Traditional Culture Encyclopedia - Hotel reservation - Want to buy a dream of red mansions (amateur level), which one do you recommend?

Want to buy a dream of red mansions (amateur level), which one do you recommend?

My feelings:

It's okay to pass on the school. Taking Geng as the manuscript and referring to other versions of the school, at least the story is complete. I read the school for the first time. It's a bit boring to study in the fat red chamber at first.

The most comprehensive criticism is "Red Yanzhai Re-evaluating the Story of the Stone", which was compiled by the Red Cross and integrated with several versions. There should be large bookstores or bookstores specializing in literature. Baidu search "Re-evaluation of the Stone Story in Hongyan Zhai" can also be found online.

Chen Geng's books are also good. I used Chen Geng's book (four volumes) revised by Deng Suifu, but many criticisms were in JOE's book, not in Chen Geng's book.

I watched the electronic version of Qi Xu Ben, but I put it down before I finished reading it.

Liu has a book "Revealing the Ancient Version of A Dream of Red Mansions", which can be compared with A Dream of Red Mansions edited by Mr. Zhou. Among them, Liu's "Research on" Red "after 80s" appeared in newspapers, and this book has repeatedly mentioned "Dream of Red Mansions" edited by Mr. Zhou, which is inspiring and amazing, so that it can be bought and read.

I once saw A Dream of Red Mansions approved by Feng Qiyong, with white cover, 16 folio and two volumes. I didn't have much money to buy it at that time, and I haven't seen it since.

Jia Xu's books are incomplete, and if collected as materials, they are not pleasant to read.

Attachment: Introduction to the Version of Dream of Red Mansions

This is from the literary society of A Dream of Red Mansions [Fuqinju]. I want to post it here, hoping to help all egg powders who love a dream of red mansions.

(1) Jiaxuben

JOE is the abbreviation of "JOE who copied, read and reevaluated Zhi Yan Zhai". For the first time, in the sentence "Give a name when publishing, it depends on what story is on the stone" on the eighth page of cuneiform, there are more words than himself, such as "JOE is still recorded in stone for reading and re-evaluating" 15, indicating the background age. Hu Shi named it Jiaxuben, which is the first time to name the manuscript of A Dream of Red Mansions with dry branches. According to the research of redology scholars, JOE was born in Qianlong, JOE in the 19th year (1754). This place of origin was once collected by Liu Quanfu of Daxing, and some researchers called it "Fat Whole Book".

Every volume of Jia Xu's book begins with "Zhi Yanzhai's Re-evaluation of the Story of the Stone". The remaining sixteen episodes: Episodes 1 to 8, Episodes 13 to 16, Episodes 25 to 28, Episodes 16. The fourth cycle lacks the second half, and the thirteenth cycle lacks the lower left corner. There is no catalogue. One volume is four times, and four volumes are * * *. Made of dried bamboo paper. The paper is yellow and crisp, and it has been mounted once. Twelve lines per half page, eighteen lines. The disability is serious. Every page in the second half of the book has Zhi Yanzhai's signature.

Liu Quanfu's postscript in Tongzhi 2 years (1863) and Tongzhi 7 years (1868) is very insightful. In addition, Liu Quanfu's friend Sun's Mianzhou (Department of the Left Mad Taoist) wrote more than 30 comments. There are also friends Pu Wenxian and Pu Wenchang (Qingtu, Chunyu) brothers. Hu Shi, Yu Pingbo and Zhou also wrote inscriptions for it. There are six words "extremely many", "red chamber" and "Shi Jian" and Zhong Yin written by Hu Shi. At the junction of the base paper and the original book, there is the seal of "Liu Quanfu Zi Reprinted".

Hu Shi believes that JOE is the oldest book in the world, and redology scholars generally believe that the original manuscript of JOE is the earliest and closest to the original manuscript of Cao Xueqin. This is a recorded edition, and Zuben may be an edited edition of Zhi Yanzhai. The reason is that there is Zhi Yanzhai's signature at the bottom of each page, and some places are empty to be filled in, such as a few poems before returning, only "poems" are hung. The description of Lin Daiyu's eyebrows has not been written yet, and the second half of the sentence is surrounded by calligraphy. The original version is not patchwork, the text is rarely modified, and some comments are transferred from another version.

For the first time in this book, there was an abnormal criticism of Ding Haichun by Zhu Bian, and the general review of Moben was also written by Ding Hai, indicating that the copying time was after Ding Hai (1769) in the twenty-third year of Qianlong.

