Looking at Jinling from three mountains, send it to Yin Shu.

Li Bai visited Jinling in three mountains and sent it to Yin Shu.

Three mountains are full of gratitude, and the water looks at Chang' an. There is no river in Wuyang County, and Qiu Jiang is due north.

Lulong frost and cold wind, magpie moonlight cold. Recalling the Qiongshu, the end of the world sends joy.

Make an appreciative comment

Li Bai 701February 28, 762, with the word Taibai, was named Qinglian layman. China, a poet in the Tang Dynasty, was known as a poetic immortal and a great romantic poet. Han nationality, originally from Ji Cheng, Longxi County, now south of Jingning County, Pingliang City, Gansu Province, was born in Changlong County, Mianzhou County, jiangyou city City, Sichuan Province, now Qinglian Township, jiangyou city City, Sichuan Province, and was born in Broken Leaves in the Western Regions, now tokmak, Kyrgyzstan. Died in dangtu county, Anhui. His father Li Ke and his wives Xu and Liu have two sons, Boqin, a natural girl and Pingyang. There are more than 0/000 poems in the world, with masterpieces such as Difficult Road to Shu, it is hard to go, Climbing Mount Tianmu in a Dream, Jiang and Li Taibai Ji. He died in 762 AD at the age of 6 1. Its tomb is in Dangtu, Anhui, and there are memorial halls in Jiangyou, Sichuan and Anlu, Hubei.

Go to Sanshan in the evening and return to Wang Jingyi.

Xie Tiao returned to Wangjing after going to Sanshan in the evening.

Now I can overlook Chang 'an City from Baling Mountain, and look back at the capital like looking back at Luoyang, climbing three mountains in Heyang.

The sun sets on the towering roof, and the houses in Beijing are not so high and low.

The residual clouds of the sunset are scattered like rosy clouds, and the clear river is as calm as white.

Noisy birdsong covers the spring, and all kinds of flowers cover the countryside in the suburbs.

I will stay in the country far from the capital, and I miss the happy party that has stopped.

When it's time for Danggui, I'm disappointed and tears fall like snow beads.

People with feelings know that they are homesick. Who can't change their black hair?

Translation and annotation

I am Rainbow, who overlooks Chang 'an on Baling Mountain, and I am Pan Yue, who looks back at Luoyang in Heyang and the capital in Sanshan Mountain.

Sunset makes the soaring roofs colorful and beautiful, and the houses in Beijing are uneven and lifelike.

The remaining sunset clouds are scattered like colorful brocade, and the clarified river is as calm as white practice.

Noisy birds cover the small continent in spring, and all kinds of flowers are full of fragrant countryside.

I will be away from Beijing for a long time, and I really miss those happy parties that have stopped.

When is the date of returning to China? I was so disappointed that tears fell like snow beads.

People with feelings know that they miss their hometown. Whose black hair can't be changed? ?

1, Sanshan: the name of the mountain, in the southwest of Nanjing today. Still hope: look back. Jingyi: A guide to the health of the capital of Qi State, which is now Nanjing.

2. Looking at Chang 'an: Borrowing RoyceWong's Seven Wounded Poems at the end of Han Dynasty, I went south to Baling and looked back at Chang 'an Poems. Ba, the name of water, originated in Lantian, Shaanxi Province and flows east of Chang 'an. Seeing Jingxian County from Heyang: Quoting Wangjing Room Poems from the Heyang Poems of Pan Yue, a Poet in the Western Jin Dynasty. Heyang: The old city is in the west of Meng County, Henan Province. Jingxian county refers to Luoyang, the capital of the Western Jin Dynasty. In the evening, I attached myself to Sanshan and looked back at the capital Jiankang.

3. Li: Use the verb, which means to shine, to make the colors bright. Liao Fei: The roof of the house rises like a flying wing. Liao: The roof. Rugged: A rugged appearance. Under the sunshine, the buildings in Kyoto are colorful, and the height is scattered.

4. yee: patterned silk and brocade. Chengjiang: Clear water. Practice: white silk. The clear river is as calm as a white horse.

