Lufeng economy

In 20 14, Lufeng achieved a regional GDP of 22 billion yuan, an increase of11%; The total industrial output value was 4065438+96 million yuan, an increase of 24.3%; Investment in fixed assets was 654.38+06.329 billion yuan, an increase of 654.38+03%; The budget revenue of public budget is 65.438+62.5 million yuan, up by 65.438+06%, and the tax revenue at the corresponding level is 688 million yuan, including 638 million yuan of local tax and 49.35 million yuan of national tax. The total export volume was US$ 65.438+0.44 billion, an increase of 654.38+0.5%; The total foreign trade import was US$ 6,543.8+US$ 47 million, an increase of 3.84%.

The main crops in Lufeng are rice, wheat, soybean, taro, kenaf, corn, sweet potato, cassava, peanuts and sugarcane.

There are 35 species of trees in 16 families, and the common ones are trees and shrubs.

In 20 13 years, the agricultural added value of Lufeng city was1082.6 billion yuan, an increase of 3.9%; The total grain output is 4 1.72 million tons.

Agricultural industrialization has been continuously promoted, and the production bases of grain, pollution-free agricultural products and characteristic agricultural products have begun to take shape. There are 64 leading agricultural enterprises at all levels in the city, including national 1 0 and provincial 10. Add 16 provincial vegetable basket bases and 9 planting bases.

Invested 440 million yuan to complete 125 central and provincial water conservancy projects for people's livelihood and improve the irrigation area of farmland 1. 1.0000 mu.

Start the policy rice insurance work in time and pay 9 million yuan to the affected farmers throughout the year.

Zhejiang Liang Hai Group, a top 500 enterprise in China, settled in Shenzhen-Shantou Special Cooperation Zone to develop organic agriculture.

Speed up the construction of standardized fishing ports in Xiao Mo and Xiamen.

Shanwei dialect. Fulao dialect is used in most areas of Lufeng.

Shanwei people call their dialect "H! K-ló-uΙ ",the sound, rhyme and tone are more complicated than Mandarin.

Initial 17, vowel 74, 8 tones (seven tones of fairness and Donghai).

This language claims to be consistent with Fujian, Minnan and Taiwan Province provinces.

In Taiwan Province Province, according to the saying that homophonic people created "Heluo dialect", most people who speak Minnan dialect in mainland Fujian Province also agree with this writing.

Fujian-Taiwan film is the root language of Fujian language family, commonly known as Minnan language, which is accepted by both Fujian and Taiwan; Commonly known as Heluo dialect.

Hakka dialect is distributed in the northern mountainous area of Lufeng city.

The sea-land cavity in Shanwei City, Guangdong Province is mainly immigrated by Hakkas.

Hakkas live on the hillside. In the middle of Qing Dynasty, some Hakkas in Liuhe and Haifeng of Huang Qiang moved away and moved to Taiwan Province Province and Southeast Asia. There are also some Hakkas on land and sea.

Hailu Dialect in Taiwan Province Province is close to Hakka Dialect in Shanwei City, Guangdong Province, and the tone value of Hailu Dialect is almost opposite to Sixian Dialect and close to Cantonese.

The Hakka dialect in Hailufeng area belongs to a small piece of land and sea in Guangdong and Taiwan Province, and it is a kind of Hakka dialect close to the vernacular.

Jun Dialect Jun Dialect is a mixed dialect which contains Mandarin but is deeply influenced by Hakka Dialect and Minnan Dialect. There are three dialect islands, namely Qingtang Village, Xin 'an Town, Lufeng City, Kanshitan Village, Daan Town and Longyintang Village, Pingdong Town, Haifeng County, with about 10000 users.

Orthography, also known as Andrew Opera, is also known as Nanxi Opera. It is sung in Zhongzhou Mandarin (Andrew), which is the heritage of Nanxi Opera. It has a history of more than 800 years, and has been praised as a living fossil of China's plays by experts and scholars at home and abroad.

Zhengzi Opera is an ancient and rare opera with many voices, including Yin Zhengqu (mixed with Yiyang, Yuyao, Qingyang and Siping), Kunqu Opera, Prose Opera and Mixed Tune.