For the first time, on page 1, line 1 has the title of "Zhi Yanzhai's Re-evaluation of The Story of the Stone", line 2 has the word "every example", line 3 has five examples, and there is a poem at the end. Chen Yuqian believes that this paragraph is a criticism of obesity, and the text should start with "reading officials". The first to fourth poems, ***4 14, are unique to this book. Fifth, "The first time I opened this book, the author spoke from the clouds ..." Later, this paragraph was the only introduction in the book, which was confused with the text and became the beginning of the text. At the end of each poem, the word "October" is added to the front of the poem. There are many poems in this format, and the next seven laws are: "It's hard to be busy. The party is over. Sorrow and joy are still illusory. Dreams in ancient and modern times are ridiculous. It is said that black tea cries badly. More infatuated and bitter. Every word looks like blood. Ten years of hard work is unusual. " The couplet "every word is like blood, and ten years of hard work is extraordinary" is a household name and is often quoted by works in red.

For the first time, there is an extra paragraph, just two pages, with more than 400 words, between the sentence of "abundant gods are different" at the bottom of page 4 and the sentence of "using magic to know" at the top and bottom of page 5. The fifth time, Jia Baoyu dreamed in a dreamland and married the sister of a police phantom beauty, each with its own differences.

There are many kinds of this book, such as eyebrow approval, side approval, double-line approval and back-and-forth approval, without signature and date. Among them, Zhu Mo's double-row transcription is a major feature of this book. It was not approved nine times. This unique comment on writing is in Chapters 6 and 8. Fat criticism is far more than other fat copies, especially some important comments he doesn't have. For example, 1' s poem "Full of Absurd Words" criticized that "only those who can solve it can cry bitterly into this book." New Year's Eve. Qin cried to death before the book was finished. I tried to cry Qin, but my tears had run out. Every time I look for Green Ridge Peak, I always ask exemptions, why don't I see the monk? Hey! "This comment on writing is the primary basis for those who think that Cao Xueqin died in Renwu (1763).

It is worth noting that from the photocopying point of view, this book does not seem to avoid the taboo of Emperor Kangxi on the word "Xuan". However, after consulting the original work of JOE, Feng Qiyong found that the word "Xuan" which was not taboo in this book was added by later generations, and the ink color and brushwork did not match the original work. After careful appraisal, Mr. Zhong Yinlan, an expert in the calligraphy and painting appraisal department of Shanghai Museum, also thinks that the word "Xuan" is not genuine at all. Now it is added by later generations, which is more obvious under a high magnification magnifying glass. Therefore, it is inaccurate to say that the word "Xuan" in Shuo Wen Jie Zi is not taboo, but it is influenced by the photocopy. Accurately speaking, the word "Xuan" in JOE's edition is taboo, which is consistent with the taboos in Ganlong manuscripts such as Bazaar and Chen Geng. That is to say, there are thirteen existing Ganjia manuscripts, whether it is A Dream of Red Mansions or A Story of the Stone, which all avoid the taboo of the word "Xuan", including ten newly discovered ones and Cheng Jia's wooden movable type.

Jia Xu was originally named Liu, a native of Daxing in Qing Dynasty. He was born in a drum tower in Beijing and passed it on to his son Liu Quanfu. It will later be owned by Sun. Then I went into obscurity. 1927 In the summer, this copy appeared in Shanghai and was bought at a high price for Mr. Hu Shi, who had just returned to China. The first time was copying. According to the first Chinese character mentioned above, Hu Shi called this book Jiaxuben, which is the first time to name the annotation of A Dream of Red Mansions based on the year of dry support. He thinks Jiaxuben is "the oldest and most valuable writing book of A Dream of Red Mansions in the world", so Mr. Yizhi regards this book as a lifelong secretary, so he doesn't show it to others easily. 1948 12 16, Hu Shi went south and left in a hurry. All his books were left (collected by Peking University Library), and he only took away sixteen JOE and another Cheng Yi. 1962 After Hu Shi's death, he sent this book to Cornell University Library in the United States, and it has been purchased by Shanghai Museum.

JOE's photocopying:

1, 196 1 May, Hu Shi submitted this copy to Taipei Commercial Press for photocopying and publication. This photocopy is Zhu Mo's two-color overprint, with 500 copies of Hu Shi's "Revaluation of Stone in Copying Ganlong Xujia Zhiyanzhai" and its postscript.

