1, Water Margin 2, Camel Xiangzi 3, How steel was tempered 4, Some childhood figures.

Lin Chong is a character who appears many times in Water Margin, and he is also a character who is completely destroyed by evil forces and darkness.

The image of society pushing the road. At first, Lin Chong's persecution of treacherous court officials and evil forces was resigned and compromised.

. However, evil forces always spare him and want to kill him. When he fully saw the essence of society and realized

When there was no way out to compromise with evil forces, he changed from weak to strong, actively fighting against fate and showing it.

Created a heroic image. In the process of the development and change of Lin Chong's image, it also showed tragedy.

Lin Chong was originally the coach of the 800,000 imperial guards in Tokyo, and he had a happy family, but for Lin Chong's wife's accident.

When I meet Gao Yanei, Lin Chong's life may be spent peacefully. However, since Lin Chong's wife met Gao Yanei.

Later, Lin Chong's quiet life was broken, which also became a turning point in Lin Chong's life. Since then, evil forces have opened.

Began to persecute Lin Chong's family, his family and Lin Chong himself. Lin Chong was persecuted by Gao Qiu and almost sentenced to death.

He was sent to Cangzhou, but Gao Qiu wouldn't let him go. Gao Qiu bought off two officers, Dong Chao, who escorted Lin Chong.

Xue Ba told them to kill Lin Chong on the road. Thanks to the rescue, Lin Chong was saved from death. Go to Cangzhou

Later, Lin Chong was sent to look after the forage field. At this time, Gao Qiu sent Lu Qian and his gang to kill Lin Chong, who was forced.

At the end of the road, he also recognized the nature of society and the face of traitors. Finally, he killed Lu Qian and his gang and went to Liangshan.

Embarked on the road of resistance.

Lin Chong's image before and after going up the mountain is completely different, and his image has a process of development and change. At first he

Showed the image of obedience, compromise and weakness. This image is described in many places in the novel:

Just like the seventh time in the novel, Lin Chong's wife was molested, and Lin Chong was about to have an attack, but it was Gao Yanei.

I held back at once and soon calmed down. At the same time, he also prevented others from being rude to him; When driving.

When he came to vent his anger on him, Lin Chong dissuaded him: "It is the official's son of Gao Taiwei. It is really rude not to know Jingfu."

. [1] Lin Chong wanted to give him a good beating, but he was afraid that Qiu was ugly. Since ancient times, I am not afraid of officials, but of management. forest

I couldn't bear to eat his invitation, so I let him go temporarily, and finally I had to let Gao Yanei go.

1. A weak hero who made a compromise

When Lin Chong was escorted to Cangzhou, the two officers who escorted him were tortured all the way. Give him weight.

Put him in chains, let him walk barefoot, give him little food, and even burn his feet with boiling water. All this is Lin Chong's.

There is no response, they are suffering from their own torture. Later, when he went to the wild pig forest, two officials tried to kill him, Lin Chong.

I still have no vigilance. If I want to tie it, I will. If I were another hero, I would never do it in this situation.

Will be resigned to fate. When he arrived in Cangzhou, he was scolded by the gaotou for not sending the money to him in time, saying that he was a thief and had raised an army.

How dare Lin Chong look up? After the scolding, Lin Chong went to get the money and said with a smile, "I'm sorry, little brother."

Some small gifts, have a rest. "[2] Think about Lin Chong's prestige when he was a coach in Beijing. now

But he was abused by his own people, and he had to accompany a smiling face after scolding, which all showed Lin Chong's weakness.

Roll with the punches.

Lin Chong's "Burning Forage Field" and "Snow Mountain Temple" are the turning points in the development and change of his image. Lin Chong was sent to Cangzhou.

Looking after the forage field, he still has illusions at this time. I hope that through transformation, I can come back and see the light of day and continue to live a quiet life.

The lives of ordinary people. Lin Chong's fantasy was naive, and Gao Qiu sent Lu Qian and his gang to kill him. Fortunately, he was there.

I escaped in the forage field. Lin listened to a group of words in the mountain temple and couldn't bear it.

Now, he is determined to fight for his destiny. So he kicked the door open without hesitation and killed Lu Qian and his accomplices.

People, as can be seen from here, Lin Chong's image has begun to change and become strong, and he also

A little hesitant, for example, when he killed Lu Qian and faced Lu Qian's begging for mercy, he relented again.

