Where is Kong Lung from?

Kong Lung (1934-2014.09.03)1934 was born in Hong Kong, formerly known as Ló ngqi á nya? o, and his father was Hua Dan, a Cantonese opera man. Later, when the Japanese invaded China, Kong Lung's family took refuge in Xue Juexian Theatre.

Chinese name: Kong Lung.

Nationality: China.

Ethnic group: Han nationality

Place of birth: Hong Kong

Date of birth: 1934

Date of death: 2065438+September 2, 2004

Occupation: film director

Major achievements: "The symbol of the rise of Cantonese movies"

Representative works: The Prince of Broadcasting, The True Color of Heroes, The True Story of Flying Jurchen, Yesterday, Today and Tomorrow, Call Girl and Hiroshima 28.

The life of the character

The story line of John Woo's True Color of Heroes 1986 comes from the film of the same name directed by Longgang 1967. In August, the Film Archive selected 12 films with the theme of "Time and Trend —— Variations of 1970s Movies", among which "Call Girl" was directed by Kong Lung, a genius with "good acting and excellent guidance".

He is an Anhui native, formerly known as Long, born in 1934, and his father is a Cantonese opera singer Xiao Shanshan. He studies in a Catholic school. While studying, he was quite addicted to plays and movies. He performed stage plays at school. His father intended to let him learn from the teacher and inherit his father's business, but he was not interested in Cantonese opera, which made his parents quite disappointed. His future plan is to become an actor and director.

Staff of foreign companies

After graduating from high school, he worked as a clerk in a foreign company, but he still felt that his talents had not been brought into play. He soon got help from his friends and worked in a securities company. At that time, the stock market was depressed, but Kong Lung worked here, earning more than RMB 1000 a month, which was better than ordinary white-collar clerks. But a coincidence changed his life.

Because Zhou Shilu, the director of Cantonese film titles, has business dealings with this joint-stock company. Zhou Shilu has a hero's eye, sees his "unique personality" face and changeable expression, hears his eloquent eloquence and thinks he is a talent. After a long talk, Zhou Shilu knew that Longgang had the will to make a film, so he introduced him to Xiao.

At that time, Shaw had just taken over the business and renamed it Shaw Brothers Company, and bought land in Clear Water Bay to build a cinema. Shao Yifu saw Dianmao making Chinese and Cantonese movies at the same time, which made a good box office in Hong Kong and overseas. 1955, he also set up a Cantonese film group, which was entrusted to Zhou Shilu. Zhou Shilu was a photographer of Tianyi Company (the predecessor of Shaw) before the war, and began directing from 65438 to 0948. Liu Shu (Shao Yifu) asked him to recruit and train actors and directors, and was also responsible for directing Cantonese films. I remember it was 1956 during the spring and summer. In Shaw Mansion in Nathan Road, Shao Weizhen is sitting. The third son of man, as well as the great director, Feng Feng and Feng Feng are Shao? People's confidants include Wu Mianzhi and Zhou Shilu. We are discussing recruiting new people. After some discussion, it was finally decided that Zhou Shilu would be solely responsible for the training of the new Cantonese Orchestra, and Cui Wei would be responsible for the publicity work. The place to select new recruits is Daguan Film Factory. Among more than 3,000 candidates, 180 people were selected, with He He as the examiner and responsible for Cantonese films. Jiahui Ou, Patricia Lam Fung, McKee, Wan Lihong (later renamed Li Fan to shoot Mandarin films), Gao Liang, Malone, Tang Dan, etc. Chen Yun and Wu Dan (later renamed Wu Tianchi) served as directors.

consistent

It is a coincidence that Kong Lung met Zhou Shilu at this time. Zhou Shilu told Kong Lung that he could enter Shaw Training Class to learn artistic skills such as performance, music and dance without going through the registration formalities. People are very smart, because of the relationship with Master Zhou (insiders), when he is acting, he also follows as a director. How to make a film, including audience sitting, recording, editing, scriptwriting, photography and even production, he sincerely asked for advice. He also followed Master Zhou when filming, so that he learned the tricks of filming in a short time.

1957 joined Shaw, signed a contract for five years, and made many movies. The "virgin work" is "Hotel Love Killing", and the first one laid the foundation for a character actor. The second film is The Return of the Prodigal Son, which plays a young drug addict. His acting skills are radiant, the old star looks askance and the fans are amazed. Only two films made him famous. Other business cards include Mrs. Pengmen, Meet Me in St. Louis, Bride Crossing the Port, Liuxiang, and spoony knot (Part I and Part II).