5. Birds cover Chunzhou: Describe the number of birds. Cover: cover. Miscellaneous English: All kinds of flowers. Diana: The countryside.

6. Party: Will. Stagnation: long residence time. Stay too long. Huai: I miss it.

7. Ceremony: refers to the date of reunification. Disappointment: Disappointed. Pheasant: Snow Beads. The meaning of two sentences is: after leaving, thinking about when to come back makes people feel sad and sad, leaving tears like snow beads.

8, before: black hair. Change: here refers to whitening. Who can't keep his hair white when he is homesick?

Make an appreciative comment

The poems of Li Bai, a great poet in the Tang Dynasty, have been under the moon for a long time and are rare in the eyes of the ancients. It is Xie Xuanhui's long-standing memory to understand the truth and be as quiet as practicing. (Li Bai's "Singing the Moon on the West Tower of Jinling City") is a famous sentence by Xie Tiao, a poet of Southern Qi Dynasty. The beautiful scenery in front of the west building of Jinling City (now Nanjing) made Li Bai deeply realize the artistic conception of Chengjiang's quiet practice and recall the former sages. The great poet couldn't help letting out a deep sigh from an ancient confidant. But Li Bai didn't expect that this poem by Xie Tiao won numerous bosom friends in later generations because of his admiration.

Climbing three mountains to Wangjing Town in the evening is a five-character ancient poem, which expresses the poet's homesickness when he climbs three mountains and overlooks the beautiful scenery of Beijing and the great river.

This poem should have been written in 495 AD (the second year of Jianwu of Qi Ming Emperor), when Xie Tiao was the magistrate of Xuancheng. During this trip, he also wrote an ancient poem entitled "From Xuancheng, Xinlinpu to Banqiao". According to "Water Mirror Note", the river flows through the three mountains and leaves Banqiaopu, which shows that the three mountains are the only place for Xie Tiao to go from Beijing to Jiankang. Three mountains, named after the three peaks connected north and south, are located on the south bank of the Yangtze River in the southwest of Jiankang, with a ferry nearby, which is equivalent to the distance from Baqiao to Chang 'an. At the beginning of this poem, I borrowed the meaning of looking back at Chang 'an on the south side of Baling River from Wang Can's seven wounded poems, and described the scene of him going up the river and looking back at Jiankang on three hills on the shore in the evening, which was very appropriate. This sentence literally seems to repeat the meaning of the last sentence, but it is not. Here, the sentence quoted from Wangjingfang by Pan Yue's Poem of Heyang implies that he will go to Xuancheng as a county magistrate and look forward to Jingyi's health, just as Pan Yue in the Western Jin Dynasty worked as a county magistrate in Heyang and looked forward to Luoyang, the capital. RoyceWong's Seven Wounded Poems was written at the end of Han Dynasty when Dong Zhuo was killed and Li Jue and Guo Si were in Chang 'an chaos. Looking back at Chang 'an, he not only expressed his nostalgia for Chang 'an, but also expressed his yearning for wise kings and his desire to rebuild peaceful rule. Before Xie Tiao went to guard this time, Jiankang changed three emperors a year, which was also a political turmoil. Therefore, the first two sentences not only explain the reason and distance of leaving Beijing, but also implicitly express the poet's attachment to Beijing and anxiety about the current situation through allusions.