But the wicked is the wicked, but Lu Qian took this opportunity to sneak attack on Lin Chong. This made him see the essence of the wicked and finally killed him.

Lu Qian and his gang resolutely embarked on the road of Liangshan and the road of active resistance. Lin Chong has also changed.

He became a strong and aggressive hero.

2. A real hero who actively resists

After Lin Chong went to Liangshan, he was completely a strong and aggressive hero. After he went up the mountain,

Wang Lun suppressed the crowding out of the noodle team. At first, he tried his best to keep it, but he didn't kill Wang Lun rashly because of suffering indignities.

After all, Guan Wang Lun and Gao Qiu and other traitors are completely different, but when Wang Lun wants to catch Lin Chong down the mountain, Lin Chong will.

He began to actively fight, because he was desperate, and driving him down the mountain was tantamount to forcing him to death.

At this time, Lin Chong will not resign. Under Wang Lun's repeated pressure, he will kill Wang Lun and win for himself.

A place to live. Later, the imperial court sent troops to encircle Liangshan, and Lin Chong was always well documented and always went out every time.

This is a victory, which completely shows the heroic image of active resistance.

Tragedy is the conflict between the inevitable requirement of history and the fact that this requirement cannot be realized. [3] In the image of Lin Chong

In the process of development and change, from another perspective, Lin Chong is a tragic image. Lin chongben

He was a member of the bureaucratic class in the Song Dynasty and had a happy family. Because Gao Qiu's son lusted after Lin Chong's wife.

The beauty of his son ruined Lin Chong's family, and he himself became a prisoner. Finally, I had to go to Liangshan to become an outlaw. besides

Lu Qian is a good brother trusted by Lin Chong, but Lu Qian betrayed and betrayed Lin Chong for the sake of high officials and generous salaries.

And help Gao Yanei to possess Lin Chong's wife, help Gao Qiu to frame Lin Chong, and even kill Lin Chong for it.

Seize glory and wealth. It is very sad to be betrayed and framed by someone you trust very much. Later,

Gao Qiu was arrested in Liangshan, and Lin could have killed him to trap to feel avenged. Because of Song Jiang's dissuasion, Lin Chong had to.

Let Gao Qiu go, because this Lin Chong vomited blood and died. A hero who has made great contributions to Liangshan is actually

Anger makes people feel sorry for it. It can be seen from these aspects that Lin Chong's life is very unfortunate.

, is the image of a tragic hero.

In a word, the image of Lin Chong in Water Margin is different before and after Shangliang Mountain, and his image has developed and changed.

This process. From weakness, compromise and obedience at the beginning to strength and active opposition after going up the mountain.

The heroic image of resistance. At the same time, Lin Chong is also an unfortunate tragic image in the novel.

Lu zhishen

Lu is one of the highest-ranking heroes in the world. He never comes from anywhere and goes to places where he is naked and carefree. He said that he would fight, scold, kill and chop, and he would never suffer from any falsehood. He will never suffer from it, nor will he be ashamed of others. He won't stand on the road, draw a sword to help, hold his head high and stand up for his words. In Yan' an city, three punches killed the town of Kansai, and on Wutai Mountain, he went shirtless and angered the Buddha and Lohan; Make a scene in Korean pine forest, burn tile official ancient temple, stay in Taohua Village, and destroy Zhou Tong's prestige; Pulling weeping willows and splashing Tokyo skin make the wild pig forest save the forest from danger; Liangshan, Shui Bo, performed the Juyi Kaige in the history of China, and won eternal infamy. Big shot, big shot, hero among heroes, hero among heroes. Jin Shengtan is ashamed of himself, like the blood of Luda pouring out, which makes people feel ashamed. He has never contributed to others! Li Zhuowu was full of praise: What a benevolent man! Homo sapiens! Very brave! It's a saint! It's a man of god! It's a bodhisattva! It's Lohan! It's a living Buddha!