In 2006, Zhengzi Opera was announced by the State Council as one of the first national intangible cultural heritage lists.

Lufeng Shadow Play Troupe is the only professional shadow play troupe in Guangdong Province.

Lufeng shadow play has been surviving and developing among the people, with the genes of the ancient Minnan language family and the breeding of Hailufeng folk customs. It has rich singing music, strong local characteristics, exquisite paintings and sculptures, and vivid and elegant performances.

In 2006, Lufeng Shadow Play was approved by the State Council to be included in the first batch of national intangible cultural heritage list.

Bai Zixi has a long history. At the end of Yuan Dynasty and the beginning of Ming Dynasty (or earlier), it flowed from southern Fujian to eastern Guangdong to Hailufeng, where it was combined with local dialects and folk arts, and gradually formed the Hailufeng Bai Zixi with strong local characteristics.

Music singing is basically a combination of qupai, supplemented by folk songs.

Because singing often uses "e-e-e-e-e-e-e-e-e" as a lining word, it is also called "e-e-e-e-e-e-e-e".

Later, it absorbed folk arts such as bamboo horses, money drums, fishing songs and Chaozhou opera music, and gradually formed its own style and characteristics.

Bai Zixi's original old white characters (Minnan local opera), Chaozhou white characters (now called Chaozhou opera) and Xia Nan white characters (Hailufeng white characters) are now proper names of Hailufeng white characters.

There are many kinds of lion dances in Hailufeng, and their sources are different. Among them, Qingtang Village (the intangible cultural heritage of Lufeng City) has the longest history and is regarded as the boss/lion king.

Five-color lion

Jieshi was built in the early Ming Dynasty, and Jieshi was built with the rich Wei 'ao Fort. It was an important coastal defense military town in China during the Ming and Qing Dynasties, and the garrison was unified by the imperial court throughout the country.

According to legend, the "Five-color Lion Dance" of Jieshi Acropolis existed in the Hongwu period of the Ming Dynasty, and gradually became one of the traditional folk entertainment programs with the richest local characteristics, loved by the masses and the longest history in jieshi town.

The majestic "five-color lion lantern dance" not only harmonizes the characteristics of foreign lion dances, but also has unique local characteristics, forming a traditional dance that highlights local folk customs.

The production method of "Five-color Lion Dance Lantern" is to tie bamboo pieces into a skeleton and mount it with tissue paper or rolled cloth. The lion is 2.8 meters high, 3.2 meters long and 1.2 meters wide. There is a device for placing candles inside, which can be divided into lion head and lion tail. The lion's waist is connected with a soft rope and can move back and forth. The lion's head and tail are each equipped with a bamboo pole.

The five lions are painted in five colors: cyan, blue, red, yellow and deep blue, so it is called "Five-color Lion Lantern Dance", which symbolizes the five elements of gold, wood, water, fire and earth and the five directions of east, west, south, north and middle.

In 2009, it was selected into the third batch of provincial intangible cultural heritage list.

Yingge dance

Jiazi song and dance is a hero's song and dance, and hero refers to Liang Shanbo's 108 hero. In the class of intellectual robbery, he disguised himself and sneaked into the famous mansion, showing the spirit of justice, wit, courage and enterprising, and showing the heroic spirit of Liang Shanbo.

Song and dance is a traditional folk program in Jiazi Town, Lufeng City with a long history. It is said that during the Guangxu period of the Qing Dynasty, people in Jiazi area introduced English songs from Fujian activities to celebrate a grand temple fair, because the songs and dances had ancient costumes; The magnificent and moving martial arts are deeply appreciated and loved by the masses. Therefore, the annual activities are passed down from generation to generation, and they are never tired of it. They have been circulated for more than 300 years and become a unique song and dance.

20 1 1 Jiazi Song and Dance was selected as the third batch of national intangible cultural heritage in the State Council.

Gungun Jinlong

During the performance of "Golden Dragon on the Ground" in Nanxi Village, two people got into the "dragon quilt cover", one jumped the dragon's head and the other jumped the dragon's tail.

