How many symphonies did Beethoven compose in his life?

Beethoven: symphony no.1

Beethoven: SymphonyNo. 1

Beethoven's Symphony No.1 in C Major, Op.21started at 1794 and finished at 1796. Beethoven was 26 years old at that time, and 1800 premiered at the Hofburg Theatre in Vienna on April 2. The style of this work is relaxed and lively. It is said that it was made at the suggestion of Mozart and Baron Switon, the protector of Haydn.

In Beethoven's symphony, we can clearly see the shadows of Haydn and Mozart, with four movements: 1 Adagio, Allegro with vigor and vitality. There is an adagio intro imitating Haydn at the beginning, but before the first theme with classical traditional characteristics enters, there are some lingering chords. The first theme is dancing, and the sub-theme is the beautiful dialogue between oboe and flute. The expansion part is almost written with the first theme, and the material at the beginning is more powerful and changes more when it appears in the reproduction part. 2. Andante like a song. Around the expansion and expansion of the sonata allegro form with simple theme, there are many decorations in the main theme of the reproduction department. 3. minuet, lively and fast allegro, has used the fast speed of scherzo in this movement, and the rhythm stress shows a sharp contrast. 4. Adagio, lively Allegro. At the beginning of this movement, the repetition of a simple scale leads to a dance theme, which shows a humorous ridicule of Haydn's imitation. Its form is Haydn's simplest sonata-Rondo form, but it increases the imagination. The outstanding feature of this work is the lightness, humor and liveliness of the third and fourth movements. At the premiere, orthodox critics thought that this "extensive use of vulgar dissonance and the noise from all musical instruments" hurt Mozart and Haydn. In fact, Beethoven's works are to show his respect for them.

Beethoven: Second Symphony

Beethoven: Second Symphony

Beethoven's second symphony; In D major, Op36, 180 1 year was started, 1802,1October was completed in Heiligenstadt village in the suburb of Vienna. 1802, Beethoven had a premonition that he might lose his hearing completely. This symphony was written by Beethoven in his struggle with fate, almost at the same time as Heiligenstadt's last words. This symphony is called Hero's Lies. A famous critic in Leipzig described this work as follows: "A rude monster, a stabbed dragon, refused to die until the last drop of blood (the last movement). It was furious and wagged its tail wildly until it died in a painful struggle." This work 1803 premiered at Vienna Theatre on April 5th.

This work consists of four movements: 1. Adagio and Allegro. Including romantic and mysterious introduction and lively first movement, the theme is vigorous, noisy and lively, and the subtitle is singing played by woodwind. 2. Small wide board, the broad flowing melody is played by the string group first, and then reflected by the woodwind instrument. The whole movement is full of melodic beauty. 3. Scherzo, Allegro. This movement is full of unexpected dynamics and rhythm changes, and there was an exquisite and elegant woodwind trio in the middle of18th century. Allegro, called the second scherzo by Berlioz, is full of liveliness and happiness.

Beethoven: Symphony No.3 (Hero)

Beethoven: Symphony No.3

Beethoven's Symphony No.3 (Hero) in E flat major, Op.55, written in 1803- 1804. Beethoven wrote this work for Napoleon for the first time. Napoleon was Beethoven's revolutionary ideal and the modern Prometheus. However, when the work was completed, Napoleon had already proclaimed himself emperor, and Beethoven angrily tore off the title page originally intended for Napoleon (the original title of this work was Bonaparte) and renamed it the Heroic Symphony, "to celebrate the memory of a great man." This work, 1805, premiered at the Vienna Theatre on April 7, with Beethoven himself as the conductor. Includes four movements: 1. Allegro, full of vigor and vitality, has been the theme of Prometheus from the beginning, and its development is full of the strength of will. Romain rolland once described this movement as follows: "The battlefield of heroes extends to the boundary of the universe. In the mythical battle, the chopped giant is as heavy as a lizard before the flood, and grows shoulders again. The theme of will is to put it into the fire for smelting and hammer it on the anvil. It will break, stretch and expand. " 2. funeral March, adagio, the hero died, the people carried his spiritual fulcrum slowly forward, and the outbreak of passion turned into lyrical meditation. The trumpet sound of the middle drum replaced the funeral music, and the ending returned to the sigh of farewell to the hero. 3. Scherzo, lively Allegro, death and sadness can't shake the will. This sport is a symbol of vitality. It is lively and full of passion, with a cheerful bugle ensemble in the middle, which shows the true colors of heroes. 4. The finale Allegro adopted the theme of Prometheus, with a gorgeous continuous variation of 1 1, and finally ended with Allegro, which became a strong symbol of life, a heroic triumph and a solemn ode.

