Li Bai's Yang Yuhuan Poems

1. The poem written by Li Bai to Yang Guifei is clear and plain. Three clouds need clothes, flowers and capacity, and the spring breeze blows the threshold.

If Yushan didn't see her, it would be Yaochi meeting under the moon. A red dew is fragrant, and the rain is heartbroken.

Excuse me, who looks like Han Palace? The poor swallow relies on new cosmetics. Famous flowers fall in love and laugh like kings.

Explain that the spring breeze is infinitely hateful, and the agarwood pavilion is northward. The first song, with seven words added: "Clouds need clothes, flowers need capacity", makes Yang Fei's clothes look like clothes and feathers, surrounded by her plump jade capacity.

The word "Xiang" has both positive and negative understandings. It can be said that when you see clouds, you think of clothes, and when you see flowers, you think of looks. It can also be said that you think of clothes as clouds and looks as flowers, so the interaction is uneven, and the seven words give people a feeling of flowers. Next, "the spring breeze blows the sill to show the flowers", and the beauty of peony flowers is more colorful in the crystal dew, which makes the above sentence more full. At the same time, the wind dew symbolizes the grace of the king and makes the painted face more spiritual.

Below, the poet's imagination suddenly rose to the Yushan and Yaotai groups where the Queen Mother of the West lived in heaven. "If it weren't for" and "meeting", the poet pretended to choose, but he was convinced that such a beautiful face could only be seen in fairyland.

Yushan, Yaotai and moonlight, with simple words, set off a beautiful face, naturally reminiscent of a white jade-like person, a warm white peony flower. At the same time, the poet did not show any trace, and compared Yang Fei to a fairy, which was really exquisite.

The second song begins with the sentence "a piece of red dew condenses fragrance", which writes both color and fragrance; Not only the natural beauty, but also the dew beauty, which is a step further than the previous Revlon. Use the story of the king of Chu to humanize the flowers in the previous sentence, and point out that the king of Chu is heartbroken as a goddess. In fact, the goddess in the dream is not as good as the beauty now.

After that, Zhao, the queen of Emperor Han Chengdi, was a peerless beauty, but Zhao still had to rely on new makeup. Those who looked like beauties in front of her eyes did not need makeup, which was naturally amazing. This song also respects the topic by depressing the goddess and the flying swallow and raising Yang Fei.

According to legend, Zhao is light and can dance in the crystal plate held by imperial secretary, while he is relatively fat, with the inherent saying that "the ring is fat and thin" (Yang Guifei's real name is Yuhuan). On this basis, it was later said that Yang Fei liked these three poems very much and often recited them. Gao Lishi thought it was a great insult, because Li Bai had ordered him to take off his boots, so he summoned Yang Fei, saying that Li Bai mocked Yang Fei's fatness with the thinness of the swallow, and mocked Yang Fei's palace chaos with the adultery of the swallow.

However, this view has been opposed by many scholars. These scholars believe that if there is such an intention in Li Bai's poems, first of all, he can't escape Xuanzong, who has knowledge and culture, and Yang Fei is not a man without cultural accomplishment.

According to the original poem, it has obvious meaning of restraining the ancient and respecting the present. The third song, from the fairyland ancients back to reality.

The first two sentences, "Famous flowers pour over the country and care for each other, which makes the king smile." The beauty in "Pour Out the Country" refers to Yang Fei, of course. The poem only points out here that the peony and "dumping the country" and "dumping the country" are combined into one, and the words "smiling and looking" are unified, so that the peony, Yang Fei and Xuanzong are integrated. Because the word "laugh" in the second sentence aroused the third sentence "show infinite hatred for the spring breeze", and the word "spring breeze" is synonymous with the king. This sentence made the beauty of peony interesting, and the king smiled, of course, without hatred, and all his troubles were relieved.

At the end of last year, the place where Yang Fei enjoyed flowers was "Chenxiang Temple North". The flowers outside the diaphragm are very elegant and romantic when people lean on them.

2. Li Bai described Yang Guifei's two poems as "the clouds want clothes and flowers to make up, and the spring breeze blows the threshold to reveal wealth." Your appearance and dress are so beautiful that even Baiyun and Peony will dress you up. The spring breeze is swaying and the railings are gently brushed. Beautiful peony flowers are more beautiful in the crystal dew, and your beauty is really like a fairy.

"Cloud thinking" sentence: See the brilliance of clouds, think of gorgeous clothes, see gorgeous flowers, think of the beauty's face. In fact, clouds are used to describe clothes and flowers are used to describe people.

Threshold: railing;

Revlon: Peony flowers are more colorful with crystal dew.

Extended data:

Qingpingdiao 1

(Tang) Li Bai

Beautiful people who see the bright clouds, think of their clothes and see flowers come to see them.

If Yushan didn't see her, it would be Yaochi meeting under the moon.

"Clouds need clothes and flowers to look good," wrote Yang Fei's clothes, as if they were really like clothes and feathers, surrounded by her plump jade capacity. The word "Xiang" has both positive and negative understandings. It can be said that when you see clouds, you think of clothes, and when you see flowers, you think of looks. It can also be said that you think of clothes as clouds and looks as flowers, so the interaction is uneven, and the seven words give people a feeling of flowers.

