Xie Junkun's Main Experience

Xie Junkun, male, from Feidong, Anhui, is a scholar and online writer. Up to now, hundreds of articles have been published in various newspapers and online media, with * * * 1 10,000 words, and the masterpiece is the novel "Tears Die".

Chinese name: Xie Junkun

Jack

Nationality: People's Republic of China (PRC).

Ethnic group: Han nationality

Place of birth: Feidong County, Anhui Province

Occupation: Part-time freelance writer

Masterpiece: The novel Tears of Dreams.

life experience

After the publication of "Friends of Teenagers" and "Feeling under the Night Campus" in senior high school, it was out of control and words frequently appeared in newspapers. He was elected as a special correspondent of China Little Reporter and editor-in-chief of Green Wind in Dabie Mountain. He taught in Grade Two of a middle school for three months, worked in the student affairs office of a university for half a year, and then worked in different institutions. During this period, he participated in the "Gaibei" national youth composition competition and won the "third prize". In April, 2004, he began to write and publish the campus online novel "Tears for Death" (250,000 words), which became famous on the Internet.

representative works

The book "Tears Dying Dreams" (formerly known as "Yesterday's Dreams") mainly introduces some processes of Gao Wei's study and life. At the beginning, I put pen to paper after graduating from high school and vaguely introduced the relationship between master and Fang. Gao Wei walks like a university with good wishes.

Threshold, and determined to fight for their dreams. After going to college, Gao Wei's love for literature, his understanding of university life and the constant maturity of his thoughts formed his writing. Later, his parents got engaged to Gao Wei in the traditional way of marriage in China, but his shawl long hair (Sun Yuanyuan) fell in love with him again, so he naturally wrote these things. This is a bit of a' love triangle', but it is not the case.

In 2004, Tears of a Dead Dream was first published on Sina Reading, Qidian Chinese, Banshu, Xici, Tianya and other well-known websites, and was subsequently reprinted by thousands of reading websites across the country. There are countless pirated books on the market, which proves that the novel sells well. As a writer who has read the author's novel said, in the era of campus literature flooding, this novel can be said to be a new way, unconventional and far-reaching, and it is bound to become a direction indicator.

The preface of this novel.

Preface to Tears of Dreams: This is a novel describing the mental journey of young students. It reflects some social phenomena through the narration of students' reading, further studies and life feelings, and then expresses some thoughts and concepts. With the help of emotional experience in college, a series of people and events were inserted into campus literature.

This book is full of laughter, profound taste and, more importantly, truth, which drives away people's disguise and reveals the original nakedness of people's souls.

I write in chronological order because life itself is like this. For the living, after today, it is tomorrow. I invented a character-Gao Wei, taking this person's growth as a clue. Remove the virtual scene and use the montage technique in the movie to outline the appearance of the characters. Compose a long story with a series of events, and the words are scattered but not chaotic. The book "Tears Dying Dreams" (formerly known as "Yesterday's Dreams") mainly introduces some processes of Gao Wei's study and life. At the beginning, I put pen to paper after graduating from high school and vaguely introduced the relationship between master and Fang. Gao Wei set foot on the threshold of university with good wishes and made up his mind to fight for his dream. After going to college, Gao Wei's love for literature, his understanding of university life and the constant maturity of his thoughts formed his writing. Later, his parents got engaged to Gao Wei in the traditional way of marriage in China, but his shawl long hair (Sun Yuanyuan) fell in love with him again, so he naturally wrote these things. This is a bit of a' love triangle' bud, but I didn't kill it before it really started. As an author, I also played the role of an executioner.

Finally, after all the so-called experiences, Gao Wei was left alone in an unchangeable reality.

Some people in the book don't know how things come and go, and some are just a flash in the pan. Maybe life is like this. There is no need for results or perfection, because life itself has no time to make up or imagine.

I don't know whether it is right or wrong to write scattered people and things in scattered words. I don't know how I spent five months writing a campus literature, and I don't know that I have such great patience. I only know that a ballpoint pen core can write 30 thousand words. All I know is that I can only type 2000 words an hour on the computer. All I know is that I lost a lot when I wrote these things. Time may be a little hasty, but I won't embellish, gossip, or pretend to be deep in my haste. I don't think it takes too much time to write a book or a novel. Although it will be relatively mature and perfect if it takes too long, it will contain a lot of cunning, glitz and exquisiteness.

Among the writers in China, I appreciate Jia Pingwa best. He said that there were many puzzles in life that kept him writing. Naturally, I don't have the ability to' worry about adding new words', so what I write is mindless and senseless. Just like some characters in the book, they met unintentionally and inexplicably went with the wind. After listening to Dao Lang's songs yesterday, I discovered the new hope of Chinese mainland's pop music. Living in such a society, I can't and won't finish reading Four Great Classical Novels at last, because they don't have any benefits and functions for me, and they are even less attractive, so there is no need to follow suit. Youth is a kind of capital, and the same youth has a price. I'd love to. Finally, it is necessary to write. If we miss the opportunity now, we will lose our original charm. Now I can describe an emotion and a memory like running water through my pen. In this way, we can forget some troubles and pursue ordinary life dreams, and we can also pick up trivial memories and random thoughts from them to free our hearts.

