Literary common sense of Yuefu poems.

Yuefu poetry and Han Yuefu are synonyms and have been merged. The Yuefu in the Second Han Dynasty refers to the poems collected, preserved and handed down by the royal Yuefu system in the Han Dynasty or the music management organ equivalent to Yuefu. According to its functions, Yuefu poems in Han Dynasty are mainly divided into two parts. Part of it is a small temple song used by the rulers to worship their ancestors, just like the "ode" in the Book of Songs. The other part is a collection of folk music without a name, which is called Yuefu folk songs internationally. Name of the work: Han Yuefu's alias: Yuefu Poetry/Yuefu/Yuefu Folk Songs Creation Year: Han Dynasty

Source of Works: Yuefu Poems Literary Genre: Yuefu Poems Author: Catalogue of Yuefu Organs in Han Dynasty. Yuefu is a form of music founded since Qin Dynasty. The expansion and development of Yuefu in the Western Han Dynasty was in the period of Han Wudi 1 2 3 Hanshu. Yuefu in Han Dynasty is a lively place in Han Dynasty since Emperor Wu of Han Dynasty. The Yuefu poems in the two Han Dynasties were carefully tailored. Yuefu folk songs in Han Dynasty have a strong flavor of life. Sick woman in the autumn wind. The folk songs of Evil Han Yuefu are the largest (1), (2), (3) and (4) Jiangnan Han Poetry Yuefu was established from Qin Dynasty, which was specially responsible for arranging music, cultivating musicians and collecting folk songs. Han Yuefu refers to the poems adopted by Yuefu organs in Han Dynasty. These poems first spread among the people and were preserved by Yuefu. Han people called them "Song Poems", and they were called Yuefu or HanYuefu only in Wei and Jin Dynasties. Poems written by later scholars imitating this form are also called "Yuefu Poems". According to "Han Shu Literature and Art", "There are generations, Zhao Zhi Zhi, Qin and Chu Feng, all of which focus on sadness and joy, and they can also observe customs and know what the clouds are." It can be seen that this part of the work is the essence of Han Yuefu. According to Historical Records of Le Shu, the establishment of Han Yuefu was not later than the second year of Emperor Huidi of the Han Dynasty (193 BC), but when Emperor Wudi collected folk songs, he learned that it was collected in the late Eastern Han Dynasty, and * * * collected 138 folk songs. There are 65,438+000 volumes of Yuefu poems compiled by Guo Maoqian, a poet in the Song Dynasty, which are divided into 65,438+02 categories (Jiaomiao Ci, Yanshe Ci, Advocacy Ci, Hengchui Ci, Harmony Ci, Qing Shang Ci, Dance Ci, Qin Ci, Miscellaneous Ci, Modern Poetry, Miscellaneous Ci, New Yuefu Ci). There are more than 40 Yuefu folk songs in Yuefu Poetry Collection, most of which are works of the Eastern Han Dynasty. They widely and profoundly reflected the hardships and hardships of the people at the bottom of society at that time, with a strong atmosphere of life and strong and straightforward feelings. Their forms are simple and natural, their sentence patterns are mainly mixed with five words, their languages are fresh and lively, and their narrative skills are good, which laid the foundation for China's ancient narrative poems. Han Yuefu is another great collection of ancient folk songs after The Book of Songs. Different from the Book of Songs (also realism), it created a new style of poetic realism. Women's works play an important role in the folk songs of Han Yuefu. It uses popular language to construct works close to life, and gradually changes from miscellaneous words to five words. It adopts narrative writing, portrays the characters in detail, creates vivid characters and has a complete story. It can highlight the ideological connotation, pay attention to describing typical details, and open up a new stage in the development of narrative poetry, which is an important stage in the development of five-character poetry in the history of China's poetry. Han Yuefu has a very high position in the history of literature, which can keep pace with The Book of Songs and Songs of the South. Shang Mo Sang and Peacock Flying Southeast are both folk songs of Han Yuefu, and Peacock Flying Southeast is the longest narrative poem in ancient China. Peacock Flying Southeast and Mulan Poetry are both called "Yuefu Shuangbi". The expansion and development of Yuefu in the Western Han Dynasty was in the period of Emperor Wu of the Han Dynasty. The Book of Rites and Music in the Han Dynasty said: "When Emperor Wu of the Han Dynasty decided on the ceremony of sacrificing in the suburbs, ... Yuefu was established and collected poems at night, entrusted by Zhao, Dai, Qin and Chu. With Li Yannian as the captain of the Concordia, he quoted dozens of artificial poems such as Sima Xiangru. In this paper, the Law is briefly discussed and a 19-chapter tune is composed in an eight-tone tone tone. On the moon, I worshipped the hill with sweet spring, which made seventy boys and girls sing. " During the period of Emperor Wu of Han Dynasty, the function of Yuefu was further strengthened. Yuefu not only organized literati to create songs and poems for the use of the