Sight distance-animation is not only a work of art, but also a part of film art. Sight distance refers to the distance between the camera lens and the shooting object, and different sight distances produce different scenes. We generally divide the scenes into the following categories.

1, the wide field of vision-broad and far-reaching-is mainly used to show the lens of the vast sea, rolling mountains, starry sky, atmosphere or the introduction of the big environment, and generally rarely shows the activities of characters in it.

2. Vision-still mainly expressing the atmosphere of natural scenery or lens pictures-action is only used as a foil to set off the atmosphere.

3. Panorama-a commonly used expressive scene-is used to represent the whole body or the whole scene of a character. Panorama is widely used in the frame of the picture, and the whole character appears in the picture.

4. Mid shot-shows a picture of more than half of a person's body or a few people's local scenes above the knee, so that the audience can see clearly the dress, appearance, demeanor and body movements of the upper body of the character. It is also used to express interpersonal communication and emotional expression, and it is also widely used in comics.

5. Close-up —— Representing the objects above or part of the character's chest, which has a feeling of making the audience close to people, and can clearly see the facial expressions of the character's emotions, mouth changes and local gestures when speaking.

6, close-up-the head or body details above the shoulders of the characters, mainly used to depict the subtle changes such as the expression, mouth shape, line of sight, eyes, sweating, etc. when the characters speak. . . . . . (Baidu entry content)

Also, you can look at the sub-shots of "Five centimeters per second" made by Japanese animator Kenji Mizuhashi, so that you can know more thoroughly, not only "Five centimeters per second", but also look at other sub-shots of animation, and then practice by yourself, so that you can make a famous animated storyboard.

Attachment: "5 cm per second" lens video picture:

The above is my answer to you. If you are satisfied, please accept it. Thank you.