The whole performance process is divided into eight stages: the opening ceremony, fighting around the hole, swimming in the pool, stretching muscles and washing scales, squatting in the thunder, dancing against the thunder, walking around the clouds and finally returning the gift. During the performance, the imitated dragon dance danced, splashed in the water and woke up after meditation.

Accompanied by the majestic and bright Hai Lufeng orthographic drama "Brand Big Gong and Big Drum", Da Suona played different tunes according to different performance plots, including Gong E Fen, Crying Emperor, Mountain Slope Sheep and Eight Dishes.

The basic characteristics of this kind of dance are rich expressions, numerous routines, wonderful dance fragments and good skills.

Lufeng Gundi Jinlong is mainly distributed in Nanxi Village and an yun Village of Da 'an Town, Qingtang Village, Dingtan Village, Antang Village, Anbo Village, Wangcuo Village of Cixi (Jiuxiang), Shangshan Village of Chengdong Town, Shengou Village of Tanxi Town, Xiangzhou Street and Heshun Village of Shanwei City.

In 2006, Lufeng Gundi Jinlong was approved by the State Council to be included in the first batch of national intangible cultural heritage list.

Eight immortals ride eight beasts

The "Eight Animals Dance" in Da 'an originated from the groundbreaking ceremony of Anlu County in the fifth year of Tang Wude, when people celebrated with "Eight Animals".

Because the "Eight Beasts" are lifelike and magnificent, they are regarded as auspicious things.

After that, most large-scale celebrations will have "Eight Beasts".

The legacy of the Tang dynasty lasted for more than 1000 years and has been passed down to this day.

Taoism began in the Eastern Han Dynasty, flourished in the Tang Dynasty and continued in the Song, Jin, Yuan and Ming Dynasties.

In the Qing Dynasty, Taoism was suppressed because it was regarded as the religion of the Han people.

The Eight Immortals are Taoist figures. The legend of the Eight Immortals existed in the Tang Dynasty, but there was no Eight Immortals riding Eight Beasts. It was not until the Song Dynasty that the Eight Immortals began to take shape.

"Eight Animals" refers to eight kinds of animals such as Kirin, lion, elephant, sheep, green cow, tiger, deer and horse. They are the legendary "Eight Immortals". Six men, two women and eight children dressed as Eight Immortals ride on eight beasts to perform, so they are also called "Eight Immortals ride on eight beasts" and "Eight Immortals ride on eight beasts".

The order of Andromeda is as follows: first, Han Zhong rides a unicorn, second, rides a lion, third, Han Xiangzi rides a sheep, fourth, Cao Guojiu rides a green cow, fifth, Li Tie rides a tiger, sixth, Zhang rides a fine horse, seventh, He Xiangu rides a blue elephant, eighth.

Piaose

Bomei Piao Se, commonly known as Bomei Beauty, was introduced from Suzhou in the thirty-third year of Qing Qianlong (AD 1768). At that time, when Lin Guangshen, a famous Bomei businessman, was engaged in the wholesale business of brown sugar in Suzhou, it coincided with the local festival and held a literary parade, which was deeply moved by the vivid performance, exquisite makeup and beautiful manners. Then I hired local artists as teachers, bought back eight sets of floating color props, and hired famous artists to teach the creation of floating color art and makeup artist in Bomei.

Since then, Bomei Piaose has held Piaose performances on traditional festivals such as Spring Festival, Lantern Festival and March 23rd, which have been passed down from generation to generation, and have been continuously improved, innovated and developed.

The characteristics of Bomei's floating color are: it can be divided into two parts: top pile and bottom pile. Each floating color is 450 cm-500 cm high, and a landscape bed with a length of 250 cm, a width of 120 cm and a height of 80 cm is used as a small stage. The figure standing on the table is called "screen", also called "bottom pile", and the figure of historical hero falling from the sky is called "gone with the wind", also called top pile.

The two are made of a special forged steel bar with different specifications and shapes, which are connected into an organic whole to show the characteristics of floating colors and highlight the patriotic spirit of historical heroes.

Bomei has only five floating colors. In the past, every floating color needed eight people to carry it for cruising. Now, it only needs four people to push the paddle wheel to go out for a cruise.

Piaose must strictly select boys and girls aged 8- 18 as actors, and each Piaose needs 3-5 people.

