Seeking the film review of "Seventeen-year-old Bicycle". About 300 words.

First, give a film review about "Seventeen-year-old Bicycle", followed by some foreign film reviews about this film, which can be used selectively by yourself.

First copy:

The 17-year-old bicycle reflects the lifestyles of two young people-city people and country people; But they are also the same kind of people-the "lower class". Simply put, this play is a sad song of the "lower class".

Seventeen-year-old Bike tells the story of a young man who came to Beijing from other places to make a living. He finally found a job as a courier, but he didn't have a bike, so he had to be provided by the courier company and deducted money every month. When all the money was deducted in the last month and the bicycle officially became its own, the bicycle was stolen.

The young man can't find it anywhere. By chance, he found a bicycle, which was bought by another young man from the second-hand market. The courier boy decided to solve the problem in the most primitive way and steal his bike back. However, another young man didn't want his second-hand bike stolen and found a large group of friends to get it back. The final outcome was even more unexpected and left a deep impression on the audience.

The story of the film is actually very simple, but the plot is fascinating. When it was shown in Berlin before the game, the audience laughed again and again and the response was quite good. Many people will compare Italy's Didier's realistic new classic "Bicycle Theft" with "Seventeen-year-old Bicycle", while director Wang Xiaoshuai said that the two films also pay attention to the fate of small people in the big society and strive for survival, which is of great significance to both Italy at that time and China now.

Li Bin, Cui Lin and Gao Yuanyuan, the young mainland actors starring in "Seventeen-year-old Bike", ranged in age from 18 to 22. As the name implies, Gao Yuanyuan people have big eyes and a round face, and they smile very sweetly. She lives like a doll. Now she is the advertising queen of the mainland. She is currently studying in the third year of Economics Department of China Workers' Movement Institute. She is 22 years old. Before making a movie, she had a lot of advertising works. She hopes to develop in photography and advertising in the future. As for making movies, just one movie a year. She should have her own time to do her own thing.

Cui Lin, who looks like Shuai Shuai and smacks of a Japanese drama hero, is Japanese. His grandparents lived in the northeast after the war, and his father brought a woman from China. From the northeast, he plays the courier boy in the film, but in real life, he studies martial arts and is very interested in movies. I heard that he has an uncle in Taiwan Province Province, and now he is trying to find someone. He hopes to continue his film work in the future. If someone asks him to film in Taiwan Province Province, Trina is willing to go to Taiwan Province Province.

Li Bin is small, but full of drama and easy-going, but he has his own opinions. He said that he has no idol to worship, and it doesn't matter whether he becomes an idol or not, so as long as everyone likes his movies, he is satisfied. (Mori Town Lin Bao)

The bustling city of Beijing and the fast-paced music in the film set off a rural young man "Agui". He is simple, kind and a bit dull. He came to Beijing from the countryside to work and found a bike to deliver the courier. Charge per order 10 yuan. When he earns 600 yuan, he can buy the silver mountain bike lent to him by his favorite company. Since then, Agui has been cycling through the streets of Beijing, but the "city" is always out of place with him. First of all, the director let him see a beautiful girl who keeps changing clothes, and let him see what a "city man" is; Then let him suffer indignities everywhere in the city, see what a "city dweller" looks like, and then put him in front of the hotel to let him "feel life". The ever-rotating hotel gate represents high-speed urban life and advanced material civilization, while Agui, who lingers with the turnstile, represents the confusion of outsiders about life! When Pell finally entered the hotel, he was called to a "civilized bath" like a fool. Who doesn't know that this "bathing" is wrong? Not only could he not find the "Mr. Zhang" he was looking for, but he was also forced to pay for the bath. Pell shouted helplessly, "I didn't come to take a bath" and "You asked me to take a bath"-a Pell who didn't know the law of "money" in city life, showed him again.

