Stories involved in Jay Chou's ancient songs

Langya moon

"Spike Moon" refers to the color of the moon like a spike, not the shape of a spike, because although the wolf's teeth are sickle-shaped, they can only be regarded as half of the first quarter moon or the last quarter moon, and the other half of the roots buried deeply are not equivalent to sickle-shaped hooks. The adjective "Spike Moon" clearly describes the color of the moon, not the shape. Therefore, "Sui Yue" is to paint the color of the moon with a slightly mottled beige color, mainly through the image of "Sui Yue" to emphasize the depression and vastness of the scenery.

It is hereby declared that the word "Langya Moon" has not been quoted by any ancient poetry at present, and it is impossible to indicate its source, nor can it explain the rhetorical examples and usage of "Langya Moon" except for describing scenery. In other words, if someone wants to quote or explain the word "Suiyue" in the future, there is only explanation and source here! "Sui Yue" first appeared in the lyrics of Fang Zhouzi's Hair Like Snow: "Sui Yue, the Iraqi people are haggard, and I drink all the snow ..." Sui Yue describes the moonlight as the color of a spike, emphasizing the depression and vastness of its scenery.

That person (especially a woman)

The lexical origin of this sentence can be traced back to the Book of Songs more than 2,500 years ago. Qin Feng? "Jian Peijun" has: "Jian Peijun gray, white dew cream. The so-called Iraqi people are on the water side … "Iraqi people" refers to another person, and its usage mainly refers to that person or the right person, belonging to a third person. In ancient times, it was unisex, but now it refers to young women. "Yiren" is a girl I like wholeheartedly. Another borrowed usage of "Yiren" refers to a wise monarch or minister, or refers to a person who wears clothes following good customs. For example, there is such a sentence in Tao Yuanming's poem "Peach Blossom Garden" in the Jin Dynasty: "He who gets home avoids the world. In Shangshan, Huang Qi, Iraqis also passed away ... "In the poem," Iraqis also passed away "means that" people who once lived in Taohuayuan also left the land of Qin ".

Make dust

According to the Six Ancestors Tanjing, Hongren, the fifth ancestor of Zen Buddhism, wanted to know the enlightenment realm of all the monks in his school one day and asked his disciples to write poems and learn from the Tao. Shen Xiu, the great disciple, took the lead in writing a poem: "Being a bodhi tree is like a mirror, and you always wipe it without making dust." Huineng, the sixth ancestor, retorted: "Bodhi has no trees, and the mirror is not Taiwan. Nothing, where is the dust? " Beautiful words mean that as a Buddhist disciple, you should lead an honest and clean life, resist temptation and not insult Buddhism; Huineng, the sixth ancestor, thought that Buddhism was not a concrete vessel. Since it didn't appear from the beginning, where did the dust come from? The two people have different degrees of epiphany to Zen Buddhism, which is often quoted by later generations to interpret the degree of enlightenment to Buddhism!

Beautiful woman

"Beauty" is a metonymic rhetoric, which has two main loanwords: one is youth, the other is youth; The other refers to women and beautiful women. In Li Bai's poem "A Letter to Meng Haoran", he wrote: "Master, I cheer you from my heart, and your reputation has risen to the sky. In the rosy youth, you gave up the importance of hats and chariots and chose pine trees and clouds; Now, Whitehead ... "There is another poem by Li Bai," Long March ":"August butterflies are yellow, hovering, in pairs, in the grass of our West Garden; Because of all this, my heart is broken, and I am worried about my bright cheeks, lest they fade ... "Beauty here refers to youth and youth. In addition, Bai Juyi's "harem ci" in the Tang Dynasty said: "Tears wet the silk scarf dream, and the temple sings before midnight. Beauty is broken before she is old, and she sits lightly in the smoke cage. " And Yuan Yuanqu by Wu in Qing Dynasty: "Dinghu abandoned the world day, defeated the Japanese and seized the Jingyuguan, mourning for the loss of the six armies, and rushing to the crown with anger ..." The beauty here refers to women and beautiful women. The idiom "Beauty is unlucky" comes from the seventieth journey to the West: "... it is true that since ancient times, the beauty has been unlucky, and the east wind has nothing to say ..." It means that since ancient times, the fate of beauty has been troubled, and the ending is usually not very good.