2. Hongyan Zhai reevaluates the Stone Story, 1962. In June, Zhonghua Book Company was reprinted and published by Zhu Mo, Taipei Business Edition. There are two kinds of thread installation: one is to install a letter and two volumes, retaining Hu Shi's preface and postscript; Second, according to the original four-volume edition (27× 18 format), Hu Shi's preface, postscript and seal are deleted, and the six words of "compilation", "red chamber" and "identification" added by Hu Shi in Fanfan are removed, and the words in the original annotations in the book are excavated and supplemented, which is easy to attract readers' attention. The book is accompanied by Mr. Yu Pingbo's postscript and Chronology of A Dream of Red Mansions, which is distributed internally and printed in 1500 copies.

3. Re-evaluation of Zhi Yanzhai's Story of the Stone, reprinted by Shanghai People's Publishing House in February, 1973 according to the 62nd edition, with four volumes, 27.5× 18 format, for internal distribution; 1975 published a paperback volume in May, with 30,000 copies printed.

4. Re-comment on "The Story of the Stone in JOE Red inkstone in Qianlong" photocopied by Shanghai Ancient Books Publishing House in September, 1985. According to Taiwan Province Commercial Edition, there are Hu Shi's notes and seals, and 12000 copies have been printed. In April, 2004, Shanghai Ancient Books Publishing House used two-color photocopying to bind four volumes, 3 1× 19.2 format, and printed 1500 volumes.

5. Re-comment on The Story of the Stone by Zhi Yanzhai, published by Zhonghua Book Company19910 in June, monochrome photocopying, 32 pages, hardcover volume, included in the 40th series of ancient novels. Print 550 sets.

6. Re-evaluation of Stone by Zhi Yanzhai (JOE Edition), published by Shanghai Ancient Books Publishing House 199 1, monochrome, 32 pages, hardcover volume. Income "ancient novel integration" the second series.

7. Re-evaluation of the stone carving story of Xujia Zhiyanzhai in Qianlong. To commemorate the 240th anniversary of Cao Xueqin's death, Jintan Ancient Books Printing Factory completed printing in 2003, with a print run of 500 copies. 1 letter 5 volumes. There is no book number and copyright page, commonly known as "Jintan Edition". There are actually two kinds of book binding, 300 "classic" and 200 "gift". Since then, the book version has been presented to Beijing Library Press. The Jintan Edition restored Mr. Hu Shi's inscription and seal for the first time, and also restored five postscript deleted from Taiwan Province province, namely: Hu Shi was in new york on 1948 1 February 1 day, Hu Shi was in1May 8, 949, and Hu Shi was in/kloc-0. Mr. Lin Zhengyi, a calligrapher, wrote the general catalogue, and Mr. Feng Qiyong wrote the inscription himself. In addition, an extra volume is added. The fifth volume includes the inscription and postscript of Liu Quanfu's father Liu Kuanfu's exquisite rubbings of Han Ichiro, Liu Quanfu's long inscription and postscript for Tang Kaiyuan's rubbings, Liu Quanfu's seven handwritten letters to Sun, and Hu Xingyuan's personal letters and envelopes from the Academy of Social Sciences to Hu Shi.

8. Hongyan Zhai's re-evaluation of the JOE edition of The Story of the Stone published by Jintan Ancient Books Publishing House in June, 2004. To commemorate the 240th anniversary of Cao Xueqin's death, 240 volumes of Yangzhou International Red Cross Edition and Huangyecun Edition 1000 were specially printed. Not for sale. Due to the agreement, Yangzhou International Red Cross Edition and Huangyecun Edition have no volume 5. "Huangye Village Edition" has two seals, namely "Huangye Village Cao Xueqin Memorial Hall" and "Huangye Village Cao Xueqin Memorial Hall 20th Anniversary". There is an inscription by Feng Qiyong in front of the book and an inscription by the director of the memorial hall at the back.

9. Red inkstone reevaluates the JOE version of Stone Story, with 240 volumes specially printed by Meng Meiting and four volumes bound by thread. At the beginning of the volume, Mei Festival's Yan Ge, after the volume, Du Fu's Eighty Years (Postscript). In addition, Hu Xingyuan's letter to Hu Shi was attached, and Hu Shi photocopied five notes deleted by Jia Xu, a chapter of Notes on Snow Qin and Bamboo Weng hidden by Liu Quanfu's descendants, a Bamboo House Library Map painted by Zhuang Shaofu for Liu Quanfu and a Postscript written by Hu Shi for this map. In addition, there are more than 50 seals/kloc-0 made by colleagues at home and abroad. This collection of seals covers famous experts from all over the world. The number, precision and completeness of seals are unprecedented, which can be described as "the grand view of contemporary seal art and the treasure of literati seals" and "dazzling and beautiful". Another feature of this episode is that the two masters elaborated and discussed Cao Xueqin's death year, edition origin and book writing process in Yi Yan and Postscript, which will inevitably attract the attention of the red circle, which is not available in other Jiaju editions.

