What is 2046? Is it irony or something?

In the play, Tony Leung Chiu Wai sent the written novel "2046" to Faye Wong in Japan, because he thought she should be able to understand the meaning. Finally, Faye Wong, who has found a happy home in Japan, sent him a message saying that he liked the novel very much, but felt that its ending was too sad, and asked him if he could make it better. I was deeply impressed by Tony Leung Chiu Wai's expression after hearing this sentence. It was an embarrassed and painful expression. I think this is Wong Kar-wai's own expression: he shut himself in a closed world, just like the train named 2046, where there are many passers-by. The people on this train are all people who want to get back their lost memories, and it is easy to resonate with each other, but as the movie says, "How long will you leave in 2046?" Some people walk easily, while others walk for a long time. "The woman around the cloud boarded his 2046 just like a passenger, but she quickly left to face or chase her real life. Only he can never escape from the imaginary world he built. He built this world just to find the best memories, only to find that she is Su Lizhen, and everyone he falls in love with is because they have her shadow. But in the end, he found that he could never find her again. Even if he meets a woman named Su Lizhen, she can't be her. Because everyone has his own memory and life. Many things in our lives seem to be gone and can never be found again.

2. Review of the movie 2046

A mysterious train went to 2046, and in 2046, everything remained the same. Nostalgic people want to go there, but no one comes back except me.

At the beginning of the film "2046", the lens is repeated constantly, that is, a Mercedes-Benz train, with voice-over, so that the audience can try to figure out the development of the plot in the overlapping lens.

From Singapore to Hong Kong, and then from Hong Kong to Singapore, Zhou Muyun, who made a living by writing, traveled to newspapers in both places. In a Singaporean casino, he lost penniless, and professional gambler Su Lizhen helped him win the money. I found her a week before I decided to go to Hong Kong and asked her to go with me. She politely refused. Before leaving, the two kissed in the dim porch light. It's raining, and it hasn't stopped raining. When she left, the lipstick was still on her lips, and no one could understand the expression on her face except herself. He watched her leave stupefied, his expression neither sad nor happy, and the lipstick stain on his mouth was bright and eye-catching, like a touch of blood.

In Hong Kong, Yun rented a house with the house number of 2046. After writing, he often takes women to 2046. The innkeeper's two daughters, prostitutes in 2047, had nothing to do with him and had no relevant plot, which prompted him to write the novel 2046, with other people's stories and his own shadows.

What moved the audience was not the plot, but the emotion. Depressed, obscure, erotic and helpless, this drama is full of all the time. The plump buttocks, the wall about to be shaken by agitation, the intermittent infiltration of women's erotic moans, and the sad opera aria in the background are all like an endless net, which covers the soul and makes it fall into depression and can no longer extricate itself.

The woman in 2047 said: I will never bring a man back, and you will never bring a woman back. Can you do it? Zhou said: No, she said: What's wrong with men? Isn't a good one enough? He was speechless. Maybe he once thought about it and wanted to do it. As a matter of fact, he does. A woman once touched him. That woman is a married woman. Their story is over, but he has been looking for her and looking for her shadow. He didn't find out, and he couldn't tell whether she helped him or destroyed him.

Contrary to him, a pair of lovers around him are firm in the face of heavy pressure. After several years of persistence, everything will be fine if the outcome is good. In his novel 2046, he replaced the hero of the story with himself and kissed the heroine of the machine passionately. At that moment, she was expressionless. He shuttled back and forth in 2046, with despair in his vacant expression. She stood by the window of the train. 1 hour later, her face was blank. It was still 10 hour later, 100 hour later, tears seeped out of the robot's eyes. 1000 hour later, tears flowed on her face and her eyes never blinked. Recall the past? Or indulge in the present? Or wait and see? No one knows that she is just a tearful robot.

Everyone is the protagonist, everyone has a story, but there is no ending. The film "2046" ended in the confusion of the audience. I don't know what it's about, just like everyone's story has no complete plot. Maybe I can only guess from a sentence in the cloud: I can borrow something, but I also know that I will never borrow something.

