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Product: France, 1994

Director: Martin? Digosen

Starring: Romana? Beringer (Smina)

Elsa? Zil Beistine (as Adele)

This is a story about two women, Mina and Adele-two girls born in the hospital, who have known each other since 10. Maybe I am indifferent by nature, so it is hard to imagine that the friendship between the same sex can reach enough to destroy one of them. What kind of power should it be without homosexuality? I don't remember whether there was a warm and touching moment between them, but I'm sure they needed each other to the extreme. Two girls who have been discriminated against because of their looks are always used to finding reasons for psychological balance in each other, and they also feel valued in each other. They depend on each other, comfort each other, even envy and despise each other. They used to feel inferior, but they all tried to be self-centered and ignored each other's happiness and vision-they all had the desire to control and drive. Writing here, I suddenly thought of a question: Do most women's inferiority complex come from their dissatisfaction with their looks? The first love that these two women ended inexplicably stems from their extreme confidence in appearance: Adele is madly in love with a man, but she refuses to sleep with him because she is afraid that he will see her "fat body"; Mina, her boyfriend, is about to leave the city and wants to see her one last time and give her an address, but Mina refused to go downstairs to see him just because she had a bad hairstyle that day. She felt ugly and couldn't see anyone. This film was really made by a woman, because only women can understand the great significance of length to women.

Mina is talented, independent and sensitive, but she lacks a soft aesthetic feeling. Adele is clumsy and vain, but she can give up. She is not afraid of ridicule and will do whatever it takes to achieve her goal. For a long time, Mina has always maintained a strong sense of superiority towards Adele, and has experienced the pleasure of overlooking the strong in Adele's numerous setbacks. However, Adele has her own resilience to make progress in setbacks. She becomes sexy and beautiful, and she can easily get everything she wants, including the man Mina has a crush on. What she did was not only for her own destiny, but also for trying to get rid of the powerful shadow of Mina and her mother. It can be said that Adele, with a subconscious inferiority complex, is struggling with failure-but she is also wondering why she is not happy when she has everything.

Mina was depressed and depraved. One day, she realized the betrayal of love and friendship. Perhaps her depravity can be explained by the disfigurement caused by a car accident-men who like her no longer pay attention to her, art dealers no longer accept her paintings, hotel owners no longer want to look up at her, and even men pester her and leave in disgust after seeing her face ... She suddenly wakes up from cautious inferiority. But these must not be the real reasons for her depression-when she lost her lover, what she lived on, and her psychological balance. It suddenly occurred to her that it was not the man she loved, but the woman she thought she didn't care about, and she never thought so. From then on, she can no longer draw full-fledged paintings, and she can only make a living by painting famous paintings for some people.

A few years later, she finally got up the courage to go to Adele's house and pretended to meet Adele in the street. At this time, Adele seems to be a successful and happy woman-with a happy family, lovely children and a husband who was strongly opposed by her former mother-all of which she won for herself bit by bit. She seduced the man Mina liked, but she didn't combine with him. Everything is to defeat Mina. ) Mina looked at her best friend, feeling nostalgic and inferior. She asked, why didn't you come to me after all these years? Adele said quietly, but you didn't call me either. Once, at Mina's art exhibition, Adele said enviously to Mina: You are a successful person now. Today, the strength of the two has changed significantly.

Adele promised to see Mina on Saturday. In ecstasy, Mina miraculously recovered the painting inspiration lost in recent years, grabbed the brush and waved it on the canvas, as if she had returned to the old days. At this moment, the telephone in the studio rang. It's Adele. She said she would go on holiday with her husband at the weekend and couldn't come to see Mina. Adele said it was easy and happy, but Mina was desperate-when she found herself longing for warmth, she could no longer stand the neglect and neglect of her friends. However, everyone is living their own lives, and no one will particularly pity her. Her inner inferiority finally convinced her that she was lonely and not taken seriously. She slowly rubbed shocking black on the unfinished work with the biggest pen until the whole canvas was flooded with black. Then he went into the kitchen and swallowed the poison. After the weekend, Adele called again. Adele's voice was still cheerful on the answering machine. She said, Mina, I'll see you when I get back. Mina lay quietly and coldly on the floor, but her face was calm and shiny.

At the end of the story, Mina's sister, a woman who has been responsible for "explaining", said: This is Mina's story ... the camera is off and the lights are off. The woman said: What's the matter? Why do you only care about Mina, me and me? Who will listen to my story? .. it turns out that everyone lives in their own world, but they can't get rid of the shadows of others. There seems to be two heroines in the story, but there is only one.