In 2009, it was selected into the third batch of provincial intangible cultural heritage list.

Money encouragement

Money drum is a folk song and dance with a long history and unique art.

Singing by two or four characters, many people now form a group dance.

Actors are children geisha, male and female collocation; Wearing colorful clothes, green men and women.

Wearing a hat, holding a dance set and a money drum, singing and dancing.

Original form, interspersed with characters and plots.

Stories that have been handed down to this day include Chen San Grinding the Mirror, Guo Hua Selling Rouge, and Pei Xing Meeting Yunying.

These stories themselves are either from the legends of the Tang Dynasty or from the stories of the Song and Yuan Dynasties, and their forms are ancient.

During the performance, there were voices and accompaniment.

The auxiliary word "Luo Lixuan" is an ancient Brahma.

Accompaniment music includes Liu Qingniang, Shuang Qing and Qian Guwei (string).

Liu Qingniang is an ancient "Paizi Qu".

Biography through the ages is unique, and the music language is unique.

There are two sets of dance moves. One set belongs to "money drums", such as beating drums, shaking drums, shaking drums, throwing drums and receiving drums. A set of traditional Chinese opera movements belongs to a series of stories, such as riding a horse, restoring a horse, watching a tower, grinding a mirror, looking in the mirror, threading a needle, leading a wire and embroidering.

The combination of the two movements is seamless, which is a wonderful example of the transition from folk song and dance and rap music to traditional opera.

Qilin lion dance

The unicorn dance in Lufeng is one of the traditional sports activities integrating martial arts, dance and music.

It is related to the people's resistance to * * * and foreign invasion in history, and later evolved into a grand festival to celebrate Ruixiang.

Mainly performed during the Spring Festival and festive festivals.

It was listed in the first batch of intangible cultural heritage list of Lufeng City.

Donghai dragon dance

Dragon dance in the East China Sea is one of the traditional folk art projects in Lufeng. The performance was accompanied by orthography and percussion. The dragon is 56 meters long, representing 56 nationalities. Accompanied by magnificent drum music, dragon dancing and Youlong playing pearls. The scene is very spectacular.

Interactive lion dance

Hudong lion dance has a long history and profound implications.

It is a symbol of joy with the content of promoting traditional culture, exorcising evil spirits and strengthening the body.

It is a cultural and sports activity that Hudong people have always loved.

It was listed in the first batch of intangible cultural heritage list of Lufeng City.

Hudong lion dance, commonly known as tiger lion.

This is a traditional folk dance deeply loved by people in Hudong.

It is difficult to know where it flowed in the Qing Dynasty.

But historically, it has always been regarded by local people as a folk activity that can exorcise and control evil spirits.

Therefore, whenever traditional festivals, new buildings are completed, bridges are opened to traffic and other celebrations, the "Tiger and Lion Class" should be invited to dance.

People hope to use "tiger lion" to wash away bad luck.

The lion dance in Hudong usually takes place on February 24th and 30th of the lunar calendar1.

During the Spring Festival, it is most popular with people. Men, women and children will be the first to watch when they hear the drums and gongs of the Tiger and Lion Class.

When the "tiger lion" arrives, it will set off firecrackers to welcome it, so that the "tiger lion" can wash away the bad luck of the old year and bring peace to the new year.

Eucalyptus simplex

Dancing Kirin in Shanghai is a folk custom of Lufeng at the age of 20, which is used to exorcise evil spirits and attract happiness.

It is an animal dance with Nanquan as the main action in China traditional martial arts.

It not only clearly reflects the evolution of Shanghai folk culture, but also dynamically reveals the development process of Shanghai traditional folk dance.

It has certain historical value and humanistic value.

It is one of the traditional folk animal dances with strong local characteristics.

It was listed in the second batch of intangible cultural heritage list of Lufeng City.

Tan Xi Jin Shi Wu

Tanxi Golden Lion Dance has a long history and profound implications.

Its dance movements, modeling, dance rhyme and instrumental accompaniment can not only reflect the evolution track of Tanxi folk culture, but also dynamically reveal the development process of Han folk traditional dance.

It was listed in the second batch of intangible cultural heritage list of Lufeng City.

