Cultural common sense in the preface to Tengwang Pavilion

1. Ask for cultural knowledge about the preface of Tengwang Pavilion

According to historical records, Tengwang Pavilion was built by Teng Wang Li Yuanying, the son of Emperor Gaozu of the Tang Dynasty. According to legend, Teng Wang Li Yuanying was originally appointed as When the Suzhou governor was transferred to Hongzhou (today's Nanchang, Jiangxi Province) as the governor, he felt unhappy. When he left, he brought all the singing and dancing troupes formed in Suzhou to Hongzhou and kept them in the governor's mansion. They did not care about political affairs all day long. Indulging in wine and sex, seeking pleasure wantonly, but still unable to eliminate the troubles in his heart. One day, in order to please their master, some of King Teng's staff suggested bringing singing, dancing and musical performances to the hills on the bank of the Gan River. A banquet was held on the river, where they could not only drink fine wine, but also enjoy the beautiful scenery of the river and mountains, watch dancing and listen to singing. King Teng was very happy when he heard this, and he adopted this idea. But when they arrived at the riverside, they saw that the hillside The mountains were covered with rocks and thorns, making it impossible for Kabuki and dancers to dance to the sound. King Teng had no choice but to return home in a depressed mood. Soon, some staff suggested that they simply build a mountain on the hills near the river to accommodate all the people. It is a pavilion with beautiful mountains and rivers and where you can enjoy singing and dancing. King Teng couldn't help but be delighted after hearing this, so he ordered his staff to start the construction. It was completed in the fourth year of Xianqing of Tang Dynasty and rebuilt in the second year of Yuan Dynasty. Later, Yan Boyu became the governor of Hongzhou Every year on the ninth day of the Double Ninth Festival, they would hold a banquet for guests here and compose poems to celebrate. On the ninth day of the Double Ninth Festival again, Yan Gong ordered his son-in-law Wu Zizhang to write a preface in advance, hoping to praise his talents in public when entertaining guests. He said What a coincidence, Wang Bo happened to be passing by the place at this time, and he was naturally invited to the banquet. When Yan Gong pretended to invite the guests to write a preface for the Tengwang Pavilion, all the guests understood what Yan Gong meant, and they all declined, saying that they were not qualified. Only Wang Bo When he first arrived, he didn't know the inside story, so he relied on his talent and wrote impromptuly. This made Yan Gong very unhappy, so he had people spy on him secretly. When he got the sentence, he reported it to him immediately. When he saw Wang Bo's opening line, he wrote "The old county of Nanchang, the new city of Hongdu" He couldn't help but shook his head and said: "Oh - cliché!" As soon as he finished speaking, he came to preach "Fei Ge Liu Dan, descending to Wu Di" and praised: "Good! What a sentence!" I also saw "The setting clouds and solitary swans fly together, the autumn water and the long sky are the same color", "When I am old and strong, I would rather move my heart with a white head? I am poor and strong, and I will not fall into the blue clouds", "Yang Yi does not meet, caressing" Ling Yun felt sorry for himself; when Zhong Qi met him, how can he be ashamed to play Liu Shui?" He slapped the table and exclaimed: "What a genius!" After the preface was completed, all the guests were shocked. From then on, the Tengwang Pavilion was the same as Wang Bo's "Tengwang Pavilion Preface" It is famous all over the world. This majestic Tengwang Pavilion has lasted for more than 1,300 years. It has gone through many dynasties and been repeatedly destroyed and rebuilt. The Tengwang Pavilion we see today was rebuilt in 1983 in the style of the Song Dynasty. It is 54.4 meters high. , the attic has three floors and four floors, standing near the river, very spectacular.

2. Request for the preface to the Tengwang Pavilion and relevant cultural knowledge. Thank you. I will wait online.

According to historical records, the Tengwang Pavilion was built by Teng Wang Li Yuanying, the son of Emperor Gaozu of the Tang Dynasty. According to legend, when Li Yuanying, the king of Teng, was transferred from his original post as governor of Suzhou to be the governor of Hongzhou (now Nanchang, Jiangxi), he felt unhappy. When he left, he brought all the troupe of singing and dancing musicians formed in Suzhou to Hongzhou and kept them in the Governor's Mansion. They did not care about political affairs and indulged in drinking and having fun all day long, but they still couldn't eliminate the troubles in their hearts.

One day, in order to please their master, some of King Teng’s staff suggested bringing singing, dancing, and musical performances to the hills on the banks of the Gan River, and holding a banquet on the hills near the river, where they could drink fine wine and You can also enjoy the beautiful scenery of the mountains and rivers, watch dancing and listen to singing. King Teng was very happy when he heard this and adopted this opinion. But when they arrived at the riverside, they saw that the hills were covered with rocks and overgrown with thorns, making it impossible for kabuki and dancers to dance to the sound. King Teng had no choice but to return home feeling unhappy.