There is no bright color, and dark yellow is the main color of the film. Noisy and humid make the mind depressed and obscure. It's hard to figure out the following things, just like the subtitles in the film: if a peony is in full bloom, she gets up and leaves an answer that is neither positive nor negative.

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Indifference along the way —— Comment on 2046

The Train to 2046 is the work of Yun, and it has become a dull and slow trip. The beautiful and intelligent robot flight attendants gradually lost their passion in the emotional entanglement with passengers and became metal without temperature. That enchanting eyes, casual turn, red lips, are hard to resist the wear and tear of time, the response is gradually slow, and there is nothing to do with love.

"2046" tells the emotional entanglements of several couples in the low and extravagant background music and flashy debauchery stories, but it shows the indifference in the depths of contemporary life from a train. Although modern urbanites can roam online and relax in discos, behind the glitz is unbearable sadness and loneliness. In the window after the lights are turned off, the standing figure and pale face may still have a trace of warmth in my heart, but it is gradually cooling down. Time will dilute the initial passion. In the minute-by-minute flow, indifference and indifference will affect everyone. Even if some warmth is ignited, it is helpless and helpless. Once unforgettable, in the crash of the rails, it was a bit indifferent and indifferent.

Deep music sounded. Do you meditate in the city? The train keeps coming in, but I don't know the final destination.

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Memories, Old Age —— Comment on 2046

The movie was seen in the multimedia room on the third floor of Dongheng. They are all young people and the atmosphere is quite good. When I was sitting in my seat, I suddenly remembered that I asked a girl to go to the auditorium for the first time in my freshman year, and my impression was not very clear.

Stories like "Teddy Boy" and "In the Mood for Love" are still stories that point directly to people's hearts. It tells the story of Tony Leung Chiu Wai's love affair with other women with memories. Maybe it can't be called love, because in his heart, there is only one lover, and that is Su Lizhen played by Maggie Cheung. Love left and stayed in that room in 2046 forever. He lost the courage to love again. He just immersed his body in memories.

That's right. This is a story about memory and recollection. There are two kinds of memories, good and bad. Good pleasure can always be taken out for tea chewing in leisure time, while painful memories need to be filled and buried. To hide deep in the forest, find a tree with a hole, put those painful things in the hole and fill it up forever.

Tony Leung Chiu Wai will hurt those who love him if he can't forget his lover (Zhang Ziyi); In the end, there was no response.

Angel has always been my favorite girl. She is just a few shots in it, but the picture of her sitting on the balcony at dusk still deeply touched me. It seems that one day in a certain month, I passed an old house in the north of Hangzhou and saw such a carefree girl.

Perhaps, memory can be repeated, but it can never be repeated in your real life, just as the novel "2047" said: She didn't respond to you, not because she was slow or because she wanted to refuse you, so the best way for you is to forget.

This is all my understanding of this film. It is said that in the cultural connotation of the film, 2046 coincides with the 50th anniversary of the return of Hong Kong, which shows the uncertainty of Hong Kong people about the future. But I think 2046 is just a place, a place of memories. Someone has been there, but no one has come back.

Memories are warm, but they will also give us greater inertia in these mediocre lives in real life;

People who can't bury their memories can't make themselves happy, just like a bird without feet, always wandering in the air of memories.

Although we are about to grow old and our memories will grow old in the twilight, there must be someone else holding the ticket for the next stop.

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Review in 2046

"Life is a period, and many people can only accompany you for a period of time." I think if Wong Kar-wai put this sentence at the end of "2046", I believe all the audience will not say that this film is difficult to understand. With its huge cast and exaggerated momentum, "2046" lasted for five years. What kind of sighs and sighs did it bring? Maybe Wong Kar-wai wanted to talk too much in these five years, but "2046" is very simple. In In the Mood for Love, Yun told four women in Xingang with different stories, different characters, different scenes and the same ending in the three years after their relationship ended. At this time, Zhou Muyun had a moustache and looked cynical and pretentious. He gambles, whores, makes up pornographic novels, is poor and polite.