Xingma story

In order to praise Patricia Lam Fung, Jiahui Ou, McKee, Kong Lung and others, Zhou Shilu began to shoot several films based on the story of the star horse, including Love on the Independence Bridge, The Fragrance of Pomegranate, The Bride Crossing the Port and so on. Except "Love on the Independence Bridge", Kong Lung didn't participate in the performance, and the other two films were starred by Kong Lung. On that occasion, he and Zhou Shilu went to Singapore (formerly known as Singapore) to shoot location, accompanied by Wu Dan, Patricia Lam Fung, McKee and many others. Kong Lung is a new member of Xinzhou. Seeing the local people's feelings under the banana wind and coconut rain, he was a little curious and took a photo with the woman in the sarong. After staying in Sin Chew for several months, they visited the Shaw Studio where Sin Chew filmed witchcraft movies, and also visited the local Shaw Theatre and Playground, which made him more famous. They also visited the offices of Shaw institutions, including the distribution department and the propaganda department, which made Kong Lung more familiar with the operation of the film industry and unforgettable.

Long Gangzhi is eager to make progress and is not satisfied with being an actor. Although he learned a lot from Zhou Shilu, he had no chance to develop.

Join Guangyi company

1962, after his contract with Xiao expired, he jumped ship and joined Guangyi company. At that time, besides Wen Ho Chen Chu Yuan, the director of Guangyi also invited many big directors from Zhonglian Company to direct. In "Guangyi", he reduced his performance, only played the villain, and concentrated on being the assistant director of Jian Qin. He hopes to learn more in Jian Qin. Qin Jian made the first Mandarin film "The Great Drama on Earth", and Kong Lung, the deputy director, gave him great help, which made Jian Qin sit up and take notice of him. At 1966, Jian Qin thought that Kong Lung could be independent, so he arranged for him to be a director in Guangyi's satellite company Xinyi Company. That movie is the blockbuster "Broadcast Prince" directed by Long Gangchu. "The Prince of Broadcasting" stars Xie Xian, Chan, Eve (formerly known as Ma Jinling) and Wei Wang. The script was written by Kong Lung and reviewed by Jian Qin. It is very realistic. The income from the first issue is 300,000 yuan, which is an impressive record. Kong Lung's directorship is safe.

true colour of a hero

Chu Yuan is also Jian Qin's apprentice. He prefers romantic movies and seldom touches on social issues. On the contrary, Long Gang has the will to improve and innovate Cantonese movies, which coincides with the ideal of his teacher Jian Qin. After The Broadcast Prince, 1967 filmed The True Color of Heroes, with the theme of releasing prisoners, which has nothing to do with the love between men and women. At that time, it was a bold innovation, but the box office income was as high as 400,000 yuan! Today, this film is regarded as one of the representative works of Hong Kong films. Twenty years later, John Woo made a remake, which started the trend of gangster hero films.

Later, Long Laigang filmed Windows, which was invested by Xie Xian 1968. This is a color wide-screen art cinema starring Xie Xian and Xiao Fangfang, with a box office income of 440,000 yuan. Xie Xian is the film owner and has made a lot of money. Kong Lung's bold use of lens accords with the style of European films.

"The Prince of Broadcasting" and "The True Color of Heroes" are both produced by Xinyi, and the boss behind the scenes is He Jianye. Although Guangyi Company is ostensibly owned by Jian Qin and Chen Wen, the actual supporter is Singapore Guangyi Company owned by He Qixiang and He Qirong. Hong Kong Guangyi provides at least 50% of the supply of Xingma Cinema every year. Kong Lung's success attracted the attention of Wu Ronghua, the boss of Sin Chew Ronghua Company. Ronghua Company operated a theater in Xingma at that time, which was in business competition with Xingzhou Guangyi. Wu Ronghua has a cinema in his hand and must strengthen the supply of films. He first sent Li Jiaen to Hong Kong and set up an office building in Jordan Road, Kowloon, and later sent his nephew Wu Tianding to Hong Kong. When Wu Tianding was in power, Sin Chew remitted a lot of money to Hong Kong to prepare for a big fight. 1968, he made two martial arts films "Little Magic Man" and "Whip Man", and invited Kong Lung to join us with huge sum of money.

The true story of the flying girl

The first film directed by Kong Lung for Ronghua is the story of a flying girl. He co-authored with Jin Bingxing and Lin Niantong, starring Xiao Fangfang, Xue Jiayan, Ceng Jiang and Yi Lei. This is the first film to reveal the problem of marginalized girls, which has created a record of 850,000 yuan for Cantonese films and left many Mandarin films behind.

1969, he mobilized twenty or thirty Cantonese opera actors such as Zhang Yang, Pat Ting Hung, Zhang Chong, Ceng Jiang, Xue Jiayan, Tina, Zhu Jiang, Hu Feng and Zhang Yingcai to perform Plague, but it was a fiasco. The film described the plague as a disaster, with patients dying one after another and Hong Kong becoming an epidemic port. Some citizens snapped up food, while others took the opportunity to make huge profits. The airport is closed, the factory is closed and everything is as empty as a dead city. The medical department had to send infected people to concentration camps. Although the film is about the plague, some people think it is an allusion to 1967 leftist riots. The film was banned by the censor's office, and Kong Lung was forced to cut the film, change the script and remake it. Finally, it was renamed Yesterday, Today and Tomorrow, but the box office income was only130,000 yuan, which was a heavy blow to Kong Lung.