Soon, some staff suggested to build a pavilion on the hills near the river, which could not only take in the beauty of the mountains and rivers, but also enjoy the joy of singing and dancing. After hearing this, King Teng couldn't help but beam with joy, and ordered his staff to start the construction. It was completed in the fourth year of Xianqing of Tang Dynasty and rebuilt in the second year of Yuan Dynasty. Later, Yan Boyu became the governor-general of Hongzhou. On every ninth day of the Lunar New Year, he would hold a banquet for guests here and climb high to compose poems to celebrate. On the ninth day of another year, Yan Gong ordered his son-in-law Wu Zizhang to write a preface in advance in order to praise his talents in public when entertaining guests.

What a coincidence, Wang Bo's relatives happened to be passing by here at this time, so he was naturally invited to the banquet. When Yan Gong pretended to invite the guests to write a preface for Tengwang Pavilion, all the guests understood what Yan Gong meant and declined, saying that they were not qualified to do the job. Only Wang Bo, who had just arrived and didn't know the inside story, relied on his talent and improvised his writing. This made Yan Gong extremely unhappy, so he ordered people to spy on him secretly and report to him immediately if he got the sentence. When I saw Wang Bo's opening sentence of "The old county of Nanchang, the new mansion of Hongdu", I couldn't help but shake my head and said, "Oh - cliché! Cliché!" As soon as he finished speaking, he came to preach again, "The pills flow from the flying pavilion, and there is no place to descend." At that time, he exclaimed in surprise: "Good! What a sentence!" Then he saw "The setting clouds and the solitary swans fly together, the autumn water is the same color as the sky", "I am old and strong, I would rather move my white-headed heart? Poor and strong, "My ambition is not to fall into the blue clouds" and "If I don't meet Yang Yi, I care for myself; when I meet Zhong Qi, how can I be ashamed to play Liu Shui"? He actually slapped the table and exclaimed: "This is a genius!" After the sequence was completed, all the guests were seated. shock. Since then, Tengwang Pavilion has become as famous as Wang Bo's "Preface to Tengwang Pavilion".

This majestic Tengwang Pavilion has lasted for more than 1,300 years. It has gone through many dynasties and has been repeatedly destroyed and rebuilt. The Tengwang Pavilion we see today was rebuilt in 1983 in the style of the Song Dynasty. It is 54.4 meters high, with three floors of light and four dark floors. It stands near the river and is very spectacular.

3. Cultural common sense of the Preface to the Lanting Anthology

"The Preface to the Lanting Anthology" is a preface. " is a type. It is listed at the beginning of the volume and is called a preface, and appended to the end of the volume is called "postscript". Its function is to recommend someone's work or a certain material, explain the writing process, writing purpose, main content or explain some things related to the book. , to help readers read or understand better. Some prefaces are written by oneself, which are called "self-prefaces"; others are written by others, which are called "other prefaces". In addition to introducing the work, other prefaces often include some evaluation content. Whether in ancient times or today, there is a kind of article called "preface", such as the "Preface to the Lanting Collection" which describes the gathering of scholars, the "Preface to the Pavilion of Prince Teng" which describes the feast in the high pavilion, the self-motivating "Preface to Ma Sheng in Dongyang", The "Preface to "The Scream"" explaining the reasons for writing, etc. What kind of literary style is the preface? What types and characteristics does it have?

