Traditional Culture Encyclopedia - Hotel reservation - Six principles of Chinese flower arrangement
Six principles of Chinese flower arrangement
The combination of reality and reality is easy to produce echo.
Light is up, heavy is down, scattered is up, and gathered is down.
Staggered height
That is, the flowers should be staggered back and forth.
Never be on the same horizontal line or straight line.
The design of flower materials should be expressed in three-dimensional space, that is, it requires hierarchical position arrangement with modeling elements such as points, lines and surfaces in three-dimensional space. Up, down, left, right and back are distinct and tend to be unified, and strive to avoid the main flowers in the same horizontal line or vertical line.
thickly dotted
Every flower and leaf has an ornamental effect and a composition effect. Too dense is too complicated, too sparse is empty, and the arrangement of flowers should be dense and natural.
"Easy to sparse, airtight", dense and alternating, patchwork. Generally, it should be dense at the center of gravity of the work and sparse away from the center of gravity of the work. There should be gaps in the works, and there should be contrast between density and density. Don't fill it.
The combination of virtuality and reality
Flowers are real, leaves are empty, there are flowers without leaves, flowers without solid leaves, buds with empty flowers are real, and vines with empty flowers in the center are real. The front flower is full, the back flower is empty, the block flower is full, the fine flower is empty, the plane leaf is full, and the leaf is empty.
Prone reaction
Flowers, branches and leaves should look around the center from top to bottom to reflect the integrity and maintain a sense of balance. Whether it is a single or a combination, it must show a sense of integrity and balance. Huacai looks around the center of gravity and is mentally coordinated. The inclination and echo of the flowers should lead the audience's attention to the center of gravity and produce a sense of stability.
Light on the top and heavy on the bottom
Flowers bloom on the bud, with light color on the top and dark color on the bottom, which is balanced and natural.
Flowers are not important, and the differences in texture, shape and color cause a heavy psychological feeling. When flowers with similar textures and shapes are combined together, it is easier to achieve harmony. On this basis, flowers with different colors can be matched, and the effect of colorful coordination can also be achieved.
Spread up and gather down.
It means that the base of each part of the flower material should be gathered like a trunk, twisted into a force that seems to be born from the same root, and the upper part is scattered like branches, giving full play to personality, appropriate dispersion and grace, so that the work is both changeable and full of personality and identity.
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