10, read and re-evaluate The Story of JOE Stone in Zhiyanzhai, photocopied by Shenyang Publishing House in 2005, soft hardcover book.

1 1, re-evaluation of the author of "The Story of the Stone", Gan Long JOE Zhiyanzhai, photocopied by Taiwan Province Hongye Publishing House in June, 70 (198 1), two sets of red hardcover volumes of the 16th National Congress, with the original title of Hu Shi as the cover and Hu Shi's Postscript of Gan Long and JOE in front of the book.

12, "Re-evaluation of the Stone Story by Qianlong Red inkstone", published by Hu Shi Memorial Hall in Taiwan Province Province in May, 1950, with a hardcover volume of 16 and a set of red prints, with a print run of 1500 copies. Later, it was reprinted in 195 1 year, and Mao Zishui's preface was added, and 1000 copies were printed. In the third edition of 1964, Mao Zishui's postscript was added. The book is clearly printed. The preface of Hu Shi is photocopied in front of the book, followed by the Origin written by Mr. Hu Shi and Hu Shi's long postscript.

There is also a photocopy of this book by Youlian Publishing House (Hong Kong).

In addition, in August of 1948, Zhou and Zhou Guchang recorded one with Hu Shi's original ink pen. Unfortunately, due to the hasty copying, some words were not copied according to the variant forms of the original book.

JOE Edition, with Deng Suifu's Red Rock Zhai published by Writers Publishing House, re-evaluation of JOE's school-based Story of the Stone, simplified Chinese version, horizontal version.

(2) self-made copies

Now it has been published (some scholars call it Zhi Yi Ben and Zhi Guan Ben, but it is not very popular). The title on the cover is "The Story of the Stone". At the end of each volume, the words "Red inkstone reevaluates the stone volume" are written. The title of the cover of the second volume is "Zhi Yanzhai has read and commented four times", and the title of the third volume is "Ji Maodong Ding Yueben", hence the name Ji Maoben. The first year of Qianlong (1759) was regarded as twenty-four years of Qianlong by redology scholars.

The dried bamboo paper used in the bazaar is thin and slightly thick, ribbed, khaki and dark in color. The periphery is brown and worn. The clip is darker than the paper. The collation of Zhu Bi is clear from the old to the new, with red being dark and purple being light. The comment on writing in the clip is quite bright red.

Forty-one cycles and two and a half cycles stay at the base. That is, one to twenty times, thirty-one to forty times and sixty-one to seventy times (sixty-four times and sixty-seven times were originally missing, and people from Ting Anne Road copied them). Ten times a book, * * * four books, ten lines, about twenty-seven to thirty crosses. Among them, the first cycle is short of three and a half pages, about 1800 words, the tenth cycle is short of one and a half pages, about 900 words, and the seventieth cycle is short of one quarter page, about 700 words. Because they are all on the last page of every ten chapters, the knowledge system is incomplete in the process of circulation.

This book was originally separated from the second half of the fifty-fifth cycle to the first half of the fifty-ninth cycle, and was purchased by the History Museum in the early 1950s. According to the textual research of 1975 by Wu Enyu and Feng Qiyong, it is found that the three times and two and a half (the second half of fifty-five times to the first half of fifty-nine times) of the residual copy of The Story of the Stone collected by China History Museum are the missing parts of the current edition, because the word "Ji" is also avoided. So, I saved it in this book 41 times, twice and a half.

This book, which ends with thirty-four chapters of A Dream of Red Mansions, is the first book with the title of A Dream of Red Mansions in The Story of the Stone. It can be seen that Cao Xueqin used the title of A Dream of Red Mansions before his death. Chapters 17 and 18 are not separated, * * * uses a reply, Chapter 19 does not reply, and Chapters 64 and 67 are missing, which is the same as Geng.

The text of this book begins with "just enjoying flowers and pruning bamboo, drinking and reciting poems", and Tao Zhu copied the first three and a half pages. Sixty-four times and sixty-seven times were based on another banknote (see the note "The Story of the Stone" at the end of sixty-seven, according to the transcript of Qianlong period, supplemented by Wu Yu 'an). There are two corrections in this edition due to the collation of Ding Hainian (1947) and Ji Ugly Year (1949) according to the edition and edition.

There is no complicated comment on writing in this book, and the first eleven chapters are a white text (after copying fifteen comments in this book). Before returning, the general evaluation sheet occupies one page, with double-line comments, no eyebrow approval or side approval. Most of the comments are written in double lines in the text, accounting for 7 17, which is the same as Chen Geng's version (except for one more word). There are only twelve places written on the right side of the text. These side batches are unique and can be found in chapters 6 and 10. This version has fewer words, more than that of Chen Geng, and its meaning is more accurate than that of Chen Geng. The original book probably predates Chen Geng's book and is the ancestor of Chen Geng.