Historical yearbook

"Qing" here refers to bamboo slips, and "history" refers to history or history books. Because in ancient times, before the invention of paper, most books were made of bamboo slips. Bamboo slips are just bamboo pieces strung together. The ancients compiled them into books shaped like "books", which were used as writing tools and also to record history. Therefore, The History of the Qing Dynasty was regarded as a synonym for history books in later generations. The idiom "Make a name in history" means to make a name in history and remain immortal. In addition, the word "history" also refers to history books. Because there is a layer of bamboo green on the surface of bamboo, which contains water and is not easy to carve, the ancients put bamboo slips on the fire to bake. Bamboo slips processed by fire roasting are easy to carve and moth-proof. At that time, people called this process of roasting by fire "killing green" and "history". Therefore, the word "history" has also been compared to history books by later generations. For example, there is a saying in Wen Tianxiang's "Crossing the Lingdingyang": "... the emperor is afraid of the beach and says he is afraid of the emperor, and sighs in Lingdingyang. Since ancient times, no one has died in life, leaving a glowing heart. "

three thousand

The original sentence "weak water is 3,000" comes from the 91st time in A Dream of Red Mansions: "... Baoyu stayed for a long time, and suddenly laughed: I'll take the ladle to drink the weak water." The word "weak water" first appeared in Shangshu. Yugong: "... draw weak water to stand out." In ancient times, weak water was used to refer to dangerous and distant rivers, but now "weak water" is extended to love. "Three thousand" comes from Buddhist terms, such as the three thousand worlds of Buddhism, to describe the boundless universe that breeds life. There is "a ladle of drink" in The Analects of Confucius. Eternal night article: "Confucius said: xian zai!" Also came back. A spoonful of food, a spoonful of drink, living in a mean alley ... "The original meaning of" weak water is 3 thousand, only one scoop of drink "is" weak water is 3 thousand miles long, although there is plenty of water, only one scoop of drink. " Now, although there are many people I can associate with, I only like you, which shows that one's feelings are single-minded.

Hair like snow.

The title of "Hair as Snow" is as original as "Direct Answer", without copying any classical poems or epigrams. Jay Chou's "Chopin in November" has an introduction titled "Hair as Snow". The original sentence is as follows: "In the extremely cold land, there are snowy women with beautiful voices, skin as white as the moon and hair as snow; There is a poem that laments: "butterflies in winter are always sad." "This introduction is not from any ancient historical materials. In fact, it is a classical Chinese sentence deliberately fabricated by the author, in order to create a classic temperament with a head like snow. The title of Hair as Snow was inspired by a poem in Li Bai's Into the Wine: "You didn't see how the water of the Yellow River moved out of the heavens and entered the ocean, never to return; Don't you see that in the high room, the lovely hair in the bright mirror, although silky black in the morning, has turned into snow at night ... "The author sighed after reading it, and her hair turned into snow overnight, so she got the word" hair like snow ".

Invite the bright moon

In the lyrics of Hair as Snow: "Invite the bright moon, make the memories clear …" and "I raise my glass and drink the dry snow …" these two sentences are borrowed from Li Bai's poem "Drink the bright moon alone": "From from a pot of wine among the flowers, drink alone. No one is with me; Until, holding up my cup, I asked the moon, which brought me my shadow, and let the three of us … "The author divided" Until, raising a glass, I asked the moon "into" raising a glass "and" inviting the moon "and used them in the lyrics, just taking the popularity and familiarity of his poems, which had nothing to do with the original meaning. Until I raised my cup, I asked the moon and my shadow, so that the three of us, three people in this sentence refer to Li Bai, the moon and Li Bai's own shadow.

bronze mirror

Modern people often use mirrors made of mercury mirrors to comb their makeup, but before the appearance of ancient glass mirrors, the ancients all made bronze mirrors by casting copper-tin alloys. After the bronze mirror is poured, it is polished to make it face to face, which is used to straighten clothes and tidy up appearance in daily life. There is a famous sentence related to bronze mirrors in the Biography of Wei Zhi in the Tang Dynasty: "Emperor Taizong said that Liang Gong said:' With copper as a mirror, you can dress your clothes; Taking history as a mirror, we can know the rise and fall; Take people as a mirror, you can know the gains and losses. I have tasted these three mirrors and used them for self-defense. Now Wei Zhi is dead. He died in a mirror. " "

