Who's Yi Shu? Can you introduce it in detail?

Yi Shu, formerly known as Ni Yishu, is a Hong Kong writer Ni Kuang. Yi Shu, 1946, from Shanghai. His ancestral home is Zhenhai, Zhejiang. He came to Hong Kong to settle down when he was five years old. After graduating from high school, he worked as a reporter for Ming Pao, and also interviewed and edited film magazines. 1973, Yi Shu went to Britain to study the course of hotel food management, and returned to Hongkong three years later to work as a public relations department in furama hotel. Later, he worked as a news officer in the government information service and also worked as a TV station. Now she is a professional writer and has moved to Canada. At the age of fifteen, Yi Shu was chased by newspaper editors for manuscripts and became a "miss" that editors dared not offend. When Yi Shu became famous as soon as he made his mark, the two brothers and sisters became two wonderful flowers in the Hong Kong literary world. Some people call it a miracle, saying that Yi Shu, Ni Kuang and Jin Yong are "the three wonders of Hong Kong literature". Jin Yong wrote popular martial arts novels, Ni Kuang wrote popular science fiction novels, and Yi Shu wrote' popular' romance novels. Other pen names are Mei Fong, Isabel and Rose.

She is beautiful and generous, "with wings to pursue ideals", so her novels are full of fantasy-illusory, but persistent, unwilling to give up. She has more keen observation and touch, and is good at turning ordinary words into strange sentences. Her writing style is as fast and vigorous as her own, but even if she changes her pen name ten times, it is not difficult for readers to recognize her from her works at once.

Up to now, 70 kinds of Yi Shu's works have been included and published, among which the more representative ones are The Story of the Rose, Xi Bao, Morning Flowers and Evening Picking Up, etc.

Yi Shu, a very clever woman. Because she is smart, her fate is also upward. The story is compact and concise. On the surface, the language is lively, humorous and sharp, but her sadness is only hidden in her bones. Even the feelings that hurt to the bone marrow just stop, which is an understatement. After crossing the sea, it is completely difficult to get wet. Forever amber, after vicissitudes of life, is dull and can't afford waves, and life continues. The feeling of reading Yi Shu is to master everything by yourself. Nothing is serious enough to give up a person's life, unlike Qiong Yao's great sorrow and joy. The characters in Yi Shu's works seem to be around one person, perhaps themselves. People and things that you think are very important in life are difficult to blend in. In her works, things are clear and then disappear.

Qiong Yao became popular when she became popular in Yi Shu, so people said; "Hong Kong has Yi Shu and Taiwan Province has Qiong Yao", but she said, "There is no need to mention Qiong Yao". However, she admitted that Qiong Yao had Qiong Yao's skill and wrote the novel "That" to the extreme. Compared with the tall and perfect heroes who bring happiness to women in Qiong Yao's novels, most of the men in Yi Shu's novels are disappointing. The first half of my lonely life has the following categories: the honest and diligent husband suddenly discovered his true self and passion, and decided to live a new life with the actress, regardless of the feelings of his wife and children; A male colleague who has been complacent in the company for half his life, under the banner of "my wife doesn't understand me at all", asked a single woman for a bargain; Boys in their twenties, fresh out of college, want to find experience and comfort in mature women; Gentle and considerate, love art, knowledgeable partner, but gay; Try a few tricks to see that foreign devils can't immediately swear and turn the rudder and leave ... Of course, they are not bad, just like Zhang Ailing said, "just one person." "This is just a person! How much hope can you have?

Therefore, most of the heroines in Yi Shu's novels are sentimental women who give up classical romanticism early and only take self-love and self-improvement as the foundation. Some of them are single women who don't complain when they are lonely, and sometimes their mouths are quite hard, making a lot of jokes; There are also people who finally find the other half (but with their brains, not their hearts)-a safe, open-minded and considerate man is the best destination for a woman who has gone through vicissitudes. Compared with the earth-shattering love that can live and die, this kind of Yi Shu is more sure.

However, "this is another matter", Yi Shu repeatedly said, as if a little desolate. Maybe she still has a dream in her heart. We live in a real world, and everything is doomed to be full of contradictions, including love.

? Love is suspicious, but friendship-friendship between women-is pushed to the most important position by Yi Shu. Most of her heroines have at least one female close friend, or sister, or mother, or daughter, or classmate, colleague, or even stranger or rival in love, who stands on the same front with her, appreciates her, encourages her and helps her. Here, women's friendship is women's recognition, respect and love for their own gender, emotional needs, and even common resistance to unfair treatment of another gender. ?

Yi Shu wrote about the warmth and preciousness of this friendship and its fragility-indeed, fragility, in a society where men are masters of their own affairs and women "miss men and blame them". There is a plot in The First Half of My Life: Zijun feels lost and even "unreasonable" because of Tang Jing's cohabitation with her fiance, knowing that the old love is no longer there, and lamenting that "there is no way to turn the tide" ... Even after they made up, that kind of sadness still exists. Tang Jingyuan got married, and since then, the days when she lived alone can only remain in her memories and become a permanent concern. ?

