The Life Experience of Li Yi, One of the Eight Eccentrics in Yangzhou: Three Thousand Miles of Danqing (3)

At the age of 33 (fifty-seven years of Kangxi 17 18), Shan Li begged for something in return, and at the age of 52, he worked hard to get seven official posts, which lasted for 20 years. "After 20 years of debauchery, Dan Qing traveled three thousand miles." His best friend Banqiao mercilessly belittled him and praised him enthusiastically. It is said that the master paintings that can be seen now have generally visited Tao Dong, Shicheng, Yangzhou, Zhao Jia 'an, Caomazhuang, Riyong 'an, Huzhou Daozhong, Wuling and Doumen Zhian, arranged in chronological order, Yangzhou several times, the capital several times, and Hebei, Shandong and Zhejiang in the middle. As for a dissolute romantic life, "

Debauchery is the reflection of the protagonist's abnormal psychology. In the year he left Beijing, he wrote a sentence on a flower: "Don't care about the day lily, you can forget your worries, and this flower can also kill your grievances." In the hero's painting, we began to see the words "worry" and "hate". The most obvious word for "sorrow" is a poem painted with flowers and birds: "When the feathers were abundant, the sky was occasionally awkward. There are flowers in the garden that can't fly in, but they still live in the cold branches. " Is this bird like Shan Li, who is now "rustling away from the city" without posing in the imperial court? Worry and anger are deep and wide. In a painting, he sighed: "You can paint whether it is color or fragrance, but it is the most difficult to forget people's troubles." He painted banana leaves and wrote: "If you fan the evening breeze to cool off the heat, you won't be taught to worry about rainy nights." He compared himself to a phoenix, whose fate was bad. He lived in a buttonwood and was bullied by the autumn wind. When he is too worried, he becomes hatred because of worry. He drew a tree, saying that the monarch and the minister could not get along, and people were not as good as trees. He painted rotten walls and irises, and even wrote many times: "Don't stop at taking advantage of others." The word "seizing Zhu" was really a big obstacle at that time. Appeared in the same year of Shan Li's painting-the fourth year of Yongzheng (1726), Justine gave a test of "Wei Minting" and was put to death in prison. It is said that one thousand caught zhu, 4 took the world, that also get? Fortunately, Shan Li has nothing to do with Colondo, and it is of little value in the imperial feud, so no one took credit for reporting him at that time.

At this time, Li Shan was called "crazy" because his mood was crazy. Needless to say, at the age of 40, I have called myself an "old lady": "Last night, the old lady chewed a lot, and when the breeze came, I vomited a new poem." He is in Yangzhou, and it is said that one of them went back to a hotel run by a wealthy businessman to drink. The wine tasted bad, so the rich businessman came forward and asked Shan Li to paint. Shan Li drew a big wine bottle, which read: "Resentment is deep, anger is evil, and Liu Ling is evil, so he drank three Jin from the bottle. If you don't believe me, there must be a catty of water, a catty of wine and a catty of bottles. " Throw a pen and laugh.

The hero's "rage" mentality, reflected in art, is to boldly get rid of the cage of orthodox painting style, no longer blindly pursue neatness and exquisiteness, but let the emotional personality color melt into the pen, with unique composition, clever pen and elegant color, which is both elegant and smart, and chic and elegant. Painting is not enough for the topic, and the topic is not enough for poetry. This is grand and heartfelt. Banqiao said that he saw the painting of monk Shi Tao in Yangzhou, so he broke his pen and splashed ink, and his painting style changed greatly. This is completely credible. Shan Li may not have never seen Shi Tao's works in his early years, but it is difficult for your son to communicate with the interests of a wild monk, including artistic interests. It's different now. Nowadays, changes in people's life, thoughts and emotions have promoted changes in artistic taste.

In the eighth year of Yongzheng (1730), 45-year-old Shan Li got the opportunity to return to the imperial court. This wish was expressed by the protagonist four years ago. He wrote a poem on an okra painting, saying, "Since I entered the county gate, I have put on light makeup, and my autumn clothes are still dyed yellow in the old palace. Finally, I don't believe in your kindness, but I still fell in love with the sun. " Nagato, Nagato Palace also. This anthropomorphic sunflower, like the concubine who was banished to the cold palace when Emperor Wu of the Han Dynasty, still loves the holy family. It should be noted here that the holy land at this time is not Kangxi, but Yongzheng. When the court changed hands, the hero rekindled his desire to be an official. This desire will naturally flow in action. During Gengxu years, as expected, Shan Li entered the Royal Gallery twice. 19 1 1 year, that is, the ninth year of Yongzheng (173 1), the protagonist has this sentence in several paintings: "Where the grass knows where to choose, the Brahman family is different from the Emperor family." After wandering around the world for 20 years, I often live in the temples of Brahma Palace. Now that I have returned to the emperor's home, I have a flame of hope in my heart, hoping to get the favor of those in power.

This time, Shan Li was ordered to study painting with Assistant Minister Gao of punishments. Jiang Nansha in the past and Gao at this time were both accomplished painters, but they were both dignitaries. While painting people as an official, can Jianghuai communicate with a scholar and get along on an equal footing? ⑥ The works of the palace gallery should be presented to the royal audience, which is subject to extremely strict constraints, with restrictions on subject matter, color setting and inscription. At this point, Li Shan's painting style has been formed, and it is difficult for him to come back and rewrite "The Grass is Growing". In a blink of an eye, Shan Li left the imperial court and returned to the people. The reason for this dramatic change is clearly stated in "A Dream of Banana Shade Goose" in the 12th year of Yongzheng (1734). He said, "For twenty years, I went to Jingshimen with a pen and took my master Shen Yicun. The lush grass is useless, I want to write that Tianchi was born. " He despaired of the palace painting academy. He hates the "uselessness" of court painting with imitation as its function. He is determined to follow the path of Xu Wei and show the vitality of nature in his paintings. There is no doubt that this is a traitor's self-report to the court painting school, but it is also a clear-cut declaration made by an artist after a painful choice, bravely expressing the hero's fresh artistic views.

Re-entering the people is three or four years in a blink of an eye. In art, the hero "changed again". As Banqiao said, this change is becoming more and more serious. This is "the rules, Fiona Fang, scales and colors are not chaotic at all, but it is wonderful to hide in them and fall down." But on the other hand, the hero encounters disappointments everywhere. He walked on Yuanmen Bridge, the most lively place in Yangzhou, fierce and kicking people like a horse. He sighed with anger: "I can't live in Yangzhou anymore. My husband is still standing on the beach in spring." This is the 13th year of Yongzheng (1735). However, with a flick of a finger, the Sagrada Familia suddenly died, and the hero experienced the third dynasty-Qianlong Dynasty. In this way, Shan Li, who was stationed in the imperial court, cheered up and eagerly looked forward to the rain and dew of the emperor's favor coming to his head again.