The humiliated Pell finally left the hotel for free under the manager's "charity", but bad luck came again. His only property, the bicycle, was stolen, and he looked around blankly. In the film, Pell runs like a blind fly in the vast sea of cars, accompanied by the slow-paced music of Saskatchewan, and the expression of that kind of composition makes people lose their helplessness, anxiety and panic after "hope" (bicycles are Pell's tools in urban life, too)! -This is the reality of the city.-The cruel life makes aki sad again! Finally, the hero looked at the spare chain at the scene of the lost car, and his eyes were full of tears that swirled but didn't drip, which was enough to shock people. This is a manifestation of the deep despair and helplessness of the lower class.

I lost my car and my job. My only hope is to find my bike and hope. In the process of looking for a car, he met A Jian. A Jian, a middle school student from a poor family, lives at the bottom of society like a ghost. The only difference is that he is a city dweller, and his father always dotes on his stepmother's sister, so that he never keeps his promise to buy him a bike. In a rage, he stole 500 yuan from home and bought a bike at the flea market. For A Jian, a bicycle is not only a bicycle, but also "something that should belong to him", which is his dignity. If he doesn't want a bike, it's the one that Gui lost. Pell found it and stole it back, and Ajian took it back; Pell wants to go back again, and Ajian wants it back. The two of them are entangled in this cycle, one wants to return to "hope" and the other wants to return to "dignity". During the last robbery, Pell cried. He grabbed his car and cried. This kind of crying again can be said to be a manifestation of injustice in the world, and it can also be said to be an attack of self-defense in despair. Reality has pushed the lower-class wage earners to the surface. Agui's screams shocked Ajian and his friends, stopped them from continuing to rob, and seemed to awaken their conscience from the depths of their souls. Gui's crying makes people feel that what he wants to lose is not a bicycle, but a part of his body, and it is the most important part.

/kloc-A Jian, 0/7 years old, can't bear to cry like this, but his bike is also the most important thing on him, and he can't let go. They had to give in. "If you don't give the car, you will return it!" 500 is not available, 400 will do, and 300 will bear it! "But in Agui's view, the bike was originally mine, and I paid for it", but in Ajian's view, "I paid for it", and they finally reached an agreement: one person can use it for one day! This ridiculous thing for adults seems to be the best solution between them. This is the insistence of two 17-year-old people in the lower class, and it is the most helpless choice for life, but it is also kind.

Bicycles connect two 17 years old, and A Jian's "handshake" with Gui is even more meaningful. In the process of safeguarding their own interests, two young people at the lower level succumbed to the most unreasonable "agreement" in the world and suffered the most unfair treatment. This handshake can be said to be a friendship between two 17-year-olds persecuted by fate.

Fate seems to bind them tightly together. Finally, A Jian knocked down his girlfriend's "golden hair" with a brick. The man who came back for revenge beat him and Agui, and even his bike was severely smashed. At the end of the film, A Gui walks alone in the streets of Beijing, carrying a broken bicycle, and finally disappears into the vast sea of cars. Lonely figure and tattered bicycle symbolize him-a migrant worker who can never integrate into the city. When he came, he had "hope" (bicycle), but now "hope" has been broken, and natural people can't survive-this is the sorrow of the lower class and is doomed to be oppressed and destroyed!

While exposing the sadness of the lower class, the film also reveals the most obvious characteristics of modern young people: impulsiveness and confusion, setbacks and mistakes in growth, which make people confused and irrational, and then produce impulsiveness. All the characters and contradictions in the film revolve around such a bicycle and two young people aged 17. Riding is their confusion, which makes them have the same impulse, and finally shows the essential characteristics of the younger generation under the oppression of modern society. Because bicycles can be seen everywhere in life, it can help people feel real from the beginning. Later, the dialogue and behavior of the characters are also very real. There is hardly much language in the film, only through real movements and the simplest expression, there is no sculpture at all, giving people a kind of cordial and natural feeling. The film is good, not in acting, but in nature and truth!

Second copy:

Seventeen-year-old bicycle, when I heard the name, I thought it was a very happy, happy and sunny movie. I didn't expect it to give people a feeling of loss, sadness and gloom.