Children are another concern in Yi Shu's heart. There are often children in her novels (mostly smart and precocious children of single mothers), and she is full of feelings for them. This feeling has even turned into love and appreciation for the whole younger generation: "They will enjoy life and know what they want." "How do they think and how do they know how to choose?" "At that time, the more unrealistic we were, the more romantic we felt. Break up with a man who doesn't like his feelings for three years. How many years does a person have? This generation of young people is really blessed, and the social atmosphere has become so open, lively and much more flexible ... "?

And all this, in the eyes of other writers, may be that people are becoming more and more selfish, shallower and more addicted to the performance of real enjoyment, that is, the feeling of classical beauty is no longer worrying and sighing. But Yi Shu didn't. Yi Shu is open and pragmatic. Perhaps because of her love for her children, she is willing to believe in the future and that everything is changing for a better life-so in the past 20 years, one generation has studied in Yi Shu and the other in Yi Shu. ?

The biggest difference between Yi Shu's novels and other popular novels is probably her strong female consciousness, which has not affected the popularity of her works (feminism, as a selling point, is very inappropriate at this stage, especially in China, and even a woman like Yang Lan said in an interview that her real ideal is to be a good wife and mother). The secret is probably Yi Shu's female consciousness, which is expressed in a very emotional and vivid form. ?

I have read such a "warm story" from life magazines published in the mainland more than once: a girl fell in love, "lost her virginity", never got married, knowing that she had committed a heinous crime, but met a man she really loved in pain. After several struggles, I finally decided to tell the truth and tell her frankly that the man had forgiven her. God, how gracious, how happy, how moved ...? And the same thing, in Yi Shu's The Story of a Rose, the man chased the woman, "I will forgive you", and the woman just said: What do I want you to forgive? What have I done to make me forgive you? Everyone has a past, and this past is also a part of me. If you feel dissatisfied, you can find another lady, but why should I beg you to forgive me? Your mind is a mess. Your girlfriend is not a virgin, so you should forgive her for turning over a new leaf. Who do you think you are?

This woman is 29 and a half years old. She has such great courage to treat her fiance, which comes from her psychological independence and more from her economic independence. "I am a capable woman, I can solve life problems with my own hands", so she has the right to ask for true love and respect. If he doesn't give it, she doesn't have to accommodate him. -This is simply a standard feminist gesture. ?

But in Yi Shu's other novels, the heroine finally gave in-both sides made some concessions and cooperated happily. Maybe this is the limitation of Yi Shu, maybe it is her cleverness. People say that real equality between men and women takes a thousand years. I don't doubt this, because people have spent thousands of years making it. So, instead of waiting for a thousand years, why don't you grab something affordable? Therefore, in "She is Lonelier than Fireworks", although the female reporter is full of youth and high-pitched, she found that behind the so-called brilliant success of women, it is so bleak. She immediately hugged her boyfriend's thigh: I am dead, I hope my husband and children are by my side. I hope someone will fight for my inheritance. I hope my sesame mung bean gem ring has a granddaughter who can't let go, claiming that it was left to her by my grandmother. I hope my grandson will discuss it with me when he gets married. I hope everyone in my husband's family and I are at odds. I hope to be a happy woman, please help me. ?

Interesting, isn't it? Did you cry when you laughed? This is Yi Shu. She was born in Hongkong, an international metropolis, and received western education, but her bones are China's, which we think is the most intimate place for her. Putting a Yi Shu in a backpack is like putting a precious box of rouge-Yi Shu said: A woman, no matter what age or status, can't live without this box of rouge-rouge is a symbol. Women of the past, women of the present, women of this type and women of that type should all strive to make their lives better.

Yi Shu's works

Love story—

"Single Woman" and "In that faraway place" ("Favorite Song")

No chance, now everything is wrong, the same door.

Don't forget what you've lost, Asura.

Stranger, open the tea.

If there is love in heaven, favorite song

Real men don't cry, there is no season in the city.

Letters from the heart and the world of mortals

Around the world, this is definitely a dream.

If the wall can talk, the story of the rose

Beautiful color, rose foam

Rosemary and Wei Zi hope.

Gadget, if Susie falls.

Xibao, be as beautiful as you want.

The infatuation department and until the seas run dry and the rocks crumble.

The journey of life and the weekend of panic

Charm, silver-haired girl

Beautiful colors and eternal love

Short stories—

Prose, the field of self-satisfaction, the legendary woman

Can you see love? Gold ring erosion

Work and nostalgia

Children in the wind and single sex

Legends and accidents

The color of heart and watercolor painting

The temptation of summer and the rose garden

Lou and his girlfriend are leaving.

Teacher and bar

Graduation day

Prose-

Have a good month and be a man.

Modern novels—

Old and new, Lily of the Valley.