What modern people call a preface is a practical style written at the front of a book or poem to state the reasons, content, style and other matters of its writing. It is also written as "narration" or "preface". The "Preface to "Scream"" cited in the article and Mr. Zhang Dainian's preface attached at the end of this article all belong to this category. However, the situation in ancient times was different from today, and the preface mentioned by the ancients contained much richer meanings than today. Many. Prefaces appeared as early as the Western Han Dynasty. Sima Qian's "Historical Records Taishi Gong's Preface" is the origin. Ban Gu's "Book of Han" has "Xu Zhuan", and Yang Xiong's "Fa Yan" has "Preface". ". Early prefaces were not always written at the front of the article, but a single article was prefaced and the entire book was prefaced at the end. It was not until the Liang Dynasty Xiao Tong's "Selected Works of Zhaoming" and other books that the preface was always placed in the front. , the articles that follow a similar preface are called "post preface" or "postscript". In the family of prefaces, there are also variations such as "small preface" and "yin". The so-called "small preface" is the narration of inspiration or origin before the poem. The short preface. Xu Shizeng, a man of the Ming Dynasty, said in "Wen Ti Ming Bian": "The small preface prefaces the chapter, which is also the name of the major preface." "Introduction" is also a short preface, "Wen Ti Ming Bian" "Mingbian" explains that "this style began to appear after the Tang Dynasty, which is roughly the same as the preface but slightly shorter." Liu Zongyuan once wrote an article in "Pili Piano Praise and Introduction". "Postscript" is also called "inscription and postscript" and "postscript tail" " or "after the book". Yao Nai of the Qing Dynasty's "Compilation of Ancient Chinese Ci": "The person who writes the postscript is also the afterword of the compilation. In all classics and classics, epic poems and books, the introduction is in order, and the preface is at the end. It can be said that it is exhaustive. Those who read it later, either because of people's requests or because of inspiration, copied the words and appended them to the last bamboo slips, and they were generally called inscriptions and postscripts." Postscripts appeared in the Tang Dynasty, and were called "inscriptions after a certain event" or "postscripts". "Read someone", such as Li Ao's "Inscription on Prince Dan of Yan" and Han Yu's "Reading Xunzi". Ouyang Xiu was the first to call this kind of article a postscript, and his "Ji Gu Lu" has several "postscript tails", which are attached to his collection After the inscription. Wang Xizhi's "Preface to the Lanting Collection" belongs to the preface of "Preface and Postscript", but it does not stop at a general explanation of the reasons, process, author and other circumstances of the writing of "Lanting Collection". Instead, it combines the lyrical and emotional description of the scene. The profound philosophy of life is closely integrated, creating an eternal article that is full of artistic beauty and ideological enlightenment value.

4. Overview of the culture of Tengwang Pavilion

In Wang Bo's "Preface to Tengwang Pavilion", "It embraces three rivers and leads to five lakes, controls the wild bushes and leads to Ouyue (the geographical location of Tengwang Pavilion)", Geography Positioning creates cultural and traditional positioning.

Wang Bo, a poet in the Tang Dynasty. The word is Zian.

There are more than 80 of Wang Bo's poems in existence today, and more than 90 of his poems, including poems, prefaces, tables, tablets, and odes. Wang Bo's collected works were earlier published in three volumes: 20 volumes, 30 volumes, and 27 volumes, none of which have been handed down.

There are 16 volumes of "Collection of Prince's Anthology" collected and compiled by Zhang Xie in Chongzhen of Ming Dynasty; "Annotations of Collection of Prince's Anthology" written by Jiang Qingyi of Tongzhi Jiaxu in Qing Dynasty, divided into 20 volumes. In addition, Yang Shoujing's "Japan Visits to Japan" recorded one volume of the ancient note "Wizi Anwen" and copied 13 essays (actually 12, 6 of which were incomplete).

Luo Zhenyu's "Sequel to the Miscellaneous Works of Yongfeng Township People" also compiled 1 volume of "The Lost Essays of Wang Zi'an", with 24 articles, which is an increase of 12 articles that were missing by Yang, and also completed Yang's work. There are 6 incomplete articles recorded.

Luo Shi's preface also mentions that "Tomioka Jun (Qianzang) has a special collection of "Wang Bo's Collection" Volume 29 and Volume 30" in Kyoto, Japan. According to the first volume of the Tang banknotes photocopied by the Imperial University in Kyoto, Japan, there is "The Remaining Collection of Wang Bo". 》Volume 2, the note says "kept between the 29th and 30th years", which is the copy collected by Tomioka.

In the third year of Xuantong of the Qing Dynasty (1911), Yao Darong's "Xidao Weizhai Collection" published "Zi'an Chronicle". Tengwang Pavilion was rebuilt in 19th AD, and its poetry, calligraphy, painting, music, music, dance, singing and performance landscapes have all been restored.

It is not a copy of Tengwang Pavilion, nor is it a cosmetic surgery of cultural inheritance. Mr. Zhang Youmao, a world poet, scholar of Tengwang Pavilion culture, famous Ci Fu master, pioneer of contemporary parallel prose Ci Fu movement, Internet activist, tea culture leader and cultural celebrity, made an incisive discussion on the essential connotation of "Tengwang Pavilion culture": "Tengwang Pavilion culture" , is a Chinese, historical and world cultural heritage. ”

5. Wang Bo Culture of Tengwang Pavilion

In the Tang Dynasty, Wang Bo Teng’s high pavilion was near Jiangzhu, and he sang and danced with jade mingling. .

The painted building is flying towards Nanpu clouds, and the bead curtain rolls into the west mountain rain at dusk. The shadows in Xianyuntan Lake are long, and things change and the stars move several autumns.

Where is the emperor's son in the pavilion now? Outside the threshold, the Yangtze River flows freely. This is a seven-character ancient poem.

The first four sentences describe the prosperity of Prince Teng and Prince Teng's Pavilion. The last four sentences describe that as time goes by, things change, and prosperity never lasts. Only the river flows naturally, which is an eternal witness to human history.