There are six notes in this book, which make up for the shortcomings of the notes in this book. The first one is the first article "Prosperous State" with the annotation "Fu Chang 'an Capital"; The second is the fourth "official protection statement"; The third is the fifth poem; The fourth is the sixth poem; The fifth sheet indicates that the total batch will be copied twice as low before the second return; The sixth is the comment back to 19, with the text attached, and the other is recorded before the reply.

The words in Jimao avoid the taboo of "Xuan" and "Zi", and the words "Xiang" and "filial piety" in this paragraph are obviously taboo. According to the textual research of Mr. Wu Enyu and Mr. Feng Qiyong, this is a copy of Qin Yi Wang Mi or its copy. Because the old prince's name is Yun Xiang, and the little prince's name is Hong Xiao. Compared with bibliography, we also avoid the taboos of "Xiang" and "Xiao". This book avoids the family secrets of Prince Yun Xiang and Hong Xiao, so critics think it was recorded from Qin Yi Wang Fu's manuscript. Yifu is a famous bibliophile in Qing Dynasty, which has been handed down for more than a hundred years. The Song and Yuan Dynasties were exquisitely carved, and the beds were stacked and the finished products were many orphans. Huang Anxiang, the father of Xiao Hong, is the son of Kangxi (13), and the Cao family is closely related to him, so the basis may come from the Cao family.

This book was acquired by the famous bibliophile Dong Kang in the early 1920s and 1930s. Dong became a traitor in War of Resistance against Japanese Aggression and died in prison after the victory of the Anti-Japanese War. Around 1936, this book belonged to his friend Tao Zhu (also a native of Wujin). 1949 was hidden in Beijing Library. The present National Library of Tibet. The other three times and two and a half times appeared in Liulichang China Bookstore on 1959 and were purchased by China History Museum.

A copy of this bill is as follows:

1, Re-evaluation of the Stone Story by Red Yanzhai, photocopied by Shanghai Ancient Books Publishing House in May 1980, 5 volumes per letter, 6 1x 13.72 format, with a first print of 2,000 copies, and the price of each set is 58 yuan. In the process of copying, Tao Zhu's revised handwriting was cleared and deleted.

2. Re-evaluation of the Stone Story in Hongyan Zhai (the final edition of Dongyue), photocopied and published by Shanghai Ancient Books Publishing House198/KLOC-0 in July, hardcover volume, priced at 7.65 yuan.

3. Re-evaluation of the Stone Story in Hongyan Zhai, Ji Mao Edition, photocopied and published by Shanghai Ancient Books Publishing House 198 1 year1October, with two paperbacks, priced at 6.75 yuan. There were some mistakes in photocopying the hardcover, but the paperback has been corrected.

4. The Collection of Ancient Novels and the Story of the Stone, photocopied by Shanghai Ancient Books Publishing House in September, 1986, hardcover in two volumes.

5. "Red Rock Zhai Re-evaluates the Rough Edition of the Stone Story", photocopied by Beijing Library Press in February 2004, 16 format, hardcover 4 volumes, full-color original photocopy, and the price is 3950 yuan. This edition does not delete the comment on writing in the original book, and it is the only copy that keeps all the comment on writing of Tao Zhu.

6. Re-evaluation of the Stone Story in Hongyan Zhai, photocopied by Shanghai Ancient Books Publishing House in April 2005, with 5 volumes, 3 1x 19 format, first print 1500 sets, and the price of each set is 780 yuan.

7. Re-evaluation of "The Story of the Stone" by Zhi Yanzhai, photocopied by Shenyang Publishing House in 2005, in 2 soft and hardcover volumes.

This book is reprinted by Liren (Taibei), Taiwan Province Province.

(3) Geng Chenben

Chen Geng's topic is "Re-evaluation of the Stone by Zhi Yanzhai". Due to the titles of five to eight volumes, there are the words "Autumn Moon in Chen Geng" or "Autumn Moon in Chen Geng" respectively. Therefore, researchers of A Dream of Red Mansions generally call it Geng Chen Ben. The year of Chen Geng was the 25th year of Qianlong (1760), when Cao Xueqin was still there. This book is now in Peking University Library, and it is the most complete book in the early notes.