Beethoven: symphony no.4

Beethoven: symphony no.4

Beethoven's Symphony No.4 in B flat major, Op.60, was written in1September 806 and1October. At that time, Beethoven was visiting the Summer Palace in Graz, the suburb of Prince Trapo in Sinovsky (located at the junction of Poland and Czech Republic). Beethoven met Count Hooper Dolf here, who wanted to form a band. He commissioned Beethoven to compose the fourth symphony. This work was premiered by Count Hooper Dolf and his band at Le Sinovsky Palace in March 1807. This work is full of clear and poetic tenderness, with many subtle and colorful details. The whole song is divided into four movements: 1. Adagio, lively allegro, a slow introduction with some ominous signs leads to the most relaxed and pleasant allegro, followed by a wonderful melodic dialogue between solo bassoon, oboe and flute, followed by an increasingly intense development described by Berlioz: "The harmony color in it was vague and hesitant at first, and it didn't erupt again until the cloud of tone sandhi chords completely dispersed." It left the bottom of the river bed and roared down in the shape of a splashing waterfall. "The campaign started with the theme and ended with celebration. 2. Adagio, the theme of this adagio movement similar to serenade is almost entirely composed of scales in E flat major. A beautiful melody appears four times, and four or three insertions on the woodwind and beautiful comparative phrases constitute a natural combination of gyration and performance. According to Berlioz's comments: "Its melody is so pure and irresistible that the wonderful traces of artistic processing completely disappear. "3. Allegro vivacious, the movement of this scherzo is a kaleidoscope of color impressions. Lyric three-tone middle section, mainly woodwind performance. 4. Allegro, which is not too fast, starts with the endless rotation of the violin and ends with the rotation of the whole band, such as the dance of wild bees and the dance of fairies in mythology.

Beethoven: Symphony No.5 (Destiny)

Beethoven: The Fifth Symphony

Beethoven's Fifth Symphony (Destiny), Op. 67 in C minor, composed in 1804- 1808 (the fourth symphony was composed in the middle), premiered in Vienna Theatre on February 22nd, 2008. The whole song is divided into four movements: 1. Allegro full of vigor and vitality. The motto theme is "knocking on the door of fate", and fate and ominous signs are always in fierce struggle. 2. Andante is Beethoven's meditation on fate and a series of variations on two themes. The first theme is the calm and gentleness expressed by cello and viola, and the second theme is close to the hero's March and ode. 3. Allegro, Scherzo, and the resurgence of two opposing conflicts are the final struggles between heroes and fate. At the end of this movement, the whole band seems exhausted and falls on an unstable long tone. Drums are like the slow beating of the heart, and strings are like weak breathing in an excited background. As the anxiety grows, you feel that the sun is ready to break through the dark clouds. Suddenly, the band rallied and strutted into the final movement. 4. Allegro, the theme changes a lot, and the finale is long. Finally, the theme of fate lasted for dozens of bars in the glory with strong power, and the ending was a happy and brilliant light.