"Zhengding Commentary on Tang Poems Zhengsheng" says: "It is beautiful and deep and quiet, so it is good. It is the best short song of the Tang Dynasty." "Selected Poems of the Tang Dynasty": "Just one conclusion can open up many ways to follow."

Wang Fuzhi's "Selected Reviews of Tang Poems" commented on this poem: "Liu Li is strong and strong, and he has both dilemmas. The four characters of 'Peiyu Mingluan' are heavy and light."

Emperor Gaozong of the Tang Dynasty In the third year of the Yuan Dynasty (676), the poet went to Jiaozhi to visit his father. He passed through Hongzhou (now Nanchang, Jiangxi) and participated in the banquet of Governor Yan. He impromptuly composed the "Preface to the Pavilion of Prince Teng". At the end of the preface, he attached this concise and implicit poem, which summarizes the preface. content. The first sentence goes straight to the point, using simple and old-fashioned writing style to point out the situation of Tengwang Pavilion.

Tengwang Pavilion was built by Li Yuanying, the son of the great ancestor Li Yuan, when he was the governor of Hongzhou. The former site is located on the Jiangmen Gate of Xizhang, a new building in today's Jiangxi Province, next to the Ganjiang River. You can see it from a distance or overlook it. The words "Nanpu", "Xishan", "Xianyun", "Tanying" and "Yangtze River outside the threshold" below are all from the 1st. The phrase "a high pavilion is adjacent to the river" came out.

The situation of Prince Teng’s Pavilion is so good, but who in the pavilion comes to visit now? I think that the King of Teng who built the pavilion has died. He came to the pavilion in a Luanling carriage and hung jade pendants and held a banquet. Gone are the luxurious scenes. The first sentence describes space, the second sentence describes time, the first sentence is full of interest, and the second sentence is full of interest, contrasting the two.

The poet uses the method of "rising and sweeping" to give readers a natural feeling of ups and downs. Only two sentences have covered the whole theme of the poem.

There are only fifty-six words in this poem. Among them, those belonging to space include pavilions, rivers, buildings, curtains, clouds, rain, mountains, lakes, and pool shadows; those belonging to time include sun. The words "long time", "things change", "stars move", "several autumns", "where are we now", are blended together without any sense of stacking a bed frame. The main reason is that they all revolve around a center - Tengwang Pavilion, and each plays the role of the stars over the moon.

The end of the poem uses dual syntax, which is very distinctive. Generally speaking, couplets are often placed in the middle paragraph to serve as a layout.

This is used to end, and it is not juxtaposed like two doors (the term is called a fan pair), but opens and closes in a "lateral position". The reader only feels its flow, but I didn't realize that they were parallels, which showed Wang Bo's extraordinary talent. Later, Du Fu's seven-character rhymed poems and even seven-character quatrains often used this technique, such as "From the Ba Gorge to the Wu Gorge, then go down to Xiangyang to Luoyang." ", "The butterflies dance around and play, and the orioles crow at ease" etc.

This shows Wang Bo’s influence on the development of Tang poetry. In ten years, the boat went to the five lakes, and the fireworks spread thousands of miles across the capital.

Among them, Qilin Pavilion is not included. Where can I find pictures of butterflies?

The turbulent stream of Nanpu shines in the sunset, and the spring color of Donggao is clouded.

Wang Hanwenyan rushed to the bullfight, but he didn't believe that he was alone in defeating Lu. Sitting for a long time without any worries, a leisurely month is born.

The sparse stars gather fishing fires, and the city of Shijiang is full of dew. Looking towards the sunset, I will learn the sound of Chu tonight.

Because of my pity for the bamboo branches, I translated it into Yu Zhang Xing. At the head of the river in Cuiwei Ancient Pavilion, it was late autumn when the illness started.

The white clouds, Wu and Chu merge by the window, and the red sun flows between the waves, past and present. The mountains and rivers are filled with tears of lonely ministers, and the songs and dances have been heard by the emperor's son.

Looking north despite the thousands of miles of beacon smoke, it is still like Wang Can in Jingzhou. On the way home in a hurry, Pian Zhou went to the south, and there was an occasional group of people sitting in a sunny building by the river.

Nanpu West Mountain is all in sight, and I can’t sing the ancient sentiments! Where kings sing and dance, the dangerous pavilion opens to the west wind. The mountains are covered with green clouds in the evening, and the setting sun on the Yanjiang River is red.

The elegance of elegance is reflected in the high culture, and the workmanship of nature is evident in the beautiful algae. Outside the threshold, the solitary clouds rise, striving to be the best in writing.

Fortunately, nothing happened in the closed pavilion. We went upstairs to chat forever. When you go to Xiaxia, it will bloom thousands of miles away, and thousands of shapes will appear in Zhuzhou.

The clear river is diffused, and birds are flying around. There are half a dozen people in the city, and there are many maple trees in Jin.