Chen Geng is made of dried bamboo paper, surrounded by yellow and brown. This comment on writing is similar to the chapter color of Yanda Library. Through the method of "gold inlaid with jade", it is carefully framed. Save eighty, lack sixty-four and sixty-seven, save seventy-eight. The book consists of eight volumes, each with ten times (eight times in the seventh volume), 10 lines, with 30 words in each half. About 600 words have been removed from chapter 68, and it is estimated that a page has been lost.

The existing Geng is over-recorded, with more than one copy, and the level is uneven. The book is full of words. The quality of the last volume was so poor that it was difficult to finish. The over-recording time should also be arranged after Ding at the earliest, and the reply, text and comments all retain the traces of the author and commentator's own books. For example, chapters 17 and 18 are not divided, chapter 19 is not returned, and at the end of chapter 22, there is a lack of text after the mystery of spring, and it is written: "Make it up later." On another page, it says, "Let's remember Baochai's riddle for a while: Who will carry two-sleeve cigarettes in the morning?" "This time, qin is dead. Alas! Ding Xiahai, abnormal "and other words. On the first page of Chapter 75, it says: "The seventh day of May in the 21st year of Qianlong was cleared. Lack of Mid-Autumn Festival poetry, when Cao Xueqin. " The style copied at the beginning of each volume of this book is the same as that of the original book: The Story of the Stone on the upper left, and the double-line fine print "Back to Back" and "Four Reviews of Zhi Yanzhai" on the bottom. There are only eight chapters in Volume 2 and Volume 7, and there is no separation between Chapter 17 and Chapter 18, so * * * has one chapter for itself, and Chapter 19 has no chapter, no chapter. The difference is that in the fifth, sixth, seventh and eighth volumes, the title is "Chen Geng Qiuyue Final Edition". This book is two parallel lines, and only this one, like Zheng Ji, is a single-line straight book.

Later generations changed the text by readers, which is mostly speculation. For example, later generations made up two enigmatic poems by Baoyu and Baochai, and changed Baochai's riddle into Daiyu by mistake. Chapter 75 The Mid-Autumn Festival poem disappeared, and a page was written in front of it, saying, "On the seventh day of May in the 21st year of Qianlong, it was clear. Lack of Mid-Autumn Poems, as soon as Xueqin. " In chapter 19, the words "the name of the small study" are empty, and most lines of the words "I want to be natural there" are empty. These defects can be used to identify patches of his offspring. Later generations added the signatures of Jiantang, Qiyuan and Yulanpo.

Before the turn of this book 1 1, there was no comment, but I occasionally copied the general comments and text before the turn. The complete works of Zhu Bi's comment on writing, the 28th time 12. There are many kinds of this book, such as eyebrow criticism, side criticism, double-sided criticism and back-to-back criticism. There are more than 2,000 written comments than any other book, including all the double-line comments of Ji Mao's book (except one word). There are also far more people signing the year and month names than other books. Among them, there are some very important comments, such as the twentieth time Zhu Bimei commented that "Xue Qian went to the prison temple". Attacking the humanities said: "Hua Xiren has a beginning and an end." When I copied it, I only saw five or six manuscripts, such as "Prison Temple Comfort Baoyu", which were lost by the borrower. What a sigh! Ding is a pervert. "And the comment on writing is still the same, such as the fat version that has been discovered, some of which are too incomplete, some of which are late, and the text is not necessarily entirely from the author. Although the existing version of Chen Geng was recorded after Cao Xueqin's death, its ancestor was the last and most complete version before Cao Xueqin's death. But the style of reproduction is basically loyal to the original appearance of Chen Geng; After copying, it has not been altered or lost by later generations, and it still maintains the original appearance of the manuscript in the middle period of Qianlong.

Chen Geng originally came from the flag bearer's family in the north city, and Xu Xingshu (decorated by Xiang Zhen) bought it for eight silver coins at the stall of Long Fu Temple in Dongcheng, Beijing at the beginning of 1933, which is very precious. On May 5th, 1949, introduced by Mr. Zheng Zhenduo, yenching university Library bought 220 taels of gold at a discount from many descendants, and it was called the "three treasures" together with the original of the wonderful hologram "The Romance of the West Chamber" (the oldest printed version of this book) and the Wizard of Oz with hundreds of banknotes (all printed versions are eighty times). 1952 after the merger of Peking University and Yanda University, he entered the Tibet Library in Peking University.

Photocopying situation:

1, "Re-evaluation of the Stone Story by Zhi Yanzhai", reduced by Beijing Literature and Ancient Books Publishing House 1955 1 1, hardcover 2 volumes, Zhu Mo color matching, and the missed two volumes were transferred to the original edition.