The Golden Lion Dance in Tanxi is commonly known as "beating the tiger lion" or "beating the tiger lion".

This is a traditional folk dance.

It has certain historical value and artistic research value: it plays an important role in studying the history of Chinese folk dance; Its dance movements, modeling, dance rhyme and instrumental accompaniment reflect the artist's superb skills and contain certain scientific genes, which is of great artistic value to the study of China folk dance and Cantonese opera. At the same time, it is also a kind of physical exercise and an extremely important material for studying China Wushu-Nanquan.

China wind percussion ensemble

Nantang Blowing Music, represented by Nantang Qingxing Class, is one of the music in Guangdong Province. The suona and suona "blow songs" are the mainstay, supplemented by percussion music such as gongs, drums and cymbals, and sometimes accompanied by string performance. The porcelain bowls are interspersed with the head, hands and legs for difficult single or double blowing.

In July, 2006, on behalf of Guangdong team, he went to Beidaihe, Hebei Province to participate in the 7th National Folk Art Mountain Flower Award and Folk Art Performance Award, and won the honorary titles of "Special Excellence Award" and "King of Blowing Songs" in the National Blowing Song Exhibition.

Zizhuguan Taoist Music

The Taoist music of Zizhu Temple in the west of Lufeng River has a long history.

As far back as the Jin Dynasty, the uprising of Taoist Lu Xun and others failed, and some of them were scattered in Hailufeng and scattered in coastal ports and islands, which was called "Lu Ting" in history.

From then on, Hai Lufeng had Taoism, Taoist priests, Taoist temples and Taoist music.

The concept of Zizhu originated from Jiazimen Yuqing Palace in Song Dynasty. In the 27th year of Emperor Kangxi of Qing Dynasty (1688), he moved to the vegetable garden in the East Cape of Lu Fengxian, which was called "Juesheng Hall". Its original site has been preserved until today.

During the Qianlong period, he moved to Dafeng Mountain in Hukou, Hexi Town, Lufeng City, and changed the "Jueshengtang" to "Zizhu Temple", commonly known as "Hukou Temple".

Zizhuguan covers an area of 1.200 square meters, with a building area of over 860 square meters. The front hall is dedicated to "Wang Lingguan". Around the "Jade Emperor" in the nave are Taoist founders such as Lu Chunyang and Qiu Changchun. Celestial officials, local officials, water officials and Nan Chen Beidou.

It belongs to the Dragon Sect of Quanzhen Sect.

Purple bamboo Taoist music is divided into two parts: one part is the ritual music read by Taoist priests in the morning and evening classes; One is the music of God's birthday ceremony.

Its vocal music is all according to the scriptures, handed down from generation to generation, without changing a word, and its vocal sound is tortuous. So as the saying goes, "Smart players, stupid teachers".

It is said that it keeps the tradition and never changes.

But its historical value, artistic value and scientific value are commendable.

In 2009, it was selected into the third batch of provincial intangible cultural heritage list.

Lake East Dragon Boat, also known as "Mountain Dragon Boat".

Hudong, a native of the seaside, is used to racing dragon boats on the water every year during the Dragon Boat Festival, imitating the water dragon boat race and symbolically rowing dragon boats on land.

Legend began in the seventeenth year of Chongzhen in Ming Dynasty (A.D. 1644) and was founded by people in the town.

Since the Qing Dynasty, it has been held in festivals and celebrations.

20 meters long, 30 to 46 people perform, and the actors stand in two rows on the boat.

During the performance, the boat is tied with a belt, and the dragon boat is driven by feet instead of boats.

Under the command of the ship's gongs and drums and commanders, the radial porters make rhythmic paddling movements, collectively operate paddling, and the leader and rudder tail also make corresponding cooperative movements. The audience is like a boat in the water, and the scene is warm, which constitutes a moving picture of winning the championship, no less than the scene of dragon boat racing on the stream in Hong Kong.

Especially when radial players sing beautiful fishing songs with loud whistles, it creates a fascinating realm. Fishing songs include duets and chorus.

Dragon boat with local characteristics is one of the local people's favorite performances.

In 2009, it was selected into the third batch of provincial intangible cultural heritage list.