Asking for a film review in 2046?

This is a film with a beautiful visual sense.

Large aperture and small depth of field; Spot metering well depicts the highlights of people's expressions; Frequent golden section composition;

Curled cigarette smoke; Ancient stairs, smooth handrails; Wooden windows, classic water bottles; ……

I have great respect for a person who dares to analyze himself, such as Yun. This room in 2046 is just a memory, just an introduction to all the scenes.

It's quite interesting for a person who pursues childhood memories, such as Wong Kar-wai. In his films, he will never give up the ancient buildings, quaint streets, dim street lamps and the patter of rain at night. We have seen it several times in In the Mood for Love, Chongqing Forest and 2046, but it gives people the impression of familiarity and kindness, not repetition. The film is rich in music and well handled, which matches its composition.

Wong Kar-wai's movies are always regarded as videos, so I don't have enough patience to watch him tell a slow story. And "2046", I don't know if it's because I've listened to Buddhism for dozens of days recently or because my girlfriend is sitting next to me. After reading it with great interest, I actually found a lot of fun.

Who is the cloud? Who is the hero of Mu Yun Zhou? My direct feeling is that Zhou Muyun is not the image of the man played by Tony Leung Chiu Wai, but the spiritual temperament and lifestyle under this image.

Faye Wong and Japanese, Zhang Ziyi and Tony Leung Chiu Wai, Yun and Wu Lizhen, each of them is pursuing the aesthetic feelings of the past and the heart; At the same time, they feel lost and helpless; They are all trying to pursue the life they want, and they are eager to be recognized by others in their pursuit; They are hurting themselves and the people around them in different ways.

In Yun's works, the hero is multifaceted. Just like Japan, male sex, memory, looking for yourself in memory, looking forward to it in memory; Just like Carina Lau, a sex girl, reveling in the feasting, forgetting the past and unwilling to look back; Just like Zhang Ziyi, a woman, pursues and longs for a new life in pursuit. As a prostitute, she is still arrogant and self-respecting; Just like Yun, a sexy man, he will never forget the past. Today is romantic and the future is charming.

The film was well cut an hour and a half ago. It is not easy for so many characters and characters to be connected so smoothly and wonderfully with a main line in just two hours. After watching this film, I still think I can cut out two versions. I once looked at my watch at the movies. The film was cut to about 65,438+000 minutes, but it ended next to the hotel sign in Mu Yun on Monday, removing the story and shadow of In the Mood for Love and becoming an independent humanistic film in the 1930s.

On the other hand, there is still room for editing the later chapters of this film, because some later scenes are slightly abrupt in the current state. If Zedong Company learns some foreign DVD styles, it can make a silhouette version of the director, and add a few minutes or twenty minutes of stories, which may enrich the expressions and personalities of the characters.

One more thing, I prefer Yun's literary humor. For example:

Zhang: "Why are you free to accompany me today? Aren't you going to accompany them? "

Zhou: "Sometimes they want to accompany me, and sometimes they want to accompany others."

Although he just changed the subject, the passive state of his expression was obvious, which made Zhang feel very comfortable. There are many such wonderful dialogues in it, which I believe will become a well-known classic dialogue language. There is also a scene of Zhou giving an apology, which is simply a rogue with literary flavor.

Zhang Ziyi said, "I only belong to you in the future. Can you also belong to me?"

Zhou Mujuan shook her head.

Zhang has many scenes in this film, and the characters are very individual. She has been longing for love and men's arms, but she can't tolerate men's playboys. Her revenge is very simple. She used sex with other men to stimulate Yun, a man who cares about her. Zhou remained indifferent and continued to look for different sexual partners. Zhang felt powerless in revenge, so he was jealous in disappointment and left in disappointment.

Maggie Cheung's charm comes from his bones. Although the lens lasted only a few seconds, it still couldn't hide its deep light. Zhou Muyun said that he was writing a romance novel, and all I saw were stories of men and women that made people feel a little sad.