I have said farewell many times, and my feelings are different from each other. I am not the same as you when you are far away from me. Who can I know when you are lonely and happy?

My whole life is a single thread, and I will inherit the rank of excellence when I meet. Absurdity and anger are sent to the country, and many people are ashamed of their ability to manage people.

Although the dull man encourages himself, the warehouse is not real. If Chen Li's treatment is ineffective, I would like to treat the disease with the help of Zhizhi.

The city tower rests on Nanpu, and you can see the Western Mountains at sunset. Wanwan Luan Crane, in the high smoke.

The Fairy Well is still there today, but Hongya will not be there for a long time. I can't teach you how to make gold, and it's hard to climb the feathers.

Thousands of peaks stand out from the eaves, and people’s thoughts are all over the world. Don't return to dusty matters, come back and stay in seclusion.

When the white waves roll over the river, where will Chen Fan and Xu Ru go? Chou came to the pavilion of Prince Teng and picked up a monument of Duke Wen. Cui Wei was raised in the high pavilion in Liancheng, and the emperor's son once sang and danced.

The clear fog is pierced through the curtains on all sides, and spring thunder is hidden in the mid-air with flutes and drums. Gou Shan said that he would ride on a dragon, but people from Liaohai heard about it and returned in the shape of a crane.

Only the three kings' remains are engraved, and the wind and rain grow the berry moss every year. The high pavilion connects the city with twelve columns, and the west wind leads visitors to climb up.

Outside the Yangtze River in misty rain, thousands of miles of lakes and mountains are within easy reach. The wild geese return to Bieppu with the sound of autumn, and the orioles pass over Bashan in spring.

Back then, the butterfly knew who had painted it, and it was like a dream that Zhuang Zhou would not return after he left. The pavilion stands on the vast river in the cold weather, and the hundred-foot railings meander through the setting sun.

Fish and dragons are no longer old things after a long time. Who is the king of the butterfly in the depth of spring? The stars on the sails lead to the Antarctic, and the wind and clouds on the car cover cover Yuzhang. The lights return to the lake at night and it rains. The neighbors drink and talk about generals.

The former king admired the land, but the buildings were empty. Only the beauty of the Western Hills will remain the same as before.

The barbarians are still facing the short threshold, sighing at the long wind. When things go by in a hurry, the river flows eastwards.

Who will build the first tower in Xijiang if King Teng abandons Cui Wei in his high pavilion? The clouds and rain do not stop the singing and dancing, and the articles sigh about the ancient and modern talents. In the night air of Fengcheng, you can hear the dragon rising, and the autumn wind of Pengli brings wild geese.

How many times do you want to take a ride on a boat and ask Niu Dou, but you don’t know that there are three platforms on the ground? Yangpu is covered with new fog, and Yincheng is covered with ancient buildings. The king stopped singing and dancing, and the rain and white clouds remained.

The color of the grass changes every year, and the water flows in the guest heart. At dusk, I can still see the lights of thousands of states.

The Yangtze River outside the threshold will never return, and the willows in front of the threshold will be planted by future generations. At that time, only Xishan was there. I once saw King Teng Ge facing the rosy water of the river, but relying on hundreds of thousands of families in the city.

When the dawn clouds fall on the threshold, the remaining rain falls on the dragon's sand. The poets and poets are all here, and the emperor and his son are enjoying their travels without taking credit.

It’s a good night, gold is stirring, and the eaves are sloping due to bull fights. The guest came from Junxi River, and there was a strange boat on the side.

Suddenly I saw the remaining tribute from Zhang, and the water from the sky was swaying. The frost wind comes out of Zhouzhu, and the grass and trees are not visible at all.

The energy rushes to the west mountain and floats, and the sound touches the past and present. The buildings and views lean on each other, and the mountains and rivers open and close to each other.

I am frightened that the fish and birds will gather together, and watch the birds and geese disappear. Observing the guest's sail from a distance for a long time makes me realize the vastness of the river.

The envoy to the east is Lu Ru, and there is a Xu Ru couch in his house. He talks about the guests and travels in a high-level way, and the discussion is down to the bone.

Yu Si belongs to Zhoushan and climbs to the battlement to send his remains. The arrogant king should laugh at him, and the madman should feel pity for him.

Ten thousand yuan is spent on a meal, and a thousand gold is spent on a rich harvest. There is no trace of energy, and the haiku ends in a hurry.

