Film disciple's comments, significance.

After watching the movie, the sunshine outside the building is still bright. It seems that Ali continues to walk on the undercover road full of hope, and the hope of paradox can only be planted in the unknown darkness and cruelty. But because of the kindness of undercover Ali's nature, his faith, his responsibility, all his beliefs and light are loaded on him. It seems that as an outsider, the audience determines the luck of the addict Affin after her unfortunate addiction, and the luck of those who get along with her day and night. In the film, the past undercover was decadent, dirty and depressed, and the anger of "those who are close to ink are black" was swept away. Brilliant characters jumped out of their peers who had to collapse under the dirty lights, but stood above the light and shade. Ali's greatest characteristic is firmness. He knows exactly what he is doing. Even after being with Brother Kun for seven years, the true feelings he has built up more or less will not confuse the steelyard in his heart for a while.

In the past, there was still hope for justice in films with similar themes, but this hope was only carefully treasured in the undercover heart trapped in thorns. Its own preservation, social stability and hope for life became the necessity for the audience to worry from beginning to end and breathe all the way. The stimulation and breathing of disciples are mostly awakened by the erosion of Affin and the pure maternal love in sharp contrast. Real, scary, shocking and then moving.

From beginning to end, the film did not take suspense as the first trump card like "Wounded City". It seems natural to intercept the footage of Ali's life and work among thousands of undercover agents in Qian Qian. After chatting with the boss for less than a minute, the man easily chose to continue undercover. Facing the brand-new police uniform, he lost his usual helplessness and sadness. We understand that Ali is more out of professional and moral beliefs. Another layer of great hope hidden in the film suddenly filled the whole scene.

I remember Siu Fai Mak said that they made The Story of the Wounded City because Hong Kong people had experienced too many painful things at that time, and they made the film only to give them a hope for their Hong Kong complex and Hong Kong people, and to show the beauty and possibility of life. There is no need to discuss the connection or necessity between the two films. But the performance of "The Disciple" is just like what Ali means to the story. After darkness and cruelty, light and the pursuit of continuation may be their pursuit. But what needs to be understood is that Ali doesn't feel great just because he has this pursuit. He is just a simple and ordinary person, just like sharbat.

Strength verification

Daniel Wu's lines in the play are not heavy, and his demeanor has become his killer. Do things from the heart, without any rhetoric and clanking vows, without fatigue and heaviness, wisdom and tenacity come from the heart. Perseverance in your eyes makes you have to trust him. Failure or failure, whether you are wholeheartedly or not, is mostly due to your heart. There are many things inside and outside the play.

I appreciate Andy Lau's performance in this film more than Ink Attack. Maybe it's too old. Performing the ancients brought him more history. A condom and a mold, trying to peel off the outer layer, lines and clothes, can you still feel that Mohism is separated from Andy Lau or Andy Lau? Brother Kun's interpretation, from the inside out, makes people completely forget the existence of Andy Lau. His malice and hatred, his love for his family, and the last time he met Ali, the ghost he threw himself into, instantly faded all his previous domineering, and the embarrassment of begging was like a concept. What kind of temperament and content will make people have a corresponding current atmosphere. Happy Lau thinks that what can bring happiness to the audience is a good movie. Now I understand, maybe this "happiness" is not only happiness, but also touching.

In contrast, Daniel Wu's personality may be slightly single, not as diverse as Ge Kun's. However, judging from the dimensions that Ali tells in silence even more than what they tell in sound, it is obvious that what is a good movie, the film and television drama should be in place. Every character in the play, no matter the protagonist, every scene, whether it can enter the audience's field of vision or not, every part of the film should be perfect. The director of Palace once said: "Although some details of the palace will not be noticed by the audience, as a filmmaker, it should be perfect." What should be done has been done, and the audience's attention will of course always be focused on the movie story itself.

Whether movies with similar themes are abusive or decadent is not the key to the problem. What is important is that if we get rid of these external forms, whether the film we can still feel can still maximize its charm and significance.

It is difficult to make a good movie.

Thanks to the original author San Chong!