"The spring breeze blows the threshold to show the fragrance of flowers", and the painted face is further stained with "the fragrance of flowers", which makes the beautiful peony flowers more colorful in the crystal dew, makes the above sentences more full, and at the same time, the wind dew symbolizes the demeanor of the king and makes the painted face more spiritual.

Below, the poet's imagination suddenly rose to the Yushan and Yaotai groups where the Queen Mother of the West lived in heaven. "If it weren't for" and "meeting", the poet pretended to choose, but he was convinced that such a beautiful face could only be seen in fairyland.

Yushan, Yaotai and moonlight, with simple words, set off a beautiful face, naturally reminiscent of a white jade-like person, a warm white peony flower. At the same time, the poet did not show any trace, and compared Yang Fei to a fairy, which was really exquisite.

References:

Three flat tones _ Baidu Encyclopedia

3. What are the poems written by Li Bai for Yang Guifei? Li Bai wrote only three poems for Yang Guifei. This poem is in a clear tone. The following is the full text of the poem: 1, the clouds want to dress up, and the spring breeze blows the threshold to show wealth.

If Yushan didn't see her, it would be Yaochi meeting under the moon. I think of Yang Fei's clothes when I see clouds, and Yang Fei's appearance when I see flowers. The spring breeze blows on the railing, and the flowers are more colorful under the moisture of dew.

Such a beautiful scenery can only be seen in the moonlight of Yaochi and Yushan where immortals live. 2, a piece of red dew fragrance, heartbreaking

Excuse me, who looks like Han Palace? The poor swallow relies on new cosmetics. You are really like a blooming peony flower, covered with rain and dew, full of fragrance! The legendary meeting between the King of Chu and the Goddess of Wushan is just a legend. How can it compare with the fact that you really get the favor of the king? Even the lovely Ye Zhao had to put on gorgeous clothes and make up to match.

3, the famous flowers pour the country and reward, often with a smile. Explain that the spring breeze is infinitely hateful, and the agarwood pavilion is northward.

Peerless beauty and red peony complement each other, and beauty and famous flowers make Wang smile. Moving beauty is like spring breeze, which can eliminate infinite resentment. North of Chenxiang Temple, the king and the imperial concubine lean against the railing.

Extended information Li Bai was drunk and invited by Emperor Taizong to enter the palace to write poems for Yang Yuhuan. Li Bai wrote three Qing Ping Tunes for Yang Guifei. When Li Bai saw the clouds on the horizon, he couldn't help thinking about clothes. When he saw the beautiful flowers, he couldn't help thinking about looks. This is the beauty of Yang's clothes and looks.

4. Even if Li Bai cursed Yang Yuhuan's famous sentence, it may have been invented by later generations ~ ~ ~ "Qingpingdiao", which was so red that it was heartbroken in vain.

Excuse me, who looks like Han Palace? The poor swallow leans against her new makeup. Legend has it that Gao Lishi told me that Li Bai compared you to Zhao, degrading and insulting your personality.

Because Zhao is a hotel in master Yang's house, she comes from humble origins. When Emperor Xiandi visited Yang Azhu's house, he was attracted by her dancing, so he called her into the palace and later made her queen. Yang Yuhuan listened to Gao Lishi's words and tried to vilify Li Bai in front of Xuanzong, so Xuanzong no longer reused Li.

None of these statements hold water. First of all, Zhao is the queen of the Western Han Dynasty and can sing and dance well. Her favorite experience is very similar to that of Yang Yuhuan. Li Bai compared Zhao very appropriately, without any derogatory meaning.

If you compare it to praise and The Story Of Diu Sim, it is definitely inappropriate, because these women have a record of participating in politics or even mismanaging, while Zhao herself has never participated in politics or mismanaging. The main function of using the image of Zhao in Li Bai's poems is actually to set off and set off the beauty, and there is no other deeper meaning, let alone political significance and derogatory meaning.

In fact, the name Zhao often appears as a synonym for beauty in many literary works in the Tang Dynasty, and there is no derogatory meaning in it. Secondly, Qing Ping Diao was written by Li Bai at the behest of Xuanzong. After Li Bai's Qing Ping Diao was written, Xuanzong liked it very much, and immediately ordered Li Guinian and other musicians to compose music and sing.

If Li Bai implied such a strong irony in his poems, wouldn't it be obvious that he was knowledgeable, good at poetry and proficient in music in Xuanzong of Tang Dynasty? Although Li Bai was arrogant and equal to the princes, he mocked Yang Yuhuan and offended Emperor Xuanzong at this time, which was harmful to Li Bai who was seeking career promotion in Chang 'an. More importantly, at that time, Yang Yuhuan had not been named as a imperial concubine, but entered the palace as a Taoist priest. She had not yet become the imperial concubine of Xuanhe and Yang had not served as the prime minister, so Li Bai had no reason to attack and ridicule.

As for some people, it's even more nonsense. This sentence satirizes that Yang Yuhuan is Princess Li Mao, the king of longevity, and "heartbroken in vain" refers to the king of longevity. From the above analysis of Gao Lishi and Yang Yuhuan, it is hard to say that Gao Lishi and Yang Yuhuan once slandered and slandered Li Bai when Xuanzong was in the Tang Dynasty.

Most of this was invented by later miscellaneous history writers, and its purpose may be to strengthen Li Bai's image of being arrogant and disdainful of powerful people. . .