To tell the truth, I don't know what is worth speculating about such a movie. What is the train to 2046? Immersing yourself in the past for no reason is just a gimmick. Just regret some mistakes in the past. A nonsense, fashionable lace, pointing to the future, without any freshness.

At the beginning of the story, Lulu attracted Yun to the Oriental Hotel and took him to Room 2047. As for this woman from The True Story of Teddy Boy, I really don't see any better development for the plot of this film except that the director can review and summarize his own film and give an explanation to the audience.

In Singapore, Yun met another woman named Gong Li. Charming woman, in the casino, leafing through his book, and then they kissed goodbye in the shabby street. Another woman with the same name as In the Mood for Love is just a small echo of such a bright and desperate love, as if to show that the cloud can't erase what didn't give him results from his life. However, is this really the case? Zhou Muyun said: When you let go of the past, come back to me. However, it is he who can't let go of the past. Is it really because you can't let go of the past? Is it really because you can't let go of the memories of the past and start hurting others?

Zhou Muyun flirted with Bai Ling played by Zhang Ziyi in a rented hotel, and started an old story: a woman finally fell in love with a man, and the man refused to take responsibility. Every time after their passion, Bai Ling would symbolically charge Mu Yun ten dollars a week. In several scenes, Bai Ling seems to inadvertently take out the box and count the ten dollars given by Zhou Mu Yun. She looks forward to the future with a happy face. In the end, Mu Yun couldn't give Ghost the future he wanted. Because of ridiculous selfishness and inexplicable persistence in memories, men refuse to be responsible for Ghost. Later, because of jealousy, Ghost slept with other women and other men to show revenge, but this kind of revenge can only hurt himself. Zhou Mu Yun only stays in her own world, and even goes back to the past to find the woman she misses. Women fall in love with men they shouldn't love, no matter how humble they are. What's more, Zhou Muyun's heartbeat is already half a beat slower than it is now, because he never understands that if you don't grasp this moment, it is the past. At some point in the next moment, you may miss the present.

In Twilight, Zhou's love is the abandonment of body and soul, the loneliness in splendor, the withering in reluctant memories, and the escape and regret in reality. We saw a different Zhou Muyun from In the Mood for Love, who was cynical and pretentious.

The owner's eldest daughter, Wang Jingwen, helped Zhou Mu Yun get in touch with her Japanese boyfriend. She also helped Zhou Muyun write her unfinished novel, which has a similar plot to In the Mood for Love. Zhou said that the days when they got along were the best memories of those days. However, Wang Jingwen finally got her wish and married a Japanese boyfriend. In the novel "2047" that Zhou is writing, he stubbornly cannot modify the ending of the story. And let the love between Japanese and robots in the story have no future and can't go to the end. Even after thinking hard for 10 hour, 100 hour or 1000 hour, they couldn't write a word.

Perhaps for a director like Wong Kar-wai, who always pays attention to depth, this film "2046" is more realistic than his previous works, and the relationship between characters is not so ambiguous. However, in the current world of cloud, he has no real feelings, while women are always emotional and persistent. This reminds me of a sentence, a person really pays no more than three feelings. Is it because Yun can't get rid of the entanglement of the past, or is he already panicking about love? We can't pursue it, but Wong Kar-wai tells the story of the experience and changes of such an ordinary person without mercy, which we can't sympathize with or feel.

For Wong Kar-wai, who always likes to pay attention to expression, the requirement of aesthetic image is not disappointing, but after reading it, I still feel that I can't like the role like Yun.

Think of a passage, money can fill the loopholes in life, and loyalty can fill the loopholes in love. When life and love are full of holes, we should put everything down instead of giving ourselves a reason to give up. We should sew wholeheartedly, and maybe embroider a piece of "Being Alone". As for the three women in cloud life, I don't know how they define happiness, but I just want to say that most women's misfortune is that they underestimate themselves.