At this time, I met the novelist Meng Jun, formerly known as Feng, who wrote many romantic novels in Guangzhou. Later, she came to Hong Kong and founded Sunshine Weekly, mainly for young men and women. It was very popular then. Kong Lung appreciated her talent and invited her to become a screenwriter. Meng Jun wrote two plays, Dream Last Night and Shi Pei. Kong Lung didn't want to touch social issues for the time being, so he took Meng Jun's advice and made two literary films first.

call girl

But Kong Lung refused to always escape from reality. He decided to start filming Call Girl, which was written and written by Meng Jun, with prostitutes as the theme. Ni Tian, Fei Jin, Ding Pei, Chen Manling and Li Linlin play prostitutes for different reasons, and their themes are extremely sharp and full of social flavor. The film received a good response and won the Best Director Award at the 9th Asian Film Festival/kloc-0.

1974, Kong Lung filmed the more controversial Hiroshima 28, which is the only Hong Kong-made film with anti-nuclear and original explosion themes. Moreover, the film appeals to the world to pay attention to the fate of the survivors of the original explosion from the perspective of Xiao Fangfang, a Chinese-Japanese mixed-race child, and opposes the nuclear race of superpowers. This film attracted a lot of criticism, and some even pointed out that Kong Lung was a Japanese "traitor". This was his second blow, which made him stop filming for a year.

commercial movie

1976, he made two films with strong commercial flavor, and she laughed with Ha ha. Later, in 1977, he directed the literary film Sunset in Persia starring Zhang Aijia and Deng Guangrong. After that, he quit the film industry and moved to the United States to resume his old business of stock trading, only making occasional guest appearances and being addicted to drama.

He once told reporters that he made few films, but he paid attention to quality and the theme of the script. Without this principle, how can he guide the audience to a healthy path? He also said that he was most afraid of the declining world, so he only made more than 50 films and only directed 12 films. He thinks that the most memorable thing is that he served as an assistant director in the greatest performance on earth in Jian Qin. He acted more than directed films, because he carefully chose the script. He was an excellent director in the 1960s and played villains, especially villains. He is a talent that cannot be ignored in Hong Kong film industry.

Personal work

1958 hotel love murder case, Pengmen Lady, the prodigal son returns.

1959 see you in St. Louis, Yan's corpse case, heavy siege, bride crossing the harbor,

a state in the Zhou Dynasty

1960 "Jade Girl Chasing?" , "black boy is dead" and "infatuation knot" (I),

Spoony knot (episode 2) First love, a night of fright

196 1 year Bloody Black Dragon Street, Fever of Youth, The Hunt of Prodigy.

1962 "999 strange corpse case" and "ghost of Qionglou"

1963 "Yuanyang Wanjie" and "Love and Hate"

1964 the greatest show on earth * (assistant producer and deputy director), chasing? 》

1965 "confused female detective" * (concurrently executive producer and deputy director), "Sword and Double Blue",

Eight murderers

1966 broadcast prince (screenwriter and director), with a legacy of 1 million.

Detective corpse and midnight ghost.

1967 "blue nightclub", "true colors of heroes"); "href =" # "> Hero (screenwriter and director),

Detective information breaks the honey trap

1968 winter love, window (screenwriter and director), prodigal girl 1969 "The True Story of Flying Girl" (director).

1970 Yesterday Today Tomorrow * (screenwriter and director)

197 1 In Last Night's Dream * (screenwriter and director)

1972 Shi Pei *. (co-editor and director)

1973 call girl * (co-editor, director, editor)

1974 Hiroshima 28 * (co-edited, directed and edited)

1976 She (director and editor) and Ha ha Xiao (director and editor).

1977 Sunset in Persia * (director)

198 1 year "love to kill" (and producer) and "no poison, no husband"

1982 "Skilled Female Students"

1984 Shanghai night

1993 "the tiger's den kills the dragon trap"

1996 Black Summer

1997 "Huang feihong, the lion of the western regions"

The next generation of thieves in 2000

In 2002, Wesley Blue Blood Man-Kong Lung-Genius? Ghost talent? "-(film biweekly)

stop

20 14 September 2nd news, according to Hong Kong media reports, Kong Lung, a famous Hong Kong director who directed the 1967 version of The True Color of Heroes, died at his home in Staten Island, new york this morning at the age of 79.

Personality assessment

Tsui Hark praised Kong Lung as "a symbol of the rise of Cantonese movies" and "we are all his students".

John Woo sent his blessing in the form of VCR, calling Kong Lung "movie master, our mentor". "I followed in his footsteps and learned a lot from his films."