These are all stories about a person, including some trivial things in life, emotional agitation in adolescence and an experience of growing up. Laughing and crying. Where there is hate, there is love. There are joys and sorrows. It all belongs to one person.

To tell the truth, I finally admit that Prime Minister Liu Zhonghe is lovely and frank. (20041October 1 1 1)

Realistic criticism

Throughout Xie Junkun's articles, most of them are closely related to our lives, and more are to criticize real life with the eyes of scholars.

In 2006, Xie Junkun wrote "Lu Xun Deceived All China", which caused a new round of critical thinking and discussion on Lu Xun in academic circles. After four years, Xie Junkun once again pointed the object of criticism at Lu Xun. In the article "The key to the success of Chinese education reform in China lies in the determination to eliminate Lu Xun", Xie Junkun wrote in Lu Xun, a mythical deceased. In today's open historical thinking, it is necessary for me to strip Lu Xun of his hypocrisy. Maybe I will be criticized from all sides, maybe because my graduation thesis is about Buddhism. Buddha said, "If I don't go to hell, I will go to hell. "

20 10 On September 28th, Jiangsu Changzhou Daily published an article "Lu Xun's Works:" Withdraw "or" Stay " The whole passage quotes scholar Xie Junkun's remarks: "Since the 1980s, classic works such as Lu Xun have been selected into Chinese textbooks on a large scale and become synonymous with Chinese education in China. If Lu Xun can't learn Chinese well, three generations in China will be deeply influenced by it. It is undeniable that Lu Xun has been highly respected and even deified to some extent for many years. Once a person is deified, it will be divorced from reality and make people unattainable. When Lu Xun's articles are selected into Chinese textbooks, it usually emphasizes the political significance reflected in his works, which is more critical. However, the evolution and inheritance of history does not require us to blame history too much and pass on past hatred from generation to generation. However, no matter from the true story of Ah Q, medicine or blessing, it is more the dark side of history, which gives people a kind of depression and hatred. "

It is true that the author and Lu Xun have no deep hatred, but they dare to criticize Lu Xun who was pushed to the altar by us. In essence, it is an academic criticism, aiming at awakening the public's sober understanding of literature, not blindly following authority, and being brave in breaking through and innovating. Throughout Xie Junkun's writing career, many of them are critical. As he said, "I still believe in the power of writing. I have been writing all these years." Although the strength is sometimes weak, I hope that these critical voices can arouse our thinking and innovation, and all social progress will gradually grow in the critical voice. " His articles leave us with more thoughts on humanistic values and more people who pay attention to real life in laughter and abuse.

Media image

First, Changzhou Daily article-"Lu Xun's Works:" Withdraw "or" Stay "

The controversy caused by the withdrawal of a large number of Lu Xun's works from Chinese textbooks has become a "public event" in China today, from which a series of topics have been launched and derived. The core and focus of their inner consciousness is actually the value and contemporary significance of Lu Xun's works, and its more potential decisive factor is the understanding and evaluation of Lu Xun.

In an extremely "pan-politicized" era, Lu Xun, who was absent, was once regarded as a "political prop" and was "deified"-in fact, this is also a misinterpretation of him, the most wanton and vicious misinterpretation. What I want to say is: Lu Xun is a writer with the most individual thoughts and spirit in China in the 20th century, and he is also the writer who suffered the most misreading and misinterpretation. This is because of the complexity and profundity of his own thought and spirit, and the main reason is the deep-rooted cognitive prejudice formed by our long-term imprisonment.

Therefore, Lu Xun is the most talked about and misunderstood. In my opinion, "understanding Lu Xun" is still a problem and a subject-it is not only the understanding and grasp of a modern writer, but also the perception and understanding of a life form and spiritual existence, and the understanding and echo of a huge historical existence and personality tradition.

I quoted four authors from different media. They have different perspectives, different foundations, different viewpoints and different language styles. When they come together, there will really be a "noisy" dialogue situation. I don't mean to judge in it, but I am willing to join this dialogue-as long as it is within the scope of rational norms and there is no rude suppression of hegemony.

Xie Junkun: Lu Xun has always been admired and even deified.

Since 1980s, classic works such as Lu Xun have been selected into Chinese textbooks on a large scale, which has become synonymous with Chinese education in China. If Lu Xun can't learn Chinese well, China's three generations once suffered greatly, which eventually led to the decline of the Chinese level of the whole people. It is undeniable that Lu Xun has been highly respected and even deified to some extent for many years. Once a person is deified, it will be divorced from reality and make people unattainable. When Lu Xun's articles are selected into Chinese textbooks, it usually emphasizes the political significance reflected in his works, which is more critical. However, the evolution and inheritance of history does not require us to criticize history too much and pass on past hatred from generation to generation. However, no matter from the true story, medicine or blessing of Ah Q, it is more the dark side of history, which gives people a kind of depression and hatred.

Qian Liqun: Lu Xun's spirit has more modern value.