2. Re-evaluation of the Stone Story in Red Flame Zhai, Beijing Literature and Ancient Books Publishing House 1955, with 8 volumes in one letter, 13.2x26.2 folio. Print 500 sets and distribute them by number. The price is 15.64 yuan. Unfortunately, this photocopy contains more than ten typographical errors.

3. Re-evaluation of the Stone Story in Hongyan Zhai, photocopied in original size by Beijing People's Literature Publishing House in February 1974, in Zhu Mo color, 18.5x29.2 folio, 8 volumes and one letter, issued internally, priced in 88 yuan. The lost part was replaced by the Mongolian palace.

4. Re-evaluation of Stone Story in Hongyan Zhai, People's Literature Publishing House 1993 65438+ 10, reprinted in 29x 18.5 format, 8 volumes per letter, 500 copies printed, no pricing. The missing part is supplemented by the original. (1993 reprinted for the first time, the interval between "sending" and "recording" of the bottom payment was 6.2cm, and the interval between 1995 and 65438+ 10 was 7.2cm). In the paper-bound version of 1993, some pages are printed differently from the paperback version of 75, such as: 470 pages, the second line is marked with "three words like smell", the 75th edition is red, and the 93rd edition is red and black; Page 472, with "within the word", the situation is the same; On page 468, in the middle of the penultimate line of the text, the word "odd" in the 75th edition was changed to red, but not in the 93rd bound edition. In addition, some books in this batch have other printing errors, which are estimated to be reprinted. For example, there is no word "ancient" at the top of page 39, four red border marks are missing from page 373, and an eyebrow mark is missing from pages 376 and 453, and so on.

5. Re-evaluation of the Stone Story in Hongyan Zhai, reduced in print in Beijing People's Literature Publishing House 1975 10, paperback in 4 volumes, Zhu Mo color, internal distribution, and pricing in 7.2 yuan.

6. "Re-evaluation of the Stone Story in Hongyan Zhai (Geng)", photocopied by Shanghai Ancient Books Publishing House 199 1 year, printed in monochrome, with 32 hardcover volumes, included in the second series of "Integration of Ancient Novels".

7. Re-evaluation of the Stone Story in Hongyan Zhai, photocopied by Xinjiang People's Publishing House 1995 10, reduced edition, 12.7x20.8 folio, 8 volumes per letter. The price is 238 yuan a set.

8. Re-evaluation of Zhi Yanzhai's Story of the Stone, photocopied by Shenyang Publishing House in 2006, with 4 volumes in soft and hardcover. This book is reprinted according to the paperback edition of People's Literature Publishing House 1975.

9. Re-evaluation of Shi Geng's Story in Hongyan Zhai, photocopied and published by People's Literature Publishing House on June 5438+00, 2006, with 32 hardcover volumes and pricing in 280 yuan. There are typographical errors in some pages of this edition, such as: page 39, no "so" at the top, page 373 missing four scarlet margins, and page 376 and page 453 missing an eyebrow margin. These errors are consistent with the reprint errors of line fitting in 93 humanities edition. However, there are some differences between the 75 paperback and the 93 luggage. For example, the first batch of 469, the new edition is Xia Meng at Noon, and the 75 th edition and the 93 luggage have a black word "Ren" next to the first word "Noon".

10, The Story of Chen Geng's Manuscript Stone, one of the series of A Dream of Red Mansions published by Taiwan Province Wenguang Publishing House, with 25 hardcover volumes, 1976. A Dream of Red Mansions is attached to the front of the book. Don't wear red.

A version that needs to be explained: In 200 1 year, a book "Red Yanzhai Re-evaluating the Stone" with 80 chapters and 2 letters 16 volumes was found in the library of Beijing Normal University. The transcript is cotton paper, half a page 10 line, with about 30 crosses in each line. The book re-recorded the comments of Zhi Yanzhai and others, with dividends in ink and black in ink. After forty visits, words like "Chen Geng Autumn Moon Final Edition" or "Chen Geng Autumn Moon Final Edition" appeared. Chapter 6467 of the book is missing, chapter 178 is not divided, and chapter 19 is not returned. Yang Jian, director of the Ancient Books Department of Beijing Normal University Library, introduced that 1957 was purchased by Liulichang Bookstore, and the current price is 240 yuan. 196 1 earned the bibliography of ancient books in China compiled by the library of Beijing Normal University. Later, it was identified by the red circle, and it was considered to be the Chen Geng edition collated by Tao Zhu, a good friend. This edition is quite different from the original edition in Chen Geng, and it may have been recorded with reference to another edition. In 2004, Beijing Library Press photocopied and published this manuscript, entitled "Re-evaluation of Stone Stories in the Red inkstone Collected by Beijing Normal University", in two volumes, 16, with a price of 2980 yuan.

