How to evaluate Lu Yao's understanding of Mary?

This play is also a screenwriter who likes to play with the name terrier. The main line of the story is expressed by the names of the men and women-Lu Yao and Mary, which can be remembered at a glance without thinking. ?

Judging from people's age, it is obviously a post-80s love drama. ?

If we regard it as a love movie, the clues we can read from it can be divided into strong and weak, long and short, with and without.

These friends who have gone from college to maturity together have different expressions in their respective growth trajectories.

1. Advantages and disadvantages of characters

This is the strongest conflict point in the story line, that is, the character expression of the hero and heroine. The climax of each scene is created by the strong contrast of their personalities.

Mary, the hostess, is a very strong and generous man, who dares to say and do things, and is crisp and agile, almost unlike other girls.

When I was in kindergarten, I was friends with Liu Yao. I took the rubber band off my hair without saying anything, and I didn't care about my good image at all.

Later, I met his ex-girlfriend with Lu Yao in the supermarket and picked up the big speaker to shout, which also had the same effect.

However, she is such a straightforward person, but she doesn't have the courage to say what she likes and loves.

Bold, she is a weak person when expressing her heart.

Liu Yao is a coward to the extreme. He peed his pants when he was a child. He dare not make mistakes in college. He clearly loved Mary in his heart, but he still made a mean gesture as if nothing had happened, claiming that he was a brother.

The girls have been sent to bed, but they only dare to give her one arm.

But he is such a timid person, but under the impetus of environment and atmosphere, he bravely and frankly said I love you. ?

2. The length of getting along

This is the story of two pairs of CP. ?

Lu Yao and Mary have known each other since kindergarten, and they didn't confess each other until they were 365,438+0 years old.

Zhao Ben and Ash casually mixed up a few words on other people's blind dates, went straight home to roll sheets, and then got married and went to Spain for their honeymoon. They made rapid progress and killed single dog around them. The evolution of their relationship also caters to Mary's lines in college. Love depends on feeling. ?

This is also the love problem that most post-80s children face. Some people procrastinate and entangle, and some people lightning Shi Huo in one step.

In the end, which way of love is happy, both sides hold their own words. ?

There is a kind of happiness that is a long-term companion, and there is also a kind of sweetness that is to live in the present.

We all wanted to choose, but in the end we lost to fate.

3. The existence and absence of "love"

The three boys, Lu Yao and Zhao Ben, who peeped at the girls' dormitory together in the university, are still alive, and their former good brothers have all converted to Buddhism.

The boy student who abandoned his sister to save his friend finally really saw through the world of mortals and went to Purdue.

The question discussed with the audience in this setting is whether love is a necessity in life. Can we live well without love?

Another thought about the existence of love is the placement of the gender positions of Lu Yao and Mary. Does love exist without saying it?

Lu Yao didn't say he loved her, just chewed the rice crust to coax her to sleep and accompanied her when she was unhappy. Everything she does is love. ?

Mary didn't say she loved him, but repeatedly hinted that everything she did was love, including her bold confession before the end of the day and the "I love you" quietly sent by text message. ?

But when two people meet a scene that needs honest love, they will repeatedly say, we are sworn brothers, we are good buddies and good friends. Deceiving yourself and others for such reasons is like saying that the love in your heart does not exist.

Another highlight of the film is the part where two pairs of CP go to Spain together. Barcelona, which jumps forever, contrasts with Shanghai, where they live normally. There are two night scenes overlooking the city, and two quiet shots give people different temperament and feelings.

Bold and hot dances and crazy artists around you make everyone's loving heart no longer restless.

They don't just go on vacation, they go to another place, do things they don't usually do, and be themselves they haven't done before, but they are more real.

The egg at the end of the film is a shot of Lu Yao and Mary with white hair. This kind of life has finally ended with each other. Before that, they still owe a romantic wedding and frank confession.

As the old saying goes, companionship is the longest confession.

They really spent their whole lives repenting.