2. Chrysanthemum terrace

In ancient China, "six" was negative and "nine" was positive. On the ninth day of September, two positive numbers coincide, so people call it "double ninth" or "double ninth". The origin of the Double Ninth Festival can be traced back to the early Han Dynasty. After Lv Hou killed Lady Qi, the beloved princess of Emperor Gaozu Liu Bang, Jia Mou, the maid-in-waiting of Lady Qi, was also expelled from the palace and married the poor. Jia Moubao: Every year on the ninth day of September in the palace, Cornus officinalis should be dressed up, fed with tent bait and drunk with chrysanthemum wine in order to live longer. The Double Ninth Festival is also called "Ascending Festival". Because everyone has to wear chrysanthemums and watch chrysanthemums on the Double Ninth Festival, they put down the chrysanthemum table to watch chrysanthemums at the ascending place. Chrysanthemum table is the theme song of the golden flower in the city. The film tells the story of the Tang Dynasty. The emperor, empress and general are the three core figures in the film. The prototype of the story comes from Cao Yu's Thunderstorm, but it only sets the background of the times in the Tang Dynasty. Yuan Chao (Jay Chou) is a general with the highest martial arts, so he was appointed as the captain of the Royal Guards. ...

3. Fireworks get cold easily.

It is widely rumored on the Internet that Fang Zhouzi explained that the allusions behind the lyrics of "Fireworks Easy to Cold" came from "Luoyang Galand Ji". The fact is that there is no such story in Galand's texts and notes. This statement belongs to the false words made up by vincent fang or netizens, and it is the hype of this song packaging the coat of classical culture.

Fireworks Easy to Cold has nothing to do with Galand in Luoyang, but a fictional story, which describes the love story between a royal general and a woman he admires in Luoyang, a thousand-year-old ancient capital written by Yang Xuanzhi more than 500 years ago. After the general met a woman by chance, they fell in love at first sight and privately decided for life. At this time, the general was recruited by the court to fight at the border. Years of war, the imperial capital Luoyang into ruins, in ruins. Finally, the woman struggled to meet the general and became a nun. When the generals came back from the wind and frost and found the ancient temple where the woman in Galand became a monk, she was already dead. The generals only listened to the rain outside the ancient temple in Galand, recalled the years when they admired others, and sighed, but like fireworks, they easily got cold and separated.

Historical background

The story that fireworks are easy to get cold happened in the Southern and Northern Dynasties. At that time, the Southern Song Dynasty, headed by Emperor Wu of Song Wudi, and the Northern Wei Dynasty, headed by Emperor Tuoba GUI of Daowu, were divided periods in the history of China. Since 420 AD, wars have been going on between the Northern and Southern Dynasties due to the expansion of power and the annexation of territory, during which the losses of the Southern Dynasties were greater than the victories. In 422 AD, Emperor Wu of Song Wudi died of illness. In the Northern Wei Dynasty and the early Ming Dynasty, Yuan Di Tuoba Si attacked the Song Dynasty on a large scale, and successively captured Jintang (Luoyang), Hulao Pass and Sliding Platform. In 430, the lost land south of the Yellow River was recovered, forcing Wei Jun to take the initiative to retreat, and Song successively occupied Sliding Platform, Luoyang and Hulao Pass. In the same year, the Northern Wei Dynasty fought back on all fronts, including Jintang, Luoyang, Hulao Pass and Sliding Platform.

In 449 AD, Tuoba GUI suffered a crushing defeat, and later the soldiers referred to Liu Song. Song Wendi sent troops to attack the north to stop Wei Jun from going south. Because of Song Wendi's enterprising spirit, he stabbed him and killed famous players such as Pei, and his morale was greatly reduced. Coupled with years of war, the national strength is gradually declining, and the army has no will to defend the enemy for a long time, regardless of the opposition of courtiers. In the 11th year of Taiping in Jun Yu, he sent troops to attack Wei, Wei Jun took the initiative, and millions of people crossed the Yellow River, approaching step by step. Song Jun had no choice but to withdraw south, and Song Wendi could no longer compete for the Central Plains.

