Application of architectural decoration art in modern architectural design?

Mongolian yurt is an architectural design language with national and regional characteristics, and it is a wonderful work in China's architectural art. Mongolian yurt adapts to the harsh natural conditions of Mongolian grassland and migrates according to the growth of aquatic plants. So yurts must be easy to disassemble and move. Because Mongolians live in nature, they worship nature very much, have strong religious beliefs, and the types of architectural decoration are also rich and colorful, which embodies the characteristics of Mongolian uninhibited.

First, the characteristics of Mongolian yurt architectural decoration art.

1. Rich pattern types and forms

(1) patterns are rich and varied, including animals, plants, geometry and symbolic patterns. Among the animal decorative patterns, there are many animal patterns such as dragon, phoenix and snake. Among the decorative patterns of plants, there are common lotus flowers, curly grass patterns, precious flowers and so on. In geometric decorative patterns, the basic figures are square, rectangle and triangle. After skillfully combining with other elements, there are many patterns, such as swastika, pushe, pan intestine, fishing net and hui, either alone or in combination. Among the symbolic decorative patterns, there are many symbolic patterns, mainly moire, special corner pattern, vegetable sausage pattern and so on. For example, in Mongolian, it is called "Hamur", which means cow's nose, and in Buddhism, it means "everything is bright back and forth". (2) The modes are flexible and diverse. There are three main modes: single mode, adaptive mode and continuous mode. In fact, the patterns in the yurts are coordinated with each other, which reflects the flexible and diverse architectural decorative art characteristics of the yurts.

2. Color and its application

According to the philosophy of Yin-Yang and Five Elements, Mongolian architectural color embodies the concept of five elements and five colors, and mainly adheres to the three basic colors of green, white and red, which is the embodiment of Mongolian national characteristics and living habits. (1) cyan. Cyan is blue, which is called "Huhe" in Mongolian. Cyan is the color of the blue sky, the color of the Mongolian gods, and the main color of the Mongols, representing eternity and loyalty. (2) white. In Mongolian, it is called "Chagan", which stands for holiness, auspiciousness and beauty, giving people a pure and peaceful feeling, mainly from white clouds, wool, blankets and dairy products. (3) red. Mongolian is called "Wulan", which means celebration, victory, happiness and joy. The main reason is their worship of fire and the sun, which gives people light and warmth. In addition, there are gold and silver symbolizing luxury, and some black, green, bronze and brown are also dotted among them, which constitute a variety of colors for Mongolian yurts.

3. Indoor and outdoor decoration performance

(1) Appearance decoration features. In the external decoration structure of the yurt, the felt wrapped in the wooden frame of the yurt is the main decoration, such as covering felt, top felt, surrounding felt, felt door and so on. Then there is the external knot decoration. In the internal performance of yurts, it is mainly divided into internal components, felt products, furniture and other decorative aspects. The decoration of internal components mainly includes wall decoration, column decoration, skylight decoration and pole decoration. (2) Interior decoration features. The first is centripetal. The bag constitutes a conical space, like the sun and the moon shining, surrounded by the furnishings of the central fire support, symbolizing happiness. Secondly, it has the characteristics of concentric circles. Thirdly, the skylight, the ejector pin and the wall constitute the support of the yurt.

Second, the application case analysis of Mongolian yurt architectural decoration art in modern architectural design.

The decorative art of Mongolian yurts has important reference significance for on-site architectural design. In modern architectural design, we should not only apply the original decorative elements of Mongolian yurts, but also process, change and refine them on this basis, and integrate modern elements to form an architectural design style with the characteristics of the times and Mongolian yurts. Mongolian yurt architectural art has been very successful and widely used in modern architectural design. The author only gives a few examples for analysis.

The application of 1 In Memorial Modern Architectural Design —— Taking Genghis Khan Mausoleum as an Example