"A little light, 1000 yuan, wide dharma, deep name", worshiping the eminent monk, chanting Buddha's summit, Shen Zhi is a Buddhist disciple and a foreigner. But he didn't obey the precepts, disturbed the rules, went his own way, didn't meditate-crossed, snored like thunder, didn't avoid eating-and ate wine and meat. People call monks bald donkeys, and he also calls monks bald donkeys. He took a shit and peed behind the Buddhist temple, smashed King Kong drunk, and made the Buddhist temple restless. However, "doing whatever you want is the foundation of becoming a Buddha and being a ancestor." "Shen Zhichu went to Wutai Mountain. Many monks said that he was ugly, fierce and stubborn. Unlike a monk, he couldn't shave his head. Elder Zhizhen pushed through all kinds of arguments and said, "This man should go to the stars and have a right heart. Although at present, the attack is complicated, but it will be clean after a long time, and the result is extraordinary. You are not as good as him. "Zen in China is a popular religion, a critical religion and a revolutionary religion. It doesn't stand on words, and it doesn't respect Buddha. My heart is a Buddha, and I did it spontaneously. Wisdom is the most Zen-like, without chanting, worshipping Buddha, being calm, not thinking about Buddhism, not cutting wood. It is a lesson of practicing Buddhism and setting fire to kill people. Poem praise of Water Margin;

Since Zen Forest, Wan Li has been looking for strong men.

Armed to the teeth, you were born with a murderous heart.

Deceive the Buddha, drink Guanyin, and quit the knife and mord.

Don't look at that Buddhist monk, wine and meat shaman Lu.

Becoming a Buddha and being a ancestor deserves it.

Song Wu

Ancient heroes seem to have an indissoluble bond with wine, especially those brave people with generous personality. In classical novels, heroes are often expressed by writing wine. Wine shows its unique artistic charm in highlighting the characters' personalities, deepening the theme and setting off the atmosphere, and has become an important part of the artistic beauty of works. The wine in Water Margin can't live without the hero. Wine has made Liang Shanbo a hero. Wine is colorful because of Liang Shanbo's heroes and is praised by people in the history of literature.

Among the heroes of the Water Margin, Song Wu should be regarded as the wine hero who steals the most shots. Not long after the appearance, it was a series of drunken beatings, 18 bowls of spirits, and Jingyanggang hit the tiger with his bare hands; Entrusted by kindness, Happy Lin beat him as drunk as a fiddler; Drunk and smart. The first time is unintentional drunkenness, easy to fight tigers; The second time was deliberately drunk, specifically looking for faults; The third time, I was unreasonable after drinking. All three stories are extremely vivid, especially the first two.

Song Wu is a righteous man who rapes the world and an omnipotent lonely hero. This image has been stirring people's hearts for hundreds of years and is highly praised by readers. Why can Shi Naian portray this image so vividly? I think the most important artistic means is to use wine as a foil. It can be said that Song Wu is a hero with wine as a foil. Shi Naian used romantic imagination and exaggeration, and with the help of the medium of "wine", he created the heroic image of Song Wu.

Song Wu's "Fighting the Tiger" is the first of a series of wonderful stories, that is, the so-called "Return of the Ten Warriors". Through his thrilling life-and-death struggle with the tiger in Jingyanggang, this savage hero surfaced, and he showed his true colors as a hero before he got involved in sharp and fierce contradictions.

Before Song Wu killed the tiger in Jingyang, the first sentence when he entered the hotel was: "Master, come and have a drink." With this sentence, you can drink 18 bowls of wine, you can have the charm of "three bowls can't pass the hill", you can have the fun of going up the hill half drunk and half awake, you can have the twists and turns of drunkenness ... How many articles are born in one sentence, so Jin Shengtan criticized: "Good wine is the life of 52, so if you only open the first sentence, you will see the person." [1] Of course, the climax of the plot is to kill the tiger, which is thrilling. However, before that, the author used a lot of space to describe Song Wu's drinking in the hotel. First, a hotel on the ground in yanggu county wrote five characters on the flag, which indicated the strength and stamina of the wine. A series of dramatic plots are perfunctory, and it is around this liquor named "Touping Xiang", also known as "going out to pour wine", that the disputes and conflicts between Song Wu and the store have been repeatedly written, adding a lot of charm and interest.

Then with the help of clever drunken description, it is intended to increase the sense of urgency and crisis in the atmosphere of fighting tigers. It can be seen from Song Wu's words and deeds that he is half drunk. The beauty of the article lies in this kind of half-drunk and half-awake: if Song Wu is drunk into mud, it will definitely lead to the evil consequences of tigers eating people. If Song Wu was fully awake, he wouldn't have strayed into the danger of the forest, and he wouldn't have rushed to discount the sentry post, resulting in a situation of fighting with his bare hands, thus showing the strength and courage of a hero. At this point, the author finally completed the layout with a strong tiger atmosphere through layer-by-layer rendering.