In 493 AD, Emperor Tuoba Hong of Wei Xiaowen moved to Luoyang. Frequently attacked the State of Qi from the south (in 479, Xiao Daocheng, the main general of the Song Dynasty, established the State of Qi on behalf of the Song Dynasty). At this point, the Northern Wei and Southern Qi fought for 23 years. ...

The story "Fireworks Easy to Cold" describes a sad love story in that war-torn era.

It began to rain. The general looked at the misty rain outside and his thoughts drifted away. ...

During the period of Song Wendi, a general guarding the city was ordered to be stationed in Luoyang City, during which he met a local woman and soon made a private reservation for life. At this time, the Northern Wei Dynasty invaded and the general was ordered to go out. When he left, he took the woman by the hand and said, "When I win, I will definitely come back and marry you ..."

The two men said goodbye, and the woman stood at the gate, watching the general sit in the saddle and leave without looking back. ...

The general's expedition lasted for several months, during which Liu and Song lost their positions. In a fit of pique, Song Wendi even cut two generals, and the Northern Wei Dynasty attacked all fronts and crossed the Yellow River. Song Wendi didn't listen to the courtiers' advice and launched a storm. After the defeat, Luoyang fell. Song Wendi had to retreat, while the seriously injured general was exiled. After the general recovered, he wanted to return to the DPRK, but at this time, Liu Song's tide was gone, and going back was only a dead end. Death, the general has never been afraid, but the thought of his vows, coupled with Song Wendi's indiscriminate killing of him, has been chilling. In desperation, he committed himself to a foreign country, hoping that one day when the war was over, he could return to her side.

At the gate of their farewell, a woman often sits on a slate, waiting for her beloved to come back. Every time I meet someone who comes back from the front, the woman asks if she has seen the general, but there is no news of his triumphant return.

Women never give up and still wait day after day. Decades later, the woman finally obeyed the fate of her generals and became a nun. This story, from one story to ten, from ten to one hundred, finally reached the ears of the general.

But the general can't go back. At this time, the Northern Wei Dynasty had moved its capital to Luoyang. This is an indisputable fact. The war between the Northern and Southern Dynasties continued. He must live to the end of the war. ...

I don't know how many years passed before the war finally ended.

For the first time, the general returned to the place where he thought about it day and night.

Dressed as a civilian, he came to the broken and mottled city gate. He went to the place where they parted, next to the withered tree, and touched the slate on which she sat waiting for him to come back every day. ...

The elegant shepherd flute came from the suburbs. Passers-by told the general that there was a woman here who had been waiting for her beloved to come back. ...

When he set foot on the familiar land again, his heart felt so complicated, as if everything had returned to the year when he envied others. ...

He found her in this broken and lonely city, but he couldn't find her all the time. It rained one after another. ...

He believes that she has been waiting for him. ...

The old man in the ancient city told him that she was always alone ... until the day she died. ...

The monks returned to the futon, sat quietly and beat the wooden fish. ...

The rain in the sky is still falling, falling on the slate spread out outside. ...

Off-song topic

In 547 AD, Sima Yangxuan, the capital of the Northern Wei Dynasty, was heavier than Luoyang. He saw "the city walls collapsed, the government offices overturned, the temples turned to ashes, and the temples were in ruins." He witnessed that "the city walls are covered with mugwort, the alleys are covered with thorns, wild animals are dormant in the wilderness, and the mountain nests are in trees". He lamented that "there are more than a thousand temples outside, but now they are spacious and the bells are rare", he wrote. Is this book like "Don't hate" written in Fireworks Easy to Cold? If so, it would not have such a high historical position. Yang Xuanzhi reflected the rise and fall of the country through the rise and fall of Buddhist temples, and showed us how the powerful Northern Wei Dynasty went to extinction in 40 years.