Interview, red shoes

Ripples and moments of youth

Dream woman, random encounter, short story

Old lover's short stories are like dreams, three little boys' short stories have no guesses, wait, and young hearts.

"Short Stories" and "Only the eyes are the truest"

Collection of Short Stories in the Old House and Collection of Short Stories in Late Childhood.

The collection of short stories "Glass World" and "Looking for the Lost Cat".

The Back of the Moon and the Picture of a Lady.

Tighter and shorter, shorter and shorter.

Please don't take it back, secret

Mother and daughter, new love

"Depression" and "Men Sleeping Everywhere"

Short stories of change and unknown women

Thief beauty, channel 9

Backpacks and sisters

Sensitive, I wasted all my tears and wasted these years.

Children and memory

Feel sorry for the green and beautiful ideas and colleagues.

Eighteen Loneliness and Prisoners

Aftershocks and adjacent areas

Beauty queen, please leave a message.

Baby, grow up

Female journalists and injured health

Break up, orchid

Little people, fortune cookie.

Love, red gloves

End point and space

Divine doctor and inspiration

Future stars and lights

Go home and make a wish.

Lost night, club

Butterfly, new pink coat

Warm and muddy

Save the manuscript and forgive.

Not afraid, cousin

Procedure, stop the car.

There are leaves and lovely children

Marriage between Black Sheep and Sweet Peony

"Resignation" and "Girlfriend of an Old Friend"

Fine sand and red shoes

Grandma, my heart is broken.

Vancouver Incident and Crystal Flower

Indulge in "A Woman with a Past"

My story, little flame

Xia Meng and comedy.

Peeping, three little conjectures

One million yuan promissory note, blue

Past and report

Chess friends and ghost gypsies

Stars and fragments of buildings are full of wind.

Blue cities and dim lights

The Golden Heart and the Old Society

Sugar, dreaming.

The old man and the secret

Ten days, the music in the next room

Divorced women and metamorphosis

Fantasy and Glass World

Although these hands are small, Libra is surprised

Brave new world and Seven Sisters.

Round dance and distribution

French girl, journey

Datura and sisters

On the sunny west coast, men and women

Heaven, illusory dreams and real tears

Jia Ming and Ross, female students

Beauty saves heroes, strange creatures

Other people's girls and casinos

How to say goodbye and afterlife

Net and Nanxingke

Injury to the city, listen to me in detail

Encounters and strange creatures

Guardian, love story

Don't lose or forget, hometown

I love, I don't love, masterpiece.

Life Journey and Lonely Heart Club

Cheng Huan Ji and this case

Betrayal and cowardice

The last romance and soul of Yuli

Rumors, beautiful and charming.

The fake play is really done. He is lonelier than fireworks.

Three wishes, the first half of my life

Small universe, Italian lily

Duitouhe Huajie Yu

Diary of a young girl and pomegranate map

Dig sighing corners and bridges

The unruly wind and 100 1 magic prescription

Secret, item

Menstruation's Boyfriend and Story

Cicada, the death of love

Miss Lonely, serial

Qingyun and foreign son-in-law are numbered.

Bad-tempered girls and black sheep

White soldiers and the snitch

A hunch that Hu Lancheng's next work.

Have the best of both worlds, looking for the lost cat

Elevator and sequel

Nostalgia and heart

Black joke, moonless night.

Portrait of a sad man coming home

I promise you, yat sen villa.

Frolic in the Tide and Medical Feeling

Prophecy, Ayu and Awa

All the stars and wild children in the sky

Sunny days and passers-by

Love letter and jade hand

The little princess and Lin Ji

Show off, lonely pigeon

Image and body

This summer, liar

Yellowstone Valley and Brocade

There is regeneration between the two.

"Gold Powder World" and "Jasmine Fragrance of Xiaoguo Case-solving"

Love once, Indian ink

Bo Xin he hong Xie

Mother and wall coming home

Early flowers and late flowers, billiards room

Get better, I am a teenager.

Arrangement, daughter of the night

Mr. Pursuit of Right and Wrong

A moment of youth, an apricot

Neighbor, bad-tempered girl

Speed girl and boss

China science fiction-

People are as light as chrysanthemums.

Publish books (Moulin Rouge Edition)

1, pumpkin eater

2. Same door

It is wrong to put off such love for one day.

4. Lonely Heart Club

5, flowers are always good, the moon is always round, and people are long.

6, unruly wind

7.bauhinia minor

8. Two or three things about her

9. All the stars in the sky

10, a ray of light came quietly.

1 1. If the wall can talk.

12, new and old

13, Le Weiyang (prose)

14, CAMBRIAN (prose)

Xibao 15

16, scissors for the needle as a matchmaker.

17, shh-

18, lover of neighbor's wife

19, the story of the rose

Good morning, Miss Chief Executive.

2 1, electro-optical phantom

22. The first half of my life

23. Open tea.

24. Xue Hai

25. People are as pale as chrysanthemums

26. Fire

27.rouge

28, pomegranate skirt