Genghis Khan Mausoleum is a typical Mongolian yurt architectural decoration art, which is one of the most successful examples in the design of memorial modern architecture. It is a memorial building of Mongolian history and Genghis Khan's great achievements. The most prominent style is the mausoleum building with yurts, which gives people a sense of solemnity. In the mausoleum of Genghis Khan, there are many elements of yurts, which embody the artistic characteristics of yurts everywhere. (1) Chengling Architectural Design. The design of the archway in the cemetery is engraved with the names of great historical figures, and the color is milky white. The milky white gate is like a holy Hada, because in Mongolian yurt architecture, white symbolizes holiness, auspiciousness and beauty, and it is the highest courtesy to welcome distinguished guests from afar. Then there is the bronze statue of Genghis Khan, the circular square. In the center of the square stands a bronze statue of Genghis Khan riding a horse, which reminds people of Genghis Khan's heroic riding on the grassland. Ninety-nine auspicious steps symbolize ninety-nine heavens. The main building of Chengling is mainly composed of three Mongolian-style palaces, which are arranged in a straight line and connected by white corridors. The roofs of these three palaces are all yurt-like domes, in which the basic color of glazed tiles is yellow and the blue glazed tiles are moire. The main hall and the east and west halls under the dome are double eaves and single eaves respectively. The plane is octagonal and equilateral, both decorated with blue glazed tiles. Judging from the lower wall of the building, it is mainly white, while the doors and windows are vermilion. The cornices of the whole mausoleum, such as the grassland eagle flying high, should be equipped with a white and calm granite base, which embodies the characteristics of majesty and domineering. (2) The application analysis of Mongolian yurt architectural art in Chenglingji architectural design. From the decorative color point of view, Chengling is mainly blue, purple and red, with yellow decoration. Yellow is the background color of the coat, with sky blue. The combination of the eaves with the blue worshipped by Mongols and the yellow representing noble status not only reflects the Mongols' worship of the sky, but also highlights Genghis Khan's supreme royal status and identity. White walls and pedestals, red doors and windows, form a bright color matching effect. Especially the yellow embellishment has become the finishing touch of a properly used god. From the entrance to the end of Chenglingji, the Mongolian yurt architectural decoration art runs through and blends into it all the time, especially the design of the main hall, which fully embodies the artistic characteristics of Mongolian yurt architectural decoration in terms of patterns and colors, and proves to us that the perfect combination of national elements and modern technology can create more perfect architectural art classics.

2. Application in Modern Hotel Architecture —— Taking Inner Mongolia Hotel as an Example

There is a famous hotel in Hohhot, which is Inner Mongolia Hotel. Grassland culture is the most desirable culture in the interior design of hotels in Inner Mongolia, which has obvious national and regional characteristics. The whole color is very bright and bright, with a great leap. Whether it is indoor furnishings, furniture furnishings or soft decoration, it fully embodies the decorative elements of Mongolian yurts. It is the concept of combining Mongolian elements with modern hotel design that makes the distinctive Mongolian catering culture form an elegant, atmospheric and refreshing atmosphere, so that you can not only enjoy five-star service, but also fully appreciate the unique and mysterious Mongolian culture.

The application method of (1) in Inner Mongolia Hotel is an outstanding masterpiece that mainly combines Mongolian architectural decoration elements with modern architectural design. Application in hall design. Its main color is gold, which gives people a majestic, majestic and reigning emperor. The clear height of the hall is 9m, which is very open. There are two skylight-shaped ceiling chandeliers, with a small round lamp and a connected radial mandrel in the middle, forming a circular pattern, which embodies the decorative art effect of the yurt. There are many small downlights at the top, just like the stars in the sky, just like the sky above the starry Mongolian prairie. Judging from the pillars of the hall, its decoration is primitive and unique. The stigma is a Mongolian warrior relief pattern and a drooping Hada shape, which fully embodies the Mongolian tradition of being brave and brave and expresses the meaning of generosity and hospitality. It is a model of the successful application of symbolic patterns in yurts. There is a white jade relief of Genghis Khan in the hall, followed by a picture of a hundred birds paying homage to the phoenix, which represents the origin and meaning of Genghis Khan's name. Seen from the whole hall, it is magnificent, which directly reflects the decorative art characteristics of Mongolian architecture, such as patterns and colors, fully demonstrates the national spirit of Mongolian worship, bravery, generosity and hospitality, and is a vivid interpretation of the nation on horseback.

(2) Genghis Khan Jinding Big Account Restaurant This restaurant is the most luxurious hotel in Inner Mongolia, and its Jinding shape just highlights this feature. The ceiling of the dining room is round, and the vault has nine golden arches, which means that Genghis Khan has risen to the ninth heaven composed of several jade dragons. Adopt the whole carving process, with transparent stone as the bottom, inlaid with red gold and stone patterns, with golden yellow as the whole, dazzling, unique in shape and delicate in technology. Nine layers of circles are concentric and in the same direction, focusing on one place together, forming a magnificent jinding.

(3) Ergon Mongolia Tea Bar This is a tea bar named after Mongolia's mother river, which means making rich and fragrant milk tea with the water from the mother river to entertain guests from afar. The top is dominated by blue and red, showing a swift river. The chandelier is located in the center, echoing the fire. Therefore, the core of modern architectural design is Mongolian culture and spirit. Its nomadic features increase the uniqueness of Mongolian yurt architecture. In our development, we should also fully mobilize all scientific research forces, especially strengthen cooperation with universities and make full use of university resources for research and development. To sum up, fully applying virtual simulation technology is an extremely critical means in the construction process of construction projects. The application of this virtual simulation technology can not only improve its construction quality to a great extent, but also predict some possible influencing factors of construction quality, and take corresponding measures to prevent and control them, so as to ensure the smooth progress of subsequent construction. In addition, the application of this virtual simulation technology can also contribute to the control and management of cost and schedule in the construction process to a great extent. However, as far as the application of virtual simulation technology in China is concerned, there are still great deficiencies and defects in technical level and specialized personnel, which requires corresponding researchers and construction technicians to strengthen research and practice, so as to better promote the application of virtual simulation technology in construction projects.

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