court, but also widely collected ballads from all over the country. Many folk songs are sung in Yuefu and handed down. The Yuefu poems created by the literati are no longer limited to feasting and Song Like in Anshifang, but also performed at the time of offering sacrifices to heaven, and the status of Yuefu poems has been obviously improved. According to "Han Shu Guan Bai Gong Qing Biao", during the period of Emperor Wu of the Han Dynasty, the Yuefu Order consisted of three officials. According to Records of Rites and Music in Han Dynasty, Yuefu had more than 800 employees by the end of his reign, becoming a huge music institution. More than 100 years from Emperor Wu of the Han Dynasty to Emperor Cheng was the heyday of Yuefu. When Ai Di ascended the throne, he ordered the dismissal of Yuefu officials, greatly reducing Yuefu personnel, and the rest were placed under the jurisdiction of the order. Since then, there has been no Yuefu organizational system in the Han Dynasty. The organs in charge of music in the Eastern Han Dynasty also belonged to two systems. One is Taiyue Music Department, and the chief executive is Taiyue Music Order, which is equivalent to Taiyue Music Order in the Western Han Dynasty and belongs to Tai Changqing. One is the propaganda department of Huangmen, in charge of Cheng Hualing, belonging to Shaofu. The name of Huang Men's advocacy has existed since the Western Han Dynasty, and it has a very close relationship with Yuefu. In the Eastern Han Dynasty, the Huangmen Propaganda Department, headed by Cheng Hualing, provided songs and poems for the ministers who enjoyed the banquet, which actually played the role of Yuefu in the Western Han Dynasty. Yuefu poems in the Eastern Han Dynasty were mainly sung by Huangmen Propaganda Department, so they were preserved. Jiao Miao Song: It is mainly a musical song written by noble literati for sacrifice, which is gorgeous, elegant and thoughtless. For example, the seventeenth song of An Shi Fang (Chu Yin) and the nineteenth song of Sacrifice to the Suburb: Music background: Source: (1) Qin Le (2) Chu music 1: also known as the song of piccolo and cymbals, which was imported from the northern nationalities in the early Han Dynasty. The lyrics were written later, and the content was more complicated. Mainly folk creation. Harmony songs: Music is folk music collected from all over the country, and most of the songs are "gossip". Among them, there are many masterpieces, which are the essence of Han Yuefu. Miscellaneous songs: I don't know how to play China's music. Because there is no classification, it is a category of its own. There are some excellent folk songs in it. When describing the songs and poems of Yuefu in the Western Han Dynasty, History of Han Dynasty wrote: "Since filial piety, Yuefu has adopted more songs, so there are generations, obituaries and Qin Chu styles. They all feel sad and happy, all because of things. " The two Yuefu poems in Han Dynasty are both inspired by the theme of creation and have strong pertinence. It is the specific events in daily life that inspire the enthusiasm and inspiration of Yuefu poets. Yuefu poems also show sensitive issues that people are generally concerned about, telling the bitterness and joy, love and hate, and attitudes towards life and death of that era. The authors of Yuefu poems in the two Han dynasties came from different classes, and the poet's brushwork penetrated into all levels of social life. Therefore, the disparity between the rich and the poor and the inequality between the sufferings and joys of social members are fully reflected in the poems. In Xianghe's poems, the trip to the East Gate, the trip to gynecological diseases and the trip to orphans all show the sufferings of ordinary people and are groans and shouts from the lowest level of society. Some families "don't have a bucket of rice in the pond and no clothes hanging on the shelf", forcing the man and the man to draw swords and take the road of resistance. ("East Gate Tour") Some women have been sick for many years and entrusted their children to their husbands when they were dying; After the death of the sick woman, the husband had to beg along the street, and the orphan cried for his mother at home. ("Gynecological Diseases") Others wrote that orphans were abused by brothers and sisters and tasted the bitterness of the world. These works reveal the economic poverty and hardships of ordinary people in a bold way, and also show their mental pain and emotional suffering through their dialogues, actions and inner monologues. After making the final choice, the protagonist in the East Gate Story has to give up the love of husband and wife and the affection of children. The couple's conversation is a life-and-death play. The dying will of a sick woman in a woman's illness is bitter, and the guilt and sadness of her husband's inability to raise orphans also permeate between the lines. As for the orphans in The Orphan's Journey, they even have the idea that life is worse than death because they can't stand inhuman treatment, and they have completely lost confidence in their destiny since they were