Beethoven: Symphony No.6 (Pastoral)

Beethoven: Symphony No.6

Beethoven's Symphony No.6 in F Major (Pastoral), Op.68, written in 1807- 1808. Beethoven was completely deaf at that time, and this work is actually a manifestation of Beethoven's attachment to nature when he was deaf. As romain rolland said, "Beethoven couldn't hear anything, so he had to mentally recreate a world that he had died. The only way to hear them is to let them sing in his heart. " This radical work premiered in Vienna on February 22nd, 1808 1808, conducted by the deaf Beethoven himself. On the premiere program, Beethoven explained this work like this: "The memory of rural life is more about feelings than scenery." Beethoven determined the title for each movement: "1. Allegro should not be too fast, the pleasant feeling of reaching the countryside. " 2. Extremely lively Andante, a small view by the stream. 3. Allegro, a happy gathering of villagers. 4. Allegro, Storm. 5. Allegro, happiness and gratitude after the storm. "The first movement of this work is almost composed of a simple phrase. A brief pentatonic mode is repeated 80 times, and the tonality and instrumental color change subtly during the repetition. The second movement depicts a small scene by the stream, with the sound of running water as the main body. The short trill of the violin is like an insect's cry, and at the end of the movement, quail, nightingale and cuckoo can be heard. In the third movement, Beethoven used music to describe the peasant dance music atmosphere accompanied by country bands in hotels in the suburbs of Vienna. The description of wind, thunder and storm in the fourth movement is somewhat impressionist. The fifth movement is to face nature, thank God, thank the sun after the rain, and thank the solemn hymn of nature. The third, fourth and fifth movements are played continuously.

Beethoven: Symphony No.7

Beverfen: Symphony No.7

Beethoven's Symphony No.7 in A Major, Op.92, was composed in18118 12, and completed in1812 in June. 18 13 12.8 was conducted by Beethoven and premiered in the auditorium of Vienna University. It was a benefit performance for the wounded in Austria and Bavaria. This work consists of four movements: 1. It's a little slow, a little lively, and the introduction is very long. A grand and simple theme has made great strides from top to bottom and developed into a grand effect. The fast part was written according to an easy-to-jump sound pattern, which Berlioz called the farmer's waltz, but it soon rose to a climax that seemed out of control. Allegro begins with the soft long strings played by woodwind, followed by the rhythm of bass stringed instruments, the flow of clarinet and bassoon, and the sigh of violin. This allegro movement is full of faint sadness. Some people say that it expresses thoughts about death and bad luck, while others say that it expresses the theme of funeral, which is a very beautiful movement. 3. Scherzo, Allegro, full of explosive and dynamic contrast, full of interesting wit. The short tone pattern composed of two tones in the middle of the three tones swings back and forth in the high-pitched area of the woodwind instrument, which is in sharp contrast. Allegro, full of vigor and vitality, started with Virginia dance music, but soon developed into an exciting rotation, with climax after climax, like the fury of Dionysus. Wagner called it "the best dance music".

Beethoven: Symphony No.8

Beethoven: Symphony No.8

Beethoven's Symphony No.8 in F Major, Op.93 It started in181year, completed in 18 121February, and premiered in Vienna at18/kloc-. The structure of this symphony is relatively small, including four movements: 1. Allegro, lively and energetic. Start with a short theme, which seems to return to rococo elegance at first, and then joke with classical norms. Every step forward is a change in music. 2. Allegro, the theme is the playful long agricultural tune. Here, woodwind instruments, as a slightly repetitive chord, accompany the dialogue between violin and double bass, which has an elegant and leisurely innocence. 3. The speed of minuet. Before the theme appeared, there were six motives in the court dance, and the lyric trio in the middle reminded people of Mozart and Haydn. 4. Allegro is lively, dance music character, full of strong twists and turns, and always keeps lively and humorous. This work shows humor and gentle smile, depending on the rhythm of the dance music.