In addition, there are photocopies of Chen Geng edition, which were reprinted by Yuan Wen Publishing House (Taipei), Lianya Publishing House (Taipei), Wenguang Bookstore (Taipei), Zhonghua Bookstore (Hongkong) and Hongye Bookstore (Taipei).

In addition, during the stolen ten years, Mr. Feng Qiyong recorded a Chen Geng version of "Comment on the Stone by Zhi Yanzhai" according to the photocopy of People's Literature Publishing House.

Chen Geng's proofreading has Deng Suifu's "Re-evaluation of Zhi Yanzhai's" The Story of the Stone "published by Writers Publishing House, with simplified horizontal arrangement and four paperbacks. Red Institute People's Literature Publishing House proofreads A Dream of Red Mansions. Feng Qiyong's Dream of Red Mansions published by Liaoning Publishing House is also based on Chen Geng's version.

(4), column collection

List the books collected and write the story of the stone, which can be found in the topic before each wise man. There is no page number in front of the book. It was included in the collection because it was hidden in the Leningrad branch of the Institute of Asian Studies (Orientalism) in the former Soviet Union.

The books in the collection are copied on bamboo paper, thin and slightly thick, pale yellow and angular. After being re-bound by later generations, the binding line has holes and wrong order. The fourth and fifth episodes of Emperor Qianlong's Imperial Poems are made of lining paper in turn. The book is written in four different writing styles, with a total of seventy-seven chapters, that is, the first chapter to the seventy-ninth chapter (not separated from the eightieth chapter), and the fifth chapter and the sixth chapter are missing. Back to the fiftieth unfinished, stop at the riddle of Daiyu, missing half a page. At the end of the seventy-fifth article, take off half a page from Knowing the End. * * * Thirty-five volumes. There are 8 lines in each half, ranging from 16, 20 to 24 words. There are some other chapters in this book (look back at Chapter 10, at the end of Chapters 63, 64 and 72) with the title "Dream of Red Mansions", which may be overmatched according to other books.

Chapter 17 and Chapter 18 have the same topic, but the two chapters have been separated, and there is a sentence "Listen to the next chapter". The 22nd essay ends with the mystery of cherishing spring. The seventy-ninth and eightieth chapters are inseparable, just like a whole back, which is called "The Story of the Stone" volume seventy-nine, with only one back. There are sixty-four times and sixty-seven times in this book. After sixty-four chapters, there is a five-character poem in front of the text, which is not found in other books, and there is a couplet at the end of the chapter, which is the image of early paper money; I also studied the content of the poem, and this response was written by Cao Xueqin. Sixty-seven articles are very different from Cheng Ben and close to Chen Jia and Qi Ben.

This book has more than 300 comments. Among them, three articles are unique to Liezang, and the rest are the same as Geng's comment on writing. There are 1 1 1 eyebrows and 83 eyebrows, which are completely different from other fat books. Questioning is mostly recognized by future generations. The first four times were concentrated by 3/5. In addition, the double-tube edition has 88 articles, almost all of which are the same as the Chen Geng edition, including 42 articles in the 19 edition. This book also has a special comment on writing, written next to the text, with the same font. Use square brackets at the beginning and end, and write "Note" in the small print on the right of the beginning. Appeared in the sixteenth, sixty-third and seventy-fifth times. Over-recording, the comment on writing was mistakenly copied into the text, which was found during proofreading, so it was marked.

The library was acquired by 1832, a college student who came to China with Daoguang1kloc-0/old Russian missionary group, and was introduced to Russia. The book was signed in ink, and two Chinese characters "Hong" were used as his surname in China. Originally stored in the library of the Ministry of Foreign Affairs. 1962, Soviet sinologist ъл Rifkin (Chinese name Li Fuqing) rediscovered this book in the library of Leningrad branch of Soviet Institute of Asian People's Studies, and it was not known until 1964. Now in the Asian (Oriental Studies) Library in St. Petersburg, Russia.

The photocopying and publication of this banknote are as follows:

1, the story of hidden stones in Leningrad, Soviet Union, photocopied and published by Zhonghua Book Company in Beijing, 1986, paperback, a set of 6 volumes. Pricing 34 yuan. Later, it was reprinted three times with the title "Stone", the price was changed to 260 yuan and 430 yuan, and it was printed for the fourth time in 2004.

2. The Story of the Stone, published by Beijing Zhonghua Book Company in September 1987, bound in paper, 16, with two books and 20 volumes. 330 copies, one set in 340 yuan.

3. The Original Banknote Stone in Leningrad.