young. When expressing the sufferings of ordinary people, Yuefu poems in the two Han dynasties took into account the hunger and cold of the objects and the serious trauma to the spiritual and emotional world. What is particularly valuable is that the author of the poem has expressed deep sympathy for these poor people who are struggling to die, and tells the misfortune of the lower class poor people with compassion. These three poems included in Xianghe's poems are completely different from the three works of Cockcrow, First-line Meeting and Chang 'an Narrow Inclined Line. They show a completely different scene from the suffering world and bring people into another world. The basic content of these three poems is the same, and they are all about rich people; There are also many repetitions in the words used in the three poems, which originally came from the same mother. The author of Meet is like a tour guide, who introduced people to the assistant minister's office twice. The first time I saw gold as the door and white jade as the hall, I sprinkled it on the hall and made a name for it. The osmanthus trees in the atrium are very spectacular. The second time I saw them, they spent their honeymoon together, they were humming, two women were knitting cotton, and the little woman was tuning the musical instrument. This poem not only plays up the wealth of the master, but also points out his distinguished status: "Brother 23, neutron is assistant minister." This is a wealthy family with extraordinary value. Gold is the door and white jade is the hall, which is a symbol of a rich prince, not a general wealth, but a great wealth. The assistant minister is the imperial guard of the palace or the left and right attendants of the emperor, and is a trusted confidant minister of the emperor. His special position is not comparable to that of ordinary court officials. "Cockcrow" and "Chang 'an has a narrow line" make the prominent position of the performance object more full, or the cloud: "Four or five brothers are all ministers" or the cloud: "The eldest son has two thousand stones, and the neutron is filial and loyal. "The boy has no official position, and his clothes are in Luoyang." The rich man in the poem is not just a resident official, but several brothers are officials at the same time; The official position is not limited to the assistant minister with a salary of 400 stone, but the official with a rank of 2,000 stone. The two poems "Meeting" and "A Narrow and Inclined Line in Chang 'an" were written by the author in an appreciative style, while the poem "Cockcrow" warned the rich and powerful not to run amok, so as not to violate the criminal law, and consisted of exhortation and criticism. The above three poems show the atmosphere of a wealthy family, which is of exemplary significance to China's ancient literary creation. Later, many similar works were based on this. Gold is the door and white jade is the hall. In A Dream of Red Mansions, it evolved into Jia Fu's "White Jade as a Golden Horse". As for the section where three women weave cotton drum instruments, it is divided separately and named as "the glory of three women", which frequently appears in ancient Yuefu poems and becomes a symbol of rich children, accumulating into symbols with specific meanings. Yuefu poems, which show the sufferings of ordinary people and reflect the luxury of a wealthy family, are included in the harmony songs, forming two contrasting pictures. One side is hungry and cold, struggling on the death line; On the one hand, luxury, I don't know there are sorrows and joys in the world. On the one hand, even his wife and children can't live, on the other hand, there are many wives and concubines and many waterfowl. These two groups of Yuefu poems were originally arranged together with great contingency, and their objective effect was to guide readers through heaven and hell and appreciate the bipolar world of disparity between the rich and the poor and uneven bitterness and happiness. Yuefu poems in Han Dynasty also directly expressed the love and hate between men and women. Love and marriage works occupy a large proportion in the poems of Yuefu in the two Han Dynasties. Most of these poems are written by folk or lower-class literati. Therefore, when expressing love and hate in love and marriage, they are all bold and provocative. Advocating for evil included in the song is one of the songs 18, which is a sentence sworn by her daughter: "Evil! I want to know you, and I will live long. There are no graves in the mountains, rivers are dried up, lightning in winter shakes rain and snow in summer, and heaven and earth are one, but dare to separate from you. "This poem uses strange words and has a unique style. First of all, swear to God that you want to be your partner for life. Then he even listed five rare and extremely abnormal natural phenomena to express his unswerving commitment to love, each of which would not appear under normal circumstances, let alone at the same time. The works greatly enhance the intensity of lyricism, and the inner feelings, such as volcanic eruption and river