Traditional Culture Encyclopedia - Hotel franchise - What is the story of the Nile massacre? The more detailed, the better!

What is the story of the Nile massacre? The more detailed, the better!

The tragedy on the Nile reveals the increasingly serious crime problem in western society. Since she inherited her father's huge fortune, Miss Rinnet, who was in her prime of life, has actually fallen into a dangerous environment. Life will be countered at any time. Money becomes evil, because people live in a world of money intrigue. The unscrupulous pursuit of wealth in capitalist society and the social contradictions caused by it are the reasons for Miss Linnai's death. It is also the grim social reality reflected in this film. Stylistically, this is a detective film about murder. It is adapted from a novel by the famous detective novelist agatha christie. Agatha christie's detective novels are famous for their ingenious conception, bizarre plot and meticulous reasoning and analysis. In the west, she has become a symbol of wisdom like Conan Doyle, a British detective novelist. This film is more detailed, accurate and comprehensive. Tragedy on the Nile has made great efforts in artistic conception. This film does not fall into the stereotype of similar western films, nor does it show low-level and boring atrocities and pornography. The cruise ship "Karnak Temple" sailing on the Nile collected all the people who might murder Lynette with huge assets. At the beginning of the film, the director used a considerable space to describe and compare the mentality of all kinds of people. These people have adopted different attitudes. This way shows their different relationship with Lynette. Some of them were damaged by Lynette's reputation, some were rudely slandered by her, some were liquefied into servants after her father went bankrupt, and some self-styled "Marxists" wanted to "kill" Lynette. The most obvious revenge on Lynette is another woman, Jackie, who stole her lover. She almost always follows Lin. This set off the atmosphere and rendered it. After that, the victims took a step-by-step approach and pushed the plot to a climax. If the previous play was confession and foreshadowing, Jackie shot her ex-lover hard. Now Lynette's husband is going to have a "love revenge", and the play begins to take a turn for the worse. Then, in the middle of the night, another shot was fired, and Lynette was shot. Then Lynette's daughter was killed in a strange and cruel way. From one injury to three deaths, the case immediately became complicated. It's like building a dam in a fast-flowing river. The water potential is intercepted and the dam may be washed away at any time. This artistic skill, in traumatic terms, is called "gaining power", and its purpose is to strengthen the sense of urgency of the plot. So far, the film has successfully captured the audience by relying on loud technology and forced the audience to stand in front of it. As a detective film, Logic often gives people a sense of boredom. In a movie screen dominated by visual images, it is difficult to attract the audience by analyzing a large section of the case. In order to eliminate the shortcomings of detective films, the director of this film has made efforts in the following two aspects besides using the above-mentioned means of cleverly setting doubts, cleverly spreading fog, and strengthening the sense of urgency of the plot before reasoning to arouse the audience's desire to know who the murderer is. It makes the film novel and vivid, and attracts the audience from beginning to end. First, it mobilized the audience's sense of participation. From the beginning of the film, the detective Poirot was placed in the development of the story. Poirot was not a simple reasoner after the incident, but was among the participants from beginning to end. This idea is very important for mobilizing the audience's sense of participation. In fact, Poirot represents the audience in the film. The audience unconsciously put themselves in Poirot's position. Like Luo, they watched all kinds of people on the cruise ship. Poirot's thinking is the thinking of the audience, and Poirot's analysis and judgment are actually the analysis and judgment of the audience. With Poirot's help, the director thinks about the case according to the audience's thoughts and psychology, and thinks about the case without any trace. Moreover, it leads the audience's thinking and analysis into a "wrong path" without any trace, and finally makes the audience have an "unexpected" effect. Secondly, it uses film means to reason in suspense. In order to immerse the audience in reasoning, it is necessary to arouse strong suspense. After the death of three people in this film, "Who is the murderer" has become an urgent emotional and psychological demand of the audience and a general suspense to promote the development of the plot. Under the command of the general suspense, everyone who may become a "murderer" has become one small suspense after another. Poirot's slap and review are no longer dry language reasoning, but "image reasoning" on the screen, with more and more flaws. Poirot finally convincingly dispelled the fog of suspicion and abandoned those suspects who were "possible" but not murderers. It is inferred that the real murderers are Lynette's husband Saimon and his accomplice, ex-lover Jackie. This conclusion is unexpected and reasonable. The movie is to help the audience think and reason, and make the process full of entertainment. What's rare is that as a detective film, the director doesn't dwell on the details blindly, but pays attention to the characterization. Poirot in the film is alert, deep and humorous, and his personality is quite distinctive. Especially at the end of the film, he starts with the details such as muddy wine, shawl with gun holes and nails with red ink, and through some special languages, explores and finds out the analysis of their internal relations, which is accurate and appropriate, showing the truth of a miraculous detective. Spartacus >: & lt He won the Oscar for Best Supporting Actor twice for his successful performance in movies. In this film, his performance reached a new height. In addition, the description of the other two characters, Saimon Jackie, is also unique. This film not only describes the cruelty, cunning and sophistication of their killing for money, but also tries to write the internal reasons of their criminal activities. Finally, after despair, the two embraced themselves. It highlights the murderer's loyalty to "love" and shows the complexity of the characters' inner world. In particular, the dialogue between the characters in this film is full of literary color and sense of humor, which has also become an important factor to attract the audience to enjoy the work with relish. The yacht Karnak Temple is the epitome of capitalist society. Although the great detective Poirot is well-connected, crimes still happen around him one after another. People are still dying one after another. At the end of the film, Poirot looked at the people who were still in shock, looked at the still beautiful Nile, sighed and feared. Colonel Reyes looked around and said that his "woman's greatest wish is to be loved"-this ironic line expressed the creator's alternative analysis of this crime.

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