The poet did not point out how long he stayed and stared at the mountain, but the change from day to sunset naturally showed the passage of time. Yu Xia scattered into Qi, and Chengjiang was as quiet as practice, describing the sun sinking into the west, the splendid Xia Yu covering the sky, and the clear river stretching into the distance like clear white silk. This pair of metaphors is not only beautiful and pleasing to the eye in color contrast, but also gives people a quiet and intuitive feeling, and also complements the calm and soft mood at dusk. Once the static word is cleaned, it is also good. Xie Zhen, a scholar in Ming Dynasty, criticized the repetition of "success" and "respect" and wanted to change it to "Jiang Jing is like a lotus in autumn". Wang Shizhen, another poetics theorist, disagreed, thinking that Jiang Cheng was the last one to say it. Wang Shizhen, a poet in Qing Dynasty, also ridiculed Xie Zhen and said: Why do you practice in Chengjiang? Laugh and kill and talk about poetry. Thanks! In fact, if Xie Zhen hadn't tampered with it, the benefits of this clear word would have been easily overlooked. Only when the river is clear, the word "net" (or "static") can precipitate, and it can complement the metaphor of "Bai Lian". At the same time, the clear river can cause the association between clouds in the sky and reflections in the water. Li Bai quoted the quietness of Chengjiang as a practice in "Singing the Moon on the West Tower of Jinling City" to describe the ethereal and transparent feeling of the river immersed in the moonlight, and the clarity of the text was more clear. It can be seen that the metaphor of quietness as practice is because the words are clear, which successfully shows the quiet and clear state of the river. Compared with Jing, Jing's writing is more vivid. In the Tang Dynasty, Xu Ning used the white lotus as a metaphor for a waterfall: as long as the white lotus flies through the ages, a green hill will be broken. Wang Shizhen derided it as an evil environment, because the waterfall was described by Jing Bai's practice, but the living scene was stunned. This example can help readers realize the benefits of silence and practice from the opposite side. If we compare Xie Tiao's two poems with Xie Lingyun's Clouds Clear and the Wind Clear (an Island in the River), we can see Xie Tiao's leap in scenery description. Xie Lingyun used a direct narrative method to explain the scene of water and sky, which was ethereal and clear, and the meaning was more real. Xie Tiao, on the other hand, can be described by appropriate metaphors, so that the scene where water and sky set each other off has bright and pleasing colors, and can be integrated with the hero's feelings for the scenery, expressing more ethereal.

Jinling Wang Wan

I used to accompany the clouds to dusk, and I still accompany the sunset to the autumn sound.

There are infinite painters in the world, and a piece of sadness can't be painted.

To annotate ...

"There are infinite painters in the world who can't draw a sad picture" means "there are countless great painters in the world who can't draw a sad feeling at this moment."

Make an appreciative comment

In the autumn night, the poet climbed to the top of Jinling (now Nanjing) and looked into the distance. He saw floating clouds and sunset reflecting the ancient city, and a sense of vicissitudes came to him. The "sadness" mentioned here refers to this kind of emotion. Clouds and sunsets are tangible things, and painters can paint; And "sadness" is an abstract feeling, which is difficult to describe even with Dan Qing's wonderful hand. Huang Shucan's Annotations on Tang Poems said: "The word' painting can't be done' is the god of' sadness'." It is precisely because I can't draw it that I see the depth of "sadness"; It is because of this sadness that no one can draw this sound vividly.

The last two sentences are very emotional. Gao Chan had a premonition that the Tang Dynasty was in danger and was irretrievably heading for the end of collapse. He was distressed by this, but there was nothing he could do.

Jinling Wanghanjiang River

Li Bai Jinling sees the Han River.

The Yangtze River stretches for thousands of miles and is divided into nine tributaries, like nine entrenched dragons. The river overflows, and it overflows in China.

After the destruction of the six emperors, Sanwu was not in the past and was not fully appreciated. I worship the king of world unity, hang up my clothes and do nothing.

Today's appointment, there is no need for a fishing rod in the sea.

Make an appreciative comment

Looking at the Han River in Jinling is a five-character ancient poem written by Li Bai, a poet in the Tang Dynasty. This paper mainly depicts the characteristics of the lower reaches of the Yangtze River breaking into the East China Sea, with huge water potential and great momentum. The whole poem uses natural allusions, and the language is atmospheric and magnificent. Finally, the poem uses the allusion of Ren Gongzi fishing giant fish in the East China Sea, expressing the author's ideal: the Yangtze River is quiet, there are no giant bandits on the land, and conquering the king can be eliminated.

The quatrains of ancient poetry are so classic, concise and full of infinite feelings. Want to see more quatrains and ancient poems? Please enjoy the ancient poems in the mountains.