Seventeen-year-old Bike is a movie focusing on teenagers, starring Guo and Da Huan. The film tells the story of Guo, a rural teenager, who came to Beijing from the countryside to work. He got a job in a courier company, and delivered the courier by bike once 10 yuan. When he earns enough money, he can buy the silver mountain bike lent to him by his favorite company. Agui suffers from frequent customer complaints and hard work. Just as he was trying to save enough money, his bike was lost. He ran all over Beijing looking for his bike. By chance, he found a bicycle, which was bought by another young man, Xiao Jian, from the second-hand market. Aki decided to solve the problem in the most primitive way and steal the bike back. However, Xiao Jian was not satisfied that the second-hand bicycle he bought was stolen, so he asked a large group of friends to go ... Agui lost his car in the process of delivering the express, which triggered a series of stories. A series of contradictions and conflicts around a car reflect all kinds of helplessness and ugliness in life. In this film, people from different classes and identities get together and form three lines-Xiao Jian, Agui and Dahuan. Deduced a film full of violence, hardship, helplessness, pain, confusion, blindness, vanity, indifference, depression and emotional entanglement. In all kinds of disputes, Xiao Jian and A Gui are losers, especially A Gui. Finally, the car was gone, and the hope of life was gone. They can only walk on the streets of Beijing that don't belong to him. ...

There was no interest dispute between Gui and A Jian, but when an anonymous car thief secretly changed the "household registration relationship" of bicycles, their feud intensified and eventually developed into a full-scale fight, because they thought that only violent conflict could solve the bicycle ownership dispute. ...

Many roles are intertwined, and various contradictions and conflicts continue to occur.

Plain family contradiction: Xiao Jian has no communication with his father, stepmother and stepmother's daughter. They are under the same roof, and some of them are just plain. The father doesn't know his son, and the son doesn't know his father. The two generations are full of inner conflicts. Finally, because Xiao Jian stole money to buy a car, a long-hidden war broke out between father and son, and the father and son turned against each other. ...

Pursuing a goal: Agui's biggest dream is to own the mountain bike he is using now, so he works hard, walking in the streets of Beijing every day and running for a living, also in order to make this new car belong to him early ... On the contrary, Xiao Jian wants to own a car, so he has to steal money from home to buy it. ...

Conflicts between peers: Xiao Jian and Agui are arguing over a bicycle; Emotional entanglement between Xiao Jian and Xiaoxiao: Xiao Jian and Dahuan's impulse caused by rain. ...

A little friendship: The last coordination between Gui and Xiao Jian is to ride their cars alone for one day, and everyone takes turns to use them. In the daily handover, a touch of honesty and a touch of friendship are intertwined. ...

A silent resistance: Agui is in danger of being carjacked by Xiao Jian and his gang. In front of everyone, he took a silent approach and only insisted that the car was mine.

Heavy youth, sad teenagers, lost years ...

This is 17-year-old bicycle, a movie worth seeing. ...

Foreign film reviews:

Bicycle in Beijing has gone from a relaxed description of the dynamic poetry of a bicycle in motion to an original examination of violence driven by jealousy and guilt. A beautiful and painful movie. -Brett Fiesser (editor)

Seventeen-year-old Bicycle is a wonderful but sad movie, from a poetic and brisk description of the dynamic bicycle in motion to a realistic insight into the violence caused by jealousy and sin.

They both love the same bike wholeheartedly. A man needs it because it is his livelihood. Another person wants it as his way of life. Can you imagine what will happen when their lives conflict? Sparks and fireworks followed, and the ending was a spectacular climax with a quite explosive ending. In addition, there are other minor plots that show us the mentality of people from different social classes and the attitude of Chinese mainland people at critical moments. Personally, this film is similar to a symphony or a flowing poem. It may be slow for some people, but the reason why they don't like it is the reason why I like it. -Lin Ping (Christchurch)

Both of them love the same bike wholeheartedly. One is the need to make a living, and the other is the way of life. Can you imagine the consequences of the sudden collision of their lives? Sparks and fireworks are lit, and the end is an explosive climax. In addition, there are other sub-plots, which show us the mentality of people from different social classes and the attitude of Chinese mainland people to the increasingly urgent situation. Personally, I think this film is close to symphony or verse. This film is too slow for some people, and the reason why I like it is precisely that they don't like it.

That's all. Thank you.