running, can't be stopped by any force. Daughters in Yuefu poems in the two Han Dynasties are sincere and enthusiastic about their lovers. However, once you find that the other person has moved on and changed his mind halfway, you will turn love into hate and break up with him decisively without hesitation. Another poem "Thinking" reflects the change of unmarried women from love to hate and its manifestations. The lover that the heroine misses is far away in Hainan. She prepared a pair of precious "pearl tortoiseshell pair, dazzling in jade color" and wanted to give it to each other. As soon as she heard that the other party had second thoughts, she resolutely ruined the gift, "tearing things to ruin it", "When the wind blows up its ashes", she firmly said, "From now on, don't miss it again. "She loves it warmly and hates it. Her choice is painful, but also firm and resolute. Peacock Flying Southeast is about another kind of love-hate relationship. The hero and heroine of this poem, Jiao Zhongqing and Liu Lanzhi, are a loving couple. There is only love between them, not hate. Their marriage broke up due to external forces. Jiao Mu doesn't like Lan Zhi, so she has to go back to her family. Brother Liu forced her to remarry, and the satrap forced her to get married. After Liu Lanzhi and Jiao Zhongqing broke up, they got to know each other better and their love became stronger and stronger. In the end, both of them committed suicide to resist the arranged marriage, and also expressed their love for life and death. When the author of Peacock Flying Southeast describes this marriage tragedy, the hero and heroine love what they love and hate what they hate, and the tendency is very obvious. There are also Sang Helang and others in the two poems of Han Yuefu. In these two works, both men and women have no emotional foundation at all and are strangers. The man tried to impose his will on the woman by virtue of his own power. Thus, there appeared a scene in which Qin Luofu deftly refused to do or die with your majesty and Hu Ji. The authors of these two poems also have a clear distinction between love and hate. They fully affirmed and highly praised Qin Luofu and Hu Ji, and mocked and lashed lecherous envoys and Jin Wuzi. Since Emperor Wu of the Han Dynasty, wars have been waged frequently, and a large number of soldiers have been recruited, resulting in a large number of deaths of the people and the destruction of many families. The brushwork of The Battle of the South not only involves the desolation on the battlefield, but also extends to a vast social space, describing the destruction of social order and the waste of agricultural production by war. The fifteenth conscription used "the fifteenth conscription" and "returning to the early and late 1980s" to describe the darkness of the military service system. The huge distance between the two figures is shocking, which not only brings personal tragedy, but also causes the tragic scene of "pine and cypress buried together" in the family. The Yuefu poems in the Han Dynasty also expressed a strong desire to be happy in life and hate in death. How to transcend the finiteness of individual life is an important topic that the ancients pondered hard. Yuefu poems in the Han Dynasty have a deeper excavation in this respect than previous literary works, showing the desire of the creative subject to be happy and hate to die. Qiu Lu and Hao Li are popular funeral songs in the Han Dynasty, and the songs sung during the funeral are all included in the harmony songs. The whole poem of Autumn Dew is as follows: "Dew is hard to get rid of. When dew falls again, when people die! "This poem thinks that life is too short to be dew on the grass. When dew dries up, it can be rebuilt naturally, but human life is only once. Death makes life go away and disappear forever. " Mugwort "makes death even more miserable:" Whose home is mugwort? There is no virtue or stupidity in gathering souls. When a ghost rushes, people's lives are ruined. "This poem treats people's death with theistic ideas, and writes about the painful feelings in the face of death, and treats the irresistible fact that the soul belongs to mugwort with a helpless attitude. Normal death has caused such great sorrow, and the great pain caused by sudden death is even more difficult to tell. The song "The Battle of the South" shows the mourning for the fallen soldiers. The scene after the soldiers died was: "The water depth is exciting, and Puwei is invisible. Owls fight to the death on horseback, and horses sing. "The author tried to render the desolation and misery after the battlefield became a cemetery. This is a gloomy picture that is almost dead. What is particularly unbearable is that "the wild die without burying the black". The dead suddenly died outside the city, no one buried them, and crows pecked at them at will. Nothing is more painful than this in life. Although the dead in the poem pretended to be brave, the destruction of life by war was vividly displayed. When describing the sadness of death, the above poems show the cherish and nostalgia for life, alienation and rejection of