When it comes to arrogance and extravagance, the first thing people think of is the Western Jin Dynasty, Shi Chong and others who are keen on striving for wealth, and high officials are generous. The Northern Wei Dynasty surpassed it. It is said that Yin Jian is not far away, but the Northern Wei Dynasty did not learn the lessons of the Western Jin Dynasty and made the same mistake. According to "Luoyang Galand Ji", in the Northern Wei Dynasty, "the emperor's consorts, rich in mountains and seas, lived at the mercy of Chuanlin, contended for the repair of gardens and boasted to each other." Yuan Yong, the king of Levin, is as rich as an enemy. His official residence is the same as the palace. This garden is comparable to the Forbidden Garden. There are 6000 servants and 500 prostitutes. He traveled in a courtesy way and blocked the road. When he came back, he sang and danced day and night. A meal is worth tens of thousands. "Since the Han and Jin Dynasties, all the kings have been spared."

Every time Wang Yuanchen in Hejian competes with Yuan Yong for money, he once said: "Jinshi Shi Chong is a common surname, and he can still be a fox, painting an egg and carving a salary; What's more, I am a great Wang Wei, and I don't want to abolish it? " He has more than ten good horses, all of which are made of silver as troughs and gold as locks. Jade phoenix holds the window bell, and golden dragon spits. Chen Yuan often entertains the king. There are dozens of wine vessels, including crystal bowls, agate cups, glazed bowls and ruby bowls. They are beautifully made and have nothing in the Central Plains. They all come from the western regions. He also showed female music, famous horses and treasures, and invited the kings to visit. There are countless money and silks and satins in the treasury. He said a particularly conceited word to Wang Rongyuan of Zhangwu: "I don't hate that I don't see Shi Chong, I hate that Shi Chong doesn't see me." This Rong is also a famous rich man. After returning from Chen Yuangu, he sighed and was seriously ill for three days.

When Hu Taihou was in power, officials were asked to send silk to the state treasury and give them as much as possible. Ministers tried their best to recite, but he Chen sprained his ankle because he recited too much.

The magnificent temples recorded in the book were all built with money. The vitality of the Northern Wei Dynasty was quickly exhausted in such profligacy. The Six Towns Uprising dealt a heavy blow to the rule of the Northern Wei Dynasty, and the Jules Rebellion destroyed Luoyang City and the Northern Wei Dynasty. It took only forty years for the Northern Wei Dynasty to reach its peak and end-just like fireworks.

4. Red Dust Inn

Speaking of Fang Fenghua's ci, I think his ci is getting deeper and deeper. The previous classic Chinese styles, such as straight answer and blue and white porcelain, are relatively easy to understand, but later fireworks are easy to get cold, including this world of mortals inn, which is more difficult to understand. I think maybe Vincent's lyrics are getting bigger and bigger. Fireworks Easy to Cold is adapted from the story of Galand in Luoyang more than 400 years ago/kloc-0, while the world of mortals is a legendary story, with wider horizons and more magnificent momentum. More than ten years after Jay Chou's debut, Fang Zhouzi is still the best writer in Chinese style. Nowadays, Chinese style is popular, and a large number of poets write about Chinese style, but they are far less than Vincent Fang. I remember that Fang Gang seems to have written lyrics to other singers. I don't know who that singer is. Only Fang Zhouzi's words and Jay Chou's singing are the best match.

Vincent fang's lyrics are getting deeper and deeper, and it is difficult for Jay Chou to sing nunchakus. I think Blue and White Porcelain and Direct Answer (including Chrysanthemum Terrace) are easier to sing, while Fireworks Easy to Cold and Red Dust Inn are more difficult to sing.

The Red Dust Inn seems to be alone in the Jianghu, tired of the Jianghu. However, just as those celebrities who wrote poems praising Tao Yuanming all sought to make contributions, Fang Zhouzi wrote off this mentality. "People who have mountains and rivers in their hearts can't be happy and chic" and always care about fame and fortune. This is especially true in the entertainment circle. Even if you are desperate for life, you should sing and perform. If you really want to quit the Jianghu, you will end up with Miss Tang Lijun of Party A and Party B. ..

The sentence "Fighting in Jianghu is nothing more than fame and fortune" really hits the nail on the head.

5. Blue and white porcelain

Vincent Fang met several friends who appreciated antique art, and sometimes he bronzed with them.