Generally, travelers in the past "can't pass three bowls", while Song Wu ate eighteen bowls in one breath "but never got drunk". Pour the wine several times, write Song Wu three times and applaud: "This wine is full of strength!" "Good wine!" "Good wine is at the end!" At first glance, it seems that there is no priority, and the weight is reversed. However, this is the genius of the author: writing about wine means writing about Song Wu, and writing about eating wine means writing about killing tigers. Heroes praise good wine and good wine sets off heroes. Only through his capacity for drinking and eating, a generous and competitive tiger hero stood in front of us.

Wine strengthens the hero's courage and strength. Drinking poison to quench thirst and killing tigers are inseparable and become an organic whole. If you delete the description of drinking, Song Wu's scene of fighting tigers will be greatly reduced, even incredible, and the characters will never be as real as they are now.

Writing "Song Wu Drunk and Beating Jiang Menshen" in Chapter 29 is one of the most wonderful reviews in the book. The beauty lies in the vivid description of the details, the vivid expression of the character, demeanor and temperament, and the vivid revelation of the psychological activities of the characters. For example, it describes the dialogue between Song Wu and Mersey, full of confidence and optimism, but with a humorous and relaxed atmosphere; Describe the twists and turns and suspense of Only Hope; Describe Song Wu's witty and interesting teasing ... These are vivid manifestations of the character's temperament, with more than 5,000 words, accounting for more than 90% of this reply. The real word "da" is only about 300 words. Although the description of "big" is also very successful, if the previous bedding and rendering are removed, the art of "big" will be eclipsed. So the key word of "drunken beating Jiang Menshen" is not "beating", but "drunken".

Jiang Menshen, who was drunk, caught Happy Forest this time and wrote about Song Wu's bravery and resourcefulness. He not only wrote about his drinking outburst, but also subdued Jiang Menshen with superhuman strength and showed his carelessness. It was not until he saw his appearance and his surroundings clearly that he began to fight with his opponent.

To beat Jiang Menshen, Song Wu only made one request: "I can't wait to see anything", that is, after leaving the city, you must treat me to three bowls of wine every time you meet a hotel, otherwise "I can't wait to see my son". After Song Wu taught Jiang Menshen a lesson, he invited all his high neighbors to celebrate and ate until he got drunk.

In the process of drinking, Shi Naian described a bloody man who was "eight feet long and handsome" and a Jianghu hero Song Wu who was "full of energy" and "picked a fight" through layers of bedding, and described the feat of eliminating pesticides for the people to the fullest. The story of drunken beating Jiang Menshen, in a word, is also wine. Because the hotel was closed down, he lured the snake out of the hole by drinking, made enemies by drinking, and finally celebrated by drinking. Therefore, Jin Shengtan commented: "There are wonderful articles, all of which are fine in wine."

The drunk Jiang Menshen in front was still "fake drunk", so writing "Drunken Boxing" in the 32nd time was "really drunk". After Song Wu walked the centipede ridge at night, he hit Kong Ming and Kong Liang indiscriminately! This is just the author's preparation for the development of later writing. In the story about Song Wu, we pay special attention to the authenticity of details and the description of typical characters in typical environments. Heroes are not divorced from reality, and heroes are not perfect. Only in this way can heroes be real and literature have vitality. Wang commented: "It's also a tiger. Get drunk first and then fight; Also in Jiang Menshen, get drunk first and then fight; Also in Wang Daoren, he killed first and then got drunk; It is also supervised by Zhang Du, who kills first and then gets drunk. Whether it is fighting or killing people, they are drunk to help them, and the wine is very angry! " [2]

Contrast is one of the important methods of literary description, and supporting the moon can better highlight the subject description object. The image of Song Wu in Water Margin is rarely portrayed in a positive way, but mainly through the words and deeds and surprised expressions of the father and son, the owner of Jingyanggang store, and the strength of writing wine and the number of bowls to describe Song Wu's courage, which can undoubtedly achieve more attractive artistic effects.

To sum up, the most dazzling heroes described in "Water Margin" are Song Wu, Jingyanggang who killed tigers, Ximen Qing who got drunk, and Jiang Menshen, whose blood spilled on the Yuanyang Building. Everyone was happy. Almost all activities related to Song Wu are related to the Wine Association. Wine is a hero's companion and a bond of friendship. It is hard to imagine that Song Wu would have such great artistic charm without wine. In the eyes of ordinary people in China, Song Wu almost became the embodiment of strength and justice. However, as a typical fugitive in Song Dynasty, he had the inherent character defects of rebellious heroes of that era: he often drank too much and fought for sex. This is the regret brought by wine to Song Wu.