death, and write death as an inevitable cruel event imposed on others. Evil death and happy life are linked, and they are two sides of the same problem. The two Yuefu poems in Han Dynasty frankly conveyed people's aversion to death, and at the same time pinned their desire for a happy life on communication with the gods in an illusory form. The suburban sacrificial song "In and Out of the Sun" is related to the individual life span of people through the rise and fall of the sun. The sun goes east and west every day, day after day, year after year, and it will never end. But people's individual life is limited, born outside and dead inside. When they enter, they complete the course of life, which is in sharp contrast with the sun, which keeps coming in and out. Therefore, the author boldly imagines that the sun runs in another world, where the time coordinates of the four seasons are different from the world, so the sun becomes an eternal existence. The poet is looking forward to roaming in the kingdom of heaven on six dragons, hoping that something will descend from the sky and carry him into the world where the sun runs. Yan Ge in Miscellaneous Songs depicts an ideal picture of entering the kingdom of heaven. The poet fantasized that he had boarded the cloud night and came to the fairyland of the gods, where he became a distinguished guest. Immortals from all walks of life are busy for his arrival. Hebo, Qinglong White Tiger, South Fighting the Arctic, and Chang 'e Weaving Girl are all very attentive. Even the cool breeze and the hanging stars are singing and dancing, serving the poet enthusiastically. This poem shows the ultimate happiness beyond the individual's limited life and reaches the other side of the world, injecting life into many celestial bodies. Let the gods and poets get together. Similar poems include Long Songs and Dong Escape, but the hometown of immortality in these two poems is not the kingdom of heaven, but the fairy mountain, which relies on magical medicine to prolong life. When expressing the illusion of immortality, the Yuefu poems in the two Han Dynasties sometimes wrote that the gods came to the world and lived in the same world as the creative subject. The poems "Practicing Time" and "Grandpa Flower" of the suburban sacrificial songs are all from the sky, and the immortals in the song "Shang Ling" are all from the water. When describing the arrival of the gods, Yuefu poets give full play to their imagination and portray them in great detail. Through the orderly exposition of spiritual journey, hearse, spiritual arrival, spiritual arrival, spiritual sitting and spiritual stay, Time for Practice shows the process and grace of the gods getting closer to themselves and the joy they can give them. Grandpa Hua is very similar to Lian Tian in writing. In Shang Ling, the immortals are laurel trees as boats, moss as sassafras, and Mulan as flowers? Zhai and Jin are intertwined, which is unusual. On the surface, these works describe that the gods came to the world and approached the creative subject, but in fact they imply that the poet will gain eternal life with the help of the power of the gods and will soon become a member of the celestial world. The Yuefu poems of the Han Dynasty, whether about the soaring of the body to the celestial realm or the arrival of immortals, put people and God on the same level. God is no longer detached from the creative subject, and people walk with God and are close to each other. Through the immortality and secularization of human beings, the Yuefu poems in the two Han dynasties expressed the author's ideal of communicating between heaven and man. The Yuefu poems in the two Han dynasties are deeply influenced by the Book of Songs when they express the joys and sorrows of the world and the love and hate in the relationship between men and women, and have national style and elegant charm. When expressing the joy of life and the hate of death, it mainly inherits the Chu cultural tradition, which is the legacy of Zhuang Sao. Busy places (hotels, Kyoto) and emergencies are the objects that the author likes to describe. Some representative works tell stories with complete plots. Such as gynecological diseases, orphans, peacocks flying southeast, and so on. Sometimes the plot twists and turns. Peacock flies southeast, with the contradiction between Lan Zhi's faithful love and feudal autocracy, unfolds a rich and tortuous plot. Lan Zhi was unbearable and invited to return, causing waves; Zhong Qing's intercession seems to have calmed the contradiction, but Jiao Mu's attitude is outrageous and the contradiction is more acute. Liu Jiao's vows before breaking up made the contradiction a little slower. Lan Zhi was forced to remarry, and the contradiction was aroused. The plot is ups and downs, full of twists and turns. Yuefu poems in Han Dynasty created a number of vivid characters. He writes people with great skill. Or express the character through the words and deeds of the characters, or use the environment and scenery to set off the character image. A woman's sick trip, an orphan's trip, the dialogue in Shang Mo Sang, the