"I'm Busy" album cover

Song porcelain, sometimes Ming and Qing furniture, and other chats spanning thousands of years triggered his motivation to use these China artworks handed down from generation to generation as song titles. At this time, Fang Wenqing first thought of bronzes. Originally, it was intended to use the bronze wares cast in Shang Dynasty as the song title, and the thickness of bronze symbolizes the loyalty of love. Compare the vicissitudes of the world with the mottled copper rust of the Millennium; Explain the mystery of the oath with the incomprehensible inscription on the container. But when I first started writing, I found that the tune of Jay Chou's song was gentle and euphemistic, elegant and refined, so that all I could think of was the misty rain in the south of the Yangtze River. Because the bronzes at that time were also made into weapons to kill the enemy, it seems that the word "bronze" is too heavy and clumsy, full of smoke, so the lyrics that were still conceived were given up before writing.

Later, Vincent Fang chose Ruyao porcelain, which was once very popular in the Song Dynasty, mainly because of its rarity. Due to the war, kiln glaze formula and firing process, there are only more than 70 treasures handed down from ancient times in Ru kiln, which is a national treasure and precious. But the problem comes again, because the pure top-grade Ru kiln has only one color, that is, "azure", without any fancy ornamentation at all, and its shape is simple and elegant. In my opinion, it's like the works of today's minimalist masters. Although the connotation is simple and the texture is lasting, I always feel that it is not enough to describe treacherous and changeable love with love and hate. Although Ru Yao was not used as the title of the lyrics in the end, in the process of collecting writing materials, the future was achieved because of the phrase "after the rain clears, the clouds break and people die". Words, trigger its inspiration and write the first sentence of the chorus "misty rain is like sky blue" It is said that this sentence came from Song Huizong, because the Ru kiln at that time was dedicated to the Song royal family, and when the kiln official asked to name its color after firing Ru kiln porcelain, the royal family approved: "Rain breaks the blue clouds, so color will be the future." From then on, azure is the color name of Ru kiln porcelain. But later Fang Wensheng gave up using Ru kiln as a song title, because its characteristics were not suitable for sentimental love, and the name Ru kiln was a bit too sad. After many twists and turns, the song was finally named Blue and White Porcelain, which was first burned in the Tang Dynasty and lasted for more than 1000 years. It is the most representative export art in China.

At the beginning, Fang Wensen determined the lyrics of misty rain like sky blue, and it didn't take long to write the second sentence of the chorus "I'm waiting for you", so the key word of the first sentence of the chorus was born: "misty rain like sky blue, and I'm waiting for you". Because the sky blue described in the lyrics can't appear by itself, it must wait patiently for a rain that doesn't know when it will come before it can appear as sky blue in the clear sky where cumulus clouds disperse. Because the sky blue will appear after the rain, and the sky blue will only appear after the rain, but Vincent Fang, on the other hand, said that if you want to see the sky blue, you have to wait until the rain clears. Also, the reason why "misty rain" is used instead of "rain" is purely because misty rain is more beautiful in artistic conception.

The usage of the word "provoke" in the lyrics is the famous sentence of the sixth ancestor Huineng Vincent Fang: "Bodhi has no trees, and the mirror is not Taiwan; There is nothing, where is the dust? " When writing this sentence, Vincent Fang first expressed his feelings with China's classic famous sentence "Bananas cause showers, knockers cause verdigris", and then used a more vernacular phrase "And I passed by that Jiangnan town and provoked you" as an antithesis. Because banana and knocker are static objects, they can only passively wait for showers and slowly oxidize into verdigris after years of erosion; But the pronoun "I" is different from bananas and knockers. Because "I" can move freely, I met you by chance through a small town in the south of the Yangtze River, not passively waiting for you, but actively getting to know you. So although they all use the verb "provoke", initiative and passivity are very different. And in this passage, Vincent Fang used three words "provoke" in succession, which have the same meaning but different usage, which is very interesting. In a word, Vincent Fang wrote this song very hard, but it was also very fulfilling.

6. thousands of miles away

The lyrics of A Thousand Miles Away describe the love of children in a big era. The phrase "Where is love? Life and death are hard to guess, pointing out that most love in wartime ended in tragedy. The lyrics describe the feelings and sadness of lost love, and vincent fang's fluent writing adds a lot to the song. Continuing the sadness of the last album "Hair as Snow", Jay Chou and Yu-Ching Fei sang the sad songs of that great era in the form of duets between men and women. This duet song by Yu-Ching Fei and Jay Chou has completely different styles and can stand the test of time.