He has many heroic qualities, so Jin Shengtan called him "Heaven and Man". But he is not a real heaven and man, but a man on the ground. He has human limitations. For example, in the article "Jingyanggang Killing Tigers", Shi Naian not only vividly described his tortuous process of killing tigers, but also showed his heroism. He also highlighted his fatigue after hitting the tiger, so that when he saw the hunter disguised as a tiger, he thought he saw the tiger again. He was afraid that "I just changed my mind." This fear, which seems to be far from fearless heroism, has not defiled the protagonist, but made Song Wu's image more vivid and moving. This is the success of the work. On a broader level, the author truly and accurately reflects the multi-faceted character in the narrative of some important events, especially does not hide some shortcomings that are contradictory and mixed with his heroic nature. So, what aspects of personality defects did wine bring to Song Wu? Let's take a look at Song Wu before the tiger went up the mountain in the 23rd episode.

After Song Wu broke up with Song Jiang in Chai Jin's home, he originally wanted to go home and see his brother. However, when passing by the hotel under Jingyang Gangxia, I still couldn't help but be attracted by the banner of "three bowls but not Gangxia". So regardless of the bartender's reminder and dissuasion, I drank five times the upper limit of ordinary people's alcohol consumption-fifteen bowls. Drunk as mud, strayed into the jaws of death Inevitably, a thrilling and deadly battle broke out. Finally, with the help of alcohol, he killed the blade and saved his life. Although this action has caused great harm to the people objectively, it is not worthy of too much praise. Because: first, he drank before going up the mountain, not to be brave, but to drink recklessly without advice. He once threatened the bartender that he would not eat and drink enough. "I told you to smash it in your room!" " Turn your shop upside down! "Secondly, later fighting tigers is different from taking the initiative to punch Kansai in order to save lives. It was a passive and instinctive struggle when he strayed into a desperate situation, and it was the only choice that he had no choice. Therefore, it can be said that Jingyanggang killed the tiger, which was really caused by wine, and it was forced. This incident not only shows Song Wu's extraordinary courage and great strength, but also reflects his character defects of good wine, alcoholism and taking wine as his life. In the process of telling the heroic story of Song Wu, the author also exposed his character defects in many places intentionally or unintentionally. For example, when Wu Songgang appeared for the twenty-third time, the author told the readers by writing the dialogue between Song Jiang and Song Wu under the lamp. When Song Wu worked in his hometown, he thought he had lost his life because he was drunk and fought against the secrets of our office. In a moment of anger, he only punched that fellow and fled the Jianghu. During this time, the author also wrote that Chai Jin kissed Song Wu first because Song Wu was "drunk, and he was just angry, so he wanted to beat them, so no one in the village said he was good. "

In addition, there are two sides of Song Wu in the 26th episode. One is that before Song Wu came back from a business trip in Tokyo, the author told the readers that "he (Song Wu) is a killer without blinking an eye" through Uncle He Jiu's mouth; Another place is that after Song Wu came back, he wrote Song Wu with reference to his neighbors' reaction: "When the neighbors on both sides saw Song Wu coming back, they were all taken aback. Everyone squeezed two handfuls of sweat and secretly said,' This little wall is in trouble! How can this man be willing to rest when he comes back from a traditional age? "Something will happen." "These aspects not only show Song Wu's heroic spirit of not being bullied and not afraid of evil, but also reflect his fierce, violent and frightening character defects.