6. Cultural common sense of the Preface to the Lanting Anthology

"The Preface to the Lanting Anthology" is a preface. " is a type. It is listed at the beginning of the volume and is called a preface, and appended to the end of the volume is called "postscript". Its function is to recommend someone's work or a certain material, explain the writing process, writing purpose, main content or explain some things related to the book. , to help readers read or understand better. Some prefaces are written by oneself, which are called "self-prefaces"; others are written by others, which are called "other prefaces". In addition to introducing the work, other prefaces often include some evaluation content. Whether in ancient times or today, there is a kind of article called "preface", such as the "Preface to the Lanting Collection" which describes the gathering of scholars, the "Preface to the Pavilion of Prince Teng" which describes the feast in the high pavilion, the self-motivating "Preface to Ma Sheng in Dongyang", The "Preface to "The Scream"" explaining the reasons for writing, etc. What kind of literary style is the preface? What types and characteristics does it have? What modern people call a preface is a practical style written at the front of a book or poem to state the reasons, content, style and other matters of its writing. It is also written as "narration" or "preface". The "Scream" cited above "Automatic Preface" and Mr. Zhang Dainian's preface attached at the end of this article belong to this category. However, the situation in ancient times was different from today. The preface mentioned by the ancients contained much richer meanings than today. It appeared as early as the Western Han Dynasty It has a preface, and Sima Qian's "Historical Records Taishi Gong's Preface" is its origin. Ban Gu's "Book of Han" has "Xu Zhuan", and Yang Xiong's "Fa Yan" has "Preface". The early prefaces are not They are all written at the front of the article, but a single article is prefaced at the front, and the whole book is prefaced at the end. It was not until the Liang Dynasty Xiao Tong's "Selected Works of Zhaoming" and other books that the preface was always placed at the front. Articles with similar prefaces later were called It is written as "Postscript" or "Postscript". In the family of prefaces, there are also variations such as "Little Preface" and "Yin". The so-called "Little Preface" is a short preface that narrates the inspiration or origin before the poem. Xu Shizeng, a man from the Ming Dynasty "Wen Ti Ming Bian" said: "The small preface is the author who prefaces the chapters, and it is also named after the major preface." "Introduction" is also a short preface. "Wen Ti Ming Bian" explains that, "This style began to appear after the Tang Dynasty. It is roughly the same as the preface but slightly shorter." Liu Zongyuan once wrote an article in "Pili Qin Praise and Introduction". "Postscript" is also called "Title Postscript", "Postscript End" or "Postscript". Qing Dynasty Yao Nai's "Compilation of Ancient Chinese Ci": "The person who writes the postscript is also the postscript of the compilation. In all classics and classics, epic poems and other books, the quotations are in order and followed by the preface. It can be said that they are exhaustive. Those who read them later may be because of the If people request something, or if they are inspired by it, they will copy the word and append it to the last bamboo slip, and it is always called a postscript." The postscript appeared in the Tang Dynasty, and was called "titled after" or "reading", such as Li Ao "Inscribed on Prince Dan of Yan" and Han Yu's "Reading Xunzi". Ouyang Xiu was the first to call this kind of article a postscript, and his "Collection of Ancient Records" has several "postscript tails" attached to the inscriptions he collected. Wang Xizhi's " "Preface to the Lanting Collection" belongs to the preface of "Preface and Postscript", but it does not stop at a general explanation of the reasons, process, author, etc. of the writing of "The Lanting Collection", but closely integrates the lyrical description of scenes and the profound philosophy of life. Together, it has created an eternal text that is rich in artistic beauty and ideological enlightenment value.

7. The "Preface" in "The Preface to the Pavilion of the Prince of Teng is written in the stylistic book "The Preface to the Pavilion of the Prince of Teng" is a literary style, and at the end it is also a famous parallel prose

.

The full name of "Preface to Tengwang Pavilion" is "Farewell Preface to Tengwang Pavilion in Denghong Mansion in Autumn", also known as "Preface to Poems of Tengwang Pavilion", a famous parallel prose piece. Tang Wang Bozuo.

The Tengwang Pavilion in "Preface to Tengwang Pavilion" is located on the bank of Ganjiang River in Nanchang City, Jiangxi Province today. Tengwang Pavilion is named after Tengwang Li Yuanying, the younger brother of Emperor Taizong Li Shimin.

According to historical records, during the Zhenguan period, Li Yuanying, the youngest son of Tang Emperor Li Yuan and the younger brother of Tang Taizong Li Shimin, was granted the title of King Teng in Tengzhou (today's Tengzhou City, Shandong Province), and built a pavilion named Tengzhou. Named "Tengwang Pavilion", later Teng Wang Li Yuanying was transferred to Hongzhou in the south of the Yangtze River (now Nanchang, Jiangxi), and built a Hao Pavilion still named "Tengwang Pavilion". This pavilion became known as Tengwang Pavilion (Historically, the three Tengwang Pavilions were located in Tengzhou, Shandong). , Nanchang, Jiangxi and Langzhong, Sichuan). When Li Yuanying was the governor of Hongzhou, he built Tengwang Pavilion. The former site is on the bank of Ganjiang River in Nanchang, Jiangxi today. Looking down and looking into the distance, the view is very broad.