The Chinese style created by Tailing opened the curtain of the story. Vincent fang's poetic lyrics describe the times belonging to Xu Zhimo and Lu Xiaoman. In the great era of war, lovers separated for safety. "I sent you away, thousands of miles away." Who knew Whitehead would never see it again? Jay Chou asked Yu-Ching Fei to sing this classical love song, which is necessary. Jay Chou arranged touching melodies and pictures, from music to the conception of stories, and then extended to the shooting of musical films. Jay Chou wove this epic drama in one breath.

Step 7 answer directly

The name of direct answer comes from an ancient folk music score. The sentence' I miss being thin when the wine is warm after you leave' comes from Li Qingzhao's sentence' It should be green and fat and red and thin'.

8. incomparable

The MV of the song "Warrior" tells a story of revenge for love, but there is no female role all the time.

9. Travelers from all over the world

The story, played by Darren Qiu Kaiwei, Jay Chou's younger brother, describes a festival related to Hanfu being held in the ancient town. Darren's photographer shuttled through the music festival to capture the wonderful pictures of the event, but accidentally photographed a heroine who moved him. Since then, the camera has quietly taken many photos of girls. The heroine, a painter, came to this activity to sketch. When she found Darren, she began to draw him involuntarily, so they met in this poetic ancient town of Tang Xi.

10. Lanting preface

"This has nothing to do with romance. My preface is waiting for you to put the pen back. There are thousands of waves on the shore. "

After Chrysanthemum Terrace and Blue and White Porcelain, vincent fang wrote Chinese style with the best calligraphy Preface to Lanting as the main theme! The words are amazing! Calligraphy is used to describe the cautious posture of ancient women who pushed the door out under the moon and walked lightly. Then, no one can imitate and compare the peerless beauty of women with "Yi Tuo Millennium Monument can't show your beauty, who can you really give it to?" "Yan Nanfei turned to cry for you" is a metaphor for the era of Wang Xizhi in the Eastern Jin Dynasty, when the royal family moved south and fell down, leaving the northern beauty "to remember sleep"; Although it has nothing to do with the affair, I will wait for you to reply to a poem with a preface, but when I am about to write a poem, my thoughts will inevitably be like a thousand waves on the shore. How to explain love and how to put pen to paper are all wrong. If I hadn't really been in love once, I'm afraid I wouldn't have been able to copy the ever-changing feelings like "Preface to the Lanting Pavilion" all my life!

Jay Chou repeated the chorus in the way of Xiao Dan's voice in Peking Opera, which was quite dramatic, and added the classical beauty of Preface to Lanting.

Preface to Lanting is the work of Wang Xizhi, a famous calligrapher in the Eastern Jin Dynasty. At the end of the Western Jin Dynasty, the Jin royal family moved to Jiankang (now Nanjing), and Wang, Xie and other clans crossed the river one after another. So people in eastern Zhejiang can extract it. It is said that on the third day of March in the ninth year of Mu Diyong (AD 353), four fathers and sons, namely, Hui Ji, Wang Xizhi, Taiyuan, Sun Chuo, Guanghan Wang Binzhi, Chen An, Gao and Taiyuan Wang Yun, held a ceremony in Hui Jilan Pavilion, and each of them recited four or five-character poems. At the end of the elegant collection, everyone recommended Wang Xizhi's Preface to Lanting Elegant Collection. Wang Xizhi was a little drunk at that time. He picked up a moustache pen and wrote on cocoon paper in an instant. The articles and characters were the best at that time, and people pushed them to be masterpieces through the ages. The Preface to Lanting is exquisite in writing and language, which is a wonderful work in ancient prefaces and postscript prose, and what is more precious is that the art of calligraphy has reached its peak. This preface * * * has 28 lines and 324 words, and the word is "unconstrained style, free procession." Every repeated word has a different way of writing, such as five words of "Huai" and seven words of "No", which are shaped according to different types and are ever-changing. Among them, the word "Zhi" has as many as 20 crosses, some of which are neat as regular script and some are cursive script, but they are all different in size and shape, which is amazing. After Wang Xizhi sobered up, he wrote dozens more books in a few days, but he always felt that it was not as good as the first time, so he cherished it more. He kept it at home and told his descendants to keep it as a family heirloom.