On the surface, the problem of Lu Xun's works in middle school Chinese textbooks is the problem of selecting materials for Chinese textbooks, but behind it is the problem of understanding Lu Xun. The lack of ideals and beliefs is a global problem. In contemporary China, such a crisis of faith is also very serious. In this case, Lu Xun's "belief doctrine" has its special reference significance. In other words, Lu Xun's thoughts and spirit are not worthless in modern times, but more valuable. The value of Lu Xun's works in Chinese education, for teenagers, has another meaning besides spirit and thought, that is, language. Lu Xun himself was at the beginning of China's modern China Revolution and was one of the pioneers of vernacular Chinese. His article is a model of education in China. It plays an important role in understanding the revolutionary changes of China language in modern times. I talked about Lu Xun in several middle schools in Beijing and Nanjing, and I also talked about Lu Xun in universities in Taiwan Province Province. The effect is very good, especially the students' homework level is very high, and their understanding of Lu Xun's works is also very profound, which is completely beyond my expectation. This shows that it is not that young people don't like Lu Xun and his works. I think the crux of the problem lies not in Lu Xun's works themselves, but in the method of education. The problem is what to choose, what to say and how to say it. First, there is something wrong with the selection of materials, and we have chosen some articles that are not suitable for Chinese education in middle schools or articles that are not suitable for middle school students. Secondly, the teaching method is also wrong. Taking Lu Xun's works as a part of exam-oriented education and making students memorize them instead of understanding the true meaning of Lu Xun's works will make students lose interest in Lu Xun's works.

Ge Hongbing: This is a process of disenchantment of cultural gods.

At present, various teaching materials have begun to replace Lu Xun's works. This is a process of disenchantment of cultural gods. In the past, everyone used to quote God's words and quotations, but now it is unnecessary. In the past, no one listened to what people said, and only what God said counted. Now, when people talk, or talk, someone can listen. Besides, God is old sometimes. Confucius is a thousand years old, and Lu Xun is a hundred years old. Many people think I'm anti-Lu, but I'm not. I am Zunlu's. However, it is really against me to respect Lu Xun as a cultural god. I agree with the gradual replacement of some of Lu Xun's works in primary and secondary school textbooks: modern literature is only 30 years old, while contemporary literature has been 60 years old, which has surpassed modern literature in quality and quantity, and the proportion of contemporary literature should be gradually increased. I don't agree to overemphasize the literariness of Chinese in primary and secondary schools. I emphasize the need to choose more practical writing. Chinese in primary and secondary schools should learn language ability, not literature. It is a wrong direction to test students' Chinese ability with literature questions, which is unfair to most students. While gradually reducing the number of modern literary works, I suggest further reducing the content of ancient literature and classical Chinese, until finally all classical Chinese are excluded from the compulsory content and placed in the elective content. Classical Chinese is extinct language, so it is not necessary for everyone to learn it.

Luo Qingxue: Lu Xun and his works are a mirror of the soul of the whole society.

What really deserves our attention in Lu Xun's articles should be the omnipresent profound sense of hardship, the indomitable spirit in the face of reality, the courage to criticize and the courage to sacrifice. His article is not only a scalpel for China's spiritual focus, but also a calcium tablet for China's spiritual nutrition. Lu Xun himself, Lu Xun's text (form of works) and Lu Xun's literature (content of works) have built the spiritual backbone of the Chinese nation from three different levels. The greatest contemporary value of Lu Xun and his works is to set up a mirror of the soul in front of the whole society, which presents all our mental outlook and the pulse of the soul. Ah Q's spiritual victory method is still there, Xianglinsao's repeated nagging is still there, Hua Xiaoshuan's consumption is still there, Kong Yiji's pedantic poverty is still there, and the old lady's complaint that "each generation is not as good as the next" is still there; The onlookers "duck neck" is still there; Aunt red eye is still there; Liu Hezhen's decisive decision did not; No one broke the iron cage; Yu Xia's heroism is not as realistic and contemporary as Lu Xun's spirit. We can't find the contemporary value of Lu Xun; We are indifferent to the spiritual focus of contemporary society, know nothing, can't be the guiding light for modern students, so we have to parrot-reject Lu Xun, please both sides, and delete Lu Xun superficially and ignorant. (This article was published in the B3 edition of Changzhou Daily on September 28th, 20 10)

Second, "China TV" magazine paper-"How far can the TV draft go?"

In 2006 (1 1), China TV, a core periodical in China, published an article entitled How Far Can TV Talent Show Go? This paper quotes a part of Xie Junkun's article "China's" Super Girl "Plan is the Expression of Popular Vulgarization", and the quotation in the article explains.

classic quotations

1, there is a different taste, drinking ice water, but crying!

2, reform, in fact, is a person or a part of people at the expense of the interests of the majority to achieve their goals, goals are good or bad, but now many reforms in society are just "face project" and "achievement project".

It really doesn't matter if you lie to me. I'm not angry at all, just don't deceive yourself.

Many things are beyond our control, beyond our control, and beyond our control, so please mind your own business.

I gave my brightest youth a wonderful time. What did the lost time give me?

6. We are all people with stories. We have experienced everything, and we are not surprised. We are doomed to be calm all our lives.