As can be seen from these materials, as a chivalrous man, Song Wu not only has strong and upright heroic qualities, but also often drinks too much and even makes trouble. His experience of being disguised as a walker by Sun Erniang after his blood spilled on the Yuanyang Building and then entering Hengpo more fully proved this point. Please see Chapter 32 for the related narrative: After leaving Hengpo, Song Wu came to Xiakongjiazhuang Hotel in Baihu Mountain. Because he was dressed as a monk, and there was really no good wine in the hotel at that time, only the meat of Kong Liangdian, the youngest son of the landlord Kong Taigong, and his own white porcelain jar wine, so the shopkeeper told the truth. I shouldn't have cared about this, but when I looked at Kong Liang and his party sitting opposite, the aroma of good wine and meat was overflowing, and only Maochai liquor and home cooking were in front of me. We, a hero who regards wine and meat as a second life, can't stand it for a moment! So a farce of fighting for wine and meat was staged. In the end, the master, Zhuangke, was beaten soft and scattered like birds and animals. Even Kong Liang, a lonely god of war with several sets of fists, was punched by Song Wu for twenty or thirty times at its "real landing site" and was finally thrown into the stream outside the door. After the dispute over wine and meat, Song Wu proudly said, "Good! You all went, but the host ate wine. " This smug remark once again shows Song Wu's character defect of being addicted to alcohol and lust for wine. This defect was manifested many times in his later wandering career. This kind of personality defect is not only manifested in Song Wu, but also in the heroic groups of many outlaws in Water Margin. For example, in the tenth time, after Lin Chong killed Lu Qian and other enemies in the mountain temple, he argued with several vigil Zhuangke in the thatched cottage outside Zhuangke. Because it's cold at night, there are more people and less wine. Finally, Lin Chong turned a deaf ear to the guest. He once proudly said, "Everyone is gone, and the master is happy to eat wine." Another example is the mantra of Liangshan hero's basic life pursuit, "drink in a big bowl and eat meat in large pieces" and "divide gold and silver in a big scale and eat wine and meat in a big bowl". It can be seen that this personality defect is typical and universal.

Throughout Song Wu's character, we have a more specific understanding of the characteristics of characterization in Water Margin. The success of the character description in Water Margin lies not only in its description of many heroes in 108, but also in its vivid description of different aspects of these heroes' personalities: it not only describes their heroic achievements in helping the poor, eliminating violence and keeping their place, but also reflects their sometimes unnecessary moves and their overbearing behavior; It not only shows their ideal blueprint of "you have me" in the Datong world, but also renders their simple and blind heroic feelings of "a bowl of wine for life and death" (the theme lyrics of the TV series "Water Margin"). In a word, the novel not only shows their brilliant lofty spirit, but also does not hide their inevitable "earthy taste" as the product of the specific social soil at that time-the loyalty and fierceness of the middle and lower chivalrous men. Generally speaking, defects are always imperfect. However, for any realistic person, it is inevitable. Real people not only have human creativity and initiative, but also have human defects, shortcomings or limitations. Creative, energetic, and different from animals in talent; There are limitations, and talent is different from god. In the same way, "when a person is excluded from all good, he becomes a devil." And when he was ruled out of all shortcomings and weaknesses, he became a god again; This magic and divinity is the extreme deformity of human nature-the extreme simplification of personality. "[3] Once literature and art fall into this extreme, it will deteriorate, and it will degenerate from anthropology to magic or theology, thus losing the essence of literature. Of course, there is no literary value, artistic value or aesthetic value. The so-called' imperfect beauty' in aesthetics can often effectively show the beauty of human nature. Perfection and beauty are not equal, nor are defects and ugliness. "[4] Because there is no pure perfect and pure defective character in the world, the true character, beautiful and charming character is often in the relationship between the unity of beauty and ugliness and the contradiction between good and evil. "The coexistence of beauty and evil is a contradictory state, and the disappearance of beauty and ugliness is a unified state. The aesthetic mistake in pursuing Gao Daquan's character is that he doesn't understand that "defect" can also be an integral part of beauty in the artistic environment, and that absolute "perfection" is not the real realm of beauty. [5] From this point of view, the author's writing style of "beauty and evil coexist" and "beauty and ugliness disappear", such as "looking at things in the mirror and revealing their beauty", will not detract from the status of these protagonists in the readers' minds, but will make them more authentic and touching. As Diderot said: "To say that man is a compound of strength and weakness, light and blindness, smallness and greatness is not to blame him, but to define him." [6] Today, we make a brief analysis of Song Wu's character defects as mentioned above, which is by no means demanding the ancients, but in order to approach the ancients and see them clearly, and then find the true meaning of art and life from the glorious gallery of China classical literature, so as to provide a historical mirror for shaping a more authentic and credible artistic image.

Xiangzi

/user 4/qianmoyehe/archives/2006/4 15927 . shtml

Paul

/question/62676689.html

Alessa and grandma analyzed.

/question/62676689.html

There are too many words to put down, so I put the connection. LZ, how do you get extra points?