Li Yuanying was arrogant and extravagant, had bad conduct and had no political achievements to speak of.

But he is proficient in singing and dancing, good at painting butterflies, and has great artistic talent.

He built the Tengwang Pavilion for the purpose of singing and dancing. This famous building in the south of the Yangtze River was built during the prosperous period of the Tang Dynasty, and it quickly became famous because of Wang Bo's "Preface to the Pavilion of Prince Teng".

In 676 AD (the third year of the Yuan Dynasty by Emperor Gaozong of the Tang Dynasty), the poet went to Jiaozhi (now Vietnam) to visit his father. He passed through Hongzhou (now Nanchang, Jiangxi), attended the banquet of Governor Yan, and impromptuly composed the "Preface to the Pavilion of Prince Teng". At the end of the preface is attached this concise and implicit poem, which summarizes the content of the preface. God, how can I not be serious?

The style of "Preface to Prince Teng's Pavilion" is parallel prose. Is this serious enough? No, there is no such style as a preface. Styles include: fu, parallel prose, narrative, prose, novel, poetry, expository essay, argumentative essay, lyrics, drama, and practical essay.

8. Questions about Feng Shui and Literature

"Yi Su and Zhen Su" belong to two of the seven Suzaku Suzakus of the Twenty-Eight Sus. They are divided into twenty-eight Sus. , Si, Xun, position. This means that the position of Nanchang in Jiangxi Province is the division between Yi, Zhen and Ersu.

"Hengshan Mountain" is a branch of the Wuling Mountains in Hunan Province. It starts in the northwest of Hengshan County, extends between the Xiangshui River and Zishui in the southwest, and ends at Weishan Mountain. It is called the Hengshan Mountains, with the main peak In the north of Hengyang County is the Central and South Mountains of the Five Mountains. "Lushan" is located in the south of Jiujiang County, Jiangxi Province. It is also known as Kuangshan and collectively known as Kuanglu. According to legend, in ancient times, a scholar named Kuang settled here, hence the name. The mountain faces water on three sides in the north, east and south, and land on the west. , the most famous waterfall, is a summer resort.

There are different opinions on "Three Rivers". The Three Rivers mentioned in the preface of Tengwang Pavilion generally refer to the Nanjiang River in Wuchang, Hubei Province, the Zhongjiang River in Jiujiang, Jiangxi Province, and the Beijiang River in Zhenjiang, Jiangsu Province. There are also many theories about the "Five Lakes". The five lakes mentioned in the preface of Tengwang Pavilion generally refer to Pengli, Dongting, Chaohu, Taihu and Jianhu.

The ancient text commentary refers to Taihu Lake, Poyang, Qingcao, Dongting, and Danyang, which seems to be inconsistent with the original meaning. Although, Poyang Lake is also known as Penghu, that is, Pengli in Yugong and Pengze in Hanshu, since the Sui Dynasty. It was renamed Poyang, but what is said in the preface: "The fishing boats sing late, and the sound is on the poor Pengli shore" seems appropriate, and should be considered according to the geographical interpretation of the ten mountains and rivers. "Barbarian Jing and Ouyue", ancient text commentaries say that Jingchu is the southern barbarian land, this is to control it; Minyue is connected to the east of Ou, this is to lead it.

Such annotation is too vague. According to Ouyue, it is a place in what is now Yongjia County, Zhejiang Province. It is close to the Oujiang River and was inhabited by Yue customs in ancient times, hence its name.

It seems that it should not be related to Fu Jian. "Niu Dou" is a reversal of the order of bullfighting. It is the second of the seven constellations of Xuanwu. In ancient China, Wudi (now Jiangsu Province) was the division of bullfighting.

"The formation of wild geese frightens the cold", and the sound cuts off the Hengyang Pu. An ancient text commentary says that there is a peak in the south of Hengshan Mountain, saying: "Back to Yanfeng, the geese cannot reach this point." According to Huiyan Peak, it is the head of the seventy-two peaks of Hengshan Mountain. The peak resembles the gyration of flying geese, so it is named after it. According to legend, geese flying here will not cross this peak to the south and return in the spring. This is just a rumor.

Huiyan Peak is far away from Hengyang. Wang Bo did not understand the reason and said it was an exaggeration to say that it cut off Hengyang Pu. "Tianzhu" is five of the fifteen stars in the Ziwei Yuan, near the East Yuan.

"Beichen" is the North Star. Zhu Xi said: "Beichen is a starless place in the middle. The stars don't move. There are no stars in Beichen. If you are destined to choose this as the pole, you can't recognize it without remembering it, so you pick a small star next to it and call it the pole star.