behavior of the characters in Peacock Flying Southeast and the environmental atmosphere all effectively depict the characters. The Yuefu poems in the two Han dynasties pay attention to tailoring, emphasizing narrative but slightly lyrical, laying out the scene, detailing the intermediate process and outlining the beginning and end. On the one hand, Yuefu poems in the Han Dynasty played a positive role in promoting the evolution of China's ancient poetic style, and realized the transition from four-character poems to miscellaneous poems and five-character poems. The four characters in The Book of Songs are longer than lyric and are not suitable for narrative description. Especially after the pre-Qin period, there were more disyllabic words in Chinese, but the verbs were monosyllabic, so it was difficult for disyllabic words and monosyllabic words to match the "February 22nd" rhythm of four-character poems. It is imperative to innovate the poetic style. The miscellaneous style of Chu Ci is a great liberation of the four-character poem style. Yuefu poems in Han dynasty also used miscellaneous words at the beginning to facilitate narrative description. There are already five sentences in the miscellaneous poem. During the Eastern Han Dynasty, the number of five-character poems created by the people increased, which further influenced the literary creation style. An important style of China's classical poetry gradually matured at this time. At the beginning of China's poetry, lyric poetry was overwhelming. There are not many narrative poems in The Book of Songs (such as July, Dongshan, Mang, etc.), and most of them are lyric poems, which are often sung in the form of chapters. Chu Ci is also lyrical. Although the emergence of folk songs in Han Yuefu is not enough to change the mainstream of lyric poetry, there are many mature narrative poems after all. About one third of the existing Yuefu poems in Han Dynasty are narrative works. This kind of narrative poetry mostly adopts the third person, which is more flexible in expressing character events. Short stories often capture a typical fragment of life to express, so that contradictions are concentrated in one focus, which not only avoids too much explanation and elaboration, but also shows a broad social background. For example, The Journey to the East Gate only describes the scene where the husband draws his sword and his wife and children are struggling to persuade him, but the content behind the poem is very rich. Another example is the Tenth Five-Year Plan. On the one hand, it is difficult to miss home after 65 years of military service; On the one hand, there are many natural and man-made disasters at home, and relatives die one by one. Let alone all this, except that the old man came back bald, facing the desolate quadrangles and graves, the hardships of life, the darkness of society, and even more people suffered the same experience. There are many descriptions, plots and conflicts in medium and long narrative poems, such as Mo Shang Sang and Peacock Flying Southeast. There is every reason to say that China's ancient narrative poems created a new poetic style-miscellaneous style and five-character style on the basis of Han Yuefu folk songs. His essays are free and flexible, and seem to be written at will, ranging from one or two sentences to more than a dozen words (such as A Journey to an Orphan). The author only writes according to the needs of the content. This paved the way for future miscellaneous songs. It is generally believed that five-character poems originated in the Han Dynasty. Among Yuefu poems, Jiangnan and Joining the Army on the 15th are all five-character poems. It is generally believed that these two poems were written in the Western Han Dynasty. By the Eastern Han Dynasty, there were more and more five-character poems in Yuefu poems, and their artistry was becoming more and more perfect. But also interact with the five-character poems of literati and promote them together. Mature five-character poetry was bred in Yuefu folk songs and literati's creation in Han Dynasty and became the main form of poetry in Wei, Jin, Southern and Northern Dynasties. The folk songs of Han Yuefu have a strong flavor of life, especially for the first time, which concretely and profoundly reflects the hardships and pains of the daily life of the lower classes. Fifthly, enlist in the army. Fifteen, join the army and return at the age of eighty. Everyone in the village, who is at home? Looking into the distance is your home, with countless pines and cypresses. Rabbits enter from the dog's sinus and pheasants fly from the beam. In the atrium, Green Valley was born, and in the well, Lv Kui was born. Eat grains as rice and drink sunflower as soup. The soup and rice have been cooked for a while, and I don't know who it will be. Going out and looking east, tears fell on my clothes. You can eat the dead without burying them in the wild. Call Wu for me: "Let's go and be a guest. If you die in the wild, don't be buried. Can carrion escape? "Water depth stimulation, PuWei intangible. Owl rides a bucket to death, while Xu wanders alone.