Beethoven: Symphony No.9

Beethoven: Symphony No.9

Beethoven's Symphony No.9 in D minor (Chorus), Op. 125, was completed in February 1824 and premiered in Vienna on May 7/824. At that time, Beethoven was unable to consider conducting because of his deafness. He is sitting in a band. At the end of the performance, the applause thundered and he was unconscious. This work is Beethoven's greatest symphony, including four movements: 1 Allegro is not too fast and magnificent, and the mysterious five-dimensional emptiness in the introduction is like chaos before the world begins. Themes emerge from chaos and darkness, like lightning breaking through the sky. But this theme, as Wingartner said, soon went underground again, just like the devil in Arab mythology disappeared into a column of smoke. When it broke out again, a new theme appeared. After the new theme appeared, it soon came to the famous sad introduction of the deputy department. The auxiliary part is a collection of a large number of different themes into music fragments of different lengths. In this first movement, Beethoven still caused two huge waves, which rose slowly from the mystery and collided with each other, reaching a lofty peak. After a strong climax, the band returned to the fifth dimension where it began to tremble. Then there is a highly concentrated development department composed of the beginning material, followed by the reproduction of the whole main part. At the end, the unexpected sustained bass in the band's bass area seems to indicate something. Beethoven ended the tragic narrative in this movement with a rich and meaningful sentence. 2. Very lively-Allegro-very lively. This movement is Beethoven's greatest and longest scherzo. The basic theme of this movement was determined eight years before Beethoven wrote this symphony, and its rhythm structure is very similar to the Austrian folk landro dance. In this movement, illusory and grotesque images chase and interweave with each other under the dance rhythm. Compared with the first two paragraphs, there is an idyllic fantasy sentence in the middle. Like Adagio, this lyrical slow motion is actually a variation of two themes. Its first theme is melancholy melody, while its second theme is slightly waltz style, which Beethoven marked as "minuet style". It appeared twice between the variations of the first theme, enriching the meditative melody of this theme. Before the end of this movement, the bugle broke the silence and became a preview of the fourth movement. Allegro According to Tovey, Beethoven's plan in this symphony is "let's think deeply about the first three movements and then deny them one by one, so that we feel that none of them can achieve the joy he firmly believes." After these three movements are abandoned, a new theme will become a joyful ode. "In this movement, the first is the stormy allegro phrase, which Wagner called the' terrible horn ensemble'. With the reappearance of the basic themes of the three movements, the recitation of cello and double bass performance-one negative. Beethoven originally intended to write lyrics for the recitative here, but later he felt that the voice was not qualified at this time and deleted the lyrics. It was not until the great theme of Schiller's Ode to Joy appeared that the baritone used solo to express: "Oh, friends, don't use such a voice, let's combine more beautiful songs into a happy chorus. "The next solo is Joy, and the bass of the chorus should be in harmony with Joy. The first section is: the goddess of joy is holy and beautiful, shining brightly on the earth, and our hearts are full of enthusiasm. When we come to your temple, your strength can make people eliminate all differences, and under your brilliance, people will unite as brothers. The lyrics of the second paragraph are: May all the creatures in the world who share our troubles, virtuous ladies and honest brothers in the world, enjoy with us, and let the little people who don't deserve this blessing go to the shadows and cry and beat their chests. The lyrics of the third section are: people are surrounded by nature, drinking and having fun, regardless of virtue and ignorance, and moving towards a bright future. Nature has given us love, wine and eternal friendship, and even the smallest person stands before God with joy like an angel. After this period, the brilliant flame went out, and some strange sounds in the deep darkness broke the solemn silence. These strange sounds gradually became mysterious and distant military marches. Ruskin called this idea "a veil covered with lofty and terrible things that human beings can't understand." "So the lyrics of the fourth season are: joy, like the sun crossing, magnificent boundless space, brothers, hurry up and embark on the journey, and be happy to win like a hero. Finally, the lyrics of the fifth paragraph lead to a wonderful climax: people, embrace together and kiss people all over the world. Brothers, above the starry sky, there must be a loving father who will never die. Man, why are you kneeling on the ground? Man, can you foresee the creator? Fly over the starry sky and worship the supreme in space!