"According to the fact that Polaris belongs to the constellation Ursa Minor, it points to the North Pole on the Earth's axis. However, it is not directly over the North Pole, but is located closest to the North Pole among the stars. Therefore, it was chosen as the pointer in the direction of the North Pole and is called Polaris. . Since the earth itself rotates, the direction pointed by the North Pole does not always change, so neither does the chosen North Star.

For example, in the Zhou Dynasty three thousand years ago, the Emperor Star was the North Star, but now Gouchenyi is the North Star. I wonder if this helps.

9. The scene description part of the preface to Tengwang Pavilion can be divided into several levels

The first node topic - the second section is near - the third section combines the near and far - the fourth section is far Perception of the situation - Section 5 expresses inspiration - Section 6 self-introduction and recovery of the meaning of the question - Section 7 concludes with acknowledgments.

This is a step-by-step question. First, let readers understand the situation they were in at that time by highlighting the topic.

Next, describe the near scene, using the human eye as the fulcrum, from near to far, and the second, third, and fourth stanzas will naturally appear. This is a matter of layering. This kind of processing is clear and natural.

The same is true for the lyricism, from the second half of the fourth section to the fifth section, which deepens to the sixth section, which first becomes deeper and then shallower, and ends in the seventh section without leaving any trace. They are all full of layers.

The author uses appropriate methods, just like the filming techniques of a movie, from near to far to form a panoramic picture with a sense of layering and depth. The four lines of "Heting and Fuzhu" describe the scenery around the pavilion, which is the close-up view; the two lines of "The mountains and plains are wide and full of sight" describe the mountains, plains, rivers and lakes, which are the middle view; the following lines of "Clouds disappear and the rain falls" are the vast paddy fields. vision.

This writing method is the most prominent feature of the scene description in "Preface to Prince Teng's Pavilion". It embodies the author's three-dimensional aesthetics and brings readers into the picturesque Jiangnan scenic spot, integrating readers and scenery into one. , people are in the scene, and there are people in the scene. The article spares no effort in pen and ink, using rich ink and rich colors to describe the color changes of the scenery.

For example, "Zidian" in "Zidian Qingshuang", "Liudan" in "Feige Liudan", "Towering Green" in "Layered Mountains", "Green Bird and Yellow Dragon" The "green bird" and "yellow dragon" in "The Axis" are all colorful and swaying. In particular, the sentence "The water is exhausted and the cold pond is clear, and the smoke condenses and the mountains are purple at dusk" is not limited to the color of the still picture, but focuses on expressing the changes in the colors of the water and mountains. The first sentence is simple and elegant, and the second sentence is solemn in color. It was praised by predecessors. It is a sentence that "writes all the scenery in September".

The four sentences "The mountains are towering and green" use the change of perspective to make the top and bottom contrast with each other. The sky and the earth, the city and the outside are one and inseparable, which embodies the author's unified aesthetics. And "The setting clouds and solitary swans fly together, the autumn water and the long sky are the same color" is a famous sentence describing the scenery. The water and the sky are connected and natural, forming a beautiful picture with bright colors.

The four sentences "Fishing boats sing late" rely on auditory association and use virtual and real techniques to convey the distant landscape, allowing readers to broaden their horizons and see thousands of miles away. Real writing and virtual writing harmonize and set off each other, maximizing the ability of describing and describing scenes.

In short, the description of the scene in the "Preface to Prince Teng's Pavilion" is quite original. Every word is exquisite, every sentence is brilliant, and the chapters are brilliant. It is completed in one go. After reading it, people feel like they are in the water town of Jiangnan. No wonder Han Yu couldn't help but praise it. : "There are many Linguan and the like in the south of the Yangtze River, but Tengwang Pavilion is the first." The original title of this article is "Farewell Preface to Denghong Mansion Tengwang Pavilion in Autumn", and the whole text is closely related to this title.

The full text is divided into four paragraphs. The first paragraph describes Hongdu’s majestic terrain, travel time, rare products, outstanding talents and distinguished guests, closely following the title of "Hongfu" "" is written in two words; the second paragraph shows a colorful picture of the autumn scenery of Tengwang Pavilion. From a close look and a distance, it is full of rich ink and color, which depicts the magnificent and beautiful scenery of Tengwang Pavilion, closely following the title "Autumn", "Deng Tengwang Pavilion" is written in six words; the third paragraph turns from the description of the banquet to the emotion of life, closely following the word "farewell" in the title; the last paragraph is a self-narration of the experience, indicating that on the occasion of parting, I met a close friend. , I should compose poems and compositions as a souvenir. This is written closely following the two words "Farewell" and "Preface" in the title. From this point of view, the full text is well-organized and has a clear context; from place to people, from people to scenery, from scenery to emotion